Annual Report 2010–11 Navigation and Printing This Annual Report Has Been Created for Optimal Viewing As an Electronic, Online Document
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DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
Annual Report 2009/2010
BASKETBALL AUSTRALIA ANNUAL REPORT 2009/2010 Basketball Australia Annual Report 2009/2010 WWW.BASKETBALL.NET.AU I BASKETBALL AUSTRALIA ANNUAL REPORT 2009/2010 Message from the Australian Sports Commission It is an honour to serve as the new Chair of the Australian Sports Commission (ASC) Board at this challenging and exciting period for our national sporting system. The ASC and national sporting organisations This is the first time key sport partners, such (NSOs) have long spoken of a shared ambition as state and territory institutes and academies to strengthen relationships between all system of sport and state and territory departments partners involved in Australian sport. of sport and recreation, have collaborated on a Commonwealth funding decision in the Aligned with this ambition, the Australian interests of Australia’s sporting future. Government is now encouraging a whole-of- sport reform agenda, aimed at establishing a This is an exciting time for all of us involved in more collaborative, efficient and integrated Australian sport. With significant new funding sports system. from the Australian Government, sports will be better positioned than ever before to lead the Through new direction for sport ‘Australian drive for higher participation levels and strong Sport: the Pathway to Success’, the ASC will success on the sporting field by promoting the work closely with sport to achieve its main unique nature of their sport, creating a legacy objectives; boost sports participation and and a lasting impression for communities strengthen -
Big Hart the NAMATJIRA PROJECT the IMPACT of the ARTS in REGIONAL AUSTRALIA
STATS AND STORIES - CASE STUDY 4 CIVIC PRIDE Big hART THE NAMATJIRA PROJECT THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA RUTH RENTSCHLER AND KERRIE BRIDSON DEAKIN UNIVERSITY JODY EVANS MELBOURNE BUSINESS SCHOOL WE WOULD LIKE TO ACKNOWLEDGE THE OVERVIEW WESTERN ARANDA PEOPLE OF THE CENTRAL STATS AND STORIES: AUSTRALIAN DESERT. PLEASE BE ADVISED THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA THAT THIS CASE STUDY REFERENCES ABORIGINAL PEOPLE WHO ARE DECEASED. Stats and Stories: The Impact of the Arts in The research project was undertaken by academic Regional Australia is a ground breaking project staff at Deakin University in the Business School. funded by Regional Arts Australia and The The project was led by Professor Ruth Rentschler, TABLE OF CONTENTS Australia Council for the Arts that calls for new and Dr Kerrie Bridson at Deakin University, as well ways to identify and respond to Australia’s vast as Associate Professor Jody Evans at Melbourne OVERVIEW 1 land, diversity and differences, including its Business School. Research support was provided challenges and opportunities in regional Australia, by Claudia Escobar, Emma Winston and Nick INTRODUCTION 2 using the arts as the vehicle. Cooke. BACKGROUND 5 The Stats and Stories project covers five themes For more information about the project please and five case studies. The five themes were contact John Oster, Executive Director, Regional ACHIEVEMENTS 9 developed from the literature on the regional Arts Australia [email protected] END NOTES 14 impact of the arts. One case study is written on each of the five themes. The five themes are: 1. -
N.Smith Gallery JAMES TYLOR
