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1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey. -
Bishop Berkeley Exorcises the Infinite
TWELVE Bishop Berkeley Exorcises the Infinite It all began simply enough when Molyneux asked the wonderful question whether a person born blind, now able to see, would recognize by sight what he or she knew by touch (Davis 1960). After George Berkeley elaborated an answer, that we learn to perceive by means of heuristics, the foundations of contemporary mathematics were in ruins. Contemporary mathematicians waved their hands and changed the subject.1 Berkeley’s answer received a much more positive response from economists. Adam Smith, in particular, seized upon Berkeley’s doctrine that we learn to perceive distance to build an elabo- rate system in which one learns to perceive one’s self-interest.2 Perhaps because older histories of mathematics are a positive hindrance in helping us under- stand the importance of Berkeley’s argument against in‹nitesimals,3 its conse- quences for economics have passed unnoticed. If in‹nitesimal numbers are ruled 1. The mathematically decisive event that changed the situation and let historians appreciate the past was Abraham Robinson’s development of nonstandard analysis. “The vigorous attack directed by Berkeley against the foundations of the Calculus in the forms then proposed is, in the ‹rst place, a brilliant exposure of their logical inconsistencies. But in criticizing in‹nitesimals of all kinds, English or continental, Berkeley also quotes with approval a passage in which Locke rejects the actual in‹nite. It is in fact not surprising that a philosopher in whose system perception plays the central role, should have been unwilling to accept in‹nitary entities” (Robinson 1974, 280–81). -
Samuel Taylor Coleridge and the Genesis of the OED
University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature. -
George Berkeley Every Virtue Under Heaven
1 TO BISHOP GEORGE BERKELEY EVERY VIRTUE UNDER HEAVEN “I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation. Between us and everybody else on this planet.” — Ouisa, in John Guare’s “SIX DEGREES OF SEPARATION” 1. Cf. Pope’s line “To Berkeley every Virtue under Heaven.” HDT WHAT? INDEX GEORGE BERKELEY GEORGE BERKELEY 1677 The Reverend Cotton Mather, the Reverend Ezra Stiles, and George Berkeley have all tried to decipher the messages chiseled into the 55-square-foot westward-facing flat surface of a 40-ton piece of feldspathic sandstone, a glacial erratic noticed at this timeperiod upside down at the tidewater line on the left bank of the Taunton River at Berkley, Massachusetts, that would become known as the Dighton Rock. Although the sandstone chunk was above water only four hours per day, Stiles of Yale College would convince himself that the inscription on the seventy-degree sloping flat surface was made up of ancient Phoenician petroglyphs. “Dighton Rock is like the rocks you see along the highways, filled with graffiti,” says Jim Whitall. “It’s where everyone wanted to leave a message, and it’s the first stone in America that anyone paid any attention to. It was a bulletin-board for ancients, Native Americans, and colonials alike.” The rock with the mysterious hieroglyphs was moved to dry land a few years ago by the Commonwealth of Massachusetts and a building was built around it to preserve the inscriptions. Winter ice and constant submergence at high tide under the Taunton River began obliterating some of the older markings. -
Henry Nelson Coleridge
Henry Nelson Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Henry Nelson, 1798-1843 Title: Henry Nelson Coleridge Collection Dates: 1808-1849, undated Extent: 2 boxes (.84 linear feet) Abstract: Includes manuscripts and letters written and received by Henry Nelson Coleridge, nephew of and editor of the works of Samuel Taylor Coleridge, along with a few personal items, including his diaries and appointment book. The bulk of the outgoing letters are addressed to his wife, Sara Coleridge, and the rest of his family. Incoming correspondence from various Coleridge family members, Basil Montagu, Robert Southey, Alfred Tennyson, William Wordsworth, and others are present. Call Number: Manuscript Collection MS-0860 Language: English, French, Spanish Access: Open for research Administrative Information Processed by: Joan Sibley and Jamie Hawkins-Kirkham, 2011 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 2 Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 Works: Untitled essay on Samuel Taylor Coleridge, handwritten manuscript/ incomplete, 1 Container page (numbered 13), undated. 1.1 Untitled poem What thou didst fear, or fearing not, didst guess..., initialed handwritten manuscript, 2 pages, 1831; included is a copy by Sara Coleridge. Untitled poem Whoe'er, with toil oppressed, would roam..., handwritten manuscript, 2 pages, undated. -
