DOCSLIB.ORG

A Cabana Do Pai Tomás E Os Romances Anti-Tom's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Cabana Do Pai Tomás E Os Romances Anti-Tom's UNIVERSIDADE FEDERAL DE OURO PRETO INSTITUTO DE CIÊNCIAS HUMANAS E SOCIAIS Programa de Pós-Graduação em História Marcelle Danielle de Carvalho Braga Um mosaico de fatos Produção e circulação de literatura sobre a escravidão nos Estados Unidos em meados do XIX - A Cabana do Pai Tomás e os romances anti-tom’s Mariana 2014 Marcelle Danielle de Carvalho Braga Um mosaico de fatos Produção e circulação de literatura sobre a escravidão nos Estados Unidos em meados do XIX - A Cabana do Pai Tomás e os romances anti-tom’s Dissertação apresentada ao Pro- grama de Pós-Graduação em His- tória como requisito parcial à ob- tenção do título de Mestre em His- tória por Marcelle Danielle de Carvalho Braga. Área de concen- tração: Ideias, Linguagens e Histo- riografia Orientador: Prof. Dr. Luiz Estevam de Oliveira Fernandes Mariana 2014 ii B813m Braga, Marcelle Danielle de Carvalho. Um mosaico de fatos [manuscrito]: produção e circulação de literatura sobre a escravidão nos Estados Unidos em meados do XIX - A Cabana do Pai Tomás e os romances anti-tom’s / Marcelle Danielle de Carvalho Braga. - 2014. 186f.: il.; color.; grafs.; tabs.; mapas. Orientador: Prof. Dr. Luiz Estevam de Oliveira Fernandes. Dissertação (Mestrado) - Universidade Federal de Ouro Preto. Instituto de Ciências Humanas e Sociais. Departamento de História. Programa de Pós- graduação em História. Área de concentração: Poder e Linguagens. 1. Escravidão na literatura - Teses. 2. Estados Unidos - Historia - Teses. 3. Stowe, Harriet Beecher – 1811- 1896 - Teses. I. Fernandes, Venâncio, Luiz Estevam de Oliveira. II. Universidade Federal de Ouro Preto. III. Título. CDU: 821:326.8 Catalogação: [email protected] Agradecimentos Agradeço ao grande pesquisador, amigo e orientador dessa pesquisa, o prof. Dr. Luiz Estevam. Agradeço por, na graduação, ter aceito minhas ideias va- gas e me auxiliado a transformá-las em uma grande bacia hidrográfica, ou seja, destacando objetivos centrais (meu rio principal) e os outros assuntos que contri- buem para a pesquisa (os rios afluentes), mas que demandariam outras pesquisas (viagens) para serem explorados como merecem. E agradeço por, no mestrado, ter continuado com a mesma dedicação. Agradeço a todos os professores que eu tive o prazer de assistir as aulas no ICHS/UFOP. Agradeço ao Departamento de História e à Secretaria de Pós Gra- duação em História. Agradeço também ao Departamento de Educação, que me acolheu durante o primeiro semestre de 2013. Agradeço a minha amiga e irmã (Caryne), meus pais, e minha família. Agradeço a meu noivo que teve tanta paciência comigo, principalmente no perío- do da escrita dessa dissertação: por ter me apoiado nos momentos mais difíceis; por todos os momentos alegres. Agradeço aos amigos: Fernanda Bastos, Felipe Alves, Fabricio Pereira e Fabricio Moreira. E agradeço aos amigos tão queridos, que mesmo longe se fizeram tão presente: William Sabino, Bruno Omar, Fábio Baião, Ana Danila Pascoal e Felipe Ferreira. Agradeço aos professores Dr. Rafael Marquese e Dr. Marco Antonio Sil- veira, que aceitaram prontamente a solicitação para compor a banca desta disser- tação. Agradeço ainda pelo apoio financeiro da Universidade Federal de Ouro Preto, que possibilitou-nos desenvolver iniciações científicas (na graduação) e a pesquisa de mestrado. iii RESUMO Este trabalho analisou a produção do romance A Cabana do Pai Tomás, de Harriet Beecher Stowe, e seu impacto sobre o mercado editorial de meados do século XIX. Para tanto, investigamos, primeiramente, a família Beecher, que já se envolvia com a luta antiescravista e que vivenciou as primeiras discussões sobre o tema com Stowe. Posteriormente, seguimos com a análise do mercado editorial que foi envolvido para a publicação do romance na forma de folhetim e de livro. A análise da obra e de suas publicações permitiu-nos refletir sobre a construção do discurso antiescravista da autora, que agrupamos nos seguintes eixos: questão religiosa e moral, questão biológica e cultural, e questão política e legislativa. Posteriormente, analisamos como