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Krzysztof Zanussi Lepiej Być Niż Mieć, Z Jednym Wyjątkiem

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Krzysztof Zanussi Lepiej Być Niż Mieć, Z Jednym Wyjątkiem PISMO STOWARZYSZENIA FILMOWCÓW POLSKICH nr 9 (97)/wrzesień 2019 ISSN 2353-6357 KRZYSZTOF ZANUSSI LEPIEJ BYĆ NIŻ MIEĆ, Z JEDNYM WYJĄTKIEM 70 LAT WFDiF WWW.SFP.ORG.PL SPIS TREŚCI W NUMERZE PISMO STOWARZYSZENIA FILMOWCÓW POLSKICH nr 9 (97)/wrzesień 2019 ISSN 2353-6357 KRZYSZTOF ZANUSSI LEPIEJ BYĆ NIŻ MIEĆ, Z JEDNYM WYJĄTKIEM 70 LAT WFDiF WWW.SFP.ORG.PL WYWIAD NUMERU Krzysztof TEMAT NUMERU 22Zanussi 30 70 LAT WFDiF WSTĘPNIAK FESTIWALE ZA GRANICĄ ZAPA 61 PRZEZ SUBIEKTYW Od Prezesa SFP 2 Odessa 50 Czego nie widać 88 SHORT MIESIĄCA WYDARZENIA Golden Apricot 51 Wyobraź sobie 90 Marcel 80 Wystawa na ekranie 4 POLONICA Krótkometrażowcy 92 NA POCZĄTKU FESTIWALE W POLSCE Polscy filmowcy na świecie 52 BYŁ DOKUMENT Moja (filmowa) muzyka 93 Gdynia 6 RYNEK FILMOWY Wrzesień 1939 w polskim Filmowy PEN Club 94 Okładka: fot. Rafał Placek/Gildia Reżyserów Polskich Placek/Gildia Reżyserów Okładka: fot. Rafał Animator 8 Andrzej Jakimowski 54 filmie 82 STUDIO MUNKA 96 Transatlantyk 10 Klaus Eder 56 NIE DO LAMUSA Nowe Horyzonty 12 10 PYTAŃ DO MACIEJA Monika Lenczewska 58 Ryszard Bolesławski 86 ZIELIŃSKIEGO 98 Dwa Brzegi 14 SWOICH NIE ZNACIE Kameralne Lato 16 Grażyna Jakubczak 100 Lato z Muzami 17 Młodzi i Film – KSIĄŻKI 102 Post Scriptum 18 IN MEMORIAM POLSKIE PREMIERY Ks. Kazimierz Orzechowski 104 Kalendarz premier 38 Andrzej Połeć 105 Piłsudski 40 Jan Purzycki 106 Legiony 42 Piotr Woźniak-Starak 107 Burzyński/Reporter Fot. Roman Mowa ptaków 44 Miloš Stehlík 108 (Nie)znajomi 46 VARIA 113 NA PLANIE Biały potok 48 BOX OFFICE 116 Rys. Henryk Sawka MAGAZYN FILMOWY nr 97/wrzesień 2019 1 WSTĘPNIAK Projekt zrealizowany przy wsparciu: ZNAJDŹ NAS WYDAWCA Stowarzyszenie Filmowców Polskich ADRES REDAKCJA Krakowskie Przedmieście 21/23 Redaktor naczelny Tomasz Raczek Zastępca redaktora naczelnego Anna Głaszczka Warszawa Sekretarz redakcji Aneta Ostrowska Jacek Bromski Redakcja tekstów i korekta Julia Michałowska Fotoedycja Aneta Ostrowska Prezes SFP Projekt graficzny Magdalena Górska REZERWACJA BILETÓW Studio graficzne Anna Wójtowicz [email protected] Druk ArtDruk ul. Napoleona 2, 05-230 Kobyłka, www.artdruk.com Nakład 4100 egz. Adres redakcji Stowarzyszenie Filmowców Polskich d pierwszego zdania zapisa- chciałem Was wszystkich zaprosić (so- ul. Pańska 85, 00-834 Warszawa tel.: (48) 22 512 41 14 ZAPRASZAMY nego w scenariuszu, poprzez bota, 21 września, godz. 12.00, hotel e-mail: [email protected], www.sfp.org.pl tanie poniedziałki — bilet 12 zł okres zdjęciowy, a na zabie- Mercure Gdynia Centrum). Tym ra- Stowarzyszenie Filmowców Polskich Sekretariat wtorek — piątek do 17:00 gach postprodukcyjnych zem Forum odbędzie się pod hasłem ul. Pańska 85, 00-834 Warszawa tel.: (48) 22 512 41 00, (48) 22 556 54 40 bilet normalny —17 zł kończąc. Tysiące polskich filmowców „Nasz Festiwal” (#naszfestiwal) i po- e-mail: [email protected] O Bank Millennium SA bilet ulgowy — 14 zł z nadzieją czekają na Festiwal Polskich święcone będzie propozycjom zmian Konto: 44 1160 2202 0000 0001 2123 7014 Filmów Fabularnych. Wiedzą, że to wła- w funkcjonowaniu FPFF. Zapraszamy