“The Sixth Sense”: Towards a History of Muscular Sensation
Gesnerus 68/1 (2011) 218–71 “The Sixth Sense”: Towards a History of Muscular Sensation Roger Smith* Summary This paper outlines the history of knowledge about the muscular sense and provides a bibliographic resource for further research. A range of different topics, questions and approaches have interrelated throughout this history, and the discussion clarifies this rather than presenting detailed research in any one area. Part I relates the origin of belief in a muscular sense to empiricist accounts of the contribution of the senses to knowledge from Locke, via the idéologues and other authors, to the second half of the nine- teenth century. Analysis paid much attention to touch, first in the context of the theory of vision and then in its own right, which led to naming a distinct muscular sense. From 1800 to the present, there was much debate, the main lines of which this paper introduces, about the nature and function of what turned out to be a complex sense. A number of influential psycho-physiolo- gists, notably Alexander Bain and Herbert Spencer, thought this sense the most primitive and primary of all, the origin of knowledge of world, causa- tion and self as an active subject. Part II relates accounts of the muscular sense to the development of nervous physiology and of psychology. In the decades before 1900, the developing separation of philosophy, psychology and physiology as specialised disciplines divided up questions which earlier writers had discussed under the umbrella heading of muscular * The stimulus for writing up this paper, which I had long put off because I hoped to do some- thing more rounded, came from the participants, and especially from the organisers, Vincent Barras and Guillemette Bolens, of a project ‘L’intelligence kinesthésique et le savoir sensori- moteur: entre arts et sciences’, at a conference of World Knowledge Dialogue, ‘Interdisci- plinarity in action: a p ractical experience of interdisciplinary research’, Villars-sur-Ollon, Switzerland, 10–14 October 2010. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
Samuel Bailey and the Question of His “Influence”: a Skeptical View
SAMUEL BAILEY AND THE QUESTION OF HIS “INFLUENCE”: A SKEPTICAL VIEW Samuel Hollander Discussion Paper No. 08-05 June 2008 Monaster Center for Economic Research Ben-Gurion University of the Negev P.O. Box 653 Beer Sheva, Israel Fax: 972-8-6472941 Tel: 972-8-6472286 1 Samuel Bailey and the question of his “influence”: a skeptical view English, Irish and Subversives Among the Dismal Scientists Eds. N. Allington & N. Thompson (Elsevier Press) Samuel Hollander [email protected] 2 I INTRODUCTION: SELIGMAN’S READING OF BAILEY AND ITS RECEPTION Professor Edwin Seligman hoped by his study of “neglected” British economists “to call attention to some of the British writers who undertook to discuss economic theory during the two decades following the appearance of Ricardo’s Principles . It will perhaps surprise many to find in this literature so much that foreshadows the most recent contributions to economic doctrine” (1903: 336). Samuel Bailey’s Critical Dissertation on Value (1825) – written anonymously in reply to the formulation of Ricardian theory in De Quincey’s Templars’ Dialogue (1824) shows the author, Seligman maintained, to be one of the “more acute critic[s] of Ricardo” (352), a “keen and fertile thinker,” having in mind “[t]he opposition to the labour theory of value, the emphasis put on time as an element in value, the broadening of the rent concept, the criticism of the statement that rent does not enter into price, and the importance assigned to productivity in affecting value – all these constitute doctrines of importance in the recent phases of the science” (355; also 534). -
Taylorphd2016.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920). -
J. S. Mill and the Diversity of Utilitarianism