a escritora propôs formas de emancipação dos escravos e defendeu a veracidade das histórias que narrava. O romance causou grande impacto no mercado editorial, estimulando o surgimento de inúmeros romances e outras narrativas que se propuseram a res- pondê-la. Pensamos a produção desses textos e analisamos o mais vendido entre eles: Aunt Phillis Cabin, de Mary Anderson Eastman. E tentamos ler o texto sob os mesmo eixos propostos para o texto de Stowe. Como conclusão, percebemos que tanto o discurso antiescravista quanto o pró-escravista se sustentavam, princi- palmente, sobre interpretações da Bíblia e sobre a Constituição e a Declaração de Independência. Palavras-chave: Estados Unidos, romances, escravidão. iv Abstract: This paper analyzed the production of the novel Uncle Tom 's Cabin, by Harriet Beecher Stowe, and its impact on the publishing market of the mid- nineteenth century. To this end, we investigate first the Beecher family, already involved with the antislavery struggle and and who experienced the first discus- sions on the subject with Stowe. Subsequently, we follow the analysis of the pub- lishing market that has been involved for the publication of the novel in the form of serial and book. The analysis of the work and its publications allowed us to reflect on the construction of the discourse of antislavery author, grouped in the following themes: religious and moral issue, biological and cultural issues , and political and legislative issue. Subsequently, we analyze how the writer proposed forms of emancipation of slaves and defended the veracity of the stories narrated. The novel caused great impact on the publishing market, stimulating the emergence of numerous novels and other narratives that sought to answer it. We think the production of these texts and analyze the best-selling among them: Aunt Phillis Cabin, Mary Anderson Eastman. And try to read the text under the same axis proposed for text Stowe. In conclusion, we find that both the anti-slavery speech as pro-slavery were sustained mainly on interpretations of the Bible and the Constitution and the Declaration of Independence. Key-words: United States of America, novels, slavery. v Sumário Introdução ......................................................................................................................... 1 Capítulo 1: Os Beecher e a abolição ............................................................................... 14 Capítulo 2 - Mobilizando uma imprensa abolicionista ................................................... 40 Capítulo 3. Atacando a escravidão: um estudo de A Cabana do Pai Tomás ................. 68 Capítulo 4. Surgimento de um comércio ...................................................................... 102 Capítulo 5. Adentrando a cabana da tia Phillis ............................................................. 126 Considerações finais ..................................................................................................... 155 Referências bibliográficas ............................................................................................ 160 vi Introdução A edição de luxo, fartamente ilustrada, acabara de ficar pronta. A Cabana Do Pai Tomás já havia vendido cerca de meio milhão de cópias somente nos EUA e Inglaterra. Ainda assim, apesar do imenso sucesso e repercussão, a autora, Har- riet Beecher Stowe, parecia não estar plenamente satisfeita. Pelo contrário, o efei- to pedagógico contra as barbáries anticristãs da escravidão que ela havia buscado combater e denunciar com seu folhetim reeditado como livro não fora pleno. Fo- ram publicadas diversas obras que criticavam as ideias propostas no romance, a maior parte delas denunciando como a autora havia distorcido a verdade, falseado os fatos e criado um mundo sulista distante da realidade. Como a verdade estava em jogo, naquele 1853, ela punha o texto Key to Uncle Tom's Cabin nas mãos de seu editor, buscando documentar a veracidade do que escrevera nos anos anterio- res. O subtítulo era claro nesse sentido: “Apresentando os fatos e documentos ori- ginais em que a história foi baseada, juntamente com as demonstrações corrobora- tivas verificando a verdade do