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Magazin Tele-Visions Herunterladen PDF, 3,8 MB #maerzmusik 22.3.— 31.3.19 T ELE-VISIONS A Critical Media History of New Music on TV (1950s – 1990s) 1 2 Vorwort / Preface Das Projekt „Tele-Visions“ präsentiert Schätze aus über 40 The project “Tele-Visions” presents treasures from over 40 tele- Fernseharchiven, die die Geschichte der musikalischen Avant- vision archives from around the world that tell a multifaceted story garde der 1950er bis 1990er Jahre erzählen. of the musical avant-garde from the 1950s to the 1990s. Aktuelle Berichterstattung, Dokumentar- und Porträtfilme, News broadcasts, documentaries and portraits, concert record- Konzertmitschnitte, Talkshows und künstlerische Formate wie ings, talk shows and made-for-TV artistic formats from Europe Fernseh-Opern aus Europa (darunter der ehemaligen DDR), (including the former GDR), the US, Latin America and North den USA, Lateinamerika und Nordafrika zeichnen ein massen- Africa paint a mass media image of Western art music, from the medial verbreitetes Bild der westlichen Kunstmusik, von der post-war period to the aftermath of the fall of the Iron Curtain. Nachkriegszeit bis in die Zeit nach dem Fall des Eisernen Vor- The flickering of this mostly unknown, extensive and incomplete hangs. Im Flackern dieses unbekannten, umfangreichen und archive mirrors the personalities, institutions, forms and debates unvollständigen Archivs spiegeln sich die Persönlichkeiten, of the musical avant-garde as well as the cultural, political and Institutionen, Formen und Debatten der musikalischen Avant- ideological currents of the second half of the 20th century. garde ebenso wie die kulturellen, politischen und ideologischen “Tele-Visions” takes a critical long-distance look at this (self-) Strömungen der zweiten Hälfte des 20. Jahrhunderts. „Tele- representation of new music on TV, a mass medium that is itself Visions“ richtet einen kritischen Fern-Blick auf diese (Selbst-) historic and disappearing. Darstellung der Neuen Musik im Fernsehen, einem Massenme- dium, das selbst historisch und im Verschwinden begriffen ist. Which historical narratives do we encounter in these archives? What is their narrators’ respective positionality? Which perspec- Welchen Geschichtsnarrativen begegnen wir? Was ist die je- tives arise from temporal distance, not least with regard to current weilige Positionalität ihrer Erzähler*innen? Welche Perspektiven questions concerning diversity, gender inequality, intersectional- ergeben sich aus zeitlicher Distanz, nicht zuletzt hinsichtlich ity, coloniality and white supremacy? How does the development aktueller Fragestellungen bzgl. Diversität, Ungleichheit der of the musical avant-garde relate to the societal fault lines of Geschlechter, Intersektionalität, Kolonialität und weißer Vor- recent history, from classicism, sexism and racism to epistemic herrschaft? Wie verhält sich die Entwicklung der musikalischen and aesthetic exclusion? In what ways do these fault lines shape Avantgarde zu den gesellschaftlichen Bruchlinien der jüngeren the field of contemporary music to this day? In other words, what Geschichte, von Klassismus, Sexismus und Rassismus bis hin is the history of the (musical) present? zu epistemischen und ästhetischen Ausgrenzungen? Auf welche Weise prägen diese Bruchlinien den Bereich