Top Japanese Architects
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Arup in Japan
Arup in Japan A glimpse into Arup’s global expertise in Japan ©Hiroyuki Hirai ©Hiroyuki Contents 5 Our firm 14 Our Services 14 - Building design 22 - Technical consulting 26 - Advisory services 30 - Infrastructure 34 - Planning 36 Total design in the digital age 42 Social usefulness 43 Contact us On the cover Mt Fuji World Heritage Centre, Shizoka On this page (the tallest building): CITIC Tower, Beijing 2 3 ©Wentao 4 We shape a better world Arup is the creative force at the heart of many of the world’s most prominent projects in the built environment and across industry. We offer a broad range of professional This is reflected in everything we do, services that combine to make a allowing us to develop meaningful real difference to our clients and the ideas, help shape agendas and deliver communities in which we work. results that frequently surpass the expectations of our clients. We are truly global. From 88 offices in 33 countries, our 14,000 planners, The people at Arup are driven to find designers, engineers and consultants a better way and to deliver better deliver innovative projects across the solutions for our clients. world with creativity and passion. We shape a better world. Founded in 1946 with an enduring set of values, our unique trust ownership fosters a distinctive culture and an intellectual independence that encourages collaborative working. Image V&A Dundee, Dundee, UK ©HuftonCrow 5 6 Japan experience We bring together staff with diverse backgrounds and experiences to work with clients on projects in Japan and overseas. With a local office in Tokyo, Arup has The Tokyo office is also active been working in Japan for 30 years. -
Renzo Piano Designs a Reverent Addition to Louis Kahn's Kimbell
SEEMING INEVITABILITY: renzo piano designs a reverent addition to louis kahn’s kimbell 6 spring INEVITABILITY: Lef: Aerial view from northwest. Above: Piano Pavilion from east, 2014. Photos: Michel Denancé. by ronnie self Louis Kahn’s and Renzo Piano’s buildings for the Kimbell Art Museum in Fort Worth are mature projects realized by septuagenarian architects. They show a certain wis- dom that may come with age. As a practitioner, Louis Kahn is generally considered a late bloomer. His most respected works came relative- ly late in his career, and the Kimbell, which opened a year and a half before his death, is among his very best. Many of Kahn’s insights came through reflection in parallel to practice, and his pursuits to reconcile modern architec- ture with traditions of the past were realized within his own, individual designs. spring 7 Piano (along with Richard Rogers and Gianfranco Franchini) won the competition for the Centre Pompidou in Paris as a young architect piano’s main task was to respond appropriately only in his mid-30s. Piano sees himself as a “builder” and his insights come largely through experience. Aside from the more famboyant Cen- to kahn’s building, which he achieved through tre in the French capital, Piano was entrusted relatively early in his career with highly sensitive projects in such places as Malta, Rhodes, alignments in plan and elevation ... and Pompeii. He made studies for interventions to Palladio’s basilica in Vicenza. More recently he has been called upon to design additions to modern architectural monuments such as Marcel Breuer’s Whitney Mu- seum of American Art in New York and Le Corbusier’s chapel of Notre Dame du Haut in Ronchamp. -
Mcmorrough John Cv Expanded Format
John McMorrough CV (September 2013) - 1/5 John McMorrough Associate Professor of Architecture University of Michigan / Taubman College of Architecture and Urban Planning 2000 Bonisteel Boulevard, Ann Arbor, MI 48109-2069 Education Doctor of Philosophy in Architecture, Landscape Architecture, and Urban Planning 2007, June Harvard University Dissertation: Signifying Practices: The Pre-Texts of Post-Modern Architecture (Advisors: M. Hays, S. Whiting, R. Somol) Master of Architecture (with Distinction) 1998, June Harvard University, Graduate School of Design Thesis: “Shopping and as the City”, Harvard Project on the City: Shopping (Advisor: R. Koolhaas) Bachelor of Architecture 1992, June University of Kansas, School of Architecture and Urban Design Exchange Student in Architecture: Universität