PREZESI HONOROWI SFP piątek od 17:00 — niedziela śnie w Gdyni następuje co roku podsu- do przedstawienia własnych pomy- Jerzy Kawalerowicz Janusz Majewski Andrzej Wajda bilet normalny —19 zł mowanie tego, co udało się polskiej kine- słów dotyczących takich kluczowych WICEPREZESI HONOROWI SFP bilet ulgowy — 16 zł matografii stworzyć w ostatnim sezonie. kwestii, jak długość trwania Festiwa- Janusz Chodnikiewicz, Janusz Kijowski 44. edycja FPFF zapowiada się bardzo lu, liczba filmów w konkursie i sposób ZARZĄD GŁÓWNY ciekawie. 19 filmów Konkursu Głów- ich wyboru, czy źródła finansowania Prezes Jacek Bromski Wiceprezesi Karolina Bielawska, Dariusz Gajewski nego prezentuje nie tylko najwyższą Festiwalu. Rozpoczynając dyskusję Skarbnik Michał Kwieciński jakość, ale także pełną paletę polskiego nad kształtem FPFF, warto pamiętać, Członkowie Zarządu Filip Bajon, Witold Giersz, przemysłu filmowego. Mamy do czynie- że impreza zainicjowana i stworzona Janusz Kijowski, Juliusz Machulski, Allan Starski oraz nia z filmami debiutantów i uznanych przez SFP, przez naszych starszych Jerzy Kucia – Sekcja Filmu Animowanego (Przewodniczący) Hanna Margolis – Sekcja Filmu Animowanego (Wiceprzewodnicząca) twórców, produkcjami poruszający- kolegów i mistrzów – Kawalerowi- Andrzej Marek Drążewski – Sekcja Filmu Dokumentalnego mi kontrowersyjne tematy społeczne cza, Wajdę, Majewskiego, Hoffmana, (Przewodniczący) Andrzej Sapija – Sekcja Filmu Dokumentalnego i błyskotliwym kinem gatunkowym, Kutza, Zanussiego, Antczaka – w za- (Wiceprzewodniczący) Jacek Zygadło – Sekcja Telewizyjna (Przewodniczący) opowiadanymi z epickim rozmachem myśle miała być panoramą tego, co Witold Będkowski – Sekcja Telewizyjna (Wiceprzewodniczący) historycznymi freskami i kameralnymi najlepsze w polskiej kinematografii. Mirosława Wojtczak – Koło Charakteryzatorów (Przewodnicząca) Alina Skiba – Koło Cyfrowych Form Filmowych (Przewodnicząca) dramatami. Cieszę się, że w tym zna- Festiwal z pewnością powinien być Michał Szcześniak – Koło Młodych (Przewodniczący) Janusz Gauer – Koło Operatorów Obrazu (Przewodniczący) komitym zestawie znalazł się debiut otwarty dla wszystkich – kina publi- Barbara Hollender – Koło Piśmiennictwa (Przewodnicząca) Bartosza Kruhlika Supernova zreali- cystycznego, osobistego, gatunkowe- Ewa Borguńska – Koło Producentów (Przewodnicząca) Andrzej Roman Jasiewicz – Koło Realizatorów Filmów dla Dzieci zowany w programie „60 minut” Stu- go, dla artystycznej awangardy, dla i Młodzieży (Przewodniczący) Nikodem Wołk-Łaniewski – Koło Reżyserów Dźwięku dia Munka działającego przy Stowa- debiutantów, młodych twórców i dla (Przewodniczący) rzyszeniu Filmowców Polskich. Drugi klasyków, a jedynymi kryteriami kon- Maciej Karpiński – Koło Scenarzystów (Przewodniczący) Andrzej Haliński – Koło Scenografów (Przewodniczący) film z programu „60 minut” – Eastern kursowej selekcji powinny być jakość Krzysztof Wierzbiański – Koło Seniora (Przewodniczący) Tomasz Dettloff – Oddział Krakowski (Przewodniczący) w reżyserii Piotra Adamskiego – zoba- artystyczna i profesjonalizm, a nie Anna Mroczek – Oddział Łódzki (Przewodnicząca) czyć będzie można w sekcji Panorama układy koleżeńskie czy pokoleniowe. Andrzej Stachecki – Oddział Wrocławski (Przewodniczący) Polskiego Kina. Obrazy z logiem Studia