Festival Internazionale Del Film Di Roma October 22 • 31 2008 1.ING.Qxd 11-10-2008 18:39 Pagina 2

Total Page:16

File Type:pdf, Size:1020Kb

Festival Internazionale Del Film Di Roma October 22 • 31 2008 1.ING.Qxd 11-10-2008 18:39 Pagina 2 1.ING.qxd 11-10-2008 18:39 Pagina 1 Festival Internazionale del Film di Roma October 22 • 31 2008 1.ING.qxd 11-10-2008 18:39 Pagina 2 Founding Members Gian Luigi Rondi Comune di Roma President Regione Lazio Francesca Via Provincia di Roma General Director Camera di Commercio di Roma Fondazione Musica per Roma Artistic Direction Foundation Committee Coordinator, Piera Detassis President Official Selection Andrea Mondello President of Camera di Commercio di Roma Anteprima (Première) Gianni Alemanno Piera Detassis Mayor of Rome Cinema 2008 Piero Marrazzo Maria Teresa Cavina, Giorgio Gosetti President of Regione Lazio L’Altro Cinema (Extra) Nicola Zingaretti Mario Sesti President of Provincia di Roma Occhio sul Mondo (Focus) Gianni Borgna Gaia Morrione President of Fondazione Musica per Roma Alice nella città Gianluca Giannelli Board of Directors Gian Luigi Rondi, President Special projects Luca Barbareschi, Comune di Roma Mercato Internazionale del Film (The Business Street) Francesco Gesualdi, Regione Lazio Giorgio Gosetti Massimo Ghini, Provincia di Roma Fabbrica dei progetti (New Cinema Network) Maria Teresa Cavina Pietro Abate, Camera di Commercio di Roma Carlo Fuortes, Fondazione Musica per Roma Auditors Daniela Lambardi, President Gianfranco Piccini, Staff Auditor Giovanni Sapia, Staff Auditor Demetrio Minuto, Supply Auditor Antonella Greco, Supply Auditor General Director Francesca Via 1.ING.qxd 11-10-2008 18:39 Pagina 4 1.ING.qxd 11-10-2008 18:39 Pagina 6 1.ING.qxd 11-10-2008 18:39 Pagina 8 1.ING.qxd 11-10-2008 18:39 Pagina 10 1.ING.qxd 11-10-2008 18:39 Pagina 12 1.ING.qxd 11-10-2008 18:39 Pagina 14 1.ING.qxd 11-10-2008 18:39 Pagina 16 1.ING.qxd 11-10-2008 18:39 Pagina 18 am particularly pleased to send my greetings to the third edition of the Festa di Roma which, in a more explicit reference to its cinemato- I graphic aims, is now called the International Film Festival of Rome. I am also delighted to note that, while respecting the necessary balance every festival must find when opening up its program to international films, Italian cinema has given sufficient space to have a prominent profile in the line-up. Apart from highlighting the considerable Italian presence, both the Official Selection (comprising Anteprima – Première and Cinema 2008) and the other Festival sections offer a wide range of events, for example the look back at Italian Cinema Families. Apart from screening films, this review focuses on particularly significant personalities from our cin- ema’s past, together with those contributing to the success of our pres- ent output. It covers the best strands in our production, from comedy to drama, shining the spotlight on both performers and directors. A special greeting goes to the Festival’s new President, Gian Luigi Rondi, who has faced this fresh challenge with extraordinary vitality, proving his ability to renew the spirit and substance of this young, yet al- ready great cinematographic event. Finally, I send everyone my best wishes, hoping for success, also mirrored internationally, that will also bring benefits to our country’s culture as a whole. Sandro Bondi • Culture Minister [ 19 ] 1.ING.qxd 11-10-2008 18:39 Pagina 20 extend my warmest greetings to those responsible for the various sections making up our Festival, with a particular mention and the I highest regard for the work of my friend Piera Detassis. As well as coordinating the section heads with equanimity and wisdom, in full re- spect of their autonomy, she has also used her noted skill to oversee her fundamental Anteprima – Première section. I would also like to greet and heartily thank our extremely able General Director, the architect Francesca Via. She has given her support and assid- uous advice in the organisation, together with others, of those series of events that are anything but marginal; the exhibitions, encounters and trib- utes that aim to provide some of the greatest moments of resonance with- in the Festival. For example, the exhibition on Italian cinema and society in 1948, in memory of Dino Risi, will display one hundred images from his films to- gether with those from his public and private life. Alongside this are talks with artists such as Al Pacino, David Cronenberg, Michael Cimino and Olivier Assayas, flanked by an actor like Viggo Mortensen and two of our most prestigious performers, Carlo Verdone and Toni Servillo. In addition to the Dino Risi tribute, there will be events to recall other personalities equally dear to our hearts who positively represent our cin- ema, with a look back at the careers of Alida Valli, Nino Manfredi and a director ripe for reappraisal like Steno, screening