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Gender and the Family in Contemporary Chinese-Language Film Remakes
Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience. -
2017-2018 Annual Report 2017-2018 View
Founded in 1940, the NAACP Legal Defense and Educational Fund, Inc. (LDF) is the nation’s first civil and human rights law organization and has been completely separate from the National Association for the Advancement of Colored People (NAACP) since 1957. From that era to the present, LDF’s mission has always been transformative: to achieve racial justice, equality, and an inclusive society. Photo: LDF Founder Thurgood Marshall contents 02 Message from the Chairs of the Board, Gerald S. Adolph and David W. Mills 04 Message from Sherrilyn Ifill, President and Director-Counsel 07 Litigation 10 A. Education 14 B. Political Participation 18 C. Criminal Justice 22 D. Economic Justice 26 E. Equal Justice 28 F. Supreme Court Advocacy 30 Policy and Advocacy 34 Thurgood Marshall Institute (TMI) 40 LDF in the Media 44 Fellowship and Scholarship Programs 48 Special Events 51 Supporters 61 Financial Report 64 Board of Directors We are proud to say that despite these Gerald S. Adolph mounting threats, LDF remains equal to the task. This annual report is a testament to LDF’s remarkable success in and out of the courtroom. David W. Mills 1 message from the chairs of the board In 1978, LDF’s founder Thurgood Marshall said, “Where you see wrong or inequality or injustice, speak out, because this is your country. This is your democracy. Make it. Protect it. Pass it on.” The NAACP Legal Defense Fund has been pursuing that mission since its founding. Through litigation and advocacy, LDF works to protect and preserve our democracy, so that its promises of liberty and justice can at last be made real for all Americans. -
Exegesis. Christopher Shawne Brown East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2008 Exegesis. Christopher Shawne Brown East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art Practice Commons, Fine Arts Commons, and the Photography Commons Recommended Citation Brown, Christopher Shawne, "Exegesis." (2008). Electronic Theses and Dissertations. Paper 1903. https://dc.etsu.edu/etd/1903 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. EXEGESIS A thesis presented to the faculty of the Department of Art & Design East Tennessee State University in partial fulfillment of the requirements for the degree Master of Fine Arts ________________________ by Christopher Shawne Brown May 2008 ___________________ Mike Smith, Committee Chair Dr. Scott Contreras-Koterbay Catherine Murray M. Wayne Dyer Keywords: photography, family album, color, influence, landscape, home, collector A B S TRACT Exegesis by Christopher Shawne Brown The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer’s home in East Tennessee. The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown’s work formally and conceptually. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
"So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence. -
THE DANCE of DEATH Written by August Strindberg in a New Version by Conor Mcpherson Directed by Ron Sossi
THE DANCE OF DEATH Written by August Strindberg in a new version by Conor McPherson Directed by Ron Sossi STARRING Lizzy Kimball, Darrell Larson, Jeff LeBeau SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Christopher Scott Murillo Halei Parker Chu-Hsuan Chang Christopher Moscatiello PROP DESIGNER ASSISTANT DIRECTOR STAGE MANAGER Misty Carlisle Nagham Wehbe Josh La Cour Produced by the Odyssey Theatre Ensemble in association with Isabel and Harvey Kibel THE DANCE OF DEATH is presented by special arrangement with Dramatists Play Service Inc., New York The Dance of Death runs from September 23 through November 19, 2017 The Odyssey is supported in part by a grant from the City of Los Angeles, Department of Cultural Affairs, and Los Angeles County Arts Commission The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. ODYSSEY THEATRE ENSEMBLE: 2055 South Sepulveda Blvd., Los Angeles, CA 90025 Administration and Box Office: 310-477-2055 ext 2 FAX: 310-444-0455 CAST (in order of appearance) THE CAPTAIN .................................................................Darrell Larson ALICE .............................................................................Lizzy Kimball KURT .................................................................................Jeff LeBeau SETTING An Island Fortress near a port in Sweden, Early 20th Century Running time: Two hours There will be one fifteen-minute intermission. This production is dedicated to Sam Shepard. A NOTE FROM THE DIRECTOR The Dance of Death has amazing significance to the whole world of contemporary drama. The "trapped" nature of its characters feels like Sartre's No Exit (and its classic line "Hell is other people"). And its foreshadow- ing of Albee's Who's Afraid of Virginia Woolf is uncannily prescient, almost as if Albee "channeled" Strindberg in cooking up his own mixture of raucous verbal battle and deadly humor. -
TV Artists Get Nostalgic on Raksha Bandhan
