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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Soundboardindexnames.Txt
SoundboardIndexNames.txt Soundboard Index - List of names 03-20-2018 15:59:13 Version v3.0.45 Provided by Jan de Kloe - For details see www.dekloe.be Occurrences Name 3 A & R (pub) 3 A-R Editions (pub) 2 A.B.C. TV 1 A.G.I.F.C. 3 Aamer, Meysam 7 Aandahl, Vaughan 2 Aarestrup, Emil 2 Aaron Shearer Foundation 1 Aaron, Bernard A. 2 Aaron, Wylie 1 Abaca String Band 1 Abadía, Conchita 1 Abarca Sanchis, Juan 2 Abarca, Atilio 1 Abarca, Fernando 1 Abat, Joan 1 Abate, Sylvie 1 ABBA 1 Abbado, Claudio 1 Abbado, Marcello 3 Abbatessa, Giovanni Battista 1 Abbey Gate College (edu) 1 Abbey, Henry 2 Abbonizio, Isabella 1 Abbott & Costello 1 Abbott, Katy 5 ABC (mag) 1 Abd ar-Rahman II 3 Abdalla, Thiago 5 Abdihodzic, Armin 1 Abdu-r-rahman 1 Abdul Al-Khabyyr, Sayyd 1 Abdula, Konstantin 3 Abe, Yasuo 2 Abe, Yasushi 1 Abel, Carl Friedrich 1 Abelard 1 Abelardo, Nicanor 1 Aber, A. L. 4 Abercrombie, John 1 Aberle, Dennis 1 Abernathy, Mark 1 Abisheganaden, Alex 11 Abiton, Gérard 1 Åbjörnsson, Johan 1 Abken, Peter 1 Ablan, Matthew 1 Ablan, Rosilia 1 Ablinger, Peter 44 Ablóniz, Miguel 1 Abondance, Florence & Pierre 2 Abondance, Pierre 1 Abraham Goodman Auditorium 7 Abraham Goodman House 1 Abraham, Daniel 1 Abraham, Jim 1 Abrahamsen, Hans Page 1 SoundboardIndexNames.txt 1 Abrams (pub) 1 Abrams, M. H. 1 Abrams, Richard 1 Abrams, Roy 2 Abramson, Robert 3 Abreu 19 Abreu brothers 3 Abreu, Antonio 3 Abreu, Eduardo 1 Abreu, Gabriel 1 Abreu, J. -
Ernst Toch Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft0z09n428 No online items Ernst Toch papers, ca. 1835-1988 Finding aid prepared by UCLA Library Special Collections staff and Kendra Wittreich; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2008 The Regents of the University of California. All rights reserved. Ernst Toch papers, ca. 1835-1988 PASC-M 1 1 Title: Ernst Toch papers Collection number: PASC-M 1 Contributing Institution: UCLA Library Special Collections Language of Material: German Physical Description: 44.0 linear ft.(88 boxes) Date (inclusive): ca. 1835-1988 Abstract: The Collection consists of materials relating to the Austrian-American composer, Ernst Toch. Included are music manuscripts and scores, books of his personal library, manuscripts, biographical material, correspondence, articles, essays, speeches, lectures, programs, clippings, photographs, sound recordings, financial records, and memorabilia. Also included are manuscripts and published works of other composers, as well as Lilly Toch's letters and lectures. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Toch, Ernst 1887-1964 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Harold Spivacke Collection [Finding Aid]. Library Of
Harold Spivacke Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1995 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu011011 LC Online Catalog record: http://lccn.loc.gov/2006572324 Processed by the Music Division of the Library of Congress Collection Summary Title: Harold Spivacke Collection Span Dates: 1923-1984 Bulk Dates: (bulk 1930-1978) Call No.: ML31.S69 Creator: Spivacke, Harold, 1904-1977 Extent: around 3,900 items ; 33 containers ; 13 linear feet Language: Collection material primarily in English with some items in German Location: Music Division, Library of Congress, Washington, D.C. Summary: Harold Spivacke was a music librarian, administrator, musicologist, and musician. He was chief of the Library of Congress Music Division for thirty-five years, from 1937 until 1972. The collection contains materials relating to his life and career, including correspondence, student notebooks, speeches, his dissertation, photographs, clippings, programs, manuscript and printed music, artwork, awards and honorary degrees, and business papers. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Albert, Eugen d', 1864-1932--Photographs. Angell, Richard--Correspondence. Anglès, Higini, 1888-1969--Correspondence. Bernstein, Leonard, 1918-1990--Correspondence. Coolidge, Elizabeth Sprague, 1864-1953--Correspondence. Copland, Aaron, 1900-1990--Correspondence. Dallapiccola, Luigi, 1904-1975--Correspondence. -
The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elain
The Modernist Kaleidoscope: Schoenberg’s Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elaine Neill Department of Music Duke University Date:_______________________ Approved: ___________________________ R. Larry Todd, Supervisor ___________________________ Severine Neff ___________________________ Philip Rupprecht ___________________________ John Supko ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 ABSTRACT The Modernist Kaleidoscope: Schoenberg’s Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elaine Neill Department of Music Duke University Date:_______________________ Approved: ___________________________ R. Larry Todd, Supervisor ___________________________ Severine Neff ___________________________ Philip Rupprecht ___________________________ John Supko ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Sarah Elaine Neill 2014 Abstract Much of our understanding of Schoenberg and his music today is colored by early responses to his so-called free-atonal work from the first part of the twentieth century, especially in his birthplace, Vienna. This early, crucial reception history has been incredibly significant and subversive; the details of the personal and political motivations behind deeply negative or manically positive responses to Schoenberg’s music have not been preserved with the same fidelity as the scandalous reactions themselves. We know that Schoenberg was feared, despised, lauded, and imitated early in his career, but much of the explanation as to why has been forgotten or overlooked. -