Dortmund, Germany 9/88-6/89 Donald P. Ewart Memorial Traveling Scholarship 1988 Academic University of Michigan Associate Professor of Architecture, with tenure 9/2010 -... Chair, Architecture Program 2010-2013 Director, PhD in Architecture Degree 2010-2012 413: History of Architecture and Urbanism ("A Disciplinary Genealogy from 5,000 BC to 2010") (x3) 2011-2013 503: Special Topics in Architectural History ("Possible Worlds") 2013 506: Special Topics In Design Fundamentals ("Color Theory") 2013 322: Architectural Design II ("For Architecture, Five Projects" - Coordinator) 2011 University of Illinois at Chicago Greenwall Visiting Critic (Lectures, "Critical Figures: Reading Architecture Criticism") 2012 University of Applied Arts, Vienna Critic, Urban Strategies Post-Graduate Program (x4) 2008 - 2011 (08: Networks, 09: Game Space, 10: Brain City, 11: Porosity) Ohio State University Head, Architecture Section 2009 - 2010 Chair, Graduate Studies in Architecture 2008 - 2009 Associate Professor of Architecture, with tenure 2009 - 2010 Assistant Professor of Architecture 2005 - 2009 Charles E. -
Shigeru Ban CEO Adam I
The Design Issue Volume 10.2 Shigeru Ban CEO Adam I. Sandow Publisher Michele Caniato Executive Director George M. Beylerian Springtime in New York isn’t just for blossoming flowers—it’s Editor-in-Chief also that special time of the year when the design community Gabriella Vivaldi emerges en masse from the winter weariness and flocks to the trades shows, showrooms, events and happenings across Contributing Editor the city. Incorporating new technologies, innovative materials Andrew H. Dent, Ph.D. and manufacturing experiences, an interesting array of novelty Jessica Kleiman projects and products make their debut this season, proving that the business of good design is booming, Jennifer Dixon Our annual Design Issue opens with "Where Architects Live," Art Director a special project developed by COSMIT for the 53rd edition Carlo Grioli of Salone del Mobile in Milan. This epic installation features a representation of residential living by design giants Shigeru Director of Publications Ban, Mario Bellini, David Chipperfield, Massimiliano and Michael LaGreca Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Studio Mumbai/Bijoy Jain. Director of Finance Also in this issue, Material ConneXion's sister company Matthew Kalishman Culture + Commerce recently announced two design collaborations for HOK Product Design, and in our interview Cover: with Susan Grossinger, we explore the background and Shigeru Ban © Hiroyuki Hiram inspiration behind HOK’s door collection with Lualdi, and tile lines with Lea Ceramiche. The issue closes with Michele Caniato’s interview with Apisit Laistrooglai, Managing Director of Material ConneXion Bangkok, who discusses his expansion plans and the material resources of Thailand. -
Contemporary Itinerary
contemporary itinerary Japan edited by Sara Dello Scarparo, Andrea Ferraro 16:0916:096:09 contemporary itinerary: Japan 04 1 3 2 5 4 6 03 A gojo dori 1 Kyoto 4 Awaji nishi-gojo dori 01. Kyoto station, Hirishi Hara 32. Yumebutai, Tadao Ando 02. Villa Katsura 33. Water temple, Tadao Ando 03. Bamboo Forest 34. House on Awaji island, Izue san-in road 02 04. Kinkaku-Ji temple Architects 05. Higashi Honganji reception hall, kujo dori Shin Takamatsu 5 Naoshima 06. Grand Blue Saniyo Yanaginobanba, Skin Takamatsu 35. Naoshima boat terminal, SANAA 07. Bake Cheese Tart Store, Yusuke Seki 36. Naoshima bath, Shinro Ohtake 08. Today‘s Special, Schemata 37. Naoshima pavillion, Sou Fujimot 1 Architects 38. Chi-chu art museum, Tadao Ando 09. Times Building, Tadao Ando 39. Lee Ufan museum, Tadao Ando 10. Garden of Fine Art, Tadao Ando 40. Benesse house, Tadao Ando 3 11. Kyoto Concert Hall, Arata Isozaki 41. Benesse hotel, Tadao Ando 12. National Museum of Modern Art, 42. Minamidera house, Tadao Ando Fumihiko Maki 43. Naoshima hall, Sambuichi 13. Fujimi Inary Architects 44. Kadoya house, Tadashi Yamamoto 2 Osaka 6 Teshima 14. Rolex Nakatsu Building, Fumihiko Maki 45. Teshima Yokoo house, Yuko 15. Expo Tower, Kiyonori Kikutake Nagayama 16. Sun Tower, Taro Okamoto 46. Restaurant on the sea, Koichi 17. Light Church, Tadao Ando Futatsumata 18. Umeda Sky Building, Hiroshi Hara 47. Shima kitche, Atelier Ryo Abe 19. Tomishima house, Tadao Ando 48. Teshima art museum, SANAA 20. TS Building, Tadao Ando 21. Akka gallery, Tadao Ando 22. Osaka dome, Nikken Sekkei 23. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
