Course Descriptions Spring 2019
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Philosophy Course Offerings – Spring 2019 –
PHILOSOPHY COURSE OFFERINGS – SPRING 2019 – 200-level Courses (Tier Two) PHIL 272: Metaphysics | Andrew Cutrofello In Plato’s Phaedo, Socrates suggests that physics—the study of the physical world—can only tell us so much. There are things that physics cannot tell us about, such as the nature of justice or whether we have immortal souls. These topics belong to what we now call metaphysics. The prefix “meta-“ means “after” or “beyond.” Traditionally, it was the job of poets to deal with metaphysical topics. One of Plato’s goals is to explain the difference between poetic and philosophical approaches to metaphysical topics, while maintaining the difference between metaphysics and physics. Ever since, philosophers have struggled to articulate the relationship between physics, metaphysics, and poetry. Some have argued that as physics has become more sophisticated, it has swallowed up metaphysics. Others have argued that all metaphysics – even that of Plato – is just a kind of poetry. Still others have followed Plato in trying to carve out a special domain for metaphysics. In this class we survey various approaches to this problem. We will begin with Plato and then move on to Immanuel Kant, Kitaro Nishida, Susan Howe (a poet, writing about the philosopher Charles Peirce), and Werner Heisenberg (a physicist, writing about the relationship between physics and metaphysics). PHIL 274: Logic | Harry Gensler This course aims to promote reasoning skills, especially the ability to recognize valid reasoning. We'll study syllogistic, propositional, modal, and basic quantificational logic. We'll use these to analyze hundreds of arguments, many on philosophical topics like morality, free will, and the existence of God. -
Lawrence Kohlberg's Stages of Moral Development from Wikipedia
ECS 188 First Readings Winter 2017 There are two readings for Wednesday. Both are edited versions of Wikipedia articles. The first reading adapted from https://en.wikipedia.org/wiki/Lawrence_Kohlberg's_stages_of_moral_development, and the second reading is adapted from https://en.wikipedia.org/wiki/Ethics. You can find the references for the footnotes there. As you read the article about moral development please think about you answered the Heinz Dilemma in class, and in which stage did your justification lie. I do not plan on discussing our answers to the Heinz Dilemma any further in class. As you read the ethic article, please think about which Normative ethic appeals to you, and why. This will be one of the questions we will discuss on Wednesday. My goal for both of these readings is to help you realize what values you bring to your life, and our course in particular. Lawrence Kohlberg's Stages of Moral Development from Wikipedia Lawrence Kohlberg's stages of moral development constitute an adaptation of a psychological theory originally conceived by the Swiss psychologist Jean Piaget. Kohlberg began work on this topic while a psychology graduate student at the University of Chicago[1] in 1958, and expanded upon the theory throughout his life. The theory holds that moral reasoning, the basis for ethical behavior, has six identifiable developmental stages, each more adequate at responding to moral dilemmas than its predecessor.[2] Kohlberg followed the development of moral judgment far beyond the ages studied earlier by Piaget,[3] who also claimed that logic and morality develop through constructive stages.[2] Expanding on Piaget's work, Kohlberg determined that the process of moral development was principally concerned with justice, and that it continued throughout the individual's lifetime,[4] a notion that spawned dialogue on the philosophical implications of such research.[5][6] The six stages of moral development are grouped into three levels: pre-conventional morality, conventional morality, and post-conventional morality. -
THE PHILOSOPHY BOOK George Santayana (1863-1952)