trabalho"1. Muitas verdades estavam em jogo: o estatuto da escravidão como institui- ção; o estatuto da verdade em romances; a realidade de vida de um país que se projetava cindido em dois: Sul e Norte. Não era apenas Stowe quem estava discu- tindo isso. Nas fontes oitocentistas era, por exemplo, recorrente a ideia de que uma linha geográfica delimitaria o predomínio da escravidão nos “estados sulis- tas” e o predomínio do abolicionismo nos “estados nortistas”. Essa era uma ver- dade estabelecida muito além do mundo da imprensa. Na legislação nacional, essa linha geográfica existia desde 1787, quando a Ordenança do Noroeste baniu a escravidão ao norte do rio Ohio e ao leste do rio Mississippi. A prática escravista persistiu nessas áreas proibidas: Nova York só estabeleceu a emancipação final em 1827 e Illinois somente aboliu a instituição em 1848. O fim da escravidão como instituição no “Norte” era acompanhado de grande tensão em assumir a causa abolicionista. Havia indivíduos no Norte que eram a favor da escravidão e habitantes do Sul que eram contra o escravismo. Principalmente se considerarmos o noroeste, onde havia conflitos constantes. Se- 1 No original: “Presenting the Original Facts and Documents upon Which the Story Is Founded, Together with Corroborative Statements Verifying the Truth of the
Load more

Recommended publications
  • Native American Context Statement and Reconnaissance Level Survey Supplement
    NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT Prepared for The City of Minneapolis Department of Community Planning & Economic Development Prepared by Two Pines Resource Group, LLC FINAL July 2016 Cover Image Indian Tepees on the Site of Bridge Square with the John H. Stevens House, 1852 Collections of the Minnesota Historical Society (Neg. No. 583) Minneapolis Pow Wow, 1951 Collections of the Minnesota Historical Society (Neg. No. 35609) Minneapolis American Indian Center 1530 E Franklin Avenue NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT Prepared for City of Minneapolis Department of Community Planning and Economic Development 250 South 4th Street Room 300, Public Service Center Minneapolis, MN 55415 Prepared by Eva B. Terrell, M.A. and Michelle M. Terrell, Ph.D., RPA Two Pines Resource Group, LLC 17711 260th Street Shafer, MN 55074 FINAL July 2016 MINNEAPOLIS NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT This project is funded by the City of Minneapolis and with Federal funds from the National Park Service, U.S. Department of the Interior. The contents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability in its federally assisted programs.
    [Show full text]
  • Seth Eastman's Water Colors
    SOURCES FOR NORTHWEST HISTORY SETH EASTMAN'S WATER COLORS THAT AN ARMY OFFICER who has been characterized as "the master painter of the North American Indian" was stationed at Fort Snelling for some seven years in the 1830's and 1840's and served at four different times as Its com­ mandant is perhaps known to few present-day Minnesotans. They visit Washington, gaze upon the canvases of Seth Eastman in the Capitol and in the Corcoran Gallery, and fail to appreciate the fact that many of them are based upon sketches made in their home state In pre-territorial days. And doubtless, too, they fail to realize that to see original work by Eastman they need only visit the James Jerome Hill Reference Library in St. Paul, which has In Its collec­ tions no less than sixty water colors by this distinguished artist of the western frontier.^ Eastman was twenty-one years of age when he was grad­ uated from the United States Military Academy at West Point In July, 1829, attached to the First Infantry as a sec­ ond lieutenant, and sent to Fort Crawford, at Prairie du Chien, Wisconsin. There he began sketching the scenery and the natives, an avocation that he continued when he was transferred to Fort Snelling In the following year. He did not remain long at the Minnesota post, for In 1831 he was assigned to topographical duty. From 1833 to 1840 East­ man served as a teacher of drawing at West Point, and In ^ Oil paintings of Minnesota scenes by Eastman are owned by the Minnesota Historical Society and by Dr.
