20Th-Century Repertory
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SoundboardIndexNames.txt Soundboard Index - List of names 03-20-2018 15:59:13 Version v3.0.45 Provided by Jan de Kloe - For details see www.dekloe.be Occurrences Name 3 A & R (pub) 3 A-R Editions (pub) 2 A.B.C. TV 1 A.G.I.F.C. 3 Aamer, Meysam 7 Aandahl, Vaughan 2 Aarestrup, Emil 2 Aaron Shearer Foundation 1 Aaron, Bernard A. 2 Aaron, Wylie 1 Abaca String Band 1 Abadía, Conchita 1 Abarca Sanchis, Juan 2 Abarca, Atilio 1 Abarca, Fernando 1 Abat, Joan 1 Abate, Sylvie 1 ABBA 1 Abbado, Claudio 1 Abbado, Marcello 3 Abbatessa, Giovanni Battista 1 Abbey Gate College (edu) 1 Abbey, Henry 2 Abbonizio, Isabella 1 Abbott & Costello 1 Abbott, Katy 5 ABC (mag) 1 Abd ar-Rahman II 3 Abdalla, Thiago 5 Abdihodzic, Armin 1 Abdu-r-rahman 1 Abdul Al-Khabyyr, Sayyd 1 Abdula, Konstantin 3 Abe, Yasuo 2 Abe, Yasushi 1 Abel, Carl Friedrich 1 Abelard 1 Abelardo, Nicanor 1 Aber, A. L. 4 Abercrombie, John 1 Aberle, Dennis 1 Abernathy, Mark 1 Abisheganaden, Alex 11 Abiton, Gérard 1 Åbjörnsson, Johan 1 Abken, Peter 1 Ablan, Matthew 1 Ablan, Rosilia 1 Ablinger, Peter 44 Ablóniz, Miguel 1 Abondance, Florence & Pierre 2 Abondance, Pierre 1 Abraham Goodman Auditorium 7 Abraham Goodman House 1 Abraham, Daniel 1 Abraham, Jim 1 Abrahamsen, Hans Page 1 SoundboardIndexNames.txt 1 Abrams (pub) 1 Abrams, M. H. 1 Abrams, Richard 1 Abrams, Roy 2 Abramson, Robert 3 Abreu 19 Abreu brothers 3 Abreu, Antonio 3 Abreu, Eduardo 1 Abreu, Gabriel 1 Abreu, J. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Journal of the American Viola Society Volume 13 No. 2, 1997
JOURNAL ofthe AMERICAN ViOLA SOCIETY Section of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion ofViola Performance and Research Vol. 13 No.2 1997 OFFICERS Thomas Tatton President 7511 Park Woods Stockton, CA 95207 (209) 952-9367 Pamela Goldsmith Vice-President 11640 Amanda Drive Studio City, CA 91604 Donna Lively Clark Secretary jCFA, Butler University 4600 Sunset Indianapolis, IN 46208 Mary I Arlin Treasurer School ofMusic Ithaca College Ithaca, NY14850 Alan de Veritch Past President School ofMusic Indiana University Bloomington, IN 47405 BOARD Atar Arad Victoria Chiang Ralph Fielding john Graham Lisa Hirschmugl jerzy Kosmala jeffrey Irvine Patricia McCarty Paul Neubauer Karen Ritscher Christine Rutledge Pamela Ryan I I William Schoen _J I EDITOR, ]AVS ............~/. ._----- -"~j~~~ ! ___i David Dalton Brigham }Dung University Provo, UT 84602 PASTPRESIDENTS (1971-81) Myron Rosenblum -_._--------_.- ------------ Maurice W Riley (1981-86) David Dalton (1986-91) t=====~====---============-=======--==~ HONORARYPRESIDENT William Primrose (deceased) ~wSection of the Internationale Viola-Gesellschaft The Journal ofthe American Viola Society is a peer-reviewed publication ofthat organization and is produced at Brigham Young University, ©1985, ISSN 0898-5987. JAVSwelcomes letters and articles from its readers. Editorial Office: School ofMusic Harris Fine Arts Center Brigham Young University Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 [email protected] Editor: David Dalton Associate Editor: David Day Assistant Editor for Viola Pedagogy: Jeffrey Irvine Assistant Editorfor Interviews: Thomas Tatton Production: Bryce Knudsen Advertising: Jeanette Anderson Advertising Office: Crandall House West (CRWH) 'Brigham Young University Provo, UT 84602 (801) 378-4455 [email protected] JAVS appears three times yearly. Deadlines for copy and artwork are March 1, July 1, and November 1; submissions should be sent to the editorial office. -
Catalogue 1926
