View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Skidmore College: Creative Matter Skidmore College Creative Matter English Faculty Scholarship English 2015 The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation's Global Frame Timothy Wientzen Skidmore College,
[email protected] Follow this and additional works at: https://creativematter.skidmore.edu/eng_fac_schol Recommended Citation Wientzen, Timothy. "The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation's Global Frame." Novel 48.2 (2015): 208-223. This Article is brought to you for free and open access by the English at Creative Matter. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of Creative Matter. For more information, please contact
[email protected]. Timothy Wientzen, Skidmore College Published in Novel: A Forum on Fiction 48.2 (2015) print version available here: http://novel.dukejournals.org/content/48/2/208.full.pdf+html The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation’s Global Frame In 1888, the Copenhagen magazine Ny Jord published the first, anonymous fragment of a novel quite unlike anything before seen in Scandinavian literature. Depicting the mental and emotional life of a man ravaged by hunger and wandering the streets of Kristiania (present day Oslo), the novel that would become Knut Hamsun’s Hunger (Sult, 1890) shocked its initial readers. Where they might have expected to encounter conventions native to the novelistic tradition of the nineteenth century, readers instead found a narrative world virtually devoid of plot, narrated by a protagonist with neither name nor history.