Agriculture and Land Use Research
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Hull) Mphil (Cantab)
Thesis submitted for the degree of Doctor of Philosophy At the University of Leicester By William D. Gosling BSc (Hull) MPhil (Cantab) Department of Geography University of Leicester Submitted: December 2003 Examined: April 2004 © William This thesis is copyright material and no quotation from it may be published without proper UMI Number: U188605 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U188605 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Characterization of Neotropical forest and savannah ecosystems by their modern pollen spectra William D. Gosling Abstract Controversy surrounds the Quaternary palaeoenvironmental history of Amazonia. It is unclear whether moist evergreen forest, savannah or seasonally dry forest dominated the Amazon basin at the last glacial maximum (c. 21,000 years B.P.). In part the uncertainty surrounding the palaeoenvironmental history of Amazonia stems from a poor understanding of the ecological significance of the fossil pollen records from the region. In order to improve interpretations of the fossil pollen record it is essential to better understand the nature of the pollen rain produced by modem ecosystems. -
New Records of Smut Fungi from Venezuela: Anthracoidea Uleana, Sporisorium Panici-Petrosi and Ustilago Schroeteriana
ACTA MYCOLOGICA Vol. 43 (2): 153–159 2008 New records of smut fungi from Venezuela: Anthracoidea uleana, Sporisorium panici-petrosi and Ustilago schroeteriana MARCIN PIĄTEK Department of Mycology, W. Szafer Institute of Botany, Polish Academy of Sciences Lubicz 46, PL-31-512 Kraków, [email protected] Piątek M.: New records of smut fungi from Venezuela: Anthracoidea uleana, Sporisorium panici- petrosi and Ustilago schroeteriana. Acta Mycol. 43 (2): 153–159, 2008. Three smut fungi from Venezuela are described, illustrated and discussed based on newly studied collections. Ustilago schroeteriana Henn. is reported for the first time from the country. Anthracoidea uleana (Syd. & P. Syd.) Vánky is confirmed in Venezuela onCarex longii Mack., which is an accessory host for this smut. Sporisorium panici-petrosi (Syd. & P. Syd.) M. Piepenbr. is reported on Thrasya sp. from a second world locality in northern Venezuela, its description is slightly expanded and issues concerning typification of this name and the nomenclature of the host in the type collection are clarified and corrected. Key words: Anthracoidea, Ustilago, Sporisorium, smut fungi, Neotropics, South America INTRODUCTION Neotropical smut fungi have been recently monographed by Piepenbring (2003) who listed 227 species from this part of North and South America. This number seems to be not final, and the author considers that many new species can be discov- ered in the area as well as numerous species can be found in particular countries as a new national records. Indeed several further new species have been subsequently described from different parts of Neotropics (Vánky 2004, 2005, 2006). Venezuela is the sixth largest country of South America, located at the north- ern coast of the continent, bordering with Colombia, Brazil, Guyana and the Carib- bean Sea. -
Making a Pinhole Camera
Homework – Autumn 11 Making a Pinhole Camera Your task this week is to make a pinhole camera. You will need to do the following: Ensure you have the correct materials to make your camera (see below) Follow the step-by-step guide carefully. Take a photo of your finished creation for us to see. You DO NOT need to bring in your camera to school. Write a paragraph about the process of making your camera. You will need to include: o What materials you used. o Were the instructions easy to follow? o Was it a success? Were you able to create an image? o Would you do anything differently? -------------------------------------------------------------------------------------------------- ----------------------------------------------------------- What is a pinhole camera? The word “camera” comes from camera obscura, which simply means “dark chamber”. A pinhole camera is one of the most basic examples of this concept. Pinhole cameras are made from a lightproof box, some photographic paper and a tiny hole (often made with a pin, hence the name). The pinhole is just an aperture, not a true lens, but because it is so small it will still focus on an image on the opposite side of the box, exposing the photo paper placed there. How to make a pinhole camera You will need: A box with a lid – You can make your own or use a shoebox or similar, but then the lid is on it must not let any light inside. You could also use a wide cardboard tube instead. A roll of aluminium foil or sheet of black paper. Sticky tape. Scissors. A needle or drawing pin. -
Is There Child Labour in the Natural Stone Industry in Vietnam?