Bhopal, Thursday, August 19, 2021 Leisure 6 ‘Shakti-Astitva Ke Ehsaas Laura Osnes denies reports of being fired Ki’, ‘Punar Vivah- Ek Rubina Dilaik hops on to Nayi Umeed’, ‘Devon Ke Dev Mahadev’. Her career graph is on rise over vaccine refusal, releases statement this new Instagram owing to her praise- worthy perfor- Laura Osnes is speaking out after accusa- Osnes only revealed her immunization status mances. The star al- tions that she was fired from an upcom- after being pressed by a co-star in the mu- trend and kills it in style so won the Bigg ing theatrical performance for refusing sical, which is directed and choreo- Boss season 14 title. to get the COVID-19 vaccination. On graphed by Susan Stroman. On Monday, Rubina Dilaik enjoys keeping social media. In her previous It does not end here! Rubina is set Monday, the Broadway actress issued a however, Osnes disputed this, explain- her fans and followers entertained post, Rubina gave her fans a to make her Bolly- statement on Instagram in reaction to ing that “one of my fellow performers all the time. From interesting glimpse of her shoot where she videos to glamorous pictures, Ru- looked absolutely stunning in a wood debut in the a story alleging that she had been re- never ‘pressed me on the matter’ bina’s social media handle is filled traditional attire. Cur- movie ‘Ardh’ jected from a theatre show in East before I withdrew.” with them. On Wednesday, the TV rently, the actress is for which Hampton owing to her immunization Laura also said in her statement star took to her photo-sharing ap- basking in the success she de- status. -
Beautiful Scars: Jewels in English Renaissance Drama
LINGUACULTURE, 1, 2012 DOI: 10.2478/v10318-012-0015-5 BEAUTIFUL SCARS: JEWELS IN ENGLISH RENAISSANCE DRAMA LISA HOPKINS Sheffield Hallam University, UK Abstract In An Englis[h[ expositor[:] teaching the in[ter]pretation of the harde[st] words [vsed] in our language, John Bullokar notes that the word carbuncle ‘hath two significations, namely a precious stone, and a dangerous sore’.(sig. D2r) Generally speaking Renaissance texts keep these two meanings separate: in ways which are inevitably conditioned by the nature of their subject matter, Renaissance authors tend to be interested in exploring either the idea of carbuncle as jewel or the idea of carbuncle as tumour without ever registering the possibility of the alternative meeting for the word. Nevertheless the ambiguity is there: a jewel, a thing of beauty intended for the adornment of the body, is also in some sense potentially a disfiguring mark, a scar on the body marking the site of a trauma. In A Cyborg Manifesto, Donna Haraway asks “Why should our bodies end at the skin?” (online); in this essay, I shall argue that as far as Renaissance jewels are concerned, bodies do not in fact end at the skin, for jewels mark not the end of the body but an edge, a hinge between body and mind as much as between body and dress, in ways which activate fears about permeability, boundary blurring and the monstrous. One of the rare instances of evoking both senses of carbuncle comes in The Comedy of Errors, where Dromio of Syracuse, having defined the kitchen-maid Nell as “spherical, like a globe”, says that “America, the Indies” are located in her nose, because it is ‘all o’er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain’ (III.ii.120, 140-3). -
39Th College Television Awards Winners Announced by Television Academy Foundation
PRESS RELEASE FOR IMMEDIATE RELEASE 39TH COLLEGE TELEVISION AWARDS WINNERS ANNOUNCED BY TELEVISION ACADEMY FOUNDATION Awards Show Honored Outstanding Achievement in Student Productions (NoHo Arts District, Calif., March 16, 2019) – The Television Academy Foundation tonight announced the winners of the 39th College Television Awards, which recognizes and rewards excellence in student-produced programs from colleges and universities nationwide. The 2019 winners were presented awards by television stars including Alaska (RuPaul’s Drag Race All Stars 2), Melissa Barrera (Vida), Jaime Camil (Jane The Virgin/My Boyfriend’s Meds), Giselle Fernandez (Spectrum News 1), Jason George (Station 19), Ryan Guzman (9-1-1), Michael Mando (Better Call Saul), Jeanine Mason (Roswell, New Mexico), Kelly McCreary (Grey’s Anatomy), RJ Mitte (Breaking Bad), Mishel Prada (Vida), Yeardley Smith (The Simpsons/Small Town Dicks) and Michelle Visage (RuPaul’s Drag Race). Emulating the Emmy® Awards selection process, entries for the College Television Awards were judged by Television Academy members. Top honors and a $3,000 cash prize were presented to winning teams in eight categories: Animation Series: In a Heartbeat — Beth David and Esteban Bravo (Ringling College of Art and Design) Comedy Series: Everything's Fine: A Panic Attack in D Major — Taylor Ortega and Zack Morrison (Columbia University) Commercial, PSA or Promo: GE – One More Giant Leap — Scott James, Anthon Chase Johnson, Jason Murray and Jedediah Thunell (Brigham Young University) Drama Series: Esta -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
'Grey's Anatomy,' 'Station 19' Crossover Event
ABC Plots 'Grey's Anatomy,' 'Station 19' Crossover Event 09.20.2020 Grey's Anatomy Station 19 ABC's two Seattle-set Shondaland soaps, Grey's Anatomy and Station 19, return Nov. 12 with a primetime crossover event as Grey's enters its 17th season and Station 19 its fourth. Grey's Anatomy, which follows Seattle doctors at Grey Sloan Memorial Hospital, stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus "Link" Lincoln, Jake Borelli as Levi Schmitt, Richard Flood as Cormac Hayes and Anthony Hill as Winston Ndugu. Grey's Anatomy was created and is executive produced by Shonda Rhimes. Krista Vernoff serves as showrunner and executive producer. Betsy Beers, Mark Gordon, Debbie Allen, Zoanne Clack, Andy Reaser and Meg Marinis are executive producers. Station 19, which delivered its most-watched season ever in season three, follows a group of firefighters as they work on the front lines, delivering patients to Grey Sloan Memorial and taking on other emergencies. Station 19 stars Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Robert Sullivan, Grey Damon as Jack Gibson, Barrett Doss as Victoria Hughes, Jay Hayden as Travis Montgomery, Okieriete Onaodowan as Dean Miller, Danielle Savre as Maya Bishop and Stefania Spampinato as Carina DeLuca.