some of their works. Using these as a starting point, together with the films in the various sec- tions and the exhibitions, will enable us to take a journey that is not merely evocative, but which follows some of the most famous film dynas- ties that still influence the way the world views our cinema today. In the meantime, an Occhio sul mondo, (“a glance at the world”, as suggested by the Italian name of the Focus Section) will help us enjoy and appreciate the achievements of contemporary Brazilian cinema, fifty years after the prodigious explosion of Cinema Novo. The assortment of exciting proposals on offer includes a major event like the Mercato del Film – The Business Street, a place for those industry ex- changes I hope will be increasingly constructive and copious. Then there are the three days for the General Assembly, presenting the chance to debate and study in-depth the main legislative and legal problems facing Italian cin- ema today, an occasion which will have my wholehearted support. Gian Luigi Rondi • President Fondazione Cinema per Roma [ 21 ] 1.ING.qxd 11-10-2008 18:39 Pagina 22 tarting this year, the Rome Film Fest becomes the International Film Festival of Rome. This Festival has a very strong identity that springs Sfrom Rome’s powerful associations with the film world and its great- est stars. Unforgettable Cinecittà in its heyday, with its blockbusters, its amaz- ing sets that were the envy of Hollywood, and the dazzling talent of its costume designers. The city of Rome is also an astonishing film set, and not just its fabled centre, but its outlying neighbourhoods as well, those dear to neorealist masters such as Antonioni, De Sica, De Santis, Rossellini, and Germi, vividly drawn by Pasolini and Zavattini, or immortalized by Fellini. Rome is a key venue for promoting film events; it is a remarkable hub for ser- vices that revolve around both feature film and documentary production. The Italian capital is a crossroads of countless cultures and civiliza- tions, the true epicentre of the Mediterranean, fertile ground for the sev- enth art. But Rome isn’t just living on past glories; its resurgence is pow- ered by the creative energies of its filmmakers and film crews, too. Our filmmakers have no lack of courage to hold up a mirror to Italian socie- ty, showing us Italy’s modern history as we ourselves have lived it. This Festival is only one of a number of initiatives uniquely suited to meeting the demand for high quality entertainment, while skilfully inter- preting the cultural pluralism of this city and this country. Pluralism: an asset that the capital has never failed to protect and capitalize on, a price- less resource for a growing event like the Film Festival, a driving force for economic development, which hinges on our great audiovisual industry and is fuelled by extensive public and private investments. I would like to thank all the other government and economic or cul- tural institutions promoting this event for their invaluable contribution to making this Festival a success: the Province of Rome, the Lazio Re- gion, the Chamber of Commerce, the Fondazione Musica per Roma, the Accademia Nazionale di Santa Cecilia; as well as the private sponsors, with whom we are relaunching the image of Rome on the world stage. The Festival is the perfect calling card for our capital in all corners of the globe, since the art of cinema is one of the arts universally linked to Ital- ian creativity. Gianni Alemanno • The Mayor of Rome [ 23 ] 1.ING.qxd 11-10-2008 18:39 Pagina 24 he success of the first two editions of this Festival attests to the deep bond between Rome and cinema, one that is long-standing T and indivisible. For its part, the Lazio Region has always been on the front line in realizing projects that, like the International Film Festi- val of Rome, are designed to valorize one of Rome and Lazio’s most pre- cious cultural and economic resources. Our aim is once again to confirm the founding inspiration of an event created for the film going public at large, and at the same time dedicat- ed to showcasing quality cinema: a forum for airing ideas that draws film aficionados and professionals alike. And we intend to keep on growing, providing an array of cinematic experiences that is even richer and more varied, with ample room for Italy’s great cinematographic tradition and its latest exciting evolutions, while casting our collective gaze much further afield. Through cinema, we hope to consolidate the transformation of Rome and Lazio into a laboratory for new ideas and a cultural crossroads of limitless horizons. Piero Marrazzo • President of the Lazio Region [ 25 ] 1.ING.qxd 11-10-2008 18:39 Pagina 26 he remarkable public and critical success of the first two editions, in 2006 and 2007, was the reward for the intuition to stage a T great cinema festival in a unique setting provided by a city such as Rome.
