The Open Road; a Little Book for Wayfarers
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Knut Hamsun at the Movies in Transnational Contexts
KNUT HAMSUN AT THE MOVIES IN TRANSNATIONAL CONTEXTS Arne Lunde This article is a historical overview that examines how the literary works of Knut Hamsun have been adapted into films over the past century. This “Cook’s Tour” of Hamsun at the movies will trace how different national and transnational cinemas have appropri- ated his novels at different historical moments. This is by no means a complete and exhaustive overview. The present study does not cite, for example, Hamsun films made for television or non-feature length Hamsun films. Thus I apologize in advance for any favorite Hamsun-related films that may have been overlooked. But ideally the article will address most of the high points in the international Hamsun filmography. On the subject of the cinema, Hamsun is famously quoted as having said in the 1920s: “I don’t understand film and I’m at home in bed with the flu” (Rottem 2). Yet while Hamsun was volun- tarily undergoing psychoanalysis in Oslo in 1926, he writes to his wife Marie about wishing to learn to dance and about going to the movies more (Næss 129). Biographer Robert Ferguson reports that in 1926, Hamsun began regularly visiting the cinemas in Oslo “taking great delight in the experience, particularly enjoying adventure films and comedies” (Ferguson 286). So we have the classic Hamsun paradox of conflicting statements on a subject, in this case the movies. Meanwhile, it is also important to remember that the films that Hamsun saw in 1926 would still have been silent movies with intertitles and musical accompaniment, and thus his poor hearing would not have been an impediment to his enjoyment. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Catastrophes of Redemption: Modernism and Fascism in Norway Permalink https://escholarship.org/uc/item/5z7838kf Author Krouk, Dean N. Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Catastrophes of Redemption: Modernism and Fascism in Norway By Dean N. Krouk A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Sandberg, Chair Professor Linda Rugg Professor Karin Sanders Professor Dorothy Hale Spring 2011 Abstract Catastrophes of Redemption: Modernism and Fascism in Norway by Dean N. Krouk Doctor of Philosophy in Scandinavian University of California, Berkeley Professor Mark Sandberg, Chair This study examines selections from the work of three modernist writers who also supported Norwegian fascism and the Nazi occupation of Norway: Knut Hamsun (1859- 1952), winner of the 1920 Nobel Prize; Rolf Jacobsen (1907-1994), Norway’s major modernist poet; and Åsmund Sveen (1910-1963), a fascinating but forgotten expressionist figure. In literary studies, the connection between fascism and modernism is often associated with writers such as Ezra Pound or Filippo Marinetti. I look to a new national context and some less familiar figures to think through this international issue. Employing critical models from both literary and historical scholarship in modernist and fascist studies, I examine the unique and troubling intersection of aesthetics and politics presented by each figure. After establishing a conceptual framework in the first chapter, “Unsettling Modernity,” I devote a separate chapter to each author. -
Talking Book Topics July-August 2018
Talking Book Topics July–August 2018 Volume 84, Number 4 Need help? Your local cooperating library is always the place to start. For general information and to order books, call 1-888-NLS-READ (1-888-657-7323) to be connected to your local cooperating library. To find your library, visit www.loc.gov/nls and select “Find Your Library.” To change your Talking Book Topics subscription, contact your local cooperating library. Get books fast from BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download on the NLS Braille and Audio Reading Download (BARD) site. To use BARD, contact your local cooperating library or visit nlsbard.loc.gov for more information. The free BARD Mobile app is available from the App Store, Google Play, and Amazon’s Appstore. About Talking Book Topics Talking Book Topics, published in audio, large print, and online, is distributed free to people unable to read regular print and is available in an abridged form in braille. Talking Book Topics lists titles recently added to the NLS collection. The entire collection, with hundreds of thousands of titles, is available at www.loc.gov/nls. Select “Catalog Search” to view the collection. Talking Book Topics is also online at www.loc.gov/nls/tbt and in downloadable audio files from BARD. Overseas Service American citizens living abroad may enroll and request delivery to foreign addresses by contacting the NLS Overseas Librarian by phone at (202) 707-9261 or by email at [email protected]. Page 1 of 88 Music scores and instructional materials NLS music patrons can receive braille and large-print music scores and instructional recordings through the NLS Music Section. -
The Fierce Tribe: Body Fascists, Crack Whores, and Circuit Queens in the Spiritual Performance of Masculine Non- Violence
