The Obverse/Reverse Pavilion: an Example of a Form-Finding Design of Temporary, Low-Cost, and Eco-Friendly Structure
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Frei Otto╎s Pneumatic Experiments for Humanitarian Design
Architecture Conference Proceedings and Presentations Architecture 6-2021 Frei Otto’s Pneumatic Experiments for Humanitarian Design Rob Whitehead Iowa State University, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/arch_conf Part of the Architectural Technology Commons, Cultural Resource Management and Policy Analysis Commons, Environmental Design Commons, and the Historic Preservation and Conservation Commons Recommended Citation Whitehead, Rob, "Frei Otto’s Pneumatic Experiments for Humanitarian Design" (2021). Architecture Conference Proceedings and Presentations. 145. https://lib.dr.iastate.edu/arch_conf/145 This Conference Proceeding is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Conference Proceedings and Presentations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frei Otto’s Pneumatic Experiments for Humanitarian Design Abstract This paper will explore the intersection of building technology and humanitarian design-science research by looking at Frei Otto’s pneumatic experiments. The purpose of the study is to contextualize our contemporary demands for humanitarian design work by reflecting upon the manner by which Otto integrated an ambitious design ideology with an elevated and innovative technical acumen. Constraining the investigation to Otto’s work, particularly his relatively unknown early -
Arup in Japan
Arup in Japan A glimpse into Arup’s global expertise in Japan ©Hiroyuki Hirai ©Hiroyuki Contents 5 Our firm 14 Our Services 14 - Building design 22 - Technical consulting 26 - Advisory services 30 - Infrastructure 34 - Planning 36 Total design in the digital age 42 Social usefulness 43 Contact us On the cover Mt Fuji World Heritage Centre, Shizoka On this page (the tallest building): CITIC Tower, Beijing 2 3 ©Wentao 4 We shape a better world Arup is the creative force at the heart of many of the world’s most prominent projects in the built environment and across industry. We offer a broad range of professional This is reflected in everything we do, services that combine to make a allowing us to develop meaningful real difference to our clients and the ideas, help shape agendas and deliver communities in which we work. results that frequently surpass the expectations of our clients. We are truly global. From 88 offices in 33 countries, our 14,000 planners, The people at Arup are driven to find designers, engineers and consultants a better way and to deliver better deliver innovative projects across the solutions for our clients. world with creativity and passion. We shape a better world. Founded in 1946 with an enduring set of values, our unique trust ownership fosters a distinctive culture and an intellectual independence that encourages collaborative working. Image V&A Dundee, Dundee, UK ©HuftonCrow 5 6 Japan experience We bring together staff with diverse backgrounds and experiences to work with clients on projects in Japan and overseas. With a local office in Tokyo, Arup has The Tokyo office is also active been working in Japan for 30 years. -
Lightweight Landscape Enhancing Design Through Minimal Mass Structures
SPRINGER BRIEFS IN APPLIED SCIENCES AND TECHNOLOGY POLIMI SPRINGER BRIEFS Alessandra Zanelli Luigi Spinelli Carol Monticelli Paolo Pedrali Editors Lightweight Landscape Enhancing Design through Minimal Mass Structures 123 SpringerBriefs in Applied Sciences and Technology PoliMI SpringerBriefs Editorial Board Barbara Pernici, Politecnico di Milano, Milano, Italy Stefano Della Torre, Politecnico di Milano, Milano, Italy Bianca M. Colosimo, Politecnico di Milano, Milano, Italy Tiziano Faravelli, Politecnico di Milano, Milano, Italy Roberto Paolucci, Politecnico di Milano, Milano, Italy Silvia Piardi, Politecnico di Milano, Milano, Italy [email protected] More information about this series at http://www.springer.com/series/11159 http://www.polimi.it [email protected] Alessandra Zanelli • Luigi Spinelli Carol Monticelli • Paolo Pedrali Editors Lightweight Landscape Enhancing Design through Minimal Mass Structures 123 [email protected] Editors Alessandra Zanelli Carol Monticelli Department of ABC Department of ABC Politecnico di Milano Politecnico di Milano Milan Milan Italy Italy Luigi Spinelli Paolo Pedrali Department of DAStU Department of DAStU Politecnico di Milano Politecnico di Milano Milan Milan Italy Italy ISSN 2191-530X ISSN 2191-5318 (electronic) SpringerBriefs in Applied Sciences and Technology ISSN 2282-2577 ISSN 2282-2585 (electronic) PoliMI SpringerBriefs ISBN 978-3-319-21664-5 ISBN 978-3-319-21665-2 (eBook) DOI 10.1007/978-3-319-21665-2 Library of Congress Control Number: 2015949477 Springer Cham Heidelberg New York Dordrecht London © The Author(s) 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