The central thesis of this paper is that Mill's conception of utilitarianism was much broader than current philosophical usage allows.1 This seemingly modest point has two signifi- cant implications. First, it sheds light on Mill's primary aim in Utilitarianism, which was not to elaborate his own moral theory but to defend a general approach to ethics. He un- derstood this approach capaciously enough to include the diverse views of Bentham, Godwin, and Paley, among oth- ers. Second, the inclusiveness of Mill's conception of utili- J. S. Mill tarianism belies the common tendency to read his work with certain developments of modern consequentialism too much in mind. I will argue that the widespread failure to appreci- and the Diversity ate these points has resulted in a conventional view that dis- torts both Mill's moral theory and the status of Utilitarianism. of Utilitarianism This "little work," as Mill called it, has been accorded a place in his oeuvre that is vastly disproportionate to his own much more modest assessment.2 The conventional reading of Mill as a maximizing act- consequentialist takes the official statement of the Greatest Happiness Principle, in Utilitarianism 2.2, to specify his own Daniel Jacobson moral theory. Although many commentators have noted the substantial evidence that Mill was no ordinary conse- quentialist, no other interpretation has won general accep- tance. In particular, the rule-utilitarian readings advanced by J. O. Urmson and David Lyons have been eclipsed by more 1I would like to thank Roger Crisp, an editor of Philosophers' Imprint, an anonymous referee, and colloquium audiences at Bowling Green State University and the University of Wisconsin, Madison, for helpful comments on an earlier draft of this paper. -
Sara Coleridge the Victorian Theologian: Between Newman’S Tractarianism and Wesley’S Methodism Jeffrey W
From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 28 (NS) Winter 2006 © 2006 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm Sara Coleridge the Victorian Theologian: Between Newman’s Tractarianism and Wesley’s Methodism Jeffrey W. Barbeau ____________________________________________________________________________________________ . ROBERT BARTH’S Coleridge and Christian Doctrine broke new ground in J1969 with a full, systematic treatment of Samuel Taylor Coleridge’s religious thought. He accomplished something rather astounding—he took S. T. Coleridge, the Romantic poet, and helped readers to see him in a fresh and powerfully instructive way—as a theologian. In many ways, Barth’s work has been formative for my own studies, and I owe him a tremendous debt. This paper emerges from both admiration and inspiration, for I will consider the possibility that S. T. Coleridge’s daughter, Sara Coleridge, was not only a writer, translator, and an editor of her father’s works, but also a theologian. The Reception of Sara Coleridge’s Theology “If bad arrangement in S. T. C. is injurious to readability, in S. C. it will be destructive.”1 Although Sara Coleridge (1802-1852) did not grow up with her father, it would seem that she at least inherited something of his distinct style of writing. But his intellectual genius? That is a lingering question. Historical neglect seems to have substantiated Sara’s self-assessment of her essay, On Rationalism: “As to my own production (much as I admire it myself!), I do not expect that it will be admired by any one else. -
The Concept of Authorship in the Work of Sara Coleridge
The Concept of Authorship in the Work of Sara Coleridge Robin Schofield This Thesis is submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy Oxford Brookes University May 2016 Contents Abstract 2 Abbreviations 3 Introduction: A Career of Authorship 5 1. Collaboration and Dialogue: 1822-1837 27 2. ‘On Rationalism’: ‘The Authoritative Word’ and ‘Liberty of Conscience’ 56 3. Biographia 1847: Plagiarism, Literary Property and Dialogic Authorship 93 4. The Theory and Practice of Polemical Writing: Religious Authorship, 1847- 1849 128 5. Authorial Vocation and Literary Innovation, 1850-1851 164 Conclusion: Public Renewal, Personal Redemption 202 Bibliography 220 ! "! Abstract This thesis aims to establish Sara Coleridge’s place in literary history. Her authorial achievements have been obscured by two factors. First, she has been the subject of predominantly biographical, rather than literary attention. While this thesis does draw on specific biographical contexts, its approach is literary and critical throughout. Second, Coleridge’s mature writings are theological, and consist of polemical contributions to religious debate in the two decades following the Reform Act of 1832. In order to analyse the qualities of Coleridge’s mature authorship, this study undertakes the necessary historical and theological contextualization. Coleridge’s politico-religious setting requires innovatory authorial methods: she is, above all, a dialogic writer. The thesis examines her evolving dialogue with her ‘literary fathers’, and addresses the relationship between her editing of STC and her original writing. Bakhtinian theory informs the approach of this thesis to Coleridge’s textual analysis of STC and his sources. Gadamer’s hermeneutic concept of the ‘fusion’ of historical ‘horizons’ informs the study’s analysis of her appropriation of STC’s thought, which she reworks in addressing post-Reform fractures.