Georg Hegel (1770-1831) ................................ 30 Arthur Schopenhauer (1788-1860) ................. 32 Ludwig Andreas Feuerbach (1804-1872) ...... 32 John Stuart Mill (1806-1873) .......................... 33 Soren Kierkegaard (1813-1855) ..................... 33 Karl Marx (1818-1883).................................... 34 Henry David Thoreau (1817-1862) ................ 35 Charles Sanders Peirce (1839-1914).............. 35 William James (1842-1910) ............................ 36 The Modern World 1900-1950 ............................. 36 Friedrich Nietzsche (1844-1900) .................... 37 Ahad Ha'am (1856-1927) ............................... 38 Ferdinand de Saussure (1857-1913) ............. 38 Edmund Husserl (1859–1938) ....................... 39 Henri Bergson (1859-1941) ............................ 39 Contents John Dewey (1859–1952) ............................... 39 Introduction....................................................... 1 THE PHILOSOPHY BOOK George Santayana (1863-1952) ..................... 40 The Ancient World 700 BCE-250 CE..................... 3 Miguel de Unamuno (1864-1936) ................... 40 Introduction Thales of Miletus (c.624-546 BCE)................... 3 William Du Bois (1868-1963) .......................... 41 Laozi (c.6th century BCE) ................................. 4 Philosophy is not just the preserve of brilliant Bertrand Russell (1872-1970) ........................ 41 Pythagoras (c.570-495 BCE) ............................ 4 but eccentric thinkers that it is popularly Max Scheler -
Notes on Abstract Hermeneutics
Research in Phenomenology Research in Phenomenology 41 (2011) 45–59 brill.nl/rp Notes on Abstract Hermeneutics Marcia Sá Cavalcante Schuback Södertörn University, Sweden Abstract Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls ‘abstract hermeneutics’—a way of thinking capable of responding to the withdrawing, or abstracting, movement of Being. Such abstract thinking— which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger’s understanding of the formal indicative role of the human being as sign (Zeichen), the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human exis- tence, is explored. Keywords Heidegger, hermeneutics, formal-indication, abstract art Die Linien des Lebens sind verschieden Wie Wege sind, und wie der Berge Grenzen. Was hier wir sind, kann dort ein Gott ergänzen Mit Harmonien und ewigem Lohn und Frieden. Hölderlin, “An Zimmern” Would it be something of note for philosophy today to address the question of abstract thought and, more specifically, aboutabstract hermeneutics, what- ever such a phrase might mean? When the challenge of our day seems still, and even more, one of stepping back “to the things themselves” to find a philo- sophical path to the concrete, why address such a question of the abstract? For, phenomenology’s call to the things themselves can be interpreted, and rightly so, precisely as a critique of abstraction. This can also be said in regard to the thoughts of Nietzsche, Marx, and Freud, insofar as they all share with phe- nomenology what could be called a desire or search for lost concreteness. -
Mozi 31: Explaining Ghosts, Again Roel Sterckx* One Prominent Feature
MOZI 31: EXPLAINING GHOSTS, AGAIN Roel Sterckx* One prominent feature associated with Mozi (Mo Di 墨翟; ca. 479–381 BCE) and Mohism in scholarship of early Chinese thought is his so-called unwavering belief in ghosts and spirits. Mozi is often presented as a Chi- nese theist who stands out in a landscape otherwise dominated by this- worldly Ru 儒 (“classicists” or “Confucians”).1 Mohists are said to operate in a world clad in theological simplicity, one that perpetuates folk reli- gious practices that were alive among the lower classes of Warring States society: they believe in a purely utilitarian spirit world, they advocate the use of simple do-ut-des sacrifices, and they condemn the use of excessive funerary rituals and music associated with Ru elites. As a consequence, it is alleged, unlike the Ru, Mohist religion is purely based on the idea that one should seek to appease the spirit world or invoke its blessings, and not on the moral cultivation of individuals or communities. This sentiment is reflected, for instance, in the following statement by David Nivison: Confucius treasures the rites for their value in cultivating virtue (while virtually ignoring their religious origin). Mozi sees ritual, and the music associated with it, as wasteful, is exasperated with Confucians for valuing them, and seems to have no conception of moral self-cultivation whatever. Further, Mozi’s ethics is a “command ethic,” and he thinks that religion, in the bald sense of making offerings to spirits and doing the things they want, is of first importance: it is the “will” of Heaven and the spirits that we adopt the system he preaches, and they will reward us if we do adopt it. -
The Concrete and the Abstract in the Language of Politics