Recommended publications
  • LA COMPILATION SOUNDTRACK NEL CINEMA SONORO ITALIANO a Cura Di Maurizio Corbella
    E DEI MEDIA IN ITALIA IN MEDIA DEI E CINEMA DEL CULTURE E STORIE SCHERMI LA COMPILATION SOUNDTRACK NEL CINEMA SONORO ITALIANO a cura di Maurizio Corbella ANNATA IV NUMERO 7 gennaio giugno 2020 SCHERMI 7 - 2020 Schermi è pubblicata sotto Licenza Creative Commons 72 «NOSTALGIA, ROMANTICISMO E CAFONATE TERIBBBILI» - Tomatis «NOSTALGIA, ROMANTICISMO E CAFONATE TERIBBBILI»: LA MUSICA DA CINEPANETTONE Jacopo Tomatis(Università degli Studi di Torino) The so-called “cinepanettone” has been one of the most typical genres of Italian popular cinema since 1983. Compiled soundtracks made up of the latest pop hits and commercial house music are unquestionably among the most prominent conventions defining such movies. The goal of the article is to examine how such music became typically associated with the “cinepanettone”, in relation with the wider context of popular music and media in 1980s and 1990s Italy; and (following O’Leary’s suggestions) to discuss the “phenomenology” of such repertoire, in order to criticize the notion of “cinepanettoni” music as the quintessential “bad music”. Keywords Italian cinema; cinepanettone; film music DOI 10.13130/2532-2486/12708 I. Introduzione Il video si apre su un paesaggio montano innevato, con l’indicazione dei produt- tori in un font stampatello maiuscolo bianco. «Anche quest’anno, a Natale, ci si ammazza dalle risate» pronuncia una voce over, maschile, molto impostata. Si alternano quindi rapidamente, in dissolvenza incrociata, le immagini di un hotel alpino, di alcuni abeti ripresi in movimento e infine dell’arrivo di un’auto decap- pottabile (forse una Porsche) guidata da un uomo con capelli lunghi, cappellino e look coatto, lo stesso che pochi secondi dopo rutterà rumorosamente in faccia a un cameriere vestito di bianco.
    [Show full text]
  • Redalyc.Ficção Televisual: a Produção 2012 Da Rede Globo De Televisão
    Interin E-ISSN: 1980-5276 [email protected] Universidade Tuiuti do Paraná Brasil Bastos Duarte, Elizabeth Ficção televisual: a produção 2012 da Rede Globo de televisão Interin, vol. 17, núm. 1, enero-junio, 2014, pp. 67-80 Universidade Tuiuti do Paraná Curitiba, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=504450750006 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto 67 Ficção televisual: a produção 2012 da Rede Globo de televisão Elizabeth Bastos Duarte1 Resumo: O domínio absoluto da TV Globo no terreno da teledramaturgia parece estar sendo ameaçado: as três principais telenovelas da emissora – a das seis, a das sete ou a das nove – vêm obtendo baixos índices de audiência.É de se questionarem, portanto, as causas dessa queda brusca da audiência em novelas aparentemente tão diferentes, pois, certamente, elas não devem repousar sobre um único motivo. O trabalho, dando continuidade às reflexões apresentadas no ano de 2012, realiza, à luz de uma semiótica discursiva de inspiração europeia, um exame preliminar, mas detalhado de três telenovelas, com vistas a identificar razões de caráter mais amplo e extensivo, responsáveis pelo desinteresse dos telespectadores e a dimensionar as interferências de algumas das transformações em curso nesse contexto. Palavras-chave: Ficção televisual; Transformações; Estrutura narrativa. Abstract: The hegemony of Globo in the field of teledramaturgy seems to be threatened: the three leading Globo soap operas – at 6 p.m., 7 p.m.
