New Year Honours List 2014 – Higher Awards
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The Foreign Affairs Select Committee and UK Foreign Policy Written by Tom Pettinger
The Foreign Affairs Select Committee and UK Foreign Policy Written by Tom Pettinger This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. The Foreign Affairs Select Committee and UK Foreign Policy https://www.e-ir.info/2012/03/11/the-foreign-affairs-select-committee-and-uk-foreign-policy/ TOM PETTINGER, MAR 11 2012 Has the Foreign Affairs Select Committee made a difference to UK Foreign Policy? Because the executive has held, and still holds, royal prerogative for foreign affairs matters, Parliament has been “unusually limited”[1] in its influence over the area.[2] Scrutiny of foreign policy is unique because unlike in other areas of governance “Parliament is in no sense a regular participant in the process, either by right or custom,”[3] and because there is so little legislation in comparison with other policy areas.[4] Before 1979, an amalgamation of committees existed under different departments, examining specific foreign affairs issues with no oversight of the whole of foreign policy. The establishment of the Foreign Affairs Select Committee (FAC) in 1979 brought an increase in Parliamentary influence in the area, by “[creating] a committee devoted primarily, indeed exclusively, to foreign affairs,”[5] and the Committee was given the role of scrutinising “administration and policy of the Foreign and Commonwealth Office (FCO).”[6] An in-depth study by The Constitution Unit, however, found that the FAC provided the least substantive recommendations compared with other committees,[7] implying the Committee’s scrutiny role is somewhat hindered – possibly because the main parties’ front benches, to maintain one national voice on international affairs, withhold usual party politicking. -
Iraq: an Initial Assessment of Post- Conflict Operations
House of Commons Defence Committee Iraq: An Initial Assessment of Post- Conflict Operations Sixth Report of Session 2004–05 Volume II Oral and Written Evidence Ordered by The House of Commons to be printed 16 March 2005 HC 65-II [Incorporating HC 721-i-ii, Session 2003–04] Published on 24 March 2005 by authority of the House of Commons London: The Stationery Office Limited £16.50 The Defence Committee The Defence Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Ministry of Defence and its associated public bodies. Current Membership Mr Bruce George MP (Labour, Walsall South) (Chairman) Mr James Cran MP (Conservative, Beverley and Holderness) Mr David Crausby MP (Labour, Bolton North East) Mike Gapes MP (Labour, Ilford South) Mr Mike Hancock CBE MP (Liberal Democrat, Portsmouth South) Mr Dai Havard MP (Labour, Merthyr Tydfil and Rhymney) Mr Kevan Jones MP (Labour, North Durham) Richard Ottaway MP (Conservative, Croydon South) Mr Frank Roy MP (Labour, Motherwell and Wishaw) Rachel Squire MP (Labour, Dunfermline West) Mr Peter Viggers MP (Conservative, Gosport) The following Member was also a member of the Committee during the period covered by this report. Mr Crispin Blunt MP (Conservative, Reigate) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk. Publication The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
House of Commons Business, Innovation and Skills, Defence, Foreign Affairs, and International Development Committees
House of Commons Business, Innovation and Skills, Defence, Foreign Affairs, and International Development Committees Scrutiny of Arms Export Controls (2011): UK Strategic Export Controls Annual Report 2009, Quarterly Reports for 2010, licensing policy and review of export control legislation First Joint Report of Session 2010–11 Fourth Report from the Business, Innovation and Skills Committee of Session 2010–11 Second Report from the Defence Committee of Session 2010–11 Fifth Report from the Foreign Affairs Committee of Session 2010–11 Sixth Report from the International Development Committee of Session 2010–11 Report, together with formal minutes, oral and written evidence Ordered by the House of Commons to be printed 22 March 2011 HC 686 Published on 5 April 2011 by authority of the House of Commons London: The Stationery Office Limited £17.50 The Committees on Arms Export Controls The Business Innovation and Skills, Defence, Foreign Affairs and International Development Committees are appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Business, Enterprise and Regulatory Reform, the Ministry of Defence, the Foreign and Commonwealth Office, the Department for International Development and any associated public bodies. Current membership BUSINESS, INNOVATION AND SKILLS: Mr Adrian Bailey*§, Mr Brian Binley, Paul Blomfield*, Katy Clark*, Rebecca Harris, Margot James*, Dan Jarvis, Simon Kirby, Ian Murray*, Mr David Ward, Nadhim Zahawi* DEFENCE: Rt Hon James Arbuthnot*§, Mr Julian -
