Tony Lowe Biography

Total Page:16

File Type:pdf, Size:1020Kb

Tony Lowe Biography Tony Lowe worked for many years as a session and gigging musician, playing in bands and recording all over the world. He moved into Production in 1988 when he formed Tony Lowe Productions in Ealing, London. During this time, worked with upcoming new artists and musicians to develop their material and was able to help many of them to get interest from publishers and record labels, going on to produce albums and singles in many other studios. Tony was also playing sessions with various artists and Producers at studios around London and was an in house session player at Trident Studios during the early eighties. Tony started writing music seriously in 1990 when he started work on the concept album and live event. ‘All of the Above’. In 2011 he joined forces with Cheryl Stringall to form sunn creative. A record label and media production company and is now an in-house Producer and Creative Director. Tony produced three albums for sunn creative since 2013 and co produced Simon Townshend’s ‘Denial album’ and the ‘Starlight-Starless’ album for David Cross. Bram Stoker’s new album, ‘Cold Reading’ also produced by Tony, who played guitar bass and programmed drums, has been well received by critics worldwide and is fast becoming one of the talked about prog albums of this year. Human Sleeping ‘Dreams 1 to 8’ is the new album from Tony and Alison Fleming. “‘Human Sleeping’ takes the listener on a moving and uplifting journey through the unconscious mind during sleep, with a ghostly, haunting beauty, woven throughout by Tony’s distinctive and heartfelt guitar, overlaid with Alison’s sublime ‘clear-water’ vocals and eclectic lyrics. Human Sleeping can be seen as a reflection of the way humanity seems to be slumbering through some of the most profound changes in modern life. As a shadowy glimpse of an unseen world, it is a mysterious, dreamlike, atmospheric Prog Rock tour de force.” Currently producing the new Chris Gray album and writing and producing a new album with David Cross. Production Credits: Simon Townshend: David Cross, Yumi Hara Cawkwell, John Foxx, Toyah, Chris Gray, Bram Stoker, Pat Orchard, Gari Glaysher, Poppy Gonzalez, Alison Fleming, Jose Charles, VVV, Flying Colours, Rukiza Okera. Played Guitar with: Julian Lennon: Pet Shop Boys: Simon Townshend: Roger Daltrey: David Cross: Mark Brzezicki: Mike Peters: Modern English: Bram Stoker; B Movie: Phil Ramone: BBC Children in Need: Visage: Nicola Hitchcock: Belouis Some: Julien Clerc: Toyah: Ben Chapman: Soulseekerz: Poppy Gonzalez – and many more. Albums: All of the Above - A Rock Symphony in Colour - Tony Lowe and Alison Fleming- 2005 Shadowbird - Tony Lowe - 2005 Just a Feeling - Tony Lowe - 2005 Second Nature - Tony Lowe and Alison Fleming – 2006 Reflector - Tony Lowe - 2011 Human Sleeping - Tony Lowe and Alison Fleming - 2014 2000 – 2014: * Guitar - Simon Townshend * Producer - Tony Lowe Productions * Creative Director - Producer - Sunn Creative Music * Guitar - Bass Guitar - Bram Stoker 1990's: * Guitar - Simon Townshend * Producer - Tony Lowe Productions * Producer - GT Eden * Producer - Red Bus Studios 1980's: * Guitar - Julien Clerc * Session player at Trident Studios - Red Bus Studios - Eden Studios. * Producer - Tony Lowe Productions 1970s: * Bass Guitar - Bram Stoker * Bass Guitar - David Cross Band * Guitar - Alvin Stardust * Guitar - Gasworks Guitar - Strange Mercy * Guitar - The Table Contact [email protected] .