    [Show full text]
  • Flávia Alessandra Final- (Alessandra Negrini) Com Os Fi- Personalidade Ficará Definida Mente Poderá Circular Lhos Na Escola, Juntos C Felizes, Para O Público
    Catalogo de "Personalidades" da "Coleção Clipping da Editora Abril": Os Intelectuais. Volume I 10 FACULDADE DE CIÊNCIAS E LETRAS DE ASSIS CEDAP - CENTRO DE DOCUMENTAÇÃO E APOIO À PESQUISA Prof» Dr» Anna Maria Martínez Corrêa Reitor: Júlio Cezar Durigan Vice Reitor: Marilza Vieira Rudge Cunha Diretor: Ivan Esperança Rocha Vice Diretor: Ana Maria Rodrigues de Carvalhc Supervisora: Zélia Lopes da Silva Equipe: Tânia Regina de Luca (coordenação geral) Carolina Monteiro - historiógrafa e coordenadora técnica da equipe Bolsistas e voluntários: Aline de Jesus Nascimento Israel Alves Dias Neto João Lucas Poiani Trescentti Juliana Ubeda Busat Lucas Aparecido Mota Luciano Caetano Carneiro 2014 Sumário Apresentação: 17 Descrição da Coleção 23 Descrição do Tema 25 Gabriela Ri vero Abaroa 26 Senor Abravanel 28 Dener Pamplona de Abreu 30 Luciene Adami 32 KingSurmy Adé 34 Antônio Adolfo 36 João Albano 38 Herbert Alpert 40 Robert Burgess Aldrich 42 Flavia Alessandra 44 Dante Alighieri 46 Irwin Allen 48 WoodyAllen 50 Adriano Antônio de Almeida 52 Aracy Telles de Almeida 54 Carlos Alberto Vereza de Almeida 56 José Américo de Almeida 58 Manoel Carlos Gonçalves de Almeida 60 Maria de Medeiros 62 Paulo Sérgio de Almeida 64 12 Geraldo Alonso 66 Marco.Altberg 68 Louis Althusser 70 Robert Bernard Altman 72 José Alvarenga Júnior 74 Ataulfo Alves 76 Castro Alves 78 Francisco Alves 80 Jorge Amado 82 Andrei Amalrik 84 Suzana Amaral 86 José de Anchieta 88 Hans Christian Andersen 90 Lindsay Gordon Anderson 92 Michael Anderson 94 Roberta Joan Anderson 96 Carlos Drummond
    [Show full text]
  • Jami Attenberg, Nata Nel 1971, Vive a Booklyn Ed È Autrice Di Quattro Romanzi
    Jami Attenberg, nata nel 1971, vive a Booklyn ed è autrice di quattro romanzi. Laureata alla John Hopkins University, collabora con riviste e giornali tra cui il New York Times, il Wall Street Journal e Nerve. I Middlestein è il suo primo romanzo pubblicato in Italia ed è stato scelto tra i finalisti del L.A. Times Book Prize, dopo esser stato tradotto in 9 lingue. Scrive Jonathan Franzen di questo romanzo: «I Middlestein mi hanno conquistato fin dalle prime pagine, e una volta giunto alle ultime ho ammirato la compassione di Jami Attenberg e la sua maestria nel saper raccontare una storia». Il suo quinto libro, Saint Mazie, uscirà nelle librerie nel 2015. Yossi Berg e Oded Graf sono due coreografi e ballerini israeliani che condividono, oltre ad una compagnia, l'infaticabile lavoro nella danza dal 2005. In passato hanno lavorato con coreografi dal calibro di Yasmeen Godder e si esibiscono con compagnie di fama mondiale, come la Batsheva Dance Company e DV8 Physical Theatre, e amano mescolare la loro magistrale fisicità con la ricerca dinamica della recitazione, del testo e della voce, incontrando le realtà sociali e politiche della vita contemporanea. Nonostante mantengano solide basi in Israele e in Danimarca, Berg e Graf portano le loro opere nei festival e nei teatri più prestigiosi, tra cui il Montpellier Danse, l'American Dance Festival, il Madrid En Danza, il Kultur Festival di Stoccolma, il Place Theater di Londra e il MaMa di New York City. Al Festival Internazionale di Letteratura e Cultura Ebraica si esibiranno con il loro capolavoro Heroes.