Is there Child Labour in the Natural Stone Industry in Vietnam? Research Report (Wissenschaftliches Gutachten zu § 4a des Gesetzes über das Friedhofs- und Bestattungswesen des Landes Nordrhein-Westfalen (Bestattungsgesetz – BestG NRW) im Auftrag des Ministeriums für Gesundheit, Emanzipation, Pflege und Alter des Landes Nordrhein-Westfalen MGEPA) Authors: Dr. Jörg Wischermann Dr. Dang Thi Viet Phuong Prof. Dr. Adam Fforde 30 September 2016 1 Contents Contents .................................................................................................................................................. 1 List of acronyms ...................................................................................................................................... 2 Summary ................................................................................................................................................. 4 Context ................................................................................................................................................ 4 Overview ............................................................................................................................................. 4 Core conclusions ................................................................................................................................. 5 Section 1 – Introduction .......................................................................................................................... 6 Section 2 - The current legal position -
ECOI,OGIA Enbolivia Revista Del Instituto De Ecología
ECOI,OGIA enBOLIVIA Revista del Instituto de Ecología C o N T E N 1 o o Artículos científicos en este número: La ecología paisajíst ica de la región de Concepción y Lomerío en la provin cia Ñuflo de ChAvez, Santa Cruz , Bolivia (T. J. Killeen, B. T. Louman y T. Grimwood> Reporte preli~inar sobre la geoeco· logía de la sabana de Espíritu y sus alrededores (Llanos de Moxos, depar tamento del Beni, Bolivia> (W. Hana- garth y J. Sarmiento> 47 No 16 o La Paz,Agosto de 1990 ECOLOGIA EN BOLIVIA es e l pr inc ipal órgano de difusiÓn de los trabajos real izados por el I nst i t u t o de Ec o Loq La , Sin embargo, no pretende ser e xc Lus r v o para este Instituto, sino que es nuestro anhelo ponerlo a di s posici ón de todas las personas interesadas en publIcar sus trabaj o s sobre temas ecolÓgicos en 801 í v ia. Por este motivo, queremos h ac e r un llamado a los c ientíficos nacionales o extranjeros que desean publicar trabajos en el marco de la ecología, l a t axono mí a anima o vegetal, los recursos naturales, e tc. Los interesados deben enviar sus artículos al Comité de Redacción, el cual indicar á sí el t rabajo es aceptado, ya que éste debe cumplir con el ni v e l cien t í fic o de la revista y con los requerimientos indic a dos e n las i nstrucciones para los autores, dados en la últi ma pági na. -
Product Portfolio
Product portfolio 2020 1 Printing Turning pixels into prints. Printing is at the heart of everything we do. Using the latest wide format giclée technology, our expert team consistently produce exceptional prints on a range of fine art and photographic substrates. Printing highlights • Outsourced, on demand, white-label printing • 100+ year colour guarantee • Professional colour management • 12 colour giclée printers • Original brand name inks and substrates All backed up by the Prodigi promise. 