Edinburgh Research Explorer The concrete and the abstract in the language of politics Citation for published version: Joseph, J 2017, 'The concrete and the abstract in the language of politics', Rivista di psicolinguistica applicata, vol. Anno XVII, no. 2, pp. 97-112. https://doi.org/10.19272/201707702006 Digital Object Identifier (DOI): 10.19272/201707702006 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Rivista di psicolinguistica applicata General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The concrete and the abstract in the language of politics John E. Joseph, University of Edinburgh ABSTRACT Until well into the modern period, concrete was used to mean what is now called abstract. The terms originated as grammatical descriptors for related pairs of nouns and adjectives, then came to be reinterpeted as logical categories tied to the presence or absence of a clear mental image. They remain ambiguous, yet are used as though every word fell clearly into one or the other category. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Reference and Reinterpretation
Reference and Reinterpretation by Anthony Kulic A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Philosophy Waterloo, Ontario, Canada, 2007 ©Anthony Kulic, 2007 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Reference is the relation held to obtain between an expression and what a speaker or thinker intends the expression to represent. Reference is a component of interpretation, the process of giving terms, sentences, and thoughts semantic content. An example of reference in a formal context involves the natural numbers, where each one can be taken to have a corresponding set‐theoretic counterpart as its referent. In an informal context reference is exemplified by the relation between a name and the specific name‐bearer when a speaker or thinker utters or has the name in mind. Recent debates over reference have concerned the mechanism of reference: How is it that we can refer? In informal contexts, externalists see the reference relation as explicable in terms of the salient causal relations involved in the naming of a thing, or a class of things, and the ensuing causal chains leading to a term’s use. Opponents of this view— internalists—see the reference relation as being conceptually direct, and they take the external approach to rely on untenable metaphysical assumptions about the world’s structure. -
How to Cite Complete Issue More Information About This Article
THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia ISSN: 0495-4548 ISSN: 2171-679X [email protected] Universidad del País Vasco/Euskal Herriko Unibertsitatea España Plebani, Matteo The indispensability argument and the nature of mathematical objects* THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia, vol. 33, no. 2, 2018, pp. 249-263 Universidad del País Vasco/Euskal Herriko Unibertsitatea España DOI: https://doi.org/10.1387/theoria.17613 Available in: https://www.redalyc.org/articulo.oa?id=339755528007 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative THEORIA ESTABLISH E D IN 1952 BY MIGU E L SÁNCH E Z -MAZAS Vol. 33/2 • May 2018 Second Series An International Journal for Theory, History and Foundations of Science CALIJ Centro de Análisis, Lógica e Informática Jurídica (CALIJ) http://www.ehu.eus/theoria T H E O R I A REVISTA DE TEORÍA, HISTORIA Y FUNDAMENTOS DE LA CIENCIA AN INTERNATIONAL JOURNAL FOR THEORY, HISTORY AND FOUNDATIONS OF SCIENCE ESTABLISH E D in 1952 by MIGUEL SÁNCHEZ-MAZAS Second Series EDITORIAL BOARD Editor-in-chief: Andoni IBARRA (University of the Basque Country, UPV/EHU) Editors: Cristina CORREDOR (Universidad de Valladolid), Antonio DIÉGUEZ (Universidad de Málaga) Logic and philosophy of logic and mathematics: José Luis ZALABARDO (University College -
Machine Automation and the Critique of Abstract Labor in Hegel's Mature
