Mysteries by Knut Hamsun
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Knut Hamsun at the Movies in Transnational Contexts
KNUT HAMSUN AT THE MOVIES IN TRANSNATIONAL CONTEXTS Arne Lunde This article is a historical overview that examines how the literary works of Knut Hamsun have been adapted into films over the past century. This “Cook’s Tour” of Hamsun at the movies will trace how different national and transnational cinemas have appropri- ated his novels at different historical moments. This is by no means a complete and exhaustive overview. The present study does not cite, for example, Hamsun films made for television or non-feature length Hamsun films. Thus I apologize in advance for any favorite Hamsun-related films that may have been overlooked. But ideally the article will address most of the high points in the international Hamsun filmography. On the subject of the cinema, Hamsun is famously quoted as having said in the 1920s: “I don’t understand film and I’m at home in bed with the flu” (Rottem 2). Yet while Hamsun was volun- tarily undergoing psychoanalysis in Oslo in 1926, he writes to his wife Marie about wishing to learn to dance and about going to the movies more (Næss 129). Biographer Robert Ferguson reports that in 1926, Hamsun began regularly visiting the cinemas in Oslo “taking great delight in the experience, particularly enjoying adventure films and comedies” (Ferguson 286). So we have the classic Hamsun paradox of conflicting statements on a subject, in this case the movies. Meanwhile, it is also important to remember that the films that Hamsun saw in 1926 would still have been silent movies with intertitles and musical accompaniment, and thus his poor hearing would not have been an impediment to his enjoyment. -
Hunger, by Knut Hamsun 1
Hunger, by Knut Hamsun 1 Hunger, by Knut Hamsun The Project Gutenberg EBook of Hunger, by Knut Hamsun This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Hunger Author: Knut Hamsun Posting Date: August 23, 2010 [EBook #8387] Release Date: June, 2005 First Posted: July 6, 2003 Language: English Character set encoding: ISO-8859-1 Hunger, by Knut Hamsun 2 *** START OF THIS PROJECT GUTENBERG EBOOK HUNGER *** Produced by Eric Eldred, Robert Connal, and the Online Distributed Proofreading Team HUNGER by KNUT HAMSUN Translated from the Norwegian by GEORGE EGERTON With an introduction by Edwin Bjorkman Knut Hamsun Since the death of Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerlöf in Sweden and Henrik Pontoppidan in Denmark. Both these, however, seem to have less than he of that width of outlook, validity of interpretation and authority of tone that made the greater masters what they were. His reputation is not confined to his own country or the two Scandinavian sister nations. It spread long ago over the rest of Europe, taking deepest roots in Russia, where several editions of his collected works have already appeared, and where he is spoken of as the equal of Tolstoy and Dostoyevski. The enthusiasm of this approval is a characteristic symptom that throws interesting light on Russia as well as on Hamsun. -
Hunger Knut Hamsun
Hunger Knut Hamsun Sult (1890; Hunger) is Hamsun's breakthrough novel about a young writer struggling to maintain his dignity while trying to survive in a desolate and lonely world. INTRODUCTION Published in 1890, Hunger was a literary breakthrough for Hamsun, establishing him as one of the most important writers of his time. Written from the perspective of a struggling writer living in the city of Christiania, near Oslo, Norway, the story is somewhat autobiographical, reflecting Hamsun's own struggle as he worked to establish his literary reputation. Today, the work is acknowledged as a work of powerful originality, infused with Hamsun's unique writing style, and a premier example of the psychological novel. Following the publication of Hunger, Hamsun went on to write several other novels, including Mysteries (1892), Pan (1894), and Growth of the Soil (1917). The last earned Hamsun a Nobel Prize in Literature in 1920, thus paving the way for his work to be translated into other languages, and becoming accessible to larger audiences. Hamsun was born in 1859 in Lom, Gudbrandsdal. His parents, Peder and Tora Pederson, were forced to move the family to the town of Hamaroey for financial reasons. There, a wealthy uncle had acquired a farm called Hamsund, which they were to farm. Hamsun was separated from his family at the age of nine to go and work for his uncle, who also owned and ran the town post office. The young Hamsun was ill-treated by his uncle, who often starved and beat him. Years later, Hamsun would continue to refer to the abuse he suffered at the hands of his uncle, which he believed, was responsible for many of his chronic nervous illnesses. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Thomas Glahn and Johan Nagel: Towards the Abyss of Life’S Tragic Indeterminacy