13 Prints Photographic C-type (silver halide) Fine art 20 A complete range Printing is at the heart of everything we do and every product we create. We support a full range of branded & non-branded photographic, fine art and poster papers covering matte, of specialist papers lustre, gloss and metallic finishes. Each substrate is individually profiled for our printers, ensuring fantastically accurate and consistent reproductions. Colour profiles for each paper type can be downloaded for those wishing to soft-proof images. Colour management is a core principle , guaranteeing you always receive the best- quality prints. Photographic papers Fine art papers Budget • 170gsm, Budget Photo Paper (BPP) • 180gsm, Budget Art Paper (BAP) • 240gsm, Lustre Photo Paper (LPP) • 200gsm, Enhanced Matte Art (EMA) • 240gsm C-type (silver halide) • 240gsm, Smooth Art Paper (SAP) • 280gsm, Metallic Gloss (MG) • 280gsm, Museum Fine Art (MFA) • 285gsm, Smooth Photo Rag (SPR) • 315gsm, Cold Press Watercolour Paper (CPWP) • 300gsm Sticky Poster (STKY) Premium • 260gsm, Hahnemühle Photo Glossy (HPG) • 310gsm, Hahnemühle German Etching (HGE) • 260gsm, Hahnemühle Photo Lustre (HLP) • 308gsm, Hahnemühle Photo Rag (HPR) • 285gsm, Hahnemühle Fine Art Pearl (HFAP) 21 Budget photographic art prints Gloss, lustre & metallic. -
Bonpland and Humboldt Specimens, Field Notes, and Herbaria; New Insights from a Study of the Monocotyledons Collected in Venezuela
Bonpland and Humboldt specimens, field notes, and herbaria; new insights from a study of the monocotyledons collected in Venezuela Fred W. Stauffer, Johann Stauffer & Laurence J. Dorr Abstract Résumé STAUFFER, F. W., J. STAUFFER & L. J. DORR (2012). Bonpland and STAUFFER, F. W., J. STAUFFER & L. J. DORR (2012). Echantillons de Humboldt specimens, field notes, and herbaria; new insights from a study Bonpland et Humboldt, carnets de terrain et herbiers; nouvelles perspectives of the monocotyledons collected in Venezuela. Candollea 67: 75-130. tirées d’une étude des monocotylédones récoltées au Venezuela. Candollea In English, English and French abstracts. 67: 75-130. En anglais, résumés anglais et français. The monocotyledon collections emanating from Humboldt and Les collections de Monocotylédones provenant des expéditions Bonpland’s expedition are used to trace the complicated ways de Humboldt et Bonpland sont utilisées ici pour retracer les in which botanical specimens collected by the expedition were cheminements complexes des spécimens collectés lors returned to Europe, to describe the present location and to de leur retour en Europe. Ces collections sont utilisées pour explore the relationship between specimens, field notes, and établir la localisation actuelle et la composition d’importants descriptions published in the multi-volume “Nova Genera et jeux de matériel associés à ce voyage, ainsi que pour explorer Species Plantarum” (1816-1825). Collections in five European les relations existantes entre les spécimens, les notes de terrain herbaria were searched for monocotyledons collected by et les descriptions parues dans les divers volumes de «Nova the explorers. In Paris, a search of the Bonpland Herbarium Genera et Species Plantarum» (1816-1825). -
Poaceae: Panicoideae: Paniceae) Silvia S
Aliso: A Journal of Systematic and Evolutionary Botany Volume 23 | Issue 1 Article 41 2007 Phylogenetic Relationships of the Decumbentes Group of Paspalum, Thrasya, and Thrasyopsis (Poaceae: Panicoideae: Paniceae) Silvia S. Denham Instituto de Botánica Darwinion, San Isidro, Argentina Fernando O. Zuloaga Instituto de Botánica Darwinion, San Isidro, Argentina Follow this and additional works at: http://scholarship.claremont.edu/aliso Part of the Botany Commons, and the Ecology and Evolutionary Biology Commons Recommended Citation Denham, Silvia S. and Zuloaga, Fernando O. (2007) "Phylogenetic Relationships of the Decumbentes Group of Paspalum, Thrasya, and Thrasyopsis (Poaceae: Panicoideae: Paniceae)," Aliso: A Journal of Systematic and Evolutionary Botany: Vol. 23: Iss. 1, Article 41. Available at: http://scholarship.claremont.edu/aliso/vol23/iss1/41 Aliso 23, pp. 545–562 ᭧ 2007, Rancho Santa Ana Botanic Garden PHYLOGENETIC RELATIONSHIPS OF THE DECUMBENTES GROUP OF PASPALUM, THRASYA, AND THRASYOPSIS (POACEAE: PANICOIDEAE: PANICEAE) SILVIA S. DENHAM1 AND FERNANDO O. ZULOAGA Instituto de Bota´nica Darwinion, Labarde´n 200, Casilla de