This (1926) edition of the 'Vocalion' Record Catalogue in its new and simplified form will it is hoped, enable the Public to select to the best advantage from the wide and representative range of records enumerated therein. The present edition contains all Records issued up to and including November, 1925. The five distinct Sections into which the Catalogue is divided enable the customer to find any required record at a glance. Key to Indices. (a) Alphabetical List Artists: of - gives the page numbers on which will be found the works recorded by individual Artists. Alphabetical List of Titles :- shows all titles other than Dance numbers, the latter appearing separately at the end of the Catalogue, on tinted paper. In giving this general list of titles, the reverse side of each Record is shown in italics, excepting where various works appear under Subject Headings, in which case the reverse side will be found under the name of the piece itself. (continued overleaf (c) Artists and their Records :- This Section is sub-divided into five parts :- 1. Operatic, Oratorio, Songs and Ballads 2. Instrumental 3. Band 4. Orchestral 5. Miscellaneous Each part being arranged alphabetically under the names of the Artists and in the order of Solos, Duets, Trios, Quartettes, etc. (d) Composers' List :- To enable the customer to select from the works of well known composers, a simple list has been inserted, giving the page number on which such works will be found. (e) Dance Section:- The very great demand for Dance Music has prompted us to arrange this Section distinct from the main part of the Catalogue, and in alphabetical headings Fox-trots, order of titles under the respective of Highland Reels, Lancers, One-steps, Tangos and Waltzes, the reverse side being shown in italics. -
Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse. -
Pavel Haas Q!}Artet Veronika Jaruskova, Violin Eva Karova, Violin Pavel Niki, Viola Peter Jarusek, Cello
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Rice University PAVEL HAAS Q!}ARTET VERONIKA JARUSKOVA, VIOLIN EVA KAROVA, VIOLIN PAVEL NIKI, VIOLA PETER JARUSEK, CELLO Thursday, November 12, 2009 -PROGRAM- String Quartet No. 12 in C Minor, D. 703 FRANZ PETER SCHUBERT Allegro assai (I 797-1828) String Quartet No. 61 in D Minor, Op. 76 No. 2 FRANZ JosEF HAYDN Allegro ( 1732-1809) Andante o piu tosto allegretto Menuetto: Allegro ma non troppo Finale: Vivace assai Three Divertimenti for String Quartet BENJAMIN BRITTEN March (1913-1976) Waltz Burlesque - INT E RM I S S ION - String Quartet No. 2, Op. 7 "From the Monkey Mountains" PAVEL HAAS Landscape (Andante) (1899-1944) Coach, Coachman, and Horse (Andante) The Moon and I (Largo e misterioso) Wild Night (Vivace econ fuoco) The Pavel Haas Quartet appears by arrangement with Arts Management Group, Inc. On the World Wide Web: artsmg.com FRANZ PETER SCHUBERT (1797-1828) String Quartet No. 12 in C Minor, D. 703 "Quartettsatz" Or. PosTHUMous (1820) The Quartettsatz ("Quartet Piece") is the first of the four great string quartets Franz Schubert wrote in the last eight years of his life. A compact powerhouse of writing, it remained, like his famous Eighth Symphony and Schubert himself, unfinished at the time of his death. Yet it set the tone for the three completed masterpieces, which followed. At his death at the wrenching age of 30, Schubert was known mostly for his vocal works, dances and piano music. Even his companions knew of little more. -
July 2019 List
July 2019 Catalogue Issue 39 Prices valid until Wednesday 28 August 2019 unless stated otherwise Image taken from the cover of Linn 0115 982 7500 CKR467: Quartets and Concertos by JF Fasch performed by the Ensemble Marsyas (reissue) [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Clara Schumann has been posthumously enjoying a mini-revival of interest in her work this year, the 200th anniversary of her birth being just around the corner. We have seen around a dozen new releases this year (so far) that feature her music in some fashion - around double what we would usually see in an entire year. July is no exception, and it is especially pleasing to see a major label like Decca pick up on the celebrations, given their ability to expose their recordings to a slightly wider audience. Theirs is also one of the few discs that is devoted to her music alone, and features Isata Kanneh-Mason (sister of Sheku) playing the Piano Concerto alongside a selection of solo piano works and transcriptions. Also of note is a new disc from Avie that includes some of her songs, coupled with both of the Liederkreis cycles by her husband. We managed to get a sneak preview and can report that tenor Kyle Stegall is superb, beautifully accompanied by Eric Zivian on a period instrument. We are thoroughly looking forward to getting to know this repertoire better. Nicola Benedetti has returned to the studio for the first time in three years, having worked with Wynton Marsalis on the world premiere recording of his jazz-infused Violin Concerto. -
