The Nature of Music
Total Page:16
File Type:pdf, Size:1020Kb
Pianola and Conlon for three retuned, 4'33", ) John Cage’s John Cage’s Hyperchromatica He studied composition with Ben based entirely on the sounds of New World Records 80817 Records New World ( . Born January 19, 1945, in Fresno, California, Born January 19, 1945, in Fresno, Concord Sonata, Loudspeakers, . a ten-movement suite based on the sounds of historical Studies for Player Piano. Studies Born November 21, 1955, in Dallas, Texas, Kyle Gann is a Kyle Born November 21, 1955, in Dallas, Texas, otherminds.org newworldrecords.org In December 2019, New World Records, in association with West German in association with West Records, In December 2019, New World released a two CD set of music by Charles Amirkhanian. Radio, from the four half-hour-long concert introduces two works Tonight’s In addition, there is compositions that comprise “Loudspeakers.” de mains), (Pas player piano rolls, and recorded speech by the late composer Morton Feldman. Some of his comments appear in shards of paper depicted in the cover art by Carol Law. is available “Loudspeakers” at the Other Minds web- store, A large and distinguished catalog of American music (1776-2019) on New World may be accessed Records at Artist Bios Charles Amirkhanian practitioner of electroacoustic Charles Amirkhanian is a leading U.S. composition. He is widely known for his live music and text-sound utilizing speech elements in rhythmic patterns media works and fixed produced with Synclavier resembling percussion music. In his later works, digital synthesizers, Amirkhanian incorporates sampled and Kurzweil acoustic environmental sounds (that he calls “representational”) and traditional musical pitched sounds (“abstract”) to sculpt disjunct audio listening. His music is available narratives and induce a state of trance-like Fylkingen, Cantaloupe, Wergo, Other Minds, New World, on Starkland, With Jim Newman in 1993, Amirkhanian co-founded and Centaur Records. and he serves as Other Minds, a new music organization in San Francisco, 1969-1992) are His radio programs (KPFA, & Artistic Director. its Executive and on the Internet Archive. archived for free listening at radiOM.org Gann Kyle on American music, including composer and the author of seven books ones on Charles Ives’s Nancarrow’s Gena, and about a fourth of his own Johnston, Morton Feldman, and Peter music is microtonal. His 17-movement computer-driven pianos, was released in 2018 on a two-CD set from He serves on the music faculty of Bard College. Other Minds Records. Loudspeakers Im and Century Century th Metropolis San In ) 1986; 1997 ( Son of Metropolis San Francisco was conceived as a musical Hörspiel—an Century, composers such as Smetana, composers such as Smetana, Century, th In the 19 ) The entrance music for today’s concert was concert was The entrance music for today’s ) 1990 ( 1981 ( the sounds of the environment recorded in real time are reverses this process so that, by means of late 20 Francisco, juxtaposed with those same sounds, sampled and looped or repeated at irregular intervals to create an ambiguous but seductive narrative. The work originally was composed as one of a series of city portraits commissioned from various composers worldwide by producer Klaus Köln. German Radio Schöning and broadcast over West Metropolis San Francisco (1986) “earplay” composition on tape for radio broadcast or concert experimental performance—inspired by the ambience of the city itself as well as its condensed surroundings. The present subsequent edition of the piece, from 55 minutes to 26:30, is titled was completed in 1997. This is a non-literal work composed of sounds recorded over a year-long period ending in April 1986. of sound that reappears in the The music begins with an explosion representing obliquely the ever-present threat of an earthquake. piece, A quiet forest, the sounds of mating elephant seals, speech by Bay Area a violent passage from a Chinese television soap immigrants from Tonga, shower and the overflow valve from a swimming opera, a wooden bucket pool at Harbin Hot Springs, plus whimsical musical interludes, reveal preference for imagining greater San Francisco not as a the composer’s but as a place surrounded by great natural beauty. “metropolis” Tonight’s Program, cont. Tonight’s Son of Metropolis San Francisco This event is supported by generous gifts from Barbara Bessey, Earthways This event is supported by generous gifts from Barbara Bessey, Foundation, and Ubuntu Coffee Co-Operative. Nite Traps Tonight’s Program Tonight’s recording of frogs and crickets composed in 1981 using a lakeside overlaid by an ostinato produced by an electronic drum machine at its slowest setting (quarter note = 40 beats to the minute). The mix was with engineer Bobby Bielecki. created at ZBS Media in upstate New York Im Frühling Dvorak and Liszt conjured the sound of nature and the narrative drama Dvorak