    [Show full text]
  • Seth Eastman, a Portfolio of North American Indians Desperately Needed for Repairs
    RAMSEY COUNTY The Bungalow Craze And How It Swept A Publication of the Ramsey County Historical Society The Twin Cities— Page 15 Winter, 1996 Volume 30, Number 4 St. Paul Curling Club’s Colorful History The St. Paul Curling Club in 1892, a sketch by T. de Thulstrup for Harper’s Weekly. See page 4 for the history of curling in S t Paul. RAMSEY COUNTY HISTORY Executive Director Priscilla Famham Editor Virginia Brainard Kunz WARREN SCHABER 1 9 3 3 - 1 9 9 5 RAMSEY COUNTY HISTORICAL SOCIETY The Ramsey County Historical Society lost a BOARD OF DIRECTORS good friend when Ramsey County Commis­ Joanne A. Englund sioner Warren Schaber died last October Chairman of the Board at the age of sixty-two. John M. Lindley CONTENTS The Society came President to know him well Laurie Zehner 3 Letters during the twenty First Vice President years he served on Judge Margaret M. Mairinan the Board of Ramsey Second Vice President 4 Bonspiels, Skips, Rinks, Brooms, and Heavy Ice County Commission­ Richard A. Wilhoit St. Paul Curling Club and Its Century-old History Secretary ers. We were warmed by his steady support James Russell Jane McClure Treasurer of the Society and its work. Arthur Baumeister, Jr., Alexandra Bjorklund, 15 The Bungalows of the Twin Cities, With a Look Mary Bigelow McMillan, Andrew Boss, A thoughtful Warren We remember the Thomas Boyd, Mark Eisenschenk, Howard At the Craze that Created Them in St. Paul Schaber at his first County big things: the long Guthmann, John Harens, Marshall Hatfield, Board meeting, January 6, series of badly- Liz Johnson, George Mairs, III, Mary Bigelow Brian McMahon 1975.
    [Show full text]
  • OLD FORT SNELLING from a Painting by Captain Seth Eastman
    OLD FORT SNELLING From a painting by Captain Seth Eastman, reproduced in Mrs. Eastman's Dahcotah; or, Life and Legends of the Sioux around Fort Snelling OLD FORT SNELLING OLD FORT SNELLING 1819–1858 BY MARCUS L. HANSEN PUBLISHED AT IOWA CITY IOWA IN 1918 BY THE STATE HISTORICAL SOCIETY OF IOWA THE TORCH PRESS CEDAR RAPIDS IOWA EDITOR'S INTRODUCTION [v] The establishment in 1917 of a camp at Fort Snelling for the training of officers for the army has aroused curiosity in the history of Old Fort Snelling. Again as in the days of the pioneer settlement of the Northwest the Fort at the junction of the Minnesota and Mississippi rivers has become an object of more than ordinary interest. Old Fort Snelling was established in 1819 within the Missouri Territory on ground which later became a part of the Territory of Iowa. Not until 1849 was it included within Minnesota boundaries. Linked with the early annals of Missouri, Michigan, Wisconsin, Iowa, Minnesota, and the Northwest, the history of Old Fort Snelling is the common heritage of many commonwealths in the Upper Mississippi Valley. The period covered in this volume begins with the establishment of the Fort in 1819 and ends with the temporary abandonment of the site as a military post in 1858. BENJ. F. SHAMBAUGH OFFICE OF THE SUPERINTENDENT AND EDITOR THE STATE HISTORICAL SOCIETY OF IOWA IOWA CITY IOWA [vi] AUTHOR'S PREFACE [vii] The position which the military post holds in western history is sometimes misunderstood. So often has a consideration of it been left to the novelist's pen that romantic glamour has obscured the permanent contribution made by many a lonely post to the development of the surrounding region.