List Last Name First Name M/F Category Notes Abbott Mary F
List Grove entry? Last name First name M/F Category Sub-category Sub-category 2 Notes Abbott Mary F Performer Pianist Abendroth Hermann M Y Performer Conductor Aberystwyth Musical Festival Other Festival Abraham Edith F Performer Violinist Achron Isidor M Y Performer Pianist Adalewsky Ella F Composer Adam Adolphe M Y Composer Adler Clarence M Performer Pianist Filed in "Quartets Catterall S. Q. - Z" box as Aeolian Quartet Y Performer Ensemble String quartet "Stratton String Quartet" Aguilar Lute Quartet Performer Ensemble Lute quartet Also known as The Aguilars Aitken Webster M Y Performer Pianist Aksarova Valentina F Performer Singer Soprano Albeniz J. Composer First name unknown Albu Margaret F Performer Pianist Alexander Arthur M Performer Pianist Alexandrovitch Alexander M Performer Singer Voice type unknown d'Alexandrowska Yanesse F Performer Pianist Alfano Franco M Y Composer Allan Phyllis F Performer Violinist Allen Hugh M Y Performer Conductor Alman Samuel M Composer Altman Elenore F Performer Pianist Filed at the back of "Q-RA" box in a separate Altra String Quartet Performer Ensemble String quartet "Quartets" section Alvin Andrée F Performer Violinist Alvin Juliette F Performer Cellist American Opera Company Y Other Opera company Filed in "Opera" box American Orchestral Society Performer Ensemble Orchestra Filed in "New York" box American Symphonic Ensemble Performer Ensemble Orchestra Filed in "New York" box Part of a duo with Martha, below. Voice type Amstad Marietta F Performer Singer unknown Part of a duo with Marietta, above. -
People's Life and Music in Vienna in Early 20Th Century
People's Life and Music in Vienna in early 20th Century Yoshio MASUDA and Elisabeth HUBL* (*Department of Chemistry, University of Vienna) Vienna is a unique city in Europe, located in the "Mitteleuropa," the former territory of the Habsburg Empire. It was the center of politics and culture, keeping the throne of Holy Roman Empire of Germany for several hundred years, dominating the whole of Ger many, until the Napoleon War early in 19th century. In fact, Viennese culture devel oped afterward through the century, as can be seen in science, literature, philosophy, arts, music, etc., It was the case after the Empire had lost its political influence on the whole Europe, therefore the time, the 19th century, being called "Golden Autumn"(H. Spiel, 1987). It is said that the 19 th century continued until 1914 in Vienna, when World War I broke out. Kaiser Franz-Josef ascended the throne in 1848 during the time of revolution and stayed as Kaiser even after the unification of all Germany by Prussia, until 1916 when he died. It thus can be said that the period of Kaiser Franz-Josef was the high time for Vienna which, under hard situation of wars and revolutions, fostered its unparalleled culture. In order to look at this unique Viennese culture, we describe Wienerlieder and related music and discuss them in connection with people in Vienna during the time of turning of the century until Anschluss. 1. Wiener Lieblinge aus seinerzeit. In 1934 there was a song "Der Doktor Lueger hat mir die Hand gereicht (Once Doc tor Lueger gave me his hand)'' which was among "Wiener Lieblinge von seinerzeit" sung by the people of Vienna at the time. -
Music Theory on the Radio:Theme and Temporality in Hans Keller’S First Functional Analysis