    [Show full text]
  • Calendar of Events
    Calendar of Events Film Festival Visions of the South: Geography as Character in Italian Cinema SEPTEMBER 25 – NOVEMBER 20 FEBRUARY 5 time: 7:00pm La Terra Trema (The Earth Trembles), 1948 Director: Luchino Visconti Guest Speaker: Richard Peña BIO: Richard Peña is program director of the Film Society of Lincoln Center and director of the New York Film Festival. He is an associate professor of film at Columbia University, specializing in film theory and international cinema. OCTOBER 2 time: 7:00pm Viaggio in Italia (Journey to Italy), 1953 Director: Roberto Rossellini With Ingrid Bergman, George Sanders Guest Speaker: Ingrid Rossellini BIO: Ingrid Rossellini was raised in Italy and immersed in the movie world of her father Roberto. She obtained her BA Visions of the South: Geography as Character in Italian Cinema, MA, and Ph.D in Italian literature from Columbia University. Her dissertation on Petrarca was published by Olshchki, Italy. She has taught literature and Italian cinema courses at SUNY Stony Brook, Princeton, and Harvard. She is presently teaching Italian literature at NYU. OCTOBER 9 time: 7:00pm Divorzio all’Italiana (Divorce, Italian Style), 1961 Director: Pietro Germi With Marcello Mastroianni, Daniela Rocca Guest Speaker: Antonio Monda BIO: Antonio Monda is an Assistant Professor of Film and Television at New York University. His documentaries include Beyond New York: A Journey into Jewish American Culture, Art and Fascism, and Strangers in America. His feature film, Dicembre won several awards at the Venice Film Festival. He is Film curator for the Center for Jewish History, American Cultural Correspondent for La Repubblica and film critic for La Rivista dei Libri.
    [Show full text]
  • William A. Seiter ATTORI
    A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It.
    [Show full text]
  • Regia Di Carlo Vanzina
    LOTUS PRODUCTION una società di Leone Film Group e RAI CINEMA presentano regia di Carlo Vanzina con Ricky Memphis Paola Minaccioni Max Tortora Emanuele Propizio Neva Leoni Filippo Laganà Camilla Tedeschi e con Giampaolo Morelli Durata: 88’ Uscita: 1 giugno 2016 Distribuzione Ufficio Stampa Désirée Colapietro Petrini & Claudia Alì 01 Distribution – Comunicazione Tel. + 39/ 339 3797191 - 338.1767629 Piazza Adriana 12 – 00193 Roma [email protected] Tel. + 39 06 33179601 [email protected] Annalisa Paolicchi: [email protected] www.aliecolapietro.com Rebecca Roviglioni: [email protected] Cristiana Trotta: [email protected] Materiali stampa disponibili nell’area press del sito www.01distribution.it Media Partner Rai Cinema Channel www.raicinemachannel.it Crediti non contrattuali CAST TECNICO REGIA CARLO VANZINA SOGGETTO ENRICO E CARLO VANZINA SCENEGGIATURA ENRICO E CARLO VANZINA AIUTO REGIA GIORGIO MELIDONI FOTOGRAFIA ENRICO LUCIDI MONTAGGIO LUCA MONTANARI SCENOGRAFIE SERENA ALBERI COSTUMI VALENTINA MEZZANI SUONO MIRKO PANTALLA MUSICHE GIANLUCA MISITI PRODOTTO DA MARCO BELARDI UNA PRODUZIONE LOTUS PRODUCTION CON RAI CINEMA REALIZZATA DA INTERNATIONAL VIDEO 80 DISTRIBUITO DA 01 DISTRIBUTION ANNO 2016 DURATA 88 MINUTI OPERA REALIZZATA IN ASSOCIAZIONE CON AI SENSI DELLE NORME SUL TAX CREDIT Crediti non contrattuali CAST ARTISTICO LORENZO RICKY MEMPHIS OLIVIA PAOLA MINACCIONI GIOVANNI MAX TORTORA BOBO EMANUELE PROPIZIO FILIPPO GIAMPAOLO MORELLI GIULIA NEVA LEONI LUCA FILIPPO LAGANA’ VALENTINA CAMILLA TEDESCHI FRANCI CAROLA RIPANI BETTA MARIA VITTORIA ARGENTI CARMEN MARIELA GARRIGA JENNIFER NINA STRAUSS MATTEO ALESSIO DEL MASTRO Crediti non contrattuali SINOSSI Miami Beach è una commedia romantica ambientata nel mondo degli italiani a Miami. Oggi, come tutti sanno, Miami è la meta più ambita dai giovani italiani.