PMC ANNUAL REPORT 2010 2011 “We’Re Trying to Get the Message Across to Stop Violence Against Women
POPULATION MEDIA CENTER PMC ANNUAL REPORT 2010 2011 “We’re trying to get the message across to stop violence against women... it’s not the end, we still have hope.” The actress playing Nini in PMC’s Papua New Guinea drama, Echoes of Change Population Media Center P.O. Box 547 Shelburne, VT 05482 USA T + 1.802.985.8156 F + 1.802.985.8119 [email protected] POPULATIONMEDIA.ORG Cover photo taken in Vietnam by Ly Hoang Long. CONTENTS 02 INTRODUCTION 04 MISSION AND MAP OF PMC’S WORK 08 YEAR IN REVIEW 10 BURKINA FASO 12 ETHIOPIA 16 NIGERIA 17 SENEGAL 18 SIERRA LEONE 19 SOUTH AFRICA 20 PAPUA NEW GUINEA 24 VIETNAM 26 BRAZIL 27 CARIBBEAN 28 MEXICO 30 UNITED STATES 36 WORLDWIDE 38 FINANCIAL STATEMENT 40 DONORS 46 BOARD OF DIRECTORS 47 PROGRAM ADVISORY BOARD 56 WORLDWIDE STAFF William N. Ryerson INTRODUCTION Founder and President, Population Media Center Since the population factor is a major driver of demand October 31, 2011 marked the day human for food, and since so many women choose not to use contraception as a result of desired large family size, population reached 7 billion. misinformation about the relative safety of contraception compared to early and repeated childbearing, disapproval The first Homo sapiens were recorded in 200,000 BC. of contraception by their partners, or lack of self-efficacy By these calculations, it took 201,804 years for human (the belief that one has the right and the ability to determine population to reach 1 billion. But in the last 50 years alone, the number and spacing of children), PMC has a unique we added 4 billion people to the planet – a number most of ability to contribute to helping people make healthy and us can’t even visualize. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers. -
Theatre Archive Project: Interview with Michael Codron
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Michael Codron – interview transcript Interviewer: Adam Smith 7 April 2009 Producer. Actors; Alphabetical Order; The Birthday Party; The Caretaker; censorship; critics; directors; 'Dirty Plays' controversy; Entertaining Mr Sloane; Gallery First Nighters; The Homecoming; Jack Hylton The Killing of Sister George; Joan Littlewood; Look Back in Anger; London Arts Theatre; Lyric Theatre, Hammersmith; Donald McWhinnie; Joe Orton; Harold Pinter; producers; Peggy Ramsay; scripts; Share My Lettuce; There's a Girl in My Soup; Kenneth Williams; writers. AS: You have been described as both a producer and an impresario, although some critics claim that there is nowadays an uncertainty as to the precise meaning of these words. Given the slippage between the two, and that you have been described using each of the terms, but that they are not mutually exclusive, which would you describe yourself as? MC: I sometimes say impresario but it sounds like the wretched man from Pinocchio, doesn't it? Do you remember that man that tried to capture Pinocchio? But I really am a producer, a theatre producer. Yes, impresario sounds rather evil, doesn't it? [laughs] Perhaps I am evil, occasionally. AS: So how would you define this profession before 1968, what would it involve? MC: As far as I'm concerned? Well you’re asking me to talk about 1945 aren't you first, when I was all of 15. AS: What about after you became a producer, how would you define the profession? MC: No I didn't become a producer until 1950-something. AS: You're right, we'll do it chronologically. -
Love and Information by Caryl Churchill