    [Show full text]
  • David's Sabine Women in the Wild West
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 1982 David's Sabine Women In The Wild West Rena N. Coen Saint Cloud State University Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Coen, Rena N., "David's Sabine Women In The Wild West" (1982). Great Plains Quarterly. 1654. https://digitalcommons.unl.edu/greatplainsquarterly/1654 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DAVID'S SABINE WOMEN IN THE WILD WEST RENAN. COEN When one considers the body of mid-nine­ did the men. References to Christian icon­ teenth-century paintings of the American West, ography, classical sculpture, and, above all, one is struck by the place of women, especially prints and engravings after European master­ white women, in them. In the large majority pieces seem more evident in the few paintings of cases, from George Catlin and Seth Eastman involving women than in those describing the to Frederic Remington and Charles Russell, adventures of their husbands. This difference women are conspicuous by their absence. We may be due to the fact that it was myth rather know that many women did go west with than reality that dominated the pictorial pres­ their husbands, striving to maintain some sem­ ence of women-a myth underscored by the blance of the civilization they knew in the notion that, while men engaged in such manly rough and primitive conditions of army posts sports as hunting and exploring and clearing and frontier settlements.
    [Show full text]
  • 1093 Panel 6
    BRUCE VENTO NATURE SANCTUARY Minnesota Historical Society Minnesota Historical Society Little Crow’s Village on the Mississippi by Seth Eastman Taoyateduta, also known as Little Crow, led the Kaposia band during a time of About a dozen permanent bark houses provided summer shelter at Kaposia. increasing contact with Outside the entrances, large platforms were constructed for food drying, storage European immigrants and and sleeping on hot summer nights. By Mark Apfelbacher enormous changes for the Dakota people. TATANKA OYATE Dakota life along Wakpa Tanka MAKOCE Land of the Dakota people lived along the Mississippi Buffalo People River — known as Wakpa Tanka — for There are Dakota hundreds of years. From the mid-1700s to names for many of the places in this the mid-1800s, the seasonal village of area. Kaposia existed in two locations downstream Imnizaska “white from here, near Pigs Eye Lake. cliffs” — the name given to the rock Mdewakanton Dakota resided in Kaposia face we now call Dayton’s Bluff or mainly during the warmer months of the year. Mounds Bluff. Some people made maple sugar, and others Wakan Tipi “spirit hunted game such as rabbits, fowl, deer and house” — the sacred cave that is now part buffalo. Seeds, roots, plants and other foods, of the Bruce Vento including wild rice, were gathered in season Nature Sanctuary, also known as and dried for preservation. After the first hard Carver’s Cave. frost the band would separate and spend the Wakpa Tanka “big winter in sheltered creek valleys. river” — the name for the Mississippi Kaposia residents would have visited this land River.
    [Show full text]
  • Racism's Occlusion from the Anti-Tom Novel to Charlottesville
    “A Single White Line Running Through a Web of Blackness”: Racism’s Occlusion from the Anti-Tom Novel to Charlottesville by © David Mitterauer submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts at the English Department Memorial University of Newfoundland August 2019 St. John’s Newfoundland and Labrador Snowflake in the diving glow Contemplating the waves over the ground A grimace of fear and awe Spreading in the crowd around Amazing, unearthly The figure’s face on the temple is me –“Veridical Paradox,” Delusion Squared i Abstract This MA thesis discusses how romance as a literary form makes the Anti-Tom novel a malleable rhetorical vehicle to carry white supremacist ideology. Drawing on an interdisciplinary framework of postcolonial theory and race studies, the thesis analyzes antebellum Anti-Tom novels (Sarah J. Hale’s Liberia [1853]; Caroline Lee Hentz’s The Planter’s Northern Bride [1854]; and Charles Jacobs Peterson’s The Cabin and Parlor [1852]) and expands the genre’s definition to include Thomas Dixon’s The Leopard’s Spots (1902) and contemporary white-supremacist science fictions (William Luther Pierce’s The Turner Diaries [1978]; Ellen Williams’ Bedford: A World Vision [2000]; and Ward Kendall’s Hold Back This Day [2001]). The primary concerns of this thesis are to understand how the American slaveholding past signifies in the present political moment, to understand why the removal of the General Robert E. Lee statue catalyzed the violent riots in Charlottesville, Virginia, in August 2017, and to understand the affective preconditions Donald J.