N.Smith Gallery JAMES TYLOR b. 1986, Latje Latje/Barkindji Country (Mildura, Victoria). Nunga (Kaurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch and Norwegian). Lives and works on Ngunnawal/Ngambri Country, Kamberri (Canberra). Kaurna, Thura-Yura language region. EDUCATION 2013 Masters of Visual Art and Design (Photography), South Australian School of Art 2012 Bachelor of Fine Arts with Honours (Photography), Tasmanian School of Art 2011 Bachelor of Visual Arts (Photography), South Australian School of Art AWARDS 2019 Telstra National Aboriginal & Torres Strait Islander Art Awards, Museum and Art Gallery Northern Territory (Finalist) 15 Artists 2019, Moreton Bay Art Gallery, Caboolture (Finalist) Pro Hart Art Prize Broken Hill Regional Art Gallery, NSW (Finalist) 2018 Fleurieu Biennale Art Prize, Stump Hill Gallery, Fleurieu Arthouse & Signal Point Galleries, Fleurieu Peninsula, SA (Winner) National Works on Paper Prize, Mornington Peninsula Regional Gallery, Vic (Winner) National Photography Prize 2018, Murray Art Museum Albury, NSW (Finalist) 2017 Gabriele Basilico Prize in Architecture and Landscape Photography, Milano, Italy (Finalist) Bowness Prize, Monash Gallery of Art, Melbourne (Finalist) Redlands Konica Minolta Art Prize (Emerging Prize), National Art School Gallery, Sydney (Finalist) Ramsay Art Prize, Art Gallery of South Australia (Finalist) 2016 Wyndham Art Prize, Wyndham Art Gallery, Werribee (Finalist) Fleurieu Art prize, Samstag Museum, Adelaide (Finalist) 33rd Telstra National Aboriginal and Torres -
What's Ya Story: the Making of a Digital Storytelling Mobile App with Aboriginal Young People
What’s ya Story The making of a digital storytelling mobile app with Aboriginal young people Report authors: Fran Edmonds, Christel Rachinger, Gursharan Singh, Richard Chenhall, Michael Arnold, Poppy de Souza and Susan Lowish. July 2014 Re͔͈͗ͥ ̨̺ͥͥϩ̢ ̥̥̿ύ̦ͥ͛ Βύ ̩͈ͥ͗Β̢̦ ͥhe making of a digital storytelling mobile app with Aboriginal young people Authors: Fran Edmonds, Christel Rachinger, Gursharan Singh, Richard Chenhall, Michael Arnold, Poppy de Souza and Susan Lowish. Published: 2014 The operation of the Australian Communications Consumer Action Network is made possible by funding provided by the Commonwealth of Australia under section 593 of the Telecommunications Act 1997. This funding is recovered from charges on telecommunications carriers. The University of Melbourne Website: http://www.unimelb.edu.au/ Email: [email protected] Telephone: 03 90359707 Australian Communications Consumer Action Network Website: www.accan.org.au Email: [email protected] Telephone: 02 9288 4000 TTY: 02 9281 5322 ISBN: 978-1-921974-25-0 Cover image: Dixon Patten, 2014 This work is copyright, licensed under the Creative Commons Attribution 3.0 Australia Licence. You are free to cite, copy, communicate and adapt this work, so long as you attribute the authors and the ̩University of Melbourne, supported by a grant from the Australian Communications Consumer !ϛ̨͈ͥ́ ̐ϩͥΌ̷͈̪̣͗ To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/au/ This work can be cited as: Edmonds, F., Rachinger, C., Singh, G., Chenhall, R., Arnold, M., de Souza, ̢̣̠ ͈̉Ό̨̥̠͛ ̩̣ Ϯηϭϰ̠ ̥̥̿ύ̦ͥ͛ Βύ ̩͈ͥ͗Β̢̦ ̥ͥϩ ̀ύ̷̨̛́ ͈ϳ ύ ϥ̨̨̛ͥύ̺ ͈͛ͥ͗Βͥϩ̨̛̺̺́ ͈̀Ϛ̨̺ϩ ύ͔͔ Ό̨̥ͥ !Ϛ̨̨̛͈͗́ύ̺ young people, Australian Communications Consumer Action Network, Sydney. -
Albert Namatjira's Legacy
Commonwealth Essays and Studies 41.1 | 2018 Unsettling Oceania Settling Scores: Albert Namatjira’s Legacy Paul Giffard-Foret Electronic version URL: https://journals.openedition.org/ces/386 DOI: 10.4000/ces.386 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 30 November 2018 Number of pages: 31-42 ISSN: 2270-0633 Electronic reference Paul Giffard-Foret, “Settling Scores: Albert Namatjira’s Legacy”, Commonwealth Essays and Studies [Online], 41.1 | 2018, Online since 05 November 2019, connection on 23 August 2021. URL: http:// journals.openedition.org/ces/386 ; DOI: https://doi.org/10.4000/ces.386 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Settling Scores: Albert Namatjira’s Legacy Aboriginal Australian