Correo 22, San Isidro, Buenos Aires B1642HYD, Argentina 1Corresponding author ([email protected]) ABSTRACT Paspalum (Poaceae: Panicoideae: Paniceae) includes 330 species distributed mainly in tropical and subtropical regions of America. Due to the large number of species and convergence in many char- acters, an adequate infrageneric classification is still needed. Studies on Paniceae based on molecular and morphological data have suggested that Paspalum is paraphyletic, including the genus Thrasya, but none of these analyses have included a representative sample of these two genera. In this study, phylogenetic relationships among the informal group Decumbentes of Paspalum, plus subgenera and other informal groups, and the genera Thrasya and Thrasyopsis were estimated. -
Inkjet Paper Database Version: 1.3 Last Updated: 6/20/2010
Inkjet Paper Database Version: 1.3 Last updated: 6/20/2010 This spreadsheet lists the data for each paper tested by Dane Creek Photography. All tests are printed on a Canon iPF 5100. dMax is measured after 24 hours with a Datacolor Spectrocolorimeter Model 1005. Test prints are done using the Outback Print standard test image which can be obtained from http://www.outbackprint.com/printinginsights/pi048/essay.html There are many other inkjet papers not included in this list, and that's simply because I haven't been able to purchase sample sheets. If you have sample paper you'd like to contribute, send me an e-mail. To view the test results, click on the Tested Paper Details tab below. Papers we samples of but haven't had a chance to test are listed on the Untested Paper Details tab. Updates? Corrections? Questions? Comments? Send them to [email protected]. Copyright © 2009-2010 Dane Creek Photography. Licensed under the Creative Commons Attribution Noncommercial Share Alike 3.0 license. Thanks to Jerry Fiddler for providing the Canson Baryta Photographique paper sample. Manufacturer Paper Weight (gsm) Thickness (µm) Paper Base Price/sq. in. Double-Sided OBAs Tone Finish Texture Media Profile Type Black White dMax Date Printed Rendering Intent Notes Bergger PN33 325 580 100% Cotton $ 0.0180 No No Warm Matte Heavy Premium Matte Paper Generic 16 251 1.65 8/17/2009 Relative Colorimetric Breathing Color Lyve (Uncoated) 450 533 65% Polyester / 35% Cotton $ 0.0113 No No Cool Matte Heavy Canvas Matte 2 Custom (729) 6 250 1.56 11/28/2009 -
Press Release Discover the Canson® Infinity Range of Digital Darkroom
Press release Discover the Canson® Infinity range of digital darkroom papers, setting the benchmark for fine art inkjet papers Baryta Prestige, Baryta Photographique and Platine Fibre Rag are all prestigious references in the Canson® Infinity range of digital darkroom fine art papers Annonay, France xx March 2018 - Drawing on its experience in the world of paper and cutting-edge technologies, Canson® launched the Canson® Infinity range in 2008, encompassing a range of high- quality, age-resistant papers specially designed for fine art printing. Baryta Prestige – recognised by TIPA as the Best Inkjet Photographic paper In 2017, Canson® Infinity received the prestigious TIPA award for the best inkjet photographic paper for its Baryta Prestige, a 340g/m² inkjet paper, with the look and aesthetic feel of traditional darkroom paper. Made from acid-free cellulose and cotton, the paper has excellent durability with a fine, smooth semi-matt texture that leaves every print with defined detail and vibrant colour. With a 100% layer of Barium Sulphate (Baryta), Canson® Infinity has the characteristics and aesthetics expected from a traditional silver print paper. In addition, the paper has been designed to achieve maximum black density (high D-Max) and wide colour gamut, with excellent tonal range and depth for both colour and black & white prints. This innovative product, designed for the discerning photographer and printmaker looking to produce fine art black and white or colour archival prints, is compatible with all aqueous photo inkjet printers on the market. Canson Infinity Baryta Prestige Canson® Infinity Ambassador Robert Rodriguez Jr Robert Rodriguez Jr, landscape photographer, educator, author and Canson® Infinity Ambassador said: “This beautiful paper is intended for lovers of photography and those for whom the photographic object being printed is important. -