TENSILE FABRIC ARCHITECTURE: the Process the Characteristics of a Tensile Fabric Structure Are Very Different Than Traditional Building Components
TENSILE FABRIC ARCHITECTURE: The Process The characteristics of a tensile fabric structure are very different than traditional building components. Flexible and lightweight materials are placed in tension, or combination of tension and compression, to create shapes and designs not possible with traditional materials. The freedom of form is really only confined by imagination and site conditions; and is why tensile architecture is so embraced and utilized for large span roof systems, amphitheaters, and shade structures to provide texture and a unique eye catching element.. Complex curvilinear shapes are more affordable and achievable with fabric, which can be cost prohibitive to do with rigid materials. And, with an extremely high resistance to weather and environmental stress and ability to meet building code requirements, tensile fabric structures can last as long or longer. The Signature Team designs structures to meet the clients’ vision while incorporating the underlining requirements of the project. Working with an experienced company will streamline the entire design, fabrication and installation process, ensuring that the project is kept within the project budget. Our services include building from existing structure systems to designing new systems from ground up. The use of a flexible PVC membrane, cables and custom steel components allow for an endless array of shapes and forms available for a project. The drawings below are examples of tensile systems we have designed. Our team works on the forefront of every project to ensure the final success of the structure. We listen to the requirements and meet for a final design review prior to start of any fabrication. Taking a project from a conceptual design and review phase allows our clients the lowest estimates on final pricing, and reduces the unknowns from the start. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Shigeru Ban CEO Adam I
The Design Issue Volume 10.2 Shigeru Ban CEO Adam I. Sandow Publisher Michele Caniato Executive Director George M. Beylerian Springtime in New York isn’t just for blossoming flowers—it’s Editor-in-Chief also that special time of the year when the design community Gabriella Vivaldi emerges en masse from the winter weariness and flocks to the trades shows, showrooms, events and happenings across Contributing Editor the city. Incorporating new technologies, innovative materials Andrew H. Dent, Ph.D. and manufacturing experiences, an interesting array of novelty Jessica Kleiman projects and products make their debut this season, proving that the business of good design is booming, Jennifer Dixon Our annual Design Issue opens with "Where Architects Live," Art Director a special project developed by COSMIT for the 53rd edition Carlo Grioli of Salone del Mobile in Milan. This epic installation features a representation of residential living by design giants Shigeru Director of Publications Ban, Mario Bellini, David Chipperfield, Massimiliano and Michael LaGreca Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Studio Mumbai/Bijoy Jain. Director of Finance Also in this issue, Material ConneXion's sister company Matthew Kalishman Culture + Commerce recently announced two design collaborations for HOK Product Design, and in our interview Cover: with Susan Grossinger, we explore the background and Shigeru Ban © Hiroyuki Hiram inspiration behind HOK’s door collection with Lualdi, and tile lines with Lea Ceramiche. The issue closes with Michele Caniato’s interview with Apisit Laistrooglai, Managing Director of Material ConneXion Bangkok, who discusses his expansion plans and the material resources of Thailand. -
Computational Methods for Tension-Loaded Structures
Arch. Comput. Meth. Engng. Vol. 11, 2, 143-186 (2004) Archives of Computational Methods in Engineering State of the art reviews Computational Methods for Tension-Loaded Structures Thouraya Nouri-Baranger Centre de M´ecanique Universit´e Claude Bernard Lyon 1, France E-mail: [email protected] Summary This paper deals with tension loaded structures made of coated woven fabric, cables and rigid frames such as mats and hoops. It describes in details a general framework for modelling and numerical simulation of their mechanical behavior. Several methods, developped in these last decades, are presented and compared. The principal particularity of these structures is that they derive their stiffness and their stability from the surface geometry and tensile stress field coupling. This particularity is combined with nonlinearities which can be due to possible large deflections, material law behavior and local instabilities due to wrinkling effects. In addition, a great number of design parameters must be taken into account in order to optimize the mechanical behavior of the structure. Therefore, the design and the analysis of such structure are complex and involve extensive computational costs. The principal steps of the analysis process are: form-finding, structural response of the structure to loads, cutting pattern and optimization. In this work, after a short description of the methods developed in this field as well as a critical comparison, new approaches are proposed. 