Recommended publications
  • King Crimson Improvattakc Volume # 1 Mp3, Flac, Wma
    King Crimson iMPRoVaTTaKc Volume # 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: iMPRoVaTTaKc Volume # 1 Country: Russia Released: 2001 Style: Prog Rock MP3 version RAR size: 1990 mb FLAC version RAR size: 1806 mb WMA version RAR size: 1448 mb Rating: 4.9 Votes: 153 Other Formats: MPC MMF FLAC AIFF AC3 TTA WMA Tracklist iMPRoVaTTaKc #1 (including: Daniel Dust / Clueless And Spightly Slack Parts 1&2 / The 1 20:06 Golden Walnut) iMPRoVaTTaKc #2 (including: Some Pussyfooting / Is There Life Out There? / The Law Of 2 26:20 Maximum Distress Parts 1&2 / Wilton Carpet) iMPRoVaTTaKc #3 (including: A Voyage To The Center Of The Cosmos / Providence / Some 3 30:27 More Pussyfooting / Coda) Credits Bass – John Wetton Drums – Bill Bruford Guitar, Mellotron – Robert Fripp Music By – King Crimson Percussion, Other [Allsort] – Jamie Muir Violin, Viola, Mellotron – David Cross Notes © 2001 Discipline Global Mobile. The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, wich whom it resides. Discipline Global Mobile accepts no reason for artists to give away such copyright interests in their work by virtue of a "common practice" which is out of tune with the time, was always questionable and is now indefensible. Music by King Crimson. All themes and variations recorded during the European tour 1973-1974 and based on the original concept. Mixed & mastered for DGM at November, 2001. Cover and sleeve design by Collage Gallery. Engineer & editor coordinator Andrew Lipatoff. Issued in a jewel case with clear tray and 4-page booklet. Barcode and Other Identifiers Matrix / Runout: KCIM-39309 Related Music albums to iMPRoVaTTaKc Volume # 1 by King Crimson Robert Fripp - Radiophonics (1995 Soundscapes Volume 1 - Live In Argentina) King Crimson - The ConstruKction Of Light King Crimson - Epitaph King Crimson - THRAK King Crimson - The Deception Of The Thrush (A Beginner's Guide To ProjeKcts) King Crimson - Larks' Tongues In Aspic King Crimson - Absent Lovers (Live In Montreal 1984) King Crimson - USA.
    [Show full text]
  • New Mexico Daily Lobo, Volume 088, No 111, 3/5/1984." 88, 111 (1984)
    University of New Mexico UNM Digital Repository 1984 The aiD ly Lobo 1981 - 1985 3-5-1984 New Mexico Daily Lobo, Volume 088, No 111, 3/ 5/1984 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1984 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 088, No 111, 3/5/1984." 88, 111 (1984). https://digitalrepository.unm.edu/daily_lobo_1984/37 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1981 - 1985 at UNM Digital Repository. It has been accepted for inclusion in 1984 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. NEW MEXICO Vol. 88 No. 112 Monday, March 5, 1984 Parking Lack ~Never Going To Get Better~ By Douglas Earick operation in the near future, possibly by '85," but said that the money has to be allocated by the state Legisla­ Lack of parking on the University of New Mexico's ture before the project can be started. main campus will continue to plague the school and will The second planned parking structure is a 3 V2-story actually grow worse because of building projects sche­ building to be erected in the C-zone parking Jot south of duled to be done over the next few years, said the Johnson field. "It would be built somewhere between director of Parking Services. the Stanford entry and Redondo," Couffcr said. "1 think tt will definitely get worse before it ever gets The structure would supply parking for about 870 better .
    [Show full text]
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • King Crimson Collectors' Club (1969-1974)
    King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia.
    [Show full text]
  • Working Together As One Team, We Will Continue to Move Forward As an Organisation
    59716 Focus Link Summer A/W:42402 Focus Link Spring 04 20/6/11 16:30 Page 1 Yr Haf / Summer 2011 Ffederasiwn Heddlu Gogledd Cymru Ar Y Cyd â Heddlu Gogledd Cymru / North Wales Police Federation In Association With North Wales Police Working together as One Team, we will continue to move forward as an organisation Coming soon page 6 OUR ORGANISATION new configuration of radio channels and associated issues were escalated to, and progress May the 4th has come and gone and we are now is being regularly reviewed at, the weekly chief operating the new policing model within the officer meeting. new structures. A key element of the long term success will be the In the visits made by ACPO officers and senior role of the Communications Centre, which is managers, it has been encouraging to see such a required to positively dispatch resources rather positive attitude from officers and staff ready to than merely ask for volunteers. Additionally, they meet the new challenges. Change is never easy, will be encouraged to manage incident queries. and certainly not on the scale that we pursued on It’s vitally important that we all work as “One 4th May. Team”. Geographical boundaries have been HERO Cop Given the scale the changeover went as smoothly removed and we must ensure that other barriers as could be reasonably expected and I pay tribute do not appear in their place. One Team includes page 8 to those who made it happen. Many worked Response, Neighbourhood and Investigation, tirelessly to ensure that IT upgrades happened underpinned by all the other areas which focus on without disruption to frontline services, others supporting front line delivery such as the made sure that the logistics were in place for fleet Communications Centre.