W Komitecie Organizacyjnym zawsze SĄD KOLEŻEŃSKI Munka znajdziemy także w Konkursie staraliśmy się osiągnąć maksymalny Przewodniczący Marek Piestrak Wiceprzewodniczący Tomasz Miernowski, Piotr Wojciechowski Filmów Krótkometrażowych – warto je obiektywizm przy wyborze filmów. Sekretarz Grażyna Banaszkiewicz Członkowie Henryk Bielski, Violetta Buhl, Andrzej Luter, uważnie obejrzeć, bo jak pokazuje po- Tych, którzy podzielają tę opinię oraz Wiktor Skrzynecki, Andrzej Sołtysik, Andrzej Stachecki, naddziesięcioletnia historia Studia, to tych, którzy się z nią nie zgadzają za- Dorian Ster, Magdalena Tomanek właśnie ich twórcy będą w najbliższych praszam na Forum. Naszym wspól- KOMISJA REWIZYJNA latach zmieniać oblicze polskiego kina. nym celem jest taki Festiwal Polskich Przewodniczący Zbigniew Domagalski Wiceprzewodnicząca Ewa Jastrzębska Gdynia to także Forum Stowarzy- Filmów Fabularnych, który najlepiej Sekretarz Łukasz Mańczyk szenia Filmowców Polskich, na które będzie służył polskiemu kinu. Fot. Borys Skrzyński/SFP Członkowie Irena Strzałkowska, Krzysztof Tchórzewski 2 MAGAZYN FILMOWY nr 97/wrzesień 2019 WYDARZENIA WYSTAWA NA EKRANIE FENOMEN UCZESTNICTWA W SZTUCE NA EKRANIE tional Theatre, Teatru Bolszoj, ekranu w przestrzeni sali kino- Szósty już sezon cyklu Filharmonii Berlińskiej. Po wej – z uwzględnieniem spe- muzyce, teatrze i spektaklach cyfiki języka każdej ze sztuk. dokumentalnego Wystawa baletowych przyszła kolej na „Przystępując do realizacji każ- najbardziej prestiżowe muzea dego z kolejnych filmów – mó- na ekranie (Exhibition i galerie świata…”. wi Phil Grabsky – mam pełną on Screen) gromadzi Przyszła kolej na Leonarda świadomość, że powinien po- da Vinci na kinowym ekranie – wstać pełnowartościowy utwór Phil Grabsky w pozie Pabla Picassa był rok 2010, brytyjska firma filmowy przeznaczony do po- na planie dokumentu Młody Picasso w Polsce, w wybranych kinach producencka The Seventh Art kazywania na wielkim ekra- Productions wprowadziła na nie. Czego to wymaga? Przede studyjnych, imponującą grupę ekrany kinowe transmisję Le- wszystkim respektowania geno- kulturowy flaner peregrynuje publiczności. Aby odpowiadał To poważne wyzwanie, bo pro- W Europie Środkowej jesteście onardo Live, dokumentującą typu kina, które jest »wielkim w poszukiwaniu aury Wielkiej wysokim standardom, do ja- dukujemy 3-4 pełnometrażo- naszym najlepszym odbiorcą. zadeklarowanych, wiernych znakomitą wystawę w National opowiadaczem historii«. Nie- Sztuki. Oglądając film zbudo- kich aspirujemy, potrzebne są we filmy rocznie. A marketing? Przynajmniej raz w roku sta- Gallery w Londynie. Pomysło- zależnie od tego, czy prezentu- wany wokół tej sytuacji, staje- fundusze, których zgromadze- No cóż, jesteśmy fabryką snów ram się przyjeżdżać do Polski widzów. dawcą był Phil Grabsky – reży- jemy osobę i dzieło Leonarda, my się jednocześnie bywalcami nie w przypadku tak niszowej o wielkiej sztuce, co oznacza, do »naszych« kin na spotkania ser dokumentalista, producent Vermeera, Moneta, van Go- galerii, adresatami dzieł ma- produkcji wymaga ogromnego że o dużych pieniądzach na z publicznością. Bywa bardzo ajnowsza produkcja nach.pl, która została utworzo- telewizyjny i filmowy, założy- gha, Boscha, Rembrandta
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