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Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
Technological Advances and Trends in Modern High-Rise Buildings
buildings Article Technological Advances and Trends in Modern High-Rise Buildings Jerzy Szolomicki 1,* and Hanna Golasz-Szolomicka 2 1 Faculty of Civil Engineering, Wroclaw University of Science and Technology, 50-370 Wroclaw, Poland 2 Faculty of Architecture, Wroclaw University of Science and Technology, 50-370 Wroclaw, Poland * Correspondence: [email protected]; Tel.: +48-505-995-008 Received: 29 July 2019; Accepted: 22 August 2019; Published: 26 August 2019 Abstract: The purpose of this paper is to provide structural and architectural technological solutions applied in the construction of high-rise buildings, and present the possibilities of technological evolution in this field. Tall buildings always have relied on technological innovations in engineering and scientific progress. New technological developments have been continuously taking place in the world. It is closely linked to the search for efficient construction materials that enable buildings to be constructed higher, faster and safer. This paper presents a survey of the main technological advancements on the example of selected tall buildings erected in the last decade, with an emphasis on geometrical form, the structural system, sophisticated damping systems, sustainability, etc. The famous architectural studios (e.g., for Skidmore, Owings and Merill, Nikhen Sekkei, RMJM, Atkins and WOHA) that specialize, among others, in the designing of skyscrapers have played a major role in the development of technological ideas and architectural forms for such extraordinary engineering structures. Among their completed projects, there are examples of high-rise buildings that set a precedent for future development. Keywords: high-rise buildings; development; geometrical forms; structural system; advanced materials; damping systems; sustainability 1. -
MEGAMIASTO TOKIO RAJMUND MYDEŁ 7 Miast Świata (UN World Urbanization Prospect), Wyróżniana Jest Ta Nowa Kategoria Wielkościo Wa Miejskich Form Osadniczych
M EGAMI ASTO ТОКІО RAJMUND MYDEŁ Być małą kroplą w oceanie wiedzy, piękne marzenie Rajmund Mydeł M EGAMI ASTO ТОКІО RAJMUND MYDEŁ Kraków 2014 SPIS TREŚCI WPROWADZENIE............................................................................................................................................................ 7 1. PRZEDMIOT I CEL STUDIUM................................................................................................................................... 17 2 . KONCEPCJE PLANISTYCZNE ROZWOJU M EGAMI ASTA ORAZ PRZESTRZENNO-FUNKCJONALNE EFEKTY ICH REALIZACJI......................................................................................................................................... 29 3 . STRUKTURA WIELKOŚCIOWA MIAST ORAZ JEJ PRZESTRZENNE ZRÓŻNICOWANIE..........................lO l 4 . DEMOGRAFICZNO-SPOŁECZNY ORAZ FUNKCJONALNY OBRAZ M EGAMI ASTA I JEGO PRZESTRZENNA ZMIENNOŚĆ............................................................................................................... 121 5 . ROZWÓJ I PRZEMIANY PRZESTRZENNYCH UKŁADÓW RYNKU PRACY...................................................141 6. FUNKCJONOWANIE MEGAMIASTA ORAZ ZRÓŻNICOWANIE ŚRODKÓW TRANSPORTU W PRZEWOZACH PASAŻERSKICH.......................................................................................................................153 PODSUMOWANIE........................................................................................................................................................ 173 BIBLIOGRAFIA...............................................................................................................................................................177 -
Akaa2007 Final 01-65:Akdn 2007
AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 181 180 AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 182 Aga Khan Award for Architecture Aga Khan Award for Architecture Retrospective 1977 – 2007 Over the past 30 years, the Aga Khan Award has recognised outstanding architectural achievements in some 32 countries. It has held seminars, conferences and exhibitions to explore and discuss the crucial issues of the built environment, and published the proceedings to bring these subjects to a wider audience. It has brought together the architectural community and policy-makers to celebrate the prize-winning projects of 10 award cycles in important historical and architectural settings, and has invited the leading thinkers and practitioners of the day to frame the discourse 10 th on architectural excellence within the context of successive master juries and steering committees. Cycle 1st Cycle 6th Cycle Award Award Ceremony Ceremony Pakistan 1980 Indonesia 1995 2nd Cycle 7th Cycle Award Award Ceremony Ceremony Turkey 1983 Spain 1998 3rd Cycle 8th Cycle Award Award Ceremony Ceremony Morocco 1986 Syria 2001 4th Cycle 9th Cycle Award Award Ceremony Ceremony Egypt 1989 India 2004 Building for Change With an introduction by Homi K. Bhabha 5th Cycle Samir Kassir Square Beirut Lebanon 10th Cycle Award Rehabilitation of the City of Shibam Yemen Award Ceremony Central Market Koudougou Burkina Faso Ceremony 182 183 Uzbekistan 1992 University of Technology Petronas Bandar Seri Iskandar Malaysia Malaysia 2007 Restoration of the Amiriya Complex -
Xx January 2017
The Japanese House Architecture and Life after 1945 Barbican Art Gallery, Barbican Centre 23 March – 25 June 2017 Media View, Wednesday 22 March, 10am –1pm #thejapanesehouse The exhibition is co-organised and co-produced by the Japan Foundation Sponsored by Kajima, Japan Centre, Shiseido and Natrium Capital With additional support from Japan Airlines, The Great Britain Sasakawa Foundation and The Daiwa Anglo-Japanese Foundation Media Partner: Elle Decoration The Japanese House: Architecture and Life after 1945 is the first major UK exhibition to focus on Japanese domestic architecture from the end of the Second World War to now, a field which has consistently produced some of the most influential and extraordinary examples of modern and contemporary design. The exhibition features over 40 architects, ranging from renowned 20th century masters and internationally celebrated contemporary architects such as Tadao Ando, Toyo Ito, Kazuyo Sejima (SANAA) and Kenzo Tange; to exciting figures little known outside of Japan including Osamu Ishiyama, Kazunari Sakamoto and Kazuo Shinohara, and young rising stars such as Hideyuki Nakayama and Chie Konno. The Japanese House presents some of the most ground- breaking architectural projects of the last 70 years, many of which have never before been exhibited in the UK. The exhibition also incorporates film and photography in order to cast a new light on the role of the house in Japanese culture. The Japanese House: Architecture and Life after 1945 opens at Barbican Art Gallery on 23 March 2017. Jane Alison, Head of Visual Arts said “I couldn’t be more delighted that we are able to now stage this pioneering, timely exhibition that forefronts some of the most astounding work by Japanese architects in the post-war period. -
Kenzo Tange, Tokyo Bay Project (1960)
Kenzo Tange, Tokyo Bay Project (1960). Kenzo Tange, Tokyo Bay Project (1960) Top: Design for Caen-Herouville by Shadrach Woods of Team X, published in Urbanism Is Everybody's Business (Stuttgart: Karl Krämer, 1968) Bottom: A new urban structure imposed upon an older fabric. Based on a drawing by Yona Friedman in L'Architecture Mobile (Tournai, Belgium: Casterman, 1970.) 1 Kenzo Tange, Tokyo Bay Project (1960); transit network and housing quarters The 1933 rendering of Plan Obus for Algiers demonstrates Le Corbusier's superimposition of modern forms: the long arching roadway that includes housing- his viaduct city- connecting central Algiers to its suburbs and the curvilinear complex of housing in the heights that accesses the waterfront business district via an elevated highway bypassing the Casbah. http://www.bidoun. com/issues/issue_ 6/05_all.html Paul Rudolph, Lower Manhattan Expressway project, 1970, and Hans Hollein (Austrian), Aircraft Carrier (original title is “Flugzeugträger,” 1964) 2 The Nimitz-class nuclear-powered aircraft carrier “Ronald Reagan” is 1,092 feet long, towering 20 stories above the waterline, home to 6,000 sailors, carrying more than 80 aircraft, with a 4.5 acre flight deck and a cruising speed in excess of 30 knots (34.5 mph). Archigram, Project for “A Walking City,” 1964 . 3 Peter Cook in 2004, with “Plug-In City” project and issue #4, “Archigram 4” . Archigram, “The Cushicle,” an portable, inflatable environment, 1965 4 Kisho Kurokawa, Nakagin Capsule Tower, 1972: 140 detachable spatial units joined to a central core for services and circulation Peter Cook, Museum of Contemporary Art, Graz, Austria, 2003 . -
Architekturführer Tokio