THOMAS GLAHN AND JOHAN NAGEL: TOWARDS THE ABYSS OF LIFE’S TRAGIC INDETERMINACY Michał Kruszelnicki Introduction: Pan and Mysteries : modernist roots? Hamsun’s early novels, Pan and Mysteries , most fully realize the basic tenets of his critical program outlined in Paa Turné 1. The principal aim of Hamsun’s lectures was to turn the Norwegian literature from realism/naturalism into the path of a deeper psychology of an individual as seen by the writer depicting the manifold shades of its psyche. In an unprecedented way the two mentioned novels posit a human being as an incomprehensible and unpredictable mystery. Both the creation of the protagonist as an individual extremely chaotic in thinking and acting and the narration of the two stories served to discredit the traditional model of depicting man as a rational being whose acts have particular reasons and aims. The model of a protagonist filled with ambiguities and inconsistencies, alienated from the society, torn apart between his private life and the demands of the public sphere remains virtually “modernist”, if one agrees to regard literary modernism as an aesthetic and intellectual objection to the ideal of a bourgeois society built upon an enlightened, “humanistic” belief in human’s rationality and benevolence and his ability to set moral order and political welfare by way of a rational interaction of individuals aptly and eagerly finding their place in the society. 1 See: K. Hamsun, Paa turnée . Tre foredrag om literatur ved Knut Hamsun , utgitt av T. Hamsun, Gyldendal, Oslo 1971. 123 It has rightly been argued that “modernism is not only, not even primarily, a formal movement; it is also a change in the mind” 1. -
Knut Hamsun, Modernism, and Starvation's Global Frame Timothy Wientzen Skidmore College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Skidmore College: Creative Matter Skidmore College Creative Matter English Faculty Scholarship English 2015 The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation's Global Frame Timothy Wientzen Skidmore College, [email protected] Follow this and additional works at: https://creativematter.skidmore.edu/eng_fac_schol Recommended Citation Wientzen, Timothy. "The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation's Global Frame." Novel 48.2 (2015): 208-223. This Article is brought to you for free and open access by the English at Creative Matter. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Timothy Wientzen, Skidmore College Published in Novel: A Forum on Fiction 48.2 (2015) print version available here: http://novel.dukejournals.org/content/48/2/208.full.pdf+html The Aesthetics of Hunger: Knut Hamsun, Modernism, and Starvation’s Global Frame In 1888, the Copenhagen magazine Ny Jord published the first, anonymous fragment of a novel quite unlike anything before seen in Scandinavian literature. Depicting the mental and emotional life of a man ravaged by hunger and wandering the streets of Kristiania (present day Oslo), the novel that would become Knut Hamsun’s Hunger (Sult, 1890) shocked its initial readers. Where they might have expected to encounter conventions native to the novelistic tradition of the nineteenth century, readers instead found a narrative world virtually devoid of plot, narrated by a protagonist with neither name nor history. -
SVERRE LYNGSTAD: Knut Hamsun, Novelist
Scandinavica 2009-1 final.qxd 10/08/2009 18:36 Page 89 Reviews SVERRE LYNGSTAD: Knut Hamsun, Novelist Peter Lang: New York, 2005. Pp. 394. ISBN 0820474339. Sverre Lyngstad’s Knut Hamsun, Novelist is his third monograph and is the only full-length comprehensive study of Hamsun’s twenty-one novels in English since Harald Næss published Knut Hamsun in 1984. While other studies such as Humpal’s The Roots of Modernist Narrative (1999) focus on Hamsun’s works of the 1890s, this edition aims to “focus on the themes, structure, and to a lesser extent, style of each novel, and each cluster of novels, while attempting to demonstrate the links between one work and another, and between one cluster of works and another where such links are apparent” (p.xiii). In seeking to analyze Hamsun’s achievement as a writer of fiction, Lyngstad