Georgia State University ScholarWorks @ Georgia State University Philosophy Theses Department of Philosophy 12-12-2018 Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory Matthew J. Delhey Follow this and additional works at: https://scholarworks.gsu.edu/philosophy_theses Recommended Citation Delhey, Matthew J., "Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/philosophy_theses/248 This Thesis is brought to you for free and open access by the Department of Philosophy at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Philosophy Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MACHINE AUTOMATION AND THE CRITIQUE OF ABSTRACT LABOR IN HEGEL’S MATURE SOCIAL THEORY by MATTHEW J. DELHEY Under the Direction of Sebastian Rand, PhD ABSTRACT This thesis examines Hegel’s critique of abstract labor in the Philosophy of Right and the sections on objective spirit in the Encyclopaedia. Against both Frederick Neuhouser’s and Marxist interpretations, I argue that abstract labor, for Hegel, characterizes the specific kind of mechanical labor undertaken in the nineteenth-century factory. Such repetitive labor, Hegel claims, leads to the deadening (Abstumpfung) of the worker through the deforming of her ethical subjectivity, a social pathology he hopes will be resolved by machine automation. By developing two key aspects of Hegel’s social theory—that labor produces ethical subjectivity or education (Bildung) and that this education is the central locus of civil society’s ethicality—I argue that we ought to understand Hegel’s hope for machine automation as a critique of those forms of labor which prevent the worker’s rational participation in the totality of the labor process and thus fail to actualize her social freedom. -
REVIEWS Apel: Transformation of Philosophy
REVIEWS Apel: Transformation of Philosophy K.O. Apel, Towards a Transformation of PhiZosophy, pragmatics of language. ~ong the conditions is that Routledge and Kegan Paul, 1980 (trans. Adey and a certain notion of communication - which Apel calls Frisby), £12.50 hc the transcendental language-game, and which involves, at least, subjects telling significant truths to others who are treated as equal members of the This book·assembles some of the results of a community - is a norm for participants in any given sustained interplay between the broadly analytic and language-game. A norm not in that it is statistic pragmatist traditions and traditions in German ally the case that this is so (societies exist, as philosophy and critical theory, with the central aim we know, where this does not hold), but in that this of outlining a transformation of philosophy along the notion of communication sets an ideal of what is to be aimed at in social interaction. To illustrate: lines of what the author calls a transce~dental pragmatics of language, or a transcendental unless a child implicitly takes its parents to be saying something true and relevant to it, it will not hermeneutics. Perhaps the guiding theme is a critique of the be able to correlate utterances with states of methodological solipsism which Apel finds pre affairs in the world, and so not be able to grasp supposed by the unified theory of science, all forms their meaning at all. of positivism, certain hermeneutic positions relying In the light of this ideal communication commun on empathy as a key concept, and the transcendental ity, critical theory takes actually existing social formations to task. -
Space As Concrete Abstraction
ace, Diff-01-p.qxd 29/10/07 14:22 Page 62 4 4 1 2 3 SPACE AS CONCRETE 4 5 ABSTRACTION 6 Hegel, Marx, and modern 7 8 urbanism in Henri Lefebvre 9 0 Lukasz Stanek 1 2 3 INTRODUCTION 4 With the current success and proliferation of Henri Lefebvre’s phrase “the 5 production of space,” it becomes increasingly necessary to oppose its banalization 6 by revealing the philosophical sources of this concept and preventing the isolation 7 of the thesis that space is socially produced from other dimensions of his theory. 8 Of paramount import in this regard is Lefebvre’s argument that space is a concrete 9 abstraction.1 In this chapter I would like to assert that the concept of concrete 0 abstraction brings together the most vital elements of Lefebvre’s theory of 1 production of space, relating it to his rethinking of the philosophies of Hegel and 2 Marx as well as studies of postwar French architecture and urbanism. In so doing, 3 I wish to show in particular how Lefebvre’s approach to space as a product of 4 historically specific material, conceptual and quotidian practices was facilitated by 5 his use of the concept of concrete abstraction.This requires a brief discussion of its 6 Hegelian origins, before examining three appropriations of concrete abstraction 7 by Marx to highlight their mobilization in Lefebvre’s theory. 8 I will first argue that Marx’s definition of concrete abstraction as an “abstraction 9 which became true in practice” was developed by Lefebvre into the claim that the 40 space of capitalism is an abstraction that “became true” in social, economic, political, 41 ace, Diff-01-p.qxd 29/10/07 14:22 Page 63 space as a concrete abstraction 63 and cultural practice.