The Genus Thrasyopsis PARODI (Gramineae)
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Phyton, Annales Rei Botanicae, Horn Jahr/Year: 1983 Band/Volume: 23_1 Autor(en)/Author(s): Burmann Alasdair G. Artikel/Article: The Genus Thrasyopsis PARODI (Gramineae). 101-116 ©Verlag Ferdinand Berger & Söhne Ges.m.b.H., Horn, Austria, download unter www.biologiezentrum.at Phyton (Austria) Vol. 23 Fase. 1 101-116 15. 2. 1983 The Genus Thrasyopsis PARODI (Gramineae) By Alasdair G. BTJRMAN*) With 3 Figures Received March 1, 1982 Key words: Gramineae, Poaceae; Paniceae, Thrasyopsis. — Systematics, taxonomy. — Flora of Brazil Summary BUBMAN A. G. 1983. The genus Thrasyopsis PAEODI (Gramineae). — Phyton (Austria) 23 (1): 101 — 116, 3 figures. — English with German summary. The grass genus Thrasyopsis (Paniceae) from southern Brazil has affinities mainly with Paspalum and Thrasya; the two species of Thrasyopsis, T. repanda (NEES) PARODI and T. juergensii (HACK.) SODEBSTBOM ex A. G. BUBMAN are rare, perennial, pyroresistant plants and at present probably in decline. History, characteristics, affinities and distribution of the genus are discussed. The genus and its two species are described in detail (with figures). • Zusammenfassung I ' • BUBMAN A. G. 1983. Die Gattung Thrasyopsis PARODI (Gramineae). — Phyton (Austria) 23 (1): 101 — 116, 3 Abbildungen. — Englisch mit deutscher Zusammenfassung. Die südbrasilianische Gramineen- (Paniceae-)Gattung Thrasyopsis ist vor allem mit Paspalum und Thrasya verwandt; die zwei Arten der Gattung, T. repanda (NEES) PABODI und T. juergensii (HACK.) SODERSTROM ex A. G. BUBMAN, sind seltene, anscheinend im Rückgang begriffene, perennieren- de, feuerresistente Pflanzen. Geschichte, Merkmale, Verwandtschafts Verhältnisse und Verbreitung der Gattung werden diskutiert. Die Gattung und ihre beiden Arten sind ausführlich beschrieben (mit Abbildungen). -
Photographic Printing Enlarger
Photographic printing From Wikipedia, the free encyclopedia Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency (or slide), or a digital image file projected using an enlarger or digital exposure unit such as a LightJet printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Photographs are more commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing". Following exposure, the paper is processed to reveal and make permanent the latent image. Printing on black-and-white paper The process consists of four major steps, performed in a photographic darkroom or within an automated photo printing machine. These steps are: Exposure of the image onto the sensitized paper using a contact printer or enlarger; Processing of the latent image using the following chemical process: o Development of the exposed image reduces the silver halide in the latent image to metallic silver; o Stopping development by neutralising, diluting or removing the developing chemicals; o Fixing the image by dissolving undeveloped silver halide from the light-sensitive emulsion: o Washing thoroughly to remove processing chemicals protects the finished print from fading and deterioration. Optionally, after fixing, the print is treated with a hypo clearing agent to ensure complete removal of the fixer, which would otherwise compromise the long term stability of the image. Prints can be chemically toned or hand coloured after processing.[ Enlarger From Wikipedia, the free encyclopedia An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives using the gelatin silver process, or from transparencies.