    [Show full text]
  • January 1992
    VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
    [Show full text]
  • THE ALARM BIOGRAPHY 2019 on June 28Th 2019, the Alarm Will
    THE ALARM BIOGRAPHY 2019 On June 28th 2019, The Alarm will release ∑ Sigma exactly one year and one day from the re- lease of its prequel – ‘Equals’, which debuted to an array of positive reviews and chart positions all across the board. Intended as a sequel, ∑ Sigma takes up and carries forward the themes that have been ex- pressed since lead singer and songwriter Mike Peters was plunged into a deeply intense period of life, following a relapse from Leukaemia, while his wife Jules’, was also diagnosed and treated for Breast Cancer. The beginnings of ∑Sigma can be traced back to the origins that fostered Equals, a collection of songs that acted as a retrenchment of original values and a poignant reflection of the tough times the band and it’s fans have had to contend with in recent years. On June 27th 2018, and with The Alarm firing on all cylinders again, the band committed to a vast amount of live concerts in sup- port of the new music they had created, and with over 100 shows played, the emotional repercus- sions became clear for all to see, though the spirit of life-affirming optimism that fuelled every sin- gle show. “It's all there in the music of Equals and now ∑ Sigma,” says Mike. “I didn't set out to write about what we were going through. If there was any music in me, it was going to come out naturally, and that's what happened. I didn't have a guitar by my side as my wife was having surgery for breast cancer and I was navigating the uncharted waters of a clinical trial for a new cancer drug.
    [Show full text]
  • “Quiet Please, It's a Bloody Opera”!
    UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun.
    [Show full text]
  • Roger Daltrey to Perform the Who’S Tommy with Members of the Who Band & the Hudson Valley Philharmonic at Bethel Woods on Friday, June 8
    FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda v.845.583.2193 Photos & Interviews may be available upon request [email protected] ROGER DALTREY TO PERFORM THE WHO’S TOMMY WITH MEMBERS OF THE WHO BAND & THE HUDSON VALLEY PHILHARMONIC AT BETHEL WOODS ON FRIDAY, JUNE 8 Tickets On-Sale February 2 at 10am BETHEL, NY (January 29, 2018) – Legendary Who frontman and Woodstock ’69 alum Roger Daltrey will be performing the band’s most iconic masterpiece this summer, the groundbreaking TOMMY, on a special 10 city solo tour featuring full orchestral backing. The tour will open in Bethel, NY on Friday, June 8th at Bethel Woods Center for the Arts, where Daltrey and his band will be joined on stage by the acclaimed Hudson Valley Philharmonic, showcasing the beloved classics from the 1969 rock opera, including “Pinball Wizard,” “See Me, Feel Me” and more. Tickets go on-sale Friday, February 2 at 10 a.m. at www.BethelWoodsCenter.org, The Bethel Woods Box Office, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Considered one of the seminal albums of the rock canon, last year The Who played all of TOMMY for the first time in 28 years at the Royal Albert Hall in London as part of a benefit concert for the Teenage Cancer Trust. Roger performed it in its entirety with his band during his 2011 solo tour. The opportunity to bring an orchestral dynamic to the raw emotion and cathartic impact of the songs that cemented Daltrey’s legacy as a vocal powerhouse adds a compelling dimension to the music’s timelessness.
    [Show full text]
  • Keith Carlock
    APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96
    [Show full text]
  • Community Tribute Concert to Honor Cantor Annie Rose Debbie Merion, Special to the WJN Dozen Red Roses Aren’T Enough
    Washtenaw Jewish News Presort Standard In this issue… c/o Jewish Federation of Greater Ann Arbor U.S. Postage PAID 2939 Birch Hollow Drive Ann Arbor, MI Ann Arbor, MI 48108 Permit No. 85 Frankel Bayit, Passover Center another 5774 celebrates Jewish home begins 25th on campus April 14 anniversary Page 4 Page 12 Page 15 April 2014 Nissan 5774 Volume XXXVIII: Number 7 FREE Community Tribute Concert to honor Cantor Annie Rose Debbie Merion, special to the WJN dozen red roses aren’t enough. Nei- Cantor Rose, “I love Micah 6:6-8 because it asks, ther are handwritten cards, sweet ‘How can we be our best selves? How can we Achocolate desserts and heartfelt mini- serve God?’ It then provides a beautiful answer speeches—though they are all a great start to that speaks to me at my core: ‘embrace loving- celebrate and honor Temple Beth Emeth’s Can- kindness… love mercy… dwell in compassion.’” tor Annie Rose as she prepares for retirement. Also appearing at the concert will be The whole community is invited to the Sun- Ralph and Deborah Katz, David Gitterman, day, April 27, “Celebrate Annie Rose Commu- and John Goodell. nity Tribute Concert,” to honor Cantor Rose. After the concert, guests will mingle, The afternoon will include a unique one-hour munch and share love with Cantor Rose concert of virtuoso performances, a world during a super-schmooze in the atrium premiere of a new musical work composed of the Morris Lawrence building. Simply just for this event, and more. The celebration Scrumptious is catering the exciting menu FOX GREGORY CREDIT: PHOTO will take place in the auditorium of the Morris for the event, featuring a Mediterranean Lawrence Building of Washtenaw Community station with hummus, tapenade and chick- College from 4-6 p.m.
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]