THE FIERCE TRIBE: BODY FASCISTS, CRACK WHORES, AND CIRCUIT QUEENS IN THE SPIRITUAL PERFORMANCE OF MASCULINE NON- VIOLENCE DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Michael Ray Weems. M.A. ***** The Ohio State University 2007 Dissertation Committee: Doctor William Taylor, Advisor Approved by Doctor Seymour Kleiman _________________________ Doctor Patrick Mullen Advisor Education Policy and Leadership Doctor Hugh Urban Doctor Ann Allen Copyright by Michael Ray Weems 2007 ABSTRACT This dissertation is a multidisciplinary approach that looks at the dance culture of gay men known as “the Circuit.” The circuit is a transnational, nomadic, and carnivalesque community that gathers by the thousands to dance together for a weekend in various large cities. Acknowledging the outlaw (socially transgressive) status of the Circuit community both within the Gay community and outside of it, this research examines the nonviolent masculinity of the Circuit community and the production of transcendent solidarity, a core experience of male bonding in the Circuit. In order to understand the bonding particular to the Circuit, the importance of communal dance is situated in the relationship that participants have with “disc jockeys,” professionals who choose prerecorded songs and “mix” one tune in with the next without a break in the rhythm. The outlaw nature of the Circuit is particularly interesting in that there is little to no violence among -
Mysteries by Knut Hamsun
Mysteries by Knut Hamsun NEWLY TRANSLATED FROM THE NORWEGIAN BY GERRY BOTHMER (Translation first published in 1971) Mysteries Knut Hamsun 1 Mysteries 1 IN the middle of the summer of 1891 the most extraordinary things began happening in a small Norwegian coastal town. A stranger by the name of Nagel appeared, a singular character who shook the town by his eccentric behaviour and then vanished as suddenly as he had come. At one point he had a visitor: a mysterious young lady who came for God knows what reason and dared stay only a few hours. But let me begin at the beginning... It all started at six one evening when a steamer landed at the dock and three passengers appeared on deck. One of them was a man wearing a loud yellow suit and an outsized corduroy cap. It was the evening of the twelfth of June; flags were flying all over town in honour of Miss Kielland's engagement, which had been announced that day. The porter from the Central Hotel went aboard and the man in the yellow suit handed him his baggage. At the same time he surrendered his ticket to one of the ship's officers, but made no move to go ashore, and began pacing up and down the deck. He seemed extremely agitated, and when the ship's bell rang the third time, he hadn't even paid the steward his bill. While he was taking care of his bill, he suddenly became aware that the ship was pulling out. Startled, he shouted over the railing to the porter below: "It's all right. -
AN OVERVIEW of KNUT HAMSUN's RECEPTION in the ROMANIAN CULTURAL PRINTED PRESS (1902-1989) Diana Lățug Introduction This Arti
AN OVERVIEW OF KNUT HAMSUN’S RECEPTION IN THE ROMANIAN CULTURAL PRINTED PRESS (1902-1989) Diana Lățug Introduction This article presents a diachronic approach to the image of Knut Hamsun in Romania as it has been framed by the Romanian cultural printed press spanning 1902-1989 outlining the major reception phases, as well as their subsequent fluctuations. The results of this article will also be presented in a doctoral thesis entitled “The Reception of Knut Hamsun in Romania” as part of a wider Romanian-Norwegian intercultural project carried out by the Department of Scandinavian Languages and Literatures of Babeș-Bolyai University in Cluj-Napoca. This reception analysis is based on articles from the Romanian cultural printed press. The dynamics of translations of Knut Hamsun’s work into Romanian are also considered. Methodological Aspects This article provides both a quantitative and a qualitative analysis of Hamsun’s reception in the Romanian press during the years 1902-1989 with special attention focused on the communist era. The comments and additional information encountered in most of the printed materials studied made it necessary for the quantitative study to be followed by a qualitative one. It became essential to analyse the type of reception highlighted by the thematic issues (biographic details, bibliographic details, reviews, translations, details about the author’s lifestyle, or any other comments on his work). As a main method of documentation, three major bibliographical works have been used. Each of these covers the two main time spans investigated here: the interwar period and the communist era. Of these three works, the one coordinated by the Romanian Academy Library stands out due to its complexity. -
HIGH MELODRAMA an English Translation of Knut Hamsun's The
HIGH MELODRAMA An English translation of Knut Hamsun's The Game of Life (Livets spil, 1896), with an extensive critical introduction SIMON GRABOWSKE B.A., University of British Columbia, 196? M.A., University of Washington, 1968 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Depa rtment The University of British Columbia Vancouver 8, Canada Date ABSTRACT. The introduction to the" present study of Knut Hamsun's The Game of Life (Livets spil, 1896) sums up the strange failure of this play, a remarkable work by a famous author, to gain any measurable recogni• tion; a number of possible reasons are suggested, among them the mem• bership of Livets spil in the so-called Kareno-trilogy, the other two plays of which are rather weak. Plots of all three plays are provided. - The introductory chapter is followed by a general survey of Hamsuns dramatic production. Considerable space is given to a comparison between the last of his six plays, In the Grip of Life (Livet ivold, 1910) and Wedekind's Per Marquis von Keith (1900).