    [Show full text]
  • April 20–28, 2015
    APRIL 20–28, 2015 One of the preeminent French cultural events in the U.S. and the largest French Film Festival worldwide, City of Lights, City of Angels (COLCOA) will celebrate its 19th anniversary in the prestigious theaters of the Directors Guild of America, from April 20 to April 28, 2015. With a program of 61 films – including World, International and U.S. Premieres – 20,000 attendees and the support of major media outlets, 2014 was the best year so far. COLCOA 2015 will top several years of sustained growth with the addition of a full day of screenings, offering new opportunities and new visibilities for films, as we will welcome our 170,000th visitor and premiere our 600th French film in Hollywood. More than 90 screenings and panels will be scheduled including 15 press screenings. 80 journalists and critics will be accredited and more than 50 films, including shorts, will compete for the COLCOA Awards. For American distributors, COLCOA has become a highly visible platform in Los Angeles, which is also national and international in scope: They can use the event to launch and promote their upcoming film. They can also test films shown to an audience, which is mainly American (74%), before an acquisition. You will find in this presentation all you need to know about COLCOA, including how you can benefit from presenting your film at the festival. We hope to have the opportunity to support your film(s) soon and remain at your entire disposal. Very sincerely, Francois Truffart Sandrine De Clercq Executive Producer & Programmer Associate
    [Show full text]
  • The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
    Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society.
    [Show full text]
  • Read Renato Casaro's Biography
    RENATO CASARO SCENERY Since its inception, film poster painting was considered a "minor art" but it had a great, even cultural, impact and a profound effect on the emergence of a new collective imagination, to such an extent that cinema won over the masses, bringing success to new legends and narratives. This phenomenon exploded in Europe and Italy in particular after the Second World War as people, eager to forget the recent past, felt the need to cultivate a more worldly and modern attitude, thanks in part to the widespread love of cinema which was in constant evolution, creating a new mass culture based primarily on visual images. Most people were drawn by what they saw on the screen but the images which spilled out of the dark cinemas onto the roads and towns in the shape of posters and flyers could be found everywhere in towns, cities and provinces. The cinematographic text, namely the film, was now accompanied by a huge amount of other material, commonly known as ‘paratext’ (flyers, posters and advertising), which often had a greater effect on people’s imagination than the film itself, creating icons and popular legends. Soon the so-called major arts realised the potential of these dynamics, especially the nouveau réalisme movement founded by art critic Pierre Restany. One of its followers was the German artist Wolf Vostell, who probably invented décollage, the practice of tearing posters from the walls and turning them into works of art, a technique which was also used by Jacques Villeglé and Mimmo Rotella in Italy. There has always been a certain amount of overlap between major arts and minor arts, but there is no doubt that thanks to this unusual and prolific short circuit, the works of minor arts, like film posters, have physically entered the halls of the major arts through the front door; this phenomenon exploded with Pop Art and continues even today.