Journal of the American Viola Society Volume 13 No. 2, 1997
JOURNAL ofthe AMERICAN ViOLA SOCIETY Section of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion ofViola Performance and Research Vol. 13 No.2 1997 OFFICERS Thomas Tatton President 7511 Park Woods Stockton, CA 95207 (209) 952-9367 Pamela Goldsmith Vice-President 11640 Amanda Drive Studio City, CA 91604 Donna Lively Clark Secretary jCFA, Butler University 4600 Sunset Indianapolis, IN 46208 Mary I Arlin Treasurer School ofMusic Ithaca College Ithaca, NY14850 Alan de Veritch Past President School ofMusic Indiana University Bloomington, IN 47405 BOARD Atar Arad Victoria Chiang Ralph Fielding john Graham Lisa Hirschmugl jerzy Kosmala jeffrey Irvine Patricia McCarty Paul Neubauer Karen Ritscher Christine Rutledge Pamela Ryan I I William Schoen _J I EDITOR, ]AVS ............~/. ._----- -"~j~~~ ! ___i David Dalton Brigham }Dung University Provo, UT 84602 PASTPRESIDENTS (1971-81) Myron Rosenblum -_._--------_.- ------------ Maurice W Riley (1981-86) David Dalton (1986-91) t=====~====---============-=======--==~ HONORARYPRESIDENT William Primrose (deceased) ~wSection of the Internationale Viola-Gesellschaft The Journal ofthe American Viola Society is a peer-reviewed publication ofthat organization and is produced at Brigham Young University, ©1985, ISSN 0898-5987. JAVSwelcomes letters and articles from its readers. Editorial Office: School ofMusic Harris Fine Arts Center Brigham Young University Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 [email protected] Editor: David Dalton Associate Editor: David Day Assistant Editor for Viola Pedagogy: Jeffrey Irvine Assistant Editorfor Interviews: Thomas Tatton Production: Bryce Knudsen Advertising: Jeanette Anderson Advertising Office: Crandall House West (CRWH) 'Brigham Young University Provo, UT 84602 (801) 378-4455 [email protected] JAVS appears three times yearly. Deadlines for copy and artwork are March 1, July 1, and November 1; submissions should be sent to the editorial office. -
Catalogue 1926
This (1926) edition of the 'Vocalion' Record Catalogue in its new and simplified form will it is hoped, enable the Public to select to the best advantage from the wide and representative range of records enumerated therein. The present edition contains all Records issued up to and including November, 1925. The five distinct Sections into which the Catalogue is divided enable the customer to find any required record at a glance. Key to Indices. (a) Alphabetical List Artists: of - gives the page numbers on which will be found the works recorded by individual Artists. Alphabetical List of Titles :- shows all titles other than Dance numbers, the latter appearing separately at the end of the Catalogue, on tinted paper. In giving this general list of titles, the reverse side of each Record is shown in italics, excepting where various works appear under Subject Headings, in which case the reverse side will be found under the name of the piece itself. (continued overleaf (c) Artists and their Records :- This Section is sub-divided into five parts :- 1. Operatic, Oratorio, Songs and Ballads 2. Instrumental 3. Band 4. Orchestral 5. Miscellaneous Each part being arranged alphabetically under the names of the Artists and in the order of Solos, Duets, Trios, Quartettes, etc. (d) Composers' List :- To enable the customer to select from the works of well known composers, a simple list has been inserted, giving the page number on which such works will be found. (e) Dance Section:- The very great demand for Dance Music has prompted us to arrange this Section distinct from the main part of the Catalogue, and in alphabetical headings Fox-trots, order of titles under the respective of Highland Reels, Lancers, One-steps, Tangos and Waltzes, the reverse side being shown in italics. -
Purcell String Quartet Sydney Humphreys Biyan King Philippe Etter Ian Hampton