zeitgenössischer “Tele-Visions” presents more than 250 films – over 200 hours of Musik bis heute? In anderen Worten: Was ist die Geschichte der moving image in shifting constellations facilitated by a five-screen (musikalischen) Gegenwart? film installation. Daily changing film programmes on a sixth screen, curated by George Lewis (“The Myth of Absence”), Anke „Tele-Visions“ präsentiert mehr als 250 Filme – über 200 Stunden Charton (“Das Bild des_der Komponisten_in” & “Komponistin- Bewegtbild in wechselnden Konstellationen in einer Filminstal- nen Intersektional”), Diedrich Diederichsen and Nicolas Siepen lation mit fünf Projektionen. Täglich wechselnde Filmprogram- (“Music for Well Over Two Continents”), go beyond the constraints me auf einer sechsten Leinwand, kuratiert von George Lewis of TV productions from five decades. They aim at reviewing, („The Myth of Absence“/„Der Mythos der Abwesenheit“), Anke commenting, and adding to the archives and historical narratives Charton („Das Bild des_der Komponisten_in“ & „Komponistin- on display. Two concerts and two movie nights with presentations nen Intersektional“), Diedrich Diederichsen and Nicolas Siepen and panels open up current perspectives on this still to be written („Music for Well Over Two Continents“/„Musik für weit über zwei media history of new music on TV. Kontinente“) gehen über die Grenzen von TV-Produktionen aus fünf Jahrzehnten hinaus. Sie zielen darauf ab, die gezeigten Archive und historischen Narrative zu überprüfen, zu kommen- tieren und zu ergänzen. Zwei Konzerte und zwei Filmabende mit Präsentationen und Panels eröffnen aktuelle Perspektiven auf die noch zu schreibende Mediengeschichte der Neuen Musik im Fernsehen. Berno Odo Polzer Künstlerischer Leiter / Artistic Director MaerzMusik – Festival für Zeitfragen MaerzMusik – Festival for Time Issues 3 Samstag Saturday 23.03.2019 SCREEN SCREEN 1 SCREEN 2 3 1950s 1960s 1970s 19:00 De Bouw van het Philips 19:00 Stockhausen in den Höhlen 19:00 Birdcage – 70'20.958'' for a Paviljoen von Jeita Composer BE 1958 | 11� | NL FR 1969 | 44� | FR DE 1972 | 74� | GE / EN 19:15 Musique panaméricaine 19:45 Jazz gehört und gesehen: 20:15 C’è musica e musica. Von der US 1958 | 29� | FR Jazz meets Arabia: Noon in Tunisia Vielfalt der Musik 10: Finale 1 & 2 T 1972 | 42� | IT / GE sub 19:45 The Cry of Jazz DE 1969 | 54� | GE US 1959 | 35� | EN 20:20 Actualités Françaises: Musique synthetique sur nouveaux instruments FR 1957 | 11� | FR 20:35 Lectures pour tous: Francis Poulenc à propos de „Poulenc, musi- cien français“ FR 1958 | 11� | FR 20:50 De Bouw van het Philips Paviljoen BE 1958 | 11� | NL 22:00 De Bouw van het Philips 22:00 Elektronische Musik 1 – 4 22:00 Bahia, Por Exemplo Paviljoen DE 1967 | 120� | NDR | GE BR 1970 | 73� | PT BE 1958 | 11� | NL 23:15 Paul Dessau 22:15 Actualités Françaises (Non GDR 1974 | 75� | GE Utilisés): Demonstration des Ondes Martenot par Mademoiselle Martenot CZ 1946 | 27� | CZ 22:45 Panorama neuer Musik: Vierzig Jahre internationale Musiktage in Donaueschingen DE 1961 | 50� | GE 21:00 CONCERT Iannis Xenakis: Persepolis für Achtkanal-Tonband (1971) Daniel Teige, Klangregie 4 SCREEN 4 SCREEN 5 SCREEN 6 1970s 1980s 1990s 19:00 Images, rythmes et percus- 19:00 Einführung in die zeitgenös- 19:00 Klänge aus dem Eis. Neue sions: musique en Iran sische Musik. Musik und Maschinen deutsche