A Study Guide by Katy Marriner
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Just Not Australian Cultural Mediation Training Pack
JUST NOT AUSTRALIAN Just Not Australian brings CULTURAL MEDIATION TRAINING PACK together 20 artists across generations and diverse cultural backgrounds to deal broadly with the origins and implications of contemporary Australian nationhood. The show engages with the moral and ethical undertones of the loaded rejoinder ‘un- Australian’ – a pejorative now embedded in our national vocabulary that continues to be used to further political agendas and to spread nationalistic ideals of what it means to be Australian. This training pack outlines how the practice of Cultural Mediation can be engaged to translate the broad themes and manage the difficult conversations that this exhibition may ignite, as well as provide a vocabulary and further reading to encourage an inclusive and culturally safe space. Liam Benson, Black Flag, 2016, sequins, seed beads, cotton thread, cotton poplin, 30 x 59 cm. Courtesy the artist and Artereal Gallery, Sydney. Photos: Zan Wimberley Just Not Australian was curated by Artspace and developed in partnership with Sydney Festival and Museums & Galleries of NSW. The exhibition is touring nationally with Museums & Galleries of NSW. UQ ART MUSEUM Museums & Galleries of NSW (M&G NSW) has been ABOUT ANESHKA MORA ABOUT THIS researching and providing training on the practices of Cultural Mediation with the aim to equip gallery and museum staff with the tools to implement this Aneshka Mora is queer, scholar of colour living on TRAINING PACK engagement strategy across the sector. Cultural Cameraygal Country in the Eora Nation, who is broadly Mediation is about deepening the engagement of interested in contemporary art strategies of decoloniality audiences at a peer-to-peer level through personal within the limits of institutions and settler-colonialism. -
Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
Ready Lajamanu Emerged of Families Going Without Food and Some It’S Hurting
FREE November 2016 VOLUME 6. NUMBER 3. PG. ## MARLENE’S FUTURE P.22 IS IN HER HANDS ROYAL COMMISSION WATARRKA POKIES? BREAK OUT YEAR FOR WORRIES WIYA! PRISONER TEAM P. 4 PG. # P. 5 PG. # P. 26 ISSN 1839-5279ISSN NEWS EDITORIAL Want our trust? This time, keep your promises. Land Rights News Central Australia is published by the Central Land Council three We’ll hold you to these election promises: times a year. Aboriginal Hand control to local organisations, develop The Central Land Council workforce training plans and leadership courses with 27 Stuart Hwy organisations them and provide “outposted” public servants to help. Alice Springs Housing $1.1 billion over 10 years for 6500 “additional NT 0870 living spaces”, locally controlled tenancy management and repairs and maintenance, tel: 89516211 capacity development support for local housing www.clc.org.au organisations. email [email protected] Outstations Increase Homelands Extra funding and work with outstation organisations to provide jointly funded Contributions are welcome new houses. As opposition leader, Michael Gunner pleaded with CLC delegates to give Labor a chance to regain their trust. Education Create community led schools with local boards, plan education outcomes for each school region SUBSCRIPTIONS THE MOST extensive return recognises the critically with communities, back community decisions about bilingual education, expand Families as Land Rights News Central of local decision making to important role that control Aboriginal communities since over life circumstances plays First Teachers program, $8 million for nurse Australia subscriptions are self-government, overseen by in improving indigenous home visits of pre-schoolers, support parent $22 per year. -
At the Western Front 1918 - 2018
SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT 1918 - 2018 100 years on Polygon Wood 2 SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT New England Regional Art Museum (NERAM), Armidale 23 March – 3 June 2018 www.neram.com.au Bathurst Regional Art Gallery 10 August – 7 October 2018 www.bathurstart.com.au Anzac Memorial, Sydney October 2018 – 17 February 2019 www.anzacmemorial.nsw.gov.au Bank Art Museum Moree 5 March – 29 April 2019 DEIRDRE BEAN www.bamm.org.au HARRIE FASHER PAUL FERMAN Muswellbrook Regional Arts Centre MICHELLE HISCOCK 11 May – 30 June 2019 ROSS LAURIE www.muswellbrookartscentre.com.au STEVE LOPES EUAN MACLEOD Tweed Regional Gallery 21 November 2019 – 