    [Show full text]
  • Marpiyawicasta Man of the Clouds, Or “L.O
    MARPIYAWICASTA MAN OF THE CLOUDS, OR “L.O. SKYMAN” “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Man of the Clouds HDT WHAT? INDEX MAN OF THE CLOUDS MARPIYAWICASTA 1750 Harold Hickerson has established that during the 18th and early 19th Centuries, there was a contested zone between the Ojibwa of roughly Wisconsin and the Dakota of roughly Minnesota that varied in size from 15,000 square miles to 35, 000 square miles. In this contested zone, because natives entering the region to hunt were “in constant dread of being surprised by enemies,” game was able to flourish. At this point, however, in a war between the Ojibwa and the Dakota for control over the wild rice areas of northern Minnesota (roughly a quarter of the caloric intake of these two groups was coming from this fecund wild rice plant of the swampy meadows) , the Ojibwa decisively won. HDT WHAT? INDEX MARPIYAWICASTA MAN OF THE CLOUDS HDT WHAT? INDEX MAN OF THE CLOUDS MARPIYAWICASTA This would have the ecological impact of radically increasing human hunting pressure within that previously protected zone. I have observed that in the country between the nations which are at war with each other the greatest number of wild animals are to be found. The Kentucky section of Lower Shawneetown (that was the main village of the Shawnee during the 18th Century) was established. Dr. Thomas Walker, a Virginia surveyor, led the first organized English expedition through the Cumberland Gap into what would eventually become Kentucky.
    [Show full text]
  • Seth Eastman a Biography Fort Snelling & the Dakota People Timeline
    Seth Eastman a biography Fort Snelling & the Dakota People Timeline Seth Eastman was born on January 24, 1808, in Brunswick, Maine. The oldest The artist returned to West Fort Snelling was constructed in 1820 at the confluence of thirteen children, he became interested in joining the military at an early Point to teach drawing of the Minnesota and Mississippi Rivers, a site which had age. He entered West Point Military Academy at sixteen and spent five years in 1833, and shortly been occupied by humans for thousands of years. It was a 1800 studying sketching and topography. After graduating in 1830, the military afterwards, in 1835, self-contained community, with a blacksmith, doctor, and transferred him to Fort Snelling in what is now Saint Paul, Minnesota. Fort married his second wife. barber living at the Fort. Men assigned there resided in the Snelling was first established after the War of 1812 to help control the fur Mary Henderson (1818– barracks with their families. Seth Eastman was stationed trade between Indigenous peoples and American fur traders, as well as to 1887), the daughter of there twice: his first assignment was 1830–1832, and maintain a line of defense against the British troops in the Northwest. During a military surgeon, was his second was 1841–1848 where he served as the Fort’s his time stationed there, Eastman familiarized himself with native culture, also interested in Native commander four times. The years he spent at Fort Snelling 1808 Seth Eastman was born on studying the language as well as the traditional dress and lifestyle of the local American culture and deeply influenced his art.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W.