artist Albert Namatjira resists identification. Was Namatjira a pro- duct of Australia’s assimilation, a “mimic man” who adopted a Western referential frame, or was his trajectory the product of a “split identity,” as alleged during his lifetime? Can Namatjira’s watercolours be viewed as a critique of Eurocentrism? This article seeks to revisit the nature of Namatjira’s legacy in light of the recent retrocession of the artist’s copyright. This article examines Albert Namatjira’s legacy following the retrocession of the artist’s copyright in October 2017. The story of Namatjira (1902-1959) is emblematic on several grounds. One of the first Aboriginal artists to paint in the Western medium, Namatjira grew up in a Lutheran mission on Arrernte land in Central Australia. He also became one of the first Aborigines to be granted Australian citizenship, though in practice, “all it meant was that he was no longer subject to the rules and regulations that so-called full-bloods had to observe and thus, from one point of view, [it] was less an invitation to join white Australia than an excision from his own people” (Edmond ch. -
A Study Guide by Katy Marriner
A DOCUMENTARY BY CREATED WITH THE NAMATJIRA FAMILY © ATOM 2017 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-76061-079-1 http://theeducationshop.com.au Mt Sonder by Kevin Namatjira Image courtesy Iltja Ntjarra, Many Hands Art Centre ‘THIS FILM IS ABOUT ALBERT NAMATJIRA ... WE COME TO TELL THE STORIES, HOW HE LIVED. ALBERT TAUGHT ALL THE FAMILY TO CARRY ON PAINTING. WE’RE TRYING TO TEACH OUR YOUNGER GENERATION, AND OUR KIDS, OUR GRANDKIDS. KEEP THIS LEGACY STRONG.’ – Gloria Pannka, granddaughter of Albert Namatjira Namatjira Project (2017), a feature documentary, directed In collaboration with arts for social change organisation Big by Sera Davies, tells the iconic story of Aboriginal artist hART, Namatjira’s descendants have embarked on a quest Albert Namatjira, and of his descendants’ attempt to re- for justice and reconciliation that will hopefully see the claim the copyright of his life’s work. The documentary was copyright of his paintings returned to the Namatjira family. created with the Namatjira family and is dedicated to them, and artists of the Hermannsburg Watercolour movement. Namatjira Project acknowledges Western Aranda* Elders of the Central Australian Desert - past, present and future - From Western Aranda* Country in the Central Australian and their stunning Country on which this project is based. Desert, Albert Namatjira and his watercolour paintings pioneered the Aboriginal Art movement that is celebrated Always was, always will be, Aboriginal Land. today. His descendants continue to paint the desert landscapes in watercolours, yet despite this art tradition’s http://www.namatjiradocumentary.org/ success over five generations, they continue to struggle for survival. -
Indigenous Australian Art: an Analytical and Cultural Survey
Indigenous Australian Art: An Analytical and Cultural Survey Class code ANTH-UA 9038 – 001 or SCA-UA 9836 – 001 Instructor Petronella Vaarzon-Morel Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Spring 2017 Indigenous Australian Art: An Analytical and Cultural Survey Wednesday, 12:30 – 3:30pm February 1 to May 10 Room 202 NYU Sydney Academic Centre Science House: 157 – 161 Gloucester Street, The Rocks, 2000 Prerequisites None Class This course is a survey of the principal themes and issues in the development of Indigenous Description art in Australia. It focuses on some of the regional and historical variations of Aboriginal art in the context of the colonisation of Australia, while considering the issues of its circulation and evaluation within contemporary discourses of value. Topics include the cosmological dimensions of the art, its political implications, its relationship to