    [Show full text]
  • Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe
    A Samuel Goldwyn Films Release Directed by Thomas Vinterberg (THE HUNT, THE CELEBRATION) Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe US Press Contacts Cinetic Marketing and PR Julie Chappell Nico Chapin Lydia Snapper [email protected] [email protected] [email protected] 1 LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama aBout friendship, freedom, love – and alcohol. SYNOPSIS Four friends, all teachers at various stages of middle age, are stuck in a rut. UnaBle to share their passions either at school or at home, they embark on an audacious experiment from an oBscure philosopher: to see if a constant level of alcohol in their Blood will help them find greater freedom and happiness. At first they each find a new-found zest, But as the gang pushes their experiment further, issues that have Been simmering for years come to a head and the men are faced with a choice: reckon with their Behavior or continue on the same course. Underscored By delicate and affecting camerawork, director Thomas Vinterberg's spry script, co-written with regular collaBorator ToBias Lindholm, uses this Bold premise to explore the euphoria and pain of an unBridled life. Playing a once Brilliant But now world- weary shell of a man, the ever surprising Mads Mikkelsen delivers a fierce and touching performance. 2 DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol.
    [Show full text]
  • Una Produzione R.T.I. Prodotto Da RIZZOLI AUDIOVISIVI DIEGO
    una produzione R.T.I. prodotto da RIZZOLI AUDIOVISIVI DIEGO ABATANTUONO in con ALESSIA MARCUZZI e ANTONIO CATANIA FABIO FULCO VITTORIA PIANCASTELLI GENNARO DIANA ELENA CANTARONE UGO CONTI RICCARDO ZINNA e con DINO ABBRESCIA con la partecipazione di LUIGI MARIA BURRUANO con la partecipazione di AMANDA SANDRELLI Soggetto di serie GRAZIANO DIANA, ENRICO OLDOINI, SALVATORE BASILE, GIANCARLO DE CATALDO Soggetti e sceneggiature GIANCARLO DE CATALDO, GRAZIANO DIANA, FRANCO FERRINI, ENRICO OLDOINI, CARLO BELLAMIO, MARCO TIBERI Prodotto da ANGELO RIZZOLI Regia di ENRICO OLDOINI serie tv in 4 puntate in onda in prima serata su CANALE 5 venerdì 4, 11, 18 e 25 maggio 2007 CREDITI NON CONTRATTUALI CAST ARTISTICO PRINCIPALE Diego Abatantuono (Giudice Diego Mastrangelo) Alessia Marcuzzi (Claudia Nicolai) Antonio Catania (Uelino) Fabio Fulco (Paolo Parsani) Vittoria Piancastelli (Cristiana Mastrangelo) Gennaro Diana (Naselli) Dino Abbrescia (Gerardo) Elena Cantarone (Finzi) Ugo Conti (Palmieri) Riccardo Zinna (Frappampina) Luigi Maria Burruano (Procuratore De Cesare) Melissa Satta (Francesca) Amanda Sandrelli (Federica Denza) CREDITI NON CONTRATTUALI CAST TECNICO Soggetto di serie GRAZIANO DIANA ENRICO OLDOINI SALVATORE BASILE GIANCARLO DE CATALDO Soggetti e Sceneggiature CARLO BELLAMIO GIANCARLO DE CATALDO GRAZIANO DIANA FRANCO FERRINI ENRICO OLDOINI MARCO TIBERI casting director FRANCO ALBERTO CUCCHINI Face ON suono FABRIZIO ANDREUCCI organizzatore di produzione EMANUELE EMILIANI costumi PATRIZIA CHERICONI FLORENCE EMIR scenografia MARISA RIZZATO musiche PIVIO & ALDO DE SCALZI montaggio FABIO e JENNY LOUTFY fotografia SANDRO GROSSI organizzatore generale ALESSANDRO LOY delegato di produzione R.T.I. FABIANA MOCCIA produttori R.T.I. MARCO MARCHIONNI ALESSANDRA SILVERI prodotto da ANGELO RIZZOLI per RIZZOLI AUDIOVISIVI S.p.A. regia di ENRICO OLDOINI UFFICIO STAMPA RIZZOLI AUDIOVISIVI: UFFICIO STAMPA MEDIASET: ENRICO LUCHERINI Maria Cristina de Caro TEL.
    [Show full text]