Ando's Modern : Reflections on Architectural Translation
24 J p i > n g [ioI 2 u InI i I C i I e 17 Nolurol light floods a concrete gallery bay in the Fort Worth Museum of Modern Art, by Tadao Anda and Associates wilh Kendall/Heaton Associates (2002). Floor sculpture: Slil by Carl Andre. Ando's Modern : Reflections on Architectural Translation Tadao Ando designed a sublime building for the Modern Art Museum of Fort Worth. As built, it's merely great. BY RICHARD R. BRETTELL Cite 5 7 2 o o 11 5 p r i n g 25 Tadoo Ando's (ompelilion mode! showed eight lucite lozenges floating on o blue reflective surface. Ando's competition rendering revealed a light filtering roof, intended lo be realized in glass and steel. The Competition and Ando's Ando's competition model was a Winning Entry series of eight gorgeous lucite lozenges In 1996, the architectural review commit- (lour ol which were connected longitudi- I tee lor the Modern chose sis architects to nally in pairs to form six bays), floating I compete: two Japanese ("Fadao Ando and on a blue reflective surface. Its shimmer- J Arata Iso/aki), one Mexican (Ricardo ing ambiguities ol surface combined with I 1 cgoretta), and three Americans (Richard us lucid geometry to be utterly com- Gluclctnan, Carlos Jimenez, and David pelling, and most viewers of the model Schwarz). Why llns bouquet? File most attempted to "visualize" it as an actual unusual aspect of the selection was how building with little success. Ando's basic relatively non-trendy ir was — no fashion idea was a museum of parallel two-story r;_ —_ v—I- • able Europeans, DO chic Americans, no concrete galleries. -
Pop-Up Landscape Architecture in Ho Chi Minh City: Cases of Creating Livable City for All
MATEC Web of Conferences 193, 04002 (2018) https://doi.org/10.1051/matecconf/201819304002 ESCI 2018 Pop-up landscape architecture in Ho Chi Minh City: Cases of creating livable city for all Anh Viet Vu 1, Thi Ai Thuy Pham 1, and Tu Pham 1,* 1University of Architecture Ho Chi Minh City, 196 Pasteurstr., Ward 6, District 3, Hochiminh City Abstract. The pop-up architecture (or landscape architecture) becomes popular nowadays. Some highlights include annual architecture program such as the Serpentine Gallery Pavilion at Hyde Park, London; MPavilion in Melbourne; MoMA PS1 and Heart Sculpture in New York. Many of these pop-up architectural works have been designed by world renowned architects, such as Zaha Hadid, Rem Koolhaas, Hezorg and de Meuron, Jean Nouvel, Toyo Ito, SANAA, Shigeru Ban, BIG, etc. And many of these designs reflect innovative thinking that changes the professional world of architectural design. But above all, these pop-up architectures were created in responsive manner to the urban community and the community controversially has good response to this type of architecture. In the other words, pop-up architecture is the way the architects touch the heartbeat of the cities, make them livable for all. Ho Chi Minh City has its own types of pop-up landscape architecture, whereas this paper intends to explore in two case studies: Nguyen Hue Floral Boulevard and Nguyen Van Binh Book Street. Nguyen Hue Floral Street is celebrating now its twelfth birthday in the city. Nguyen Van Binh Book Street has just passed its first anniversary in 2017. Both cases live its own story behind the scene about how livable a city could be through place-making by architecture and landscape design. -
Akaa2007 Final 01-65:Akdn 2007
AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 181 180 AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 182 Aga Khan Award for Architecture Aga Khan Award for Architecture Retrospective 1977 – 2007 Over the past 30 years, the Aga Khan Award has recognised outstanding architectural achievements in some 32 countries. It has held seminars, conferences and exhibitions to explore and discuss the crucial issues of the built environment, and published the proceedings to bring these subjects to a wider audience. It has brought together the architectural community and policy-makers to celebrate the prize-winning projects of 10 award cycles in important historical and architectural settings, and has invited the leading thinkers and practitioners