Musik in der Sowjetunion FR / IRN 1969 | 65� | FR FR / DE 1980 | 55� | GE DE 1990 | 59� | GE 20:05 Festival de Persépolis 19:55 Tokyo melody, un film sur Ryûi- 20:00 énumérations. A film by FR / IRN 1970 | 54� | FR / FA chi Sakamoto Georges Aperghis and Hugo Santiago FR / JP 1985 | 61� | JP / FR sub FR 1990 | 54� | FR 22:00 JT 20H: Xenakis à Persépolis 22:00 Rund: Jugendfernsehen DDR, 22:00 Erdspiel. Ein Film von Frank (Iran) aus Karl-Marx-Stadt Schleinstein FR 1971 | 13� | FR / EN GDR 1986 | 90� | GE GDR 1990 | 53� | GE 22:15 Images, rythmes et percus- 23:30 Von Salatköpfen und 22:55 Kontur, Folge 394: sions: musique en Iran Neutönern. Avantgarde-Kunst der „Musik-Circus“ mit John Cage FR / IRN 1969 | 65� | FR 60er Jahre GDR 1990 | 8� | GE DE 1986 | 120� | GE 23:20 Champ visuel: Iannis Xenakis 23:05 The Fire and the Rose. FR 1970 | 52� | FR A Portrait of Sofia Gubaidulina UK 1990 | 60� | EN / RU / EN sub 5 Sonntag Sunday 24.03.2019 SCREEN SCREEN 1 SCREEN 2 3 1950s 1960s 1970s 14:00 | 16:35 | 19:10 | 21:45 14:00 I've got a secret with John Cage 14:00 Musique en 33 tours: Actualités Françaises (Non Utilisés): US 1960 | 10� | EN „In Auschwitz“ de Luigi Nono Demonstration des Ondes Martenot FR 1970 | 26� | FR par Mademoiselle Martenot 14:10 L'art et les hommes: Journal de CZ 1946 | 27� | CZ voyage à New-York 1: New-York jour, 14:30 Die Evolution Schwarzer Musi- êtres de jour ker in den USA. Ihr Kampf gegen öko- 14:30 | 17:05 | 19:40 | 22:15 FR 1962 | 55� | FR nomische Zwänge und Rassismus Actualités Françaises: Musique DE 1971 | 60� | EN / GE synthetique sur nouveaux instruments 15:05 L’art et les hommes: Journal de FR 1957 | 11� | FR voyage à New-York 2: New-York nuit, 15:30 Proszenium: Bernd Alois êtres de nuit Zimmermann 14:45 | 17:20 | 19:55 | 22:30 FR 1962 | 43� | FR DE 1971 | 74� | GE Lectures pour tous: Pierre Boulez et la collection „Domaine musical“ 15:50 John Cage 16:45 C’è musica e musica. Von der FR 1957 | 8� | FR DE 1966 | 56� | EN Vielfalt der Musik 10: Finale T 1972 | 42� | IT / GE sub 14:55 | 17:30 | 20:05 | 22:40 16:50 Elektronische Musik 1 Lectures pour tous: Francis Poulenc DE 1967 | 30� | NDR | GE 17:30 Birdcage – 70'20.958'' for a à propos de „Poulenc, musicien Composer français“ 17:20 Nuova Consonanza. Komponis- DE 1972 | 74� | GE / EN FR 1958 | 11� | FR ten improvisieren im Kollektiv DE 1967 | 47� | GE 18:45 Alphabet pour Liège: à Liège, 15:10 | 17:45 | 20:20 | 22:55 le 23 septembre 1972 … une création Musique panaméricaine 18:10 Veranstaltung des Unveranstal- mondiale de Karlheinz Stockhausen US 1958 | 29� | FR teten. Soziologische und organi- BE 1972 | 43� | FR satorische Fragen der Neuen Musik 15:40 | 18:15 | 20:50 DE 1967 | 52� | GE 19:30 Banc d'essai: Les espaces inha- De Bouw van het Philips Paviljoen bitables de François Bayle BE 1958 | 11� | NL 19:05 Les grandes répétitions: Cecil FR 1973 | 42� | FR Taylor à Paris 15:55 | 18:30 | 21:05 FR 1968 | 45� | FR / EN sub 20:15 Paul Dessau 05 Théâtre de France: Pierre Boulez et GDR 1974 | 75� | GE les concerts du „Domaine Musical“ 19:50 Stockhausen in den Höhlen FR 1959 | 2� | FR von Jeita 21:30 Trans und so weiter FR 1969 | 44� | FR DE 1973 | 59� | GE 16:00 | 18:35 | 21:10 | 23:25 The Cry of Jazz 20:35 Musik im Fernsehen ist Brimbo- 22:30 Reconnaissance des musiques US 1959 | 35� | EN rium.
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