16 February 2020 IAN MARR artgallery.tweed.nsw.gov.au IDRIS MURPHY AMANDA PENROSE HART LUKE SCIBERRAS Opposite page: (Front row, left to right) Wendy Sharpe, Harrie Fasher, Euan Macleod, Steve Lopes, Amanda Penrose Hart George Coates, Australian official war artist’s 1916-18, 1920, oil on canvas (Middle row, left to right) Ian Marr, Deirdre Bean, Ross Laurie, Michelle Hiscock, Luke Sciberras Australian War Memorial collection WENDY SHARPE (Back row, left to right) Paul Ferman, Idris Murphy 4 Salient 5 Crosses sitting on a pillbox, Polygon Wood Pillbox, Polygon Wood 6 Salient 7 The Hon. Don Harwin Minister for the Arts, NSW Parliament Standing on top of the hill outside the village of Mont St Quentin, which Australian troops took in a decisive battle, it is impossible not to be captivated From a population of fewer than 5 million, almost 417,000 Australian men by the beauty of the landscape, but also haunted by the suffering of those enlisted to fight in the Great War, with 60,000 killed and 156,000 wounded, who experienced this bloody turning point in the war. -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
Presentation Tile
Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
The Making of Indigenous Australian Contemporary Art
The Making of Indigenous Australian Contemporary Art The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Marie Geissler All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5546-1 ISBN (13): 978-1-5275-5546-4 Front Cover: John Mawurndjul (Kuninjku people) Born 1952, Kubukkan near Marrkolidjban, Arnhem Land, Northern Territory Namanjwarre, saltwater crocodile 1988 Earth pigments on Stringybark (Eucalyptus tetrodonta) 206.0 x 85.0 cm (irreg) Collection Art Gallery of South Australia Maude Vizard-Wholohan Art Prize Purchase Award 1988 Accession number 8812P94 © John Mawurndjul/Copyright Agency 2020 TABLE OF CONTENTS Acknowledgements .................................................................................. vii Prologue ..................................................................................................... ix Theorizing contemporary Indigenous art - post 1990 Overview ................................................................................................ -
The Essential Introduction to Aboriginal Art (25 Facts)
INTRODUCTION TO ABORIGINAL ART INTRODUCTION TO THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) Authors Jilda Andrews, Fenelle Belle, Nici Cumpston and Lauren Maupin The Art Gallery of South Australia acknowledges and pays respect to the Kaurna people as the Traditional Custodians of the land on which the Gallery stands. Aboriginal and Torres Strait Islander people are respectfully advised that this publication may contain the names of people who have passed away. INTRODUCTION TO ABORIGINAL ART ABORIGINAL TO INTRODUCTION THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) artgallery.sa.gov.au/learning There’s a lot of misinformation out there about Aboriginal and Torres Strait Islander peoples and art. That’s why this guide was created, in collaboration with leading Aboriginal curators. | Learning at the Gallery | Art Gallery of South Australia Aboriginal and Torres Strait Islander art and culture is In our increasingly globalised world, this ability to the oldest continuous tradition on the planet. In recent speak across cultural borders without forsaking decades it has also emerged as one of the world’s most any of its distinctive identity makes Aboriginal and important contemporary art movements. Whether on Torres Strait Islander art some of the most innovative bark, canvas or in new media, Aboriginal and Torres and challenging contemporary art being produced Strait Islander artists have used art to express the power anywhere today. and beauty of their culture, across cultures: to show their enduring connection to, and responsibility for, ancestral lands and the continuity of their identities and beliefs. image: Daniel Boyd, Kudjla/Gangalu peoples, far north Queensland, born 1982, Cairns, Queensland, Treasure Island, 2005, Canberra, oil on canvas, 192.5 x 220.0 cm; Purchased 2006, National Gallery of Australia, Canberra, Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney. -
Big Hart the NAMATJIRA PROJECT the IMPACT of the ARTS in REGIONAL AUSTRALIA