Architektu rführer Tokio Ulf Meyer DOM Apub lishers Inhalt 4 Vorwort Seite 34 Tokio - eine wunderbare Katastrophe Vif Meyer 34 Zu Besuch in der heimlichen Hauptstadt der Welt Botond Boqnar 40 Bunkyo-ku Seite 44 001 Ge denkpark für die Gefallene n Ta kefumi Aida 002 Saint Ma ry's Cat hedrali Marienkirche Kenzo Tange 003 Tokyo Do me Hotel Kenzo Tange 004 Tokyo Dome Nikken Sekkei/ Takenaka Corparation 005 Technica House Iakenaka Corporation 006 Hauptverwaltung der University of To kyo Kenzo Tange 007 Cent ury To wer Notman Foster Chiyoda-ku Seite 52 008 Metro Tour/ Edok en Office Building Atsushi Kitagawara 009 Athenee Francais Takamasa Yo shizako 010 ON Tower 21 Kevin Roche / John Dinkeloo 011 Nationaltheater Hiroyuki Iwamato 012 Kaiserliches Theater Yoshiro Taniquchi/Nitsubish! Architeetural Office 013 Akasaka Prince Hotel Kenzo Tange 014 National Showa Memorial Mu seum /Showa -kan Kiyonori Kikutake 015 Pacific Century Place Nikken Sekkei 016 Wacoa l Bu ilding Kisha Kurokawa 017 Bürohaus der Tokyo Marine and Fire Insurance Kunia Maekawa 018 National Diet Library und Annex Kunio Maekawa 019 Mizuho Corporate Bank Togo Murano 020 Nippon Budokan Mamoru Yamada 021 Mizuho Bank Head Office Building Yoshinobu Ashihara 022 Mitsui Marine and Fire Insura nce Nikken Sekkei 023 Koizumi-Sangyo-Gebäude Peter Eisenman / Kojiro Kitayama 024 Oberster Gerichtshof Shinichi Okada 025 Tajima Building Micha el Graves 026 U-Bahn-Station Iidaba shi Makoto Sei Watanab e 027 55'Building der Hosei-Universität Hiroshi Oe 028 Tokyo Sankei Building Ta kenaka Corpotation 029 Nikk en Sekkei Tokyo Bu ilding Nikken Sekkei 030 AKS Building Takenoko Corporation 031 Nationalmuseum für Moderne Kunst Yo shiro Taniguchi 032 Ni ssei-Theater und Verwaltung der Nihon-Seimei-Versicherung Murano & Mori 033 Kasumigaseki-Hochhaus Yamashita Sekkei 034 Palace Side Building Nikken Sekkei 5 InhaLt Chuo-ku Seite 72 035 Louis Vuitton Ginza Namik i Jun Aoki 036 Nihonbash i MS Building Takefum i Aida 037 Yae su-Buchhandlung Kajima 038 TheJapan P. -
Top Japanese Architects
TOP JAPANESE ARCHITECTS CURRENT VIEW OF JAPANESE ARCHITECTURE by Judit Taberna To be able to understand modern Japanese architecture we must put it into its historic context, and be aware of the great changes the country has undergone. Japan is an ancient and traditional society and a modern society at the same time. The explanation for this contradiction lies in the rapid changes resulting from the industrial and urban revolutions which began in Japan in the Meiji period and continued with renewed force in the years after the second world war. At the end of the nineteenth century, during the Meiji period, the isolation of the country which had lasted almost two centuries came abruptly to an end; it was the beginning of a new era for the Japanese who began to open up to the world. They began to study European and American politics and culture. Many Japanese architects traveled to Europe and America, and this led to the trend of European modernism which soon became a significant influence on Japanese architecture. With the Second World War the development in modern Japanese architecture ground to a halt, and it was not until a number of years later that the evolution continued. Maekawa and Sakura, the most well known architects at the time, worked with Le Corbusier and succeeded in combining traditional Japanese styles with modern architecture. However Kenzo Tange, Maekawa's disciple, is thought to have taken the first step in the modern Japanese movement. The Peace Center Memorial Museum at Hiroshima 1956, is where we can best appreciate his work. -
Downloads/2003 Essay.Pdf, Accessed November 2012
UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy. -
2018 Laureate Balkrishna Doshi India Image Book
2018 Laureate Balkrishna Doshi India Image Book Balkrishna Doshi Photo courtesy of VSF Sponsored by The Hyatt Foundation The following pages contain images of and text about the architecture of Balkrishna Doshi. On the pritzkerprize.com website, a selection of these photographs and drawings have been linked to high resolution images that may be used for printing or broadcast in relation to the announcement of Balkrishna Doshi being named the 2018 Pritzker Architecture Prize Laureate. Photographs may not be reproduced for commercial or personal use without written consent from the photographers. The photographer/photo libraries/artists must be credited if noted. All captions by Balkrishna Doshi. Use of the captions is optional. All images are copyright of the respective photographers and artists cited, and courtesy of the Pritzker Architecture Prize. For more information and videos, please visit pritzkerprize.com. Use #pritzkerarchitectureprize for social media. 