    [Show full text]
  • Fair Use and Fiction As Social Commentary
    UCLA UCLA Entertainment Law Review Title Not for Entertainment Only: Fair Use and Fiction as Social Commentary Permalink https://escholarship.org/uc/item/0w30f1bp Journal UCLA Entertainment Law Review, 16(2) ISSN 1073-2896 Author Coblenz, Michael Publication Date 2009 DOI 10.5070/LR8162027127 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Not for Entertainment Only: Fair Use and Fiction as Social Commentary Michael Coblenzi I. INTRODUCTION .............................................. 266 II. FAIR U SE ................................................... 267 A. Background & Purpose .............................. 267 B. The Four Factors..................................... 270 C. Fair Use and Free Speech ............................ 272 D. Ideas are Not Just Facts .............................. 274 III. FICTION AS SOCIAL COMMENTARY ....................... 275 IV. FICTION AND FAIR USE: A NEW SECOND FACTOR ...... 288 A. A Proposed "Second Factor"........................ 288 B. Analysis by Analogy ................................. 289 1. Copyright and the Fact to Fiction Continuum ... 289 2. Copyright and the Idea/Expression Dichotomy .. 291 3. Defamation's Sliding Scales ...................... 293 C. The New "Second Factor". .......................... 299 1. The Subject Matter of the Work ................. 299 2. The Author's Intent ............................. 303 3. The Public and Critical Response ................ 305 4. The New Factor, and the Old .................... 306 V. CASE STUDY:
    [Show full text]
  • ANAIS DO II ENCONTRO NACIONAL DE HISTÓRIA DOS ESTADOS UNIDOS Vol
    ANAIS DO II ENCONTRO NACIONAL DE HISTÓRIA DOS ESTADOS UNIDOS Vol. 1 N.1. Dez.2015 Universidade Federal do Rio de Janeiro (UFRJ) Instituto de História (IH) Programa de Pós-graduação em História Social (PPGHIS) ENCONTRO NACIONAL DE HISTÓRIA DOS ESTADOS UNIDOS Anais ANAIS DO II ENCONTRO NACIONAL DE HISTÓRIA DOS ESTADOS UNIDOS INSTITUTO DE HISTÓRIA – UNIVERSIDADE FEDERAL DO RIO DE JANEIRO Vol. 1. No.1 Dez. 2015 (ISSN: 2447-5122) UFRJ Reitor Carlos Antonio Levi da Conceição Vice-reitor Antonio Jose Ledo Alves da Cunha Diretor do Instituto de História Fabio de Souza Lessa Vice-Diretor do Instituto de História Murilo Bon Meihy Coordenação da Pós-Graduação em História social Monica Grin Vice-Coordenação da Pós-Graduação em História social Marcos Luiz Bretas da Fonseca Organizadores: Alexandre Guilherme da Cruz Alves Junior Carlos Vinicius Silva dos Santos Tiago Gomes da Silva Comissão Científica: Bárbara Maria de Albuquerque Mitchell – UFRJ Érika Rachel Guimarães Soares Alves - UFRJ Fernando Luiz Vale Castro – UFRJ Roberto Moll Neto– IFF Rodrigo Farias de Sousa– Iuperj Tatiana Poggi – UFF ANAIS DO II ENCONTRO NACIONAL DE HISTÓRIA DOS ESTADOS UNIDOS INSTITUTO DE HISTÓRIA – UNIVERSIDADE FEDERAL DO RIO DE JANEIRO Vol. 1. No.1 Dez. 2015 (ISSN: 2447-5122) ALVES JR, Alexandre G da Cruz; SANTOS, Carlos Vinicius Silva dos; SILVA, Tiago Gomes da. (Orgs.) Anais do II Encontro Nacional de História dos Estados Unidos / Carlos Vinicius Silva dos Santos, Alexandre Guilherme da Cruz Alves Junior e Tiago Gomes da Silva (organizadores). Rio de Janeiro: UFRJ, 2015. 276p. ISSN: 2447-5122 Texto em Português. 1. História dos Estados Unidos.
    [Show full text]