Online Music Journalism Library Rock's Backpages (At Rocksbackpages.Com) Is the Largest Database of Music Journalism Online

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Online Music Journalism Library Rock's Backpages (At Rocksbackpages.Com) Is the Largest Database of Music Journalism Online

Online music journalism The articles are full text, primary-source “Rock’s Backpages is hallowed library Rock’s Backpages and fully searchable by artist, date, genre, insurance that all those hard-won publication and key word. They are taken (at rocksbackpages.com) is interviews, priceless rarities and from the widest possible range of publications cultural snapshots will live forever the largest database of music in the US and UK: from Creem and Rolling in one grand gallery. It’s one of the Stone to NME and MOJO. In addition, the journalism online, featuring best rabbit-holes in rock.” — as of Summer 2021 — over Rock’s Backpages team has published several books, including anthologies of articles about — Cameron Crowe 45,000 articles on thousands Joni Mitchell and Radiohead, and in 2019 FILM DIRECTOR & MUSIC JOURNALIST of artists from the Beatles in launched its acclaimed podcast, featuring Rock’s Backpages also features a library 1962 to Taylor Swift in 2020. guests such as Neil Tennant, Midge Ure, Alan McGee and such RBP contributors as of over 750 audio interviews, including Launched in the fall of 2001 Nick Kent, Jon Savage, Laura Barton, classic conversations with… by former NME/MOJO David Toop and Sheryl Garratt. ¶ Jimi Hendrix (1970) contributor Barney Hoskyns ¶ Bob Dylan (1991) ¶ Joni Mitchell (1994) and former musicians Mark ¶ Freddie Mercury (1976) Pringle and Martin Colyer, it ¶ Patti Smith (1976) has been praised by Library 20 years ¶ Bob Marley (1975) ¶ David Bowie (1995) Journal as “an essential ¶ Sex Pistols (1977) acquisition for large public and of Rock’s ¶ Kate Bush (1980) academic libraries, serving ¶ Marvin Gaye (1976) serious students a wide range ¶ Kurt Cobain (1993) Backpages ¶ Fleetwood Mac (1977) of music from blues and ¶ Johnny Cash (1996) country to jazz, reggae and, Rock’s Backpages features the work of ¶ Pink Floyd (1971) of course, rock and roll.” over 750 of the world’s best-known music ¶ Donna Summer (1976) journalists, past and present, including ¶ The Eagles (1977) ¶ Mary J. Blige (2005) “Reading rock articles was a ¶ Lester Bangs ¶ Simon Frith crucial part of my education, ¶ Lenny Kaye ¶ Nick Tosches THE ROCK’S BACKPAGES formation, and inspiration. The ¶ Mary Harron ¶ Holly George-Warren LOGO USES A GUITAR great thing about Rock’s Backpages ¶ Dave Marsh ¶ Ben Fong-Torres PICK THAT BELONGED is that it’s been done by experts, ¶ Carol Cooper ¶ Evelyn McDonnell TO JIMMY JOHNSON, by people who’ve got a feeling for it. ¶ Simon Reynolds ¶ Gene Santoro GUITARIST AND PRODUCER WITH For me it’s definitive.” ¶ Loraine Alterman ¶ Charles Shaar Murray ¶ Vernon Gibbs ¶ Ellen Sander THE SWAMPERS, THE — Johnny Marr LEGENDARY MUSCLE SHOALS RHYTHM ¶ Vivien Goldman ¶ Greil Marcus MUSICIAN, THE SMITHS SECTION FROM ALABAMA..

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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I ﬁ rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
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Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
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Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums.
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