Love and Information By Caryl Churchill BACKGROUND PACK CONTENTS 1. About The Production 2. About The Writer 3. Introduction to Love and Information 4. About The Design 5. Caryl Churchill at the Royal Court 6. Interview with the Assistant Director 7. Rehearsal Diary 8. Practical Scene Study 9. About Royal Court Education Love and Information Background Pack Royal Court Theatre These resources are intended to give teachers and students a detailed insight into the creative process behind developing and staging Love and Information. Through interviews, production notes and rehearsal techniques, they demonstrate how the writer, director and cast worked in collaboration to create the show. We aim to provide useful information and opportunities to help students discover the unique world of the play for themselves. 1. ABOUT THE PRODUCTION The Royal Court Theatre presents Love and Information By Caryl Churchill Love and Information was first performed at The Royal Court Jerwood Theatre Downstairs, Sloane Square, London on Thursday 6th September 2012. Cast Nikki Amuka-Bird Linda Bassett Scarlett Brookes Amanda Drew Susan Engel Laura Elphinstone John Heffernan Joshua James Paul Jesson Billy Matthews Justin Salinger Amit Shah Rhashan Stone Nell Williams Josh Williams Sarah Woodward Director James Macdonald Set Designer Miriam Buether Costume Designer Laura Hopkins Lighting Designer Peter Mumford Sound Designer Christopher Shutt Casting Director Amy Ball Assistant Director Caitlin MacLeod Production Manager Paul Handley Stage Manager Laura Draper Deputy Stage Manager Fran O’Donnell Asst Stage Manager George Cook Stage Mgmnt Work Placement Maia Alvarez Stratford Costume Supervisor Jackie Orton Musical Director Simon Deacon Choreographer Stuart Hopps Dialect Coach Majella Hurley Set Built by Miraculous Engineering Ltd Scenic Painter Kerry Jarrett Page 2 Love and Information Background Pack Royal Court Theatre 2. -
Terry Johnson
Terry Johnson Agent Katie Haines ([email protected]) Writer/Director Theatre: UNCLE VANYA (Hampstead Theatre) 2018 PRISM (Hampstead Theatre) 2017 THE LIBERTINE (Theatre Royal, Haymarket) 2016 KEN (Hampstead Theatre) 2016 STRICTLY BALLROOM (Global Creatures/ WYP) 2016 Book adapted from the original by Craig Pearce and Baz Luhrmann Directed and Choreographed by Drew McOnie MRS HENDERSON PRESENTS (Theatre Royal Bath) OH WHAT A LOVELY WAR (UK Tour and Theatre Royal, Stratford East) 2013/2015 SEMINAR (Hampstead Theatre) 2014 FINGS AIN’T WOT THEY USED T’BE (Theatre Royal, Stratford East) 2014 THE DUCK HOUSE (UK Tour and West End) 2013 With Ben Miller HYSTERIA (Hampstead Theatre and Theatre Royal Bath) 2012/2013 With Antony Sher RACE (Hampstead Theatre) 2013 OLD MONEY (Hampstead Theatre) 2013 END OF THE RAINBOW (West End & UK Tour, Broadway & US Tour starting in LA) 2010/2011 Lee Dean Productions Nominated: Best New Play, Best Actress & Best Supporting Actor, Olivier Awards 2011 LA CAGE AUX FOLLES 2007-2012 (US Tour of the Broadway Production 2011/2012; Longacre Theatre Broadway 2010; Playhouse Theatre 2008/2009; Menier Chocolate Factory 2007) Tony Awards for Best Direction of a Musical and Best Revival of a Musical Outer Critics Circle Awards for Outstanding Revival of a Musical and Outstanding Director of a Musical Olivier Award for Best Musical Revival THE PRISONER OF SECOND AVENUE (Vaudeville Theatre) 2010 By Neil Simon; With Jeff Goldblum THE RISE AND DALL OF LITTLE VOICES (Vaudeville Theatre) 2009 By Jim Cartwright; With Dian Vickers, -
Interpreting the Syria Vote: Parliament and British Foreign Policy
Interpreting the Syria vote: parliament and British foreign policy JAMES STRONG* On 29 August 2013 the House of Commons met to consider British intervention in the Syrian civil war. Prime Minister David Cameron asked MPs to approve air strikes against the embattled Assad regime in response to a chemical attack on civilians in Damascus nine days before. Dramatically, and unexpectedly, they refused. Cameron became the first prime minister to lose a parliamentary vote on military action since Lord North in 1782. President Obama, having lost his main ally, postponed US action indefinitely. British domestic opinion opposed involvement in another Middle Eastern conflict. Both the public and the press doubted the efficacy of military action following years of war in Afghani- stan and Iraq, and after watching post-Gaddafi Libya slide into chaos. Several observers heralded parliament’s veto as a victory for democracy, and a triumph of common sense. What the veto means in the longer term, however, remains underresearched. Two major ambiguities still attach to this episode in respect of parliament’s war powers. The first ambiguity is procedural. We can speak with more certainty about what parliamentary involvement in military deployment decisions is not than we can about what it is. First, it is not a legal requirement. The historic royal preroga- tive grants prime ministers the power to direct the armed forces without recourse to parliament.1 It is at most a political convention. Any future prime minister who chooses not to permit a parliamentary vote on military action may face political retribution, but will not be breaking any laws.2 Second, parliament has no power of initiative.