cultural and national identity, and its aesthetic frameworks. There will be four required fieldtrips/excursions during which students will visit some of the major collections of Indigenous Australian art as well as exhibitions of contemporary works. There will also be guest presentations from Indigenous artists and Indigenous curators of art. Required field trip/excursions: Guided tour of Aboriginal rock art sites at Ku-ring-gai Chase National Park Session 4 (NB: Friday class, 24 February) with Matt Poll, Curator of Indigenous Heritage and Repatriation Project, Macleay -
Michael Peck Cv
MICHAEL PECK CV EDUCATION 2001, Graduate Diploma in education, Melbourne University. 1999-2000, Bachelor of Fine Art (Honors), Monash University. 1996-1998, Bachelor of Fine Art (painting), Monash University. EMPLOYMENT 2013 – 2015 - Visual Arts Program Leader. Academy of Design, Australia. Melbourne. 2012- 2015 - Lecturer. Academy of Design. Melbourne 2004-2010 - VCE art and design teacher. Mount Evelyn Christian School, Victoria. 2002-2003 - GCSE art and design teacher, Rokeby School, Stratford, London. SELECTED SOLO EXHIBITIONS 2016 Scout, Michael Reid Berlin, Germany 2014 Sanctuary, Metro Gallery, Melbourne. 2013 Love & Fear, Metro Gallery, Melbourne. 2011 The Landing, Metro Gallery, Melbourne. 2010 It’s Not that it Burns, Dickerson Gallery, Sydney. This May Hurt, Metro Gallery, Melbourne 2009 Michael Peck 2009, Metro Gallery, Melbourne 2008 Michael Peck 2008, Metro 5 Gallery, Melbourne. 2006 Somewhere Culture, Metro 5 Gallery, Melbourne. 2002 Influence, Gallery 101, Melbourne. 2000 Subtle Shadings of an inherited way of life, Gallery 101, Melbourne. SELECTED GROUP EXHIBITIONS 2015 Town Hall Gallery, Conflicted: Adversaries in Art, Melbourne, Australia. Casula Powerhouse Arts Centre, Guarding The Home Front, Sydney, Australia. 2014 National Portrait Gallery, “In the Flesh”, Canberra, Australia. White Walls Gallery, Space//Squared group show, San Francisco CA, USA. 2013 Paradise Hills, Studio artists group show, Melbourne. Paradise Hills, So Long, My Forebear. Melbourne. MICHAEL PECK CV Metro Gallery, Another Time, Another Place. Melbourne. Corey Helford Gallery, Shades. Culver City, CA, USA. Corey Helford Gallery, Art Collector Starter Kit. Culver City, CA, USA. Breeze Block Gallery, Wider Than A Postcard. Portland, OR, USA. 2012 South Australian Museum, Namatjira Project. Adelaide. Paradise Hills, Melbourne’s Burning. -
Indigenous Australian Art: an Analytical and Cultural Study Fall 2018
ANTH-UA 9038.SY1 or SCA-UA 9836.SY1 Indigenous Australian Art: An Analytical and Cultural Study Fall 2018 Instructor Information ● Petronella Vaarzon-Morel ● Consultation by appointment (Mon 9:00am – 12:00pm) ● [email protected] (Please allow at least 24 hours for your instructor to respond to your emails) Course Information Pre-Requisite: None Mondays: 12:30 – 3:30pm Room 302, NYU Sydney Academic Centre. Science House: 157-161 Gloucester Street, The Rocks NSW 2000 This course is a survey of the principal themes and issues in the development of Indigenous art in Australia. It focuses on some of the regional and historical variations of Aboriginal art in the context of the colonisation of Australia, while considering the issues of its circulation and evaluation within contemporary discourses of value. Topics include the cosmological dimensions of the art, its political implications, its relationship to cultural and national identity, and its aesthetic frameworks. There will be four required fieldtrips/excursions during which students will visit some of the major collections of Indigenous Australian art as well as exhibitions of contemporary works. The class will involve lectures, student presentations, discussion, and video material to accompany lectures. There will also be guest presentations from Indigenous artists and Indigenous curators of art. Required field trip/excursions: Week 1 (Monday 3 Sep): Museum of Contemporary Art, Exhibition: John Mawurndjul, I am the old and the new. Week 2 (Monday 10 Sep): Guided tour of Aboriginal rock art sites at Ku-ring-gai Chase National Park This field trip is in lieu of normal class time from 12:30m – 3:30pm. -