1INTRODUCTION A growing number of architectural structures are today protected by fabrics that are ten- sioned over structures such as plywood, concrete and metal. The most significant membrane structures include the Haj Terminal at Jeddah (Saudia Arabia) whose roof extends over a 430000 m2 surface, the arenas of Nˆımes (France) and Zaragoza (Spain) and the Mil- lennium dome− in Greenwich (United Kingtom). -
Pop-Up Landscape Architecture in Ho Chi Minh City: Cases of Creating Livable City for All
MATEC Web of Conferences 193, 04002 (2018) https://doi.org/10.1051/matecconf/201819304002 ESCI 2018 Pop-up landscape architecture in Ho Chi Minh City: Cases of creating livable city for all Anh Viet Vu 1, Thi Ai Thuy Pham 1, and Tu Pham 1,* 1University of Architecture Ho Chi Minh City, 196 Pasteurstr., Ward 6, District 3, Hochiminh City Abstract. The pop-up architecture (or landscape architecture) becomes popular nowadays. Some highlights include annual architecture program such as the Serpentine Gallery Pavilion at Hyde Park, London; MPavilion in Melbourne; MoMA PS1 and Heart Sculpture in New York. Many of these pop-up architectural works have been designed by world renowned architects, such as Zaha Hadid, Rem Koolhaas, Hezorg and de Meuron, Jean Nouvel, Toyo Ito, SANAA, Shigeru Ban, BIG, etc. And many of these designs reflect innovative thinking that changes the professional world of architectural design. But above all, these pop-up architectures were created in responsive manner to the urban community and the community controversially has good response to this type of architecture. In the other words, pop-up architecture is the way the architects touch the heartbeat of the cities, make them livable for all. Ho Chi Minh City has its own types of pop-up landscape architecture, whereas this paper intends to explore in two case studies: Nguyen Hue Floral Boulevard and Nguyen Van Binh Book Street. Nguyen Hue Floral Street is celebrating now its twelfth birthday in the city. Nguyen Van Binh Book Street has just passed its first anniversary in 2017. Both cases live its own story behind the scene about how livable a city could be through place-making by architecture and landscape design. -
Anything Goes? Berlin Architecture in the 1980S 1 7.3
Press Kit Berlin, 17.3.21 , Foto: © Unbekannte*r Fotograf*in / Berlinische Galerie, Digitalisierung: Anja Elisabeth Witte 1984 Manfred Prasser, Dieter Bankert, Walter Schwarz, Friedrichstadtpalast, kurzJahr nach seiner Eröffnung im Anything Goes? Berlin Architecture in the 1980s 1 7.3. – 16.8.21 C ontents P ress release Anything Goes? P. 1 Press release Revisited P. 3 Press release Tactile models P. 4 Press release Audiowalks P. 6 I nvolved Artists and Architects P. 7 E xhibitions texts P. 8 Handout Video programme P. 11 C atalogue P. 13 P ress images P. 14 Co ntact P. 18 Press Release Berlin, 17.3.21 Berlin boasts a unique concentration of notewor- thy buildings from the 1980s, and more than 30 years , later they deserve a review. The colourful diversity 1984 of this architectural vocabulary challenged previous ideas of living in the modern world. Widely labelled “postmodern”, it drew on structural typologies and stylistic devices from the past and tested alterna- tive urban lifestyles. In the run-up to the celebrations marking 750 years since the original town charter, the entries submitted to the “Internationale Bauausstel- lung” in West Berlin in 1984/87 and the “Bauausstel- lung” of 1987 in East Berlin turned the city into a kind of architectural laboratory observed from well beyond its boundaries. Even at the design stage, some were already attracting criticism as artistically misguided, and significant examples of this era in architecture have since disappeared, been revamped or else threatened by demolition. By around three hundred prints, mod- els, photographs, paintings, films, and tactile models, the exhibition examines for the first time the build- ings and visions in East and West Berlin that were developed in the final decade before the fall of the Manfred Prasser, Dieter Bankert, Walter Schwarz, Friedrichstadtpalast, kurz nach seiner Eröffnung im Jahr Foto: © Unbekannte*r Fotograf*in / Berlinische Galerie, Digitalisierung: Anja Elisabeth Witte Berlin Wall. -
The Tragedy of the Megastructure