dispenses with the excessive biographical detail and ideological speculation that plagues so much scholarship on the writer in the United States. Instead, in eleven easily readable chapters and a conclusion, Lyngstad evaluates Hamsun’s novels chronologically detailing the plot, the characters, and key motifs. In clustering the novels together, Lyngstad includes novels that are sometimes overlooked by other scholars, carefully pointing out the inconsistent quality in some of these lesser-known works, in particular with regard to stylistic elements. Additionally Lyngstad offers a brief sample of the critical reception of the novels and includes detailed endnotes and references to secondary literature from both Europe and the United States. Written in an engaging style, the book offers a cornucopia of information on Hamsun in an entertaining format. -
Nordlit 26, 2010 IRRITATION, IMPUDENCE, INSIGHT: A
IRRITATION, IMPUDENCE, INSIGHT: A CRITICAL READING OF KNUT HAMSUN’S PÅ TURNÉ 1 Michał Kruszelnicki 1. Hamsun “on tour” It would be hard to fully appreciate the psychological uniqueness of Knut Hamsun’s works, especially his greatest masterpieces of 1890’s such as: Hunger (1890), Mysteries (1892), Pan (1894), and Victoria (1898), without acknowledging his theoretical literary program outlined in the series of polemical lectures with which Hamsun was touring Norway in 1891. It was young Hamsun’s dream to deliver to a wider audience his views on the condition of contemporary literature. This dream was to come true, when in 1891 he went on tour with his readings entitled subsequently: “Norwegian literature”, “Psychological literature” and “Fashionable literature”. The resulting texts comprised Hamsun’s theoretical and literary manifesto, which up to the present has remained an important introduction to his early work, one which was to inaugurate a new epoch in the history of psychological literature. Hamsun’s fascination with the unconscious and the irrational first came to voice in his early article Fra det ubevidste sjæleliv (From the Unconscious Life of the Mind) published in “Samtiden” – a literary magazine based in Oslo. In a key passage he observes: We have an old proverb: There are many things hidden in Nature. For the attentive, searching man of today, fewer and fewer of these secrets remain hidden. One after another they are being brought forth for observation and identification. An increasing number of people who lead mental lives of great intensity, people who are sensitive by nature, notice the steadily more frequent appearance in them of mental states of great strangeness. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Catastrophes of Redemption: Modernism and Fascism in Norway Permalink https://escholarship.org/uc/item/5z7838kf Author Krouk, Dean N. Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Catastrophes of Redemption: Modernism and Fascism in Norway By Dean N. Krouk A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Sandberg, Chair Professor Linda Rugg Professor Karin Sanders Professor Dorothy Hale Spring 2011 Abstract Catastrophes of Redemption: Modernism and Fascism in Norway by Dean N. Krouk Doctor of Philosophy in Scandinavian University of California, Berkeley Professor Mark Sandberg, Chair This study examines selections from the work of three modernist writers who also supported Norwegian fascism and the Nazi occupation of Norway: Knut Hamsun (1859- 1952), winner of the 1920 Nobel Prize; Rolf Jacobsen (1907-1994), Norway’s major modernist poet; and Åsmund Sveen (1910-1963), a fascinating but forgotten expressionist figure. In literary studies, the connection between fascism and modernism is often associated with writers such as Ezra Pound or Filippo Marinetti. I look to a new national context and some less familiar figures to think through this international issue. Employing critical models from both literary and historical scholarship in modernist and fascist studies, I examine the unique and troubling intersection of aesthetics and politics presented by each figure. After establishing a conceptual framework in the first chapter, “Unsettling Modernity,” I devote a separate chapter to each author. -
Talking Book Topics July-August 2018