DOI: 10.1111/musa.12129 WILLIAM O’HARA MUSIC THEORY ON THE RADIO:THEME AND TEMPORALITY IN HANS KELLER’S FIRST FUNCTIONAL ANALYSIS On the evening of 7 September 1957, listeners to the BBC Radio’s Third Programme were treated to a unique broadcast of Mozart’s String Quartet in D minor, K. 421. The performance, by the Aeolian String Quartet, was punctuated between movements by several minutes of additional music composed by the critic Hans Keller (1919–1985). The broadcast was the public’s first exposure to what Keller called ‘functional analysis’ (abbreviated FA), or, as he more vividly put it in a magazine article previewing the broadcast, ‘the musical analysis of music’ (Keller 1994, pp. 126–8).1 The wheels that set this event in motion had begun turning nearly a year and a half earlier. On 28 April 1956 Keller sent an unsolicited proposal to Roger Fiske, the producer in charge of music lectures for the BBC. In it he described an idea for a radio broadcast that would build upon the analytical method he had recently sketched in a pair of essays on Mozart’s music: a detailed study of Mozart’s C major Piano Concerto, K. 503, in The Musical Times (Keller 1956a), and a more wide-ranging chapter titled ‘The Chamber Music’ in The Mozart Companion (Keller 1956b). In the letter, Keller describes his project and what the audience might hear: I propose an hour’s broadcast, wordless throughout, which would attempt to analyse a work or movement of your own choice according to my method of analysis. -
August 2020 Vol.22, No. 2 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
Journal August 2020 Vol.22, No. 2 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] August 2020 Vol. 22, No. 2 Editorial 3 Sir Adrian Boult CH. 5 President Andrew Neill Sir Mark Elder CH CBE Sir John Barbirolli, CH: An Elgarian Perspective 16 David L. Jones Vice-Presidents Diana McVeagh Elgar - Views From and For the Continent 27 Dame Janet Baker, CH, DBE Christopher Redwood Leonard Slatkin Sir Andrew Davis, CBE Elgar and Dan 30 Christopher Robinson, CVO, CBE Arthur Reynolds Andrew Neill Martyn Brabbins ‘“Gerontius” with M.S. notes by Elgar’: R. J. Buckley’s Vocal Score of 36 Tasmin Little, OBE The Dream of Gerontius in the Borthwick Institute for Archives at the Julian Lloyd Webber University of York Professor Jonathan Wainwright Music Review 58 Chairman Neil Mantle MBE Book Review 61 Vice-Chairman CD Reviews 64 Stuart Freed Recent CD Releases 74 Treasurer Peter Smith 100 Years Ago... 76 Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Adrian Boult by Jonathan Trowell (loaned by the Bowerman Charitable Trust). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
20Th-Century Repertory
Mikrokosmos List 626. - 2 - October 2017 ....20TH-CENTURY REPERTORY 1 Akhinyan: Sym 1/Khudoyan: Vcl Con 2 - Abramyan vcl, cond.Mangasaryan S MELODIYA C10 7549 A 18 2 Akhmetov: Sym 1; Tatarstan Ov - cond.Mansurov, Salavatov 1983 S MELODIYA C10 20503 A 60 3 Aladov, Nicolai: Sym 10 - Byelorus SSO, cond.A.Engelbrecht 1981 S MELODIYA C10 16451 A 65 4 Alfven: Elegi, Midsommarvaka/Svendsen: Carneval in Paris/Nielsen: WORLD OF M KBO 1003 A- 10 Hanedans/SibeliusRomans in C - Covent Garden OpOrch, cond.Hollingsworth (jacket worn a bit) 5 Ali-Zade: Chamber Sym, Rustic Suite, 2 Miniatures - cond.Korneyev, Niyazi S MELODIYA C10 9473 A 20 6 Andriessen, Louis: Hoketus/ F.Rzewski: Coming Together - Hoketius Ens 1979 S HOKETUS 1 A 30 7 Arrieu, Claude: 5 Movements/P-M.Dubois: Quatour/Vivaldi-Lancelot: CORELIA CC 83413 A 20 Quartet/Albinoni-Thilde: Sonata in c - Rouen Cl Quartet (p.1983) S 8 Arutiunian: Cantata for Our Land (Arkhipova, Klenov, Fedoseyev); Theme & Vars; MELODIYA C10 10735 A 15 Festival Ov (cond.Mangasarian) S 9 Ashrafi: Mukhabbat ballet excs - Uzbek Navoi Bolshoi Thetre Orch, cond.comp MELODIYA M30 35923 A 30 10 Bacarisse: Guitar Con in a/Torroba: Homenaje a la Seguidilla - N.Yepes gui, GENIOS DE GML 2011 A 15 Spanish FO, cond.Fruhbeck de Burgos S 11 Badings: Reeks kleine klankstukken, Son 3 for 2 Vlns/A.de Beer: Instructieve STICHTING RC 227 A 15 onatine/H.Kox: Serenade for 2 Vlns/Vitali: Son a tre/Sweelinck: Paduana Lachrimae - Lemkes, Vos vln S 12 Baird: Jutro - Szostek-Radkova, Artysz, Pawlak, Ostrowski, cond.Czajkowski MUZA SX 1057 A 8 (gatefold) S 13 Barraque: ..