105 Megastructures 3 | 2018 | 1 The Tragedy of the Megastructure Valentin Bourdon PhD Candidate École Polytechnique Fédérale de Lausanne [email protected] Valentin Bourdon is a PhD student at the Laboratory of Construction and Conservation (LCC) EPFL since 2017. His research explores the architectural challenges of the common space. In support of significant historical experiences, and contemporary subjects, such a project aims to help overcome the delay taken by architecture comparing to other disciplines in the appropriation of the notion of ‘common’. ABSTRACT Relating the megastructure to the issue of the commons is a useful exercise to understand the success and the disappearance of what Peter Reyner Banham called the “dinosaurs of the Modern Movement”. All these large-scale constructions suffered the same fate: a conflict between the promise of a large shared space and the temptation of its fragmentation. This quantitative quandary is also raised in another field by Garrett Hardin in 1968 as the ‘enclosure dilemma’. The publication of his article “The Tragedy of the Commons” sparked a broad controversy coinciding with the megastructure’s momentum. By assessing a number of theoretical correspondences, the article reexamines the impact of megastructures on the interdisciplinary debates of the time. It also considers the relationship between architecture and property as one of the possible–and tragically coincident–reasons for their success and dissolution. https://doi.org/10.6092/issn.2611-0075/8523 ISSN 2611-0075 Copyright © 2018 Valentin Bourdon 4.0 KEYWORDS Megastructure; Commons; Ownership; Enclosure; Anti-enclosure. Valentin Bourdon The Tragedy of the Megastructure 106 When the American ecologist Garrett Hardin publishes his famous article entitled “The Tragedy of the Commons”1 in Science, the architectural 1. -
A Research on a Reconfigurable Hypar Structure for Architectural Applications
A RESEARCH ON A RECONFIGURABLE HYPAR STRUCTURE FOR ARCHITECTURAL APPLICATIONS A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Gözde SUSAM December 2013 İZMİR We approve the thesis of Gözde SUSAM Examining Committee Members: Assoc. Prof. Dr. Koray KORKMAZ Department of Architecture, Izmir Institute of Technology Assist. Prof. Dr. Gökhan KİPER Department of Mechanical Engineering, Izmir Institute of Technology Assist. Prof. Dr. A. Vefa ORHON Department of Architecture, Dokuz Eylül University 20 December 2013 Assoc. Prof. Dr. Koray KORKMAZ Supervisor, Department of Architecture Izmir Institute of Technology Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS I would like to express my special thanks to my supervisor Assoc. Prof. Dr. Koray Korkmaz for his guidance and support throughout my research. Secondly, I would like to thank other members of the examining committee; Assist. Prof. Dr. Gökhan Kiper and Assist. Prof. Dr. A. Vefa Orhon, for their valuable suggestions and comments. I’m eternally grateful to my family for their morally and aptly contributions and moreover being a part of my life. ABSTRACT A RESEARCH ON A RECONFIGURABLE HYPAR STRUCTURE FOR ARCHITECTURAL APPLICATIONS Kinetic design strategy is a way to obtain remarkable applications in architecture. These kinetic designs can offer more advantages compared to conventional ones. Basic knowledge of different disciplines is necessary to generate kinetic designs. In other words, interdisciplinary studies are critical. -
Shape Finding Or Form Finding?
Proceedings of the IASS-SLTE 2014 Symposium “Shells, Membranes and Spatial Structures: Footprints” 15 to 19 September 2014, Brasilia, Brazil Reyolando M.L.R.F. BRASIL and Ruy M.O. PAULETTI (eds.) Shape Finding or Form Finding? By Nicholas S. GOLDSMITH, FAIA LEED AP FTL Design Engineering Studio 44 East 32nd Street New York, NY 10016 [email protected] Abstract This lecture will discuss the differences in the design process between a shape finding and a form finding approach. It will examine historical traditions of both approaches and look at these methods in today’s design world. Examples of the work of FTL will be used as descriptive case studies to illustrate the different aspects of membrane envelopes including ETFE foil cushions, tensile membranes, and cable nets. Keywords: building membranes, acoustics, environmental, soap films, biomimetics, form-finding, shape finding, lighting, ETFE foil, PTFE glass, Frei Otto In the 18th century, naturalists started a movement which arose from a desire to understand the "universal laws of form" in order to explain observed forms of living organisms. Although it didn’t have much traction at the time, during the early 20th century pioneers such as D’Arcy Wentworth Thompson expanded these notions to create a modern understanding that there are universal laws which arise from fundamental math and physics and that reflect the growth and form in biological systems. Thompson worked on the correlation between natural forms and mathematical models and showed similarities between such things as jellyfish forms and drops of liquid. His book, On Growth and Form became an important way finder in the study of nature and the instrumental in the later emergence of the field of biomimetics1.