and Liszt conjured the sound of nature and the narrative drama of the novella in the form of music composed for symphonic forces. Frühling technology, the sounds of nature are made to imitate orchestral music the sounds of nature are made to imitate orchestral music technology, as we have come to know it. Sound sources include original recordings made by the composer and various prominent recordists from sites in Some of these will be recognizable and others many parts of the globe. will be thoroughly transformed, giving a spectrum from representational The sounds were altered digitally in the Synclavier to abstract imagery. in the in Oakland, California, and mixed studio of composer Henry Kaiser CA. in San Raphael, Co.) (LucasFilm Systems 24-track studios of Sprocket The work was commissioned by the National Endowment for the Arts Rundfunk for premiere at the Whitney Museum of Art and Westdeutscher in April 1990. in New York 75TH BIRTHDAY “TAPE” CONCERT “TAPE” BIRTHDAY 75TH SUNDAY, JANUARY 19, 2020, 3:00PM 2020, 19, JANUARY SUNDAY, WITH GUEST INTERVIEWER, KYLE GANN KYLE INTERVIEWER, WITH GUEST CHARLES AMIRKHANIAN THE NATURE OF MUSIC THE NATURE GOLDMAN THEATER • DAVID BROWER CENTER • BERKELEY BROWER • DAVID GOLDMAN THEATER is dedicated OTHER MINDS® OTHER to the encouragement and propagation of contemporary music in all its forms through and concerts, workshops conferences that bring together artists and audiences of diverse traditions, generations and cultural backgrounds. By fostering cross-cultural and creative dialogue, exchange and by encouraging exploration of areas in new music seldom touched upon by mainstream music institutions, Other Minds and is committed to expanding reshaping the definition of what music.” constitutes “serious www.otherminds.org Myra Melford/Mark Dresser/Oguri, Joelle Leandre/Lauren Newton, Joelle Leandre/Lauren Mary Halvorson/Sylvie Courvoisier, Courvoisier, Mary Halvorson/Sylvie Roscoe Mitchell/Ambrose Akinmusire/ Roscoe n opera in progress by ) Hutong, a UPCOMING OTHER MINDS EVENTS UPCOMING OTHER Scenes from Dong award-winning Chinese American composer, Kui 8:00 pm March 12, 2020, Thursday, CA Petaluma Cinnabar Theater, Notice” Other Minds Festival 25, “Moment's A series of concerts instant compositions, honoring the art of improvisation San Francisco Theater, Atrium Taube April 2, 2020 @ 8pm: Thursday, Mori, William Parker/Hamid William Winant/Zeena Parkins/Ikue Drake/PatriciaNicolson April 3, 2020 @ 8pm: Friday, Jen Shyu Davis, Mats Gustafsson/Joe McPhee, Junius Paul/Vincent April 4, 2020 @ 8pm: Saturday, Smith/Jesse Gilbert, Darius Jones/Amirtha Kidambi Leo Wadada April 5, 2020 @ 4pm: Sunday, Anthony Braxton/Jacqueline Kerrod Elliot Sharp, The Nature of coming May 7, 2020 coming May 7, ( LIST OF ARTISTS Music features composers and sound artists who incorporate environmental and ambient sounds into their musical compositions. Here is a chronological list of the artists we have presented so far, beginning in 2016. LEONARD CHERYL CHACON RAVEN CURRAN ALVIN ANDREW ROTH MARIELLE V JAKOBSONS ANNEA LOCKWOOD BILL FONTANA MICHAEL PISARO CHURCHILL & JOHN DAVIS JOSHUA BOUCHARD LINDA ANNE GUTHRIE BURTNER MATTHEW CHARLES AMIRKHANIAN JIM NOLLMAN THE NATURE OF MUSIC THE NATURE Since the music of Haydn, Dvořák Images on the front cover and top THE NATURE OF MUSIC THE NATURE and Messiaen, classical composers have been using the sounds of the natural world as source material. With advent of reel-to-reel tape recorders that inspired composers of the musique concrete movement, we could hear sounds slowed down or speeded up to bring new ears common everyday sources. Along the way a silent piece for piano, John Cage proposed in 1952, with 4’33”, that a listener could create their own concert by simply listening to ambient sounds without altering them, recognizing that they too have form and content. With the advent of personal recording environmental sounds the cassette recorder, equipment like have been recorded, sampled and integrated into composed Charles Amirkhanian and Richard and improvised music. In 1970, They in Berkeley. Ear Project at KPFA Friedman launched the World invited people from around the world to record continuous sound for 15 minutes or longer without alteration. The result was a long- running program in which listeners driving over the Bay Bridge would be mystified by long segments of sounds a street market at night in Cayucos, California. in India or frogs and crickets CREDITS ARTWORK Ori, from the of this page are from compositions by Luciano collection of Charles Amirkhanian. The photo Amirkhanian in as is the 1985 photo of Charles Law, front of the graffiti is by Carol recording mating elephant seals at Año Nuevo Beach, in San California. The events image below is in Pescadero, Mateo County, also from the collection from an assemblage by Liam O’Gallagher, of Charles Amirkhanian. Program designed by Mark Abramson. © 2020 Other Minds.