2 Institute of Indology 1962 Ahmedabad, India Photo courtesy of VSF The Institute of Indology was designed to house ancient manuscripts, a research center and eventually, a museum. “All the elements one finds in Indian buildings are present [here]. I had studied a Jain upashraya, a home for monks, before I designed it. I had also met several Jain saints in the city to understand the traditional architecture for this building type.” Here, the building’s two stories, high plinth, and full length veranda are all components of traditional Indian buildings. North facade and entrance. 3 The Pritzker Architecture Prize 2018 Laureate Balkrishna Doshi, Institute of Indology, 1962, Ahmedabad, India Institute of Indology 1962 Ahmedabad, India Photos courtesy of VSF The architect considered lighting, temperature and humidity levels to preserve the ancient artifacts stored inside. -
Hospice & Palliative Care
conferenceseries.com BROCHURE 7th World congress on Hospice & Palliative care April 15-16, 2020 | Tokyo, Japan Theme: New Innovations & Multidisciplinary Approach to Palliative Care +61 731-236-041 Email: [email protected] https://www.conferenceseries.com https://hospice-palliativecare.conferenceseries.com/ INVITATION Dear Attendees, We are glad to announce the 7th World congress on Hospice and Palliative care to be held in Tokyo, Japan on April 15-16, 2020 organized in collaboration with generous support and cooperation from enthusiastic academicians and editorial Board Members. Hospice2020 aims at sharing new ideas and technologies amongst the professionals, industrialists and students from research areas of Wound Care Congress. As the premier event, we have developed a program with your interests in mind. We have not only increased the number of opportunities for you to network with colleagues from across the world but also introduced more focused sessions that will feature cutting edge presentations, special panel discussions, and livelier interaction with industry leaders and experts. Life is full of give and take. Make it count in your professional life. 7th World Hospice2020 congress on Hospice and Palliative care amid April 15-16, 2020 | Tokyo, Japan. This consolidates incite keynote presentations, Oral talks, Poster presentations and Exhibitions. Sincerely, Hospice2020 Organizing Committee https://hospice-palliativecare.conferenceseries.com/ about us Our International Open Access Journals Our International Scientific Conferences • 700+ Leading-edge Peer Reviewed Open Access Journals • More than 3000 Conferences happening across the globe • 21 Day Rapid Review Process • Conferences organized in Medical, Pharma, Engineering, Science, • 50000+ Editorial Board Team, 35000+ Reviewers team Technology and Business. -
The Great Living Creative Spirit
The Great Living Creative Spirit Frank LLoyd Wright s legacy in japan Soib ' SS NoV. ii– . Join the Frank Lloyd Wright Building Conservancy for a specially curated tour highlighting modern and contemporary architecture FRANK LLOYD WRIGHT by Wright, Arata Endo, Antonin Raymond, Le Corbusier, Tadao BUILDING CONSERVANCY Ando, Kenzo Tange, Toyo Ito, Kengo Kuma and many more. Day one Sunday, Nov. 11 Arrive in Tokyo and check in at the Imperial Hotel (flights and hotel transfer not included). In the early evening, meet the rest of the group (limited to 27) for a welcome dinner at the historic For- MORI eign Correspondents‘ Club of Japan and a viewing of the Rafael Viñoly-designed Tokyo International Forum. Later, take an optional OICHI evening walking tour of Ginza, the famous upscale shopping and © K entertainment district where the traditional and modern meet. HOTO Overnight: Imperial Hotel, Tokyo / Meals: Dinner P Day TWO Monday, Nov. 12 The first full day begins with a tour of the 1970 Imperial Hotel, which includes the Old Imperial Bar, outfitted with relics of Wright’s demolished Imperial Hotel (1923-67). Then journey to Meguro St. Anselm’s Church, designed by Antonin Raymond, and have lunch at Meguro Gajoen, a lavish design furnished with artwork from its 1928 origins. Continue with a special visit to the private home Japanese modernist Kunio Maekawa built for himself in 1974, then a walking tour of Omotesando (a broad avenue lined with flagship designs by the likes of SANAA, Toyo Ito, Herzog & de Meuron, Kengo Kuma, Tadao Ando and Kenzo Tange). After a visit to the 21_21 Design Sight museum and gallery, designed by Tadao Ando, we finish the day with a view from the 52nd-floor observation deck at Mori Tower in Roppongi Hills, designed by Kohn Pedersen Fox.