of the day to frame the discourse 10 th on architectural excellence within the context of successive master juries and steering committees. Cycle 1st Cycle 6th Cycle Award Award Ceremony Ceremony Pakistan 1980 Indonesia 1995 2nd Cycle 7th Cycle Award Award Ceremony Ceremony Turkey 1983 Spain 1998 3rd Cycle 8th Cycle Award Award Ceremony Ceremony Morocco 1986 Syria 2001 4th Cycle 9th Cycle Award Award Ceremony Ceremony Egypt 1989 India 2004 Building for Change With an introduction by Homi K. Bhabha 5th Cycle Samir Kassir Square Beirut Lebanon 10th Cycle Award Rehabilitation of the City of Shibam Yemen Award Ceremony Central Market Koudougou Burkina Faso Ceremony 182 183 Uzbekistan 1992 University of Technology Petronas Bandar Seri Iskandar Malaysia Malaysia 2007 Restoration of the Amiriya Complex -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
Xx January 2017
The Japanese House Architecture and Life after 1945 Barbican Art Gallery, Barbican Centre 23 March – 25 June 2017 Media View, Wednesday 22 March, 10am –1pm #thejapanesehouse The exhibition is co-organised and co-produced by the Japan Foundation Sponsored by Kajima, Japan Centre, Shiseido and Natrium Capital With additional support from Japan Airlines, The Great Britain Sasakawa Foundation and The Daiwa Anglo-Japanese Foundation Media Partner: Elle Decoration The Japanese House: Architecture and Life after 1945 is the first major UK exhibition to focus on Japanese domestic architecture from the end of the Second World War to now, a field which has consistently produced some of the most influential and extraordinary examples of modern and contemporary design. The exhibition features over 40 architects, ranging from renowned 20th century masters and internationally celebrated contemporary architects such as Tadao Ando, Toyo Ito, Kazuyo Sejima (SANAA) and Kenzo Tange; to exciting figures little known outside of Japan including Osamu Ishiyama, Kazunari Sakamoto and Kazuo Shinohara, and young rising stars such as Hideyuki Nakayama and Chie Konno. The Japanese House presents some of the most ground- breaking architectural projects of the last 70 years, many of which have never before been exhibited in the UK. The exhibition also incorporates film and photography in order to cast a new light on the role of the house in Japanese culture. The Japanese House: Architecture and Life after 1945 opens at Barbican Art Gallery on 23 March 2017. Jane Alison, Head of Visual Arts said “I couldn’t be more delighted that we are able to now stage this pioneering, timely exhibition that forefronts some of the most astounding work by Japanese architects in the post-war period. -
Kenzo Tange, Tokyo Bay Project (1960)
Kenzo Tange, Tokyo Bay Project (1960). Kenzo Tange, Tokyo Bay Project (1960) Top: Design for Caen-Herouville by Shadrach Woods of Team X, published in Urbanism Is Everybody's Business (Stuttgart: Karl Krämer, 1968) Bottom: A new urban structure imposed upon an older fabric. Based on a drawing by Yona Friedman in L'Architecture Mobile (Tournai, Belgium: Casterman, 1970.) 1 Kenzo Tange, Tokyo Bay Project (1960); transit network and housing quarters The 1933 rendering of Plan Obus for Algiers demonstrates Le Corbusier's superimposition of modern forms: the long arching roadway that includes housing- his viaduct city- connecting central Algiers to its suburbs and the curvilinear complex of housing in the heights that accesses the waterfront business district via an elevated highway bypassing the Casbah. http://www.bidoun. com/issues/issue_ 6/05_all.html Paul Rudolph, Lower Manhattan Expressway project, 1970, and Hans Hollein (Austrian), Aircraft Carrier (original title is “Flugzeugträger,” 1964) 2 The Nimitz-class nuclear-powered aircraft carrier “Ronald Reagan” is 1,092 feet long, towering 20 stories above the waterline, home to 6,000 sailors, carrying more than 80 aircraft, with a 4.5 acre flight deck and a cruising speed in excess of 30 knots (34.5 mph). Archigram, Project for “A Walking City,” 1964 . 3 Peter Cook in 2004, with “Plug-In City” project and issue #4, “Archigram 4” . Archigram, “The Cushicle,” an portable, inflatable environment, 1965 4 Kisho Kurokawa, Nakagin Capsule Tower, 1972: 140 detachable spatial units joined to a central core for services and circulation Peter Cook, Museum of Contemporary Art, Graz, Austria, 2003 .