The Ocpaktment oS AuAie at the UnivcAzity oS Atbekta oesents the Purcell String Quartet Sydney Humphreys biyan King Philippe Etter Ian Hampton Convocation Hatt Ofd Akt4 Suitding Tuuday, November 12, 1915 i p.m. PROGRAMME Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) Vivace Adagio Menuetto Finale, Adagio - Presto Quartet No. 4 for Strings. Wallace Berry (Commissioned by the Purcell Quartet with a (b. 1928) grant from the Canada Council) Adagio con molta espressione Allegro vivace ma serioso / Tempo primo - Adagio INTERMISSION * * * * * String Quartet in G minor, Op. 10 (1893) Claude Debussy (1862 -1918 ) Anime et tres decid4 Assez vif et bien rhythm Andantino, doucement expressif Tres moder6 - tres mouvemente et avec passion The Purcell String Quartet operates with financial assistance of: The Canada Council. The Government of British Columbia through the British Columbia Cultural Fund and lottery revenues. The City of Vancouver. PROGRAMME NOTES Quartet for Strings, Op. 54, No. 2 (1788) Franz Joseph Haydn (1732 - 1809) The opening C Major statement is dramatically throttled by silence which, on its return, Haydn impishly lengthens by a bar. The second subject resembles that of the previous quartet - Haydn had not quite got the rhythm out of his system. In the Adagio, the first violin introduces a chorale which the second violin takes over, allowing the former to weave a Hungarian Gypsy descant in a precisely notated rubato. This dissolves into a minuet whose coyness is offset by an impassioned trio featuring the augmented triad. The finale is a bit of a surprise, particularly to the cellist who is required to ascend the fingerboard into regions long dulled and cobwebbed from disuse. -
2020-02 Elias
tapestries of music SSundaysundays withwith ColemanColeman 116th Season 2019-2020 Presented in cooperation with the Caltech Committee on Institute Programs ELLIASIAS STTRINGRING QUUARTETARTET FFebruaryebruary 116,6, 22020020 Sunday, February 16, 2020 3:30 pm Beckman Auditorium, Caltech Coleman Chamber Music Association presents EEliaslias SStringtring QQuartetuartet Sara Bitlloch,* violin Simone van der Giessen, viola Donald Grant, violin Marie Bitlloch, cello *Benjamin Nabarro has graciously agreed to perform with the Elias Quartet during Sara Bitlloch’s maternity leave. Ludwig van Beethoven Quartet in G Major, Op 18, No. 2 (1770-1827) Allegro con brio Adagio cantabile (Allegro) Scherzo (Allegro) Allegro molto quasi Presto Sally Beamish RReedeed SStanzastanzas (b. 1956) I N T E R M I S S I O N Felix Mendelssohn Quartet No. 2 in A minor, Op. 13 (1809-1847) Adagio - Allegro vivace Adagio non lento Intermezzo. Allegretto con moto - Allegro di molto Presto The Elias String Quartet appears by arrangement with David Rowe Artists www.davidroweartists.com www.eliasstringquartet.com PProgramrogram NNotesotes The Quartet’s Allegro opening theme, in eight quick By Susan Halpern, copyright © 2019 and short measures, has three distinct melodic elements that Beethoven works over thoroughly and develops richly. In fact, this bright and happy work overfl ows with musical ideas: the fi rst movement alone has more material, some of it heard just in LLudwigudwig vanvan BeethovenBeethoven (1770-1827) passing, than many other composers used for an Quartet No. 2 in G Major; Op. 18, No. 2 entire four-movement work. Some of the movement, Beethoven wrote his fi rst six string quartets between such as the mysterious and meditative passage in 1798 and 1800, and when they were published, the development and the way the cello exuberantly in 1801, the title page bore the legend “composed introduces the recapitulation, is already very [for] and dedicated to His Highness, My Lord the accomplished. -
Performing Artists Photograph Collection, Circa 1890- 1976, Undated
RBR WNYO 1890.P46 1 Performing Artists Photograph Collection, circa 1890- 1976, undated Administrative Information Creators Berry, Zorah De Forest, Marian, 1864-1935 Smith, Mai Davis Call Number RBR WNYO 1890.P46 Extent 4 manuscript boxes, 1 oversize box (2.25 linear feet) Abstract Black & white and sepia-toned photographs of renowned musicians, singers, dancers, actors and other performers that appeared in Buffalo from the late 19th through late 20th century. The bulk of the collection is photos personally collected by Marian De Forest, Mai Davis Smith, and Zorah Berry, circa 1900 to 1950. Others were donated to, or acquired by the Buffalo Public Library and later, the Buffalo & Erie County Public Library. Terms of Use The Performing Artists Photograph Collection is open for research. Reproduction of Materials See librarian for information on reproducing materials from this collection, including photocopies, digital camera images, digital scans, as well as copyright restrictions that may pertain to these materials. Preferred Citation [Description and dates], Box/folder number, Performing Artists Photograph Collection, Rare Book Room, Buffalo and Erie County Public Library. Acquisition The Zorah Berry photographs are part of a collection of local concert programs, reviews, articles and images donated to the Buffalo and Erie County Public Library in February 1975 by William D. MacPherson, a friend of Mrs. Berry. 1 The Marian De Forest and Mai Davis Smith photographs were donated to the Buffalo Public Library in February 1935 by De Forest shortly before her death.2 Other donations included several photos given to the Buffalo Public Library in 1939 by William J.