Talking Book Topics July–August 2018 Volume 84, Number 4 Need help? Your local cooperating library is always the place to start. For general information and to order books, call 1-888-NLS-READ (1-888-657-7323) to be connected to your local cooperating library. To find your library, visit www.loc.gov/nls and select “Find Your Library.” To change your Talking Book Topics subscription, contact your local cooperating library. Get books fast from BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download on the NLS Braille and Audio Reading Download (BARD) site. To use BARD, contact your local cooperating library or visit nlsbard.loc.gov for more information. The free BARD Mobile app is available from the App Store, Google Play, and Amazon’s Appstore. About Talking Book Topics Talking Book Topics, published in audio, large print, and online, is distributed free to people unable to read regular print and is available in an abridged form in braille. Talking Book Topics lists titles recently added to the NLS collection. The entire collection, with hundreds of thousands of titles, is available at www.loc.gov/nls. Select “Catalog Search” to view the collection. Talking Book Topics is also online at www.loc.gov/nls/tbt and in downloadable audio files from BARD. Overseas Service American citizens living abroad may enroll and request delivery to foreign addresses by contacting the NLS Overseas Librarian by phone at (202) 707-9261 or by email at [email protected]. Page 1 of 88 Music scores and instructional materials NLS music patrons can receive braille and large-print music scores and instructional recordings through the NLS Music Section. -
Melville, Kafka, Hamsun, and Wright DANIEL REES DANIEL
DANIEL REES Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright DANIEL REES DANIEL Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig-Maximilians-Universität München vorgelegt von Daniel Rees aus Guelph, Ontario, Kanada 2015 Erstgutachter: Prof. Dr. Klaus Benesch Zweitgutachter: PD Dr. Sascha Pöhlmann Datum der mündlichen Prüfung: 23.01.2015 Contents Acknowledgements VII Summary IX I. Introduction 1 I.i Methodology and structure 6 II. Theoretical Overview of Hunger and Modern Writing 15 II.i Hunger and the body 15 II.ii The writer under conditions of modernity 22 Part 1: Herman Melville and Franz Kafka 27 1. “‘I would prefer not to’”: Absence and Appetite in Herman Melville’s “Bartleby, the Scrivener” 29 1.1 “Dollars damn me…” 30 1.2 The Wall Street lawyer 33 1.3 The mechanical scrivener 39 1.4 Visionary, artist, or madman? 42 2. Alienation and the Unknown Nourishment in Franz Kafka’s Die Verwandlung and “Ein Hungerkünstler” 49 2.1 Kafka’s modernism 53 2.2 Kafka’s Die Verwandlung 56 2.3 Kafka’s “Ein Hungerkünstler” 69 Part 2: Knut Hamsun and Richard Wright 83 3. Starvation and Self-Destructiveness in Knut Hamsun’s Hunger (Sult) 85 3.1 Hunger 86 3.2 Hunger and subjectivity 95 3.3 “Cheap happiness” 102 3.4 “Noble suffering” 108 4. Hunger and Self-Fashioning in Richard Wright’s Black Boy (American Hunger) 111 4.1 Wright’s naturalism 114 4.2 The grim, hostile stranger 122 VI Contents 4.3 Hunger, reading, and the self-made man 126 4.4 Wright’s American Hunger 133 Conclusion 139 Abbreviations and Works Cited 143 Acknowledgements I would like to express my sincere gratitude to my supervisor, Prof. -
The Fierce Tribe: Body Fascists, Crack Whores, and Circuit Queens in the Spiritual Performance of Masculine Non- Violence
THE FIERCE TRIBE: BODY FASCISTS, CRACK WHORES, AND CIRCUIT QUEENS IN THE SPIRITUAL PERFORMANCE OF MASCULINE NON- VIOLENCE DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Michael Ray Weems. M.A. ***** The Ohio State University 2007 Dissertation Committee: Doctor William Taylor, Advisor Approved by Doctor Seymour Kleiman _________________________ Doctor Patrick Mullen Advisor Education Policy and Leadership Doctor Hugh Urban Doctor Ann Allen Copyright by Michael Ray Weems 2007 ABSTRACT This dissertation is a multidisciplinary approach that looks at the dance culture of gay men known as “the Circuit.” The circuit is a transnational, nomadic, and carnivalesque community that gathers by the thousands to dance together for a weekend in various large cities. Acknowledging the outlaw (socially transgressive) status of the Circuit community both within the Gay community and outside of it, this research examines the nonviolent masculinity of the Circuit community and the production of transcendent solidarity, a core experience of male bonding in the Circuit. In order to understand the bonding particular to the Circuit, the importance of communal dance is situated in the relationship that participants have with “disc jockeys,” professionals who choose prerecorded songs and “mix” one tune in with the next without a break in the rhythm. The outlaw nature of the Circuit is particularly interesting in that there is little to no violence among