STATS AND STORIES - CASE STUDY 4 CIVIC PRIDE Big hART THE NAMATJIRA PROJECT THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA RUTH RENTSCHLER AND KERRIE BRIDSON DEAKIN UNIVERSITY JODY EVANS MELBOURNE BUSINESS SCHOOL WE WOULD LIKE TO ACKNOWLEDGE THE OVERVIEW WESTERN ARANDA PEOPLE OF THE CENTRAL STATS AND STORIES: AUSTRALIAN DESERT. PLEASE BE ADVISED THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA THAT THIS CASE STUDY REFERENCES ABORIGINAL PEOPLE WHO ARE DECEASED. Stats and Stories: The Impact of the Arts in The research project was undertaken by academic Regional Australia is a ground breaking project staff at Deakin University in the Business School. funded by Regional Arts Australia and The The project was led by Professor Ruth Rentschler, TABLE OF CONTENTS Australia Council for the Arts that calls for new and Dr Kerrie Bridson at Deakin University, as well ways to identify and respond to Australia’s vast as Associate Professor Jody Evans at Melbourne OVERVIEW 1 land, diversity and differences, including its Business School. Research support was provided challenges and opportunities in regional Australia, by Claudia Escobar, Emma Winston and Nick INTRODUCTION 2 using the arts as the vehicle. Cooke. BACKGROUND 5 The Stats and Stories project covers five themes For more information about the project please and five case studies. The five themes were contact John Oster, Executive Director, Regional ACHIEVEMENTS 9 developed from the literature on the regional Arts Australia [email protected] END NOTES 14 impact of the arts. One case study is written on each of the five themes. The five themes are: 1. -
Critical Australian Indigenous Histories
Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc. -
Annual Report 98-99.Qxd
annual report 1998–99 annual report 1998–99 national gallery of australia Annual Report 1998–99 © National Gallery of Australia 1999 ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed in Australia by Goanna Print, Canberra. National Gallery of Australia GPO Box 1150, Canberra ACT 2601 Telephone (02) 6240 6411 Facsimile (02) 6240 6529 Website: www.nga.gov.au Cover: Arthur Boyd Reflected Bride I 1958 Purchased with funds from the Nerissa Johnson Bequest 1999 Reproduced with the permission of Bundanon Trust 17 September 1999 The Honourable Peter McGauran MP Minister for the Arts and the Centenary of Federation Parliament House CANBERRA ACT 2600 Dear Minister I have pleasure in providing to you the Annual Report of the National Gallery of Australia for 1998–99, as required under the National Gallery Act 1975 and the Commonwealth Authorities and Companies Act 1997. The report follows the Guidelines for the Content, Preparation and Presentation of Annual Reports by Statutory Authorities (1982) and the Commonwealth Authorities and Companies Orders for Report of Operations (August 1998). Kerry Stokes AO Chairman of Council iii annual report 1998–99 Contents Letter of Transmission iii Chairman’s Foreword 1 Director’s Report 2 Corporate Overview 6 Performance 1998–99 Developing the Collection 11 Maintaining the Collection 16 Providing Access and Information 18 Managing Resources 26 Appendixes 1. -
N.Smith Gallery JAMES TYLOR
N.Smith Gallery JAMES TYLOR b. 1986, Latje Latje/Barkindji Country (Mildura, Victoria). Nunga (Kaurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch and Norwegian). Lives and works on Ngunnawal/Ngambri Country, Kamberri (Canberra). Kaurna, Thura-Yura language region. EDUCATION 2013 Masters of Visual Art and Design (Photography), South Australian School of Art 2012 Bachelor of Fine Arts with Honours (Photography), Tasmanian School of Art 2011 Bachelor of Visual Arts (Photography), South Australian School of Art AWARDS 2019 Telstra National Aboriginal & Torres Strait Islander Art Awards, Museum and Art Gallery Northern Territory (Finalist) 15 Artists 2019, Moreton Bay Art Gallery, Caboolture (Finalist) Pro Hart Art Prize Broken Hill Regional Art Gallery, NSW (Finalist) 2018 Fleurieu Biennale Art Prize, Stump Hill Gallery, Fleurieu Arthouse & Signal Point Galleries, Fleurieu Peninsula, SA (Winner) National Works on Paper Prize, Mornington Peninsula Regional Gallery, Vic (Winner) National Photography Prize 2018, Murray Art Museum Albury, NSW (Finalist) 2017 Gabriele Basilico Prize in Architecture and Landscape Photography, Milano, Italy (Finalist) Bowness Prize, Monash Gallery of Art, Melbourne (Finalist) Redlands Konica Minolta Art Prize (Emerging Prize), National Art School Gallery, Sydney (Finalist) Ramsay Art Prize, Art Gallery of South Australia (Finalist) 2016 Wyndham Art Prize, Wyndham Art Gallery, Werribee (Finalist) Fleurieu Art prize, Samstag Museum, Adelaide (Finalist) 33rd Telstra National Aboriginal and Torres