“We Are Australian”: an Ethnographic Investigation of the Convergence of Community Music and Reconciliation
“We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. “We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. Julie Ann Rickwood Interdisciplinary Cross-Cultural Research Programme Research School of Humanities and the Arts The Australian National University 21 June 2013 A thesis submitted for the degree of Doctor of Philosophy The Australian National University Canberra Statement of Authorship I hereby declare that this thesis is entirely my own work. This thesis contains no material previously published or written by myself or another person, except where reference is made in the thesis itself. This thesis has not previously been submitted towards a degree or diploma in any university or other higher education institution. Julie Rickwood 21 June 2013 This research project has received clearance from the Human Research Ethics Committee at the Australian National University: Protocol 2009/337 Indigenous readers are advised that the thesis contains names and images of deceased individuals. IN MEMORY OF JEANNETTE HENNESSY-WRIGHT, 1957-2011: A SINGER IN A COMMUNITY CHOIR, A LONG TERM FRIEND AND A DETERMINED WOMAN And the first sound I heard in my heavens was the sound of moving air becoming the wind. Richard Lewis 1991 The second sound I heard in my heavens was the sound of many voices blending into one. Julie Rickwood 2013 IN RECOGNITION OF THE YOTHU YINDI FRONTMAN, 1956-2013: A MUSICAN, EDUCATOR AND CAMPAIGNER FOR RECONCILIATION “On the last day of National Reconciliation Week (Mabo Day) we are extremely saddened to learn of the passing of Yothu Yindi frontman Dr Yunupingu, who died overnight at his home in Yirrkala, East Arnhem Land following a long battle with kidney disease. -
Five Generations. Fighting for Justice. a Film by Big Hart Created with the NAMATJIRA Family Fighting for Justice
One family. Five generations. Media Release: September 2017 Fighting for justice. NAMATJIRA PROJECT OPENS AT CINEMAS IN SEPTEMBER One family. Five generations. NAMATJIRA PROJECT One family. Five Generations. Fighting for justice. A FILM BY BIG HART CREATED WITH THE NAMATJIRA FAMILY Fighting for justice. DIRECTED BY SERA DAVIES PRODUCED BY SOPHIA MARINOS FEATURING TREVOR JAMIESON & THE NAMATJIRA FAMILY CINEMATOGRAPHER SERA DAVIES EXECUTIVE PRODUCER JULIA OVERTON EXECUTIVE PRODUCERS (CULTURAL) LENIE NAMATJIRA GLORIA PANNKA EDITORS ROSIE JONES RAY THOMAS ADRIAN WARBURTON CO-PRODUCERS ALEX KELLY CECILY HARDY CARMEN ROBINSON COMPOSER GENEVIEVE LACEY This is a story that can change the way in which the country thinks about itself. SOUND ENGINEER JIM ATKINS SOUND RECORDIST STUART THORNE Occasional SPECIAL THANKS THE NAMATJIRA FAMILY GAYLE QUARMBY SCOTT RANKIN DERIK LYNCH NTARIA LADIES CHOIR ILTJA NTJARRA ART CENTRE Producer Sophia Marinos coarse language The film that broke people’s hearts at Melbourne International Film Festival and is bringing a nation to rise is coming to cinemas nationally from September 7 for a limited season. NAMATJIRA PROJECT Namatjira ProjectA FILM BY BIG HART CREATED WITH THE NAMATJIRA FAMI, LY an extraordinary feature documentary made by the Namatjira family with Big hART DIRECTED BY SERA DAVIES PRODUCED BY SOPHIA MARINOS FEATURING TREVOR JAMIESON & THE NAMATJIRA FAMILY CINEMATOGRAPHER SERA DAVIES EXECUTIVE PRODUCER JULIA OVERTON EXECUTIVE PRODUCERS (CULTURAL) LENIE NAMATJIRA GLORIA PANNKA followsEDITORS ROSIE Albert