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Mahatma Gandhi University, Kottayam, Kerala – 686560
MAHATMA GANDHI UNIVERSITY, KOTTAYAM, KERALA – 686560 DETAILS OF WORKS PERFORMED IN EACH SECTION OF THE UNIVERSITY Supervisory Officers Section Contact Sl. No. Name of Section Dealing works in the Section E-Mail ID Deputy Number Assistant Registrar Registrar ADMINISTRATION Service matters of Staff: 1. AD A I 0481-2733280 [email protected] JR/DR/AR/SO/Assistants Service Matters of: OA/Clerical Asst./Sto re Asst./Staff Nurse/Roneo Operator/Lab Techn 2. AD A III 0481-2733302 [email protected] (health centre)/Tele. Operator GO Endorsement, Part Time Sweeper engagement Service Matters – FC&D, Drivers, Engineers, Computer Programmers, Security Personal, Anti 3. AD A IV 0481-2733303 [email protected] Harassment Cell, Sanctioning of leave to SO & Above officers AR I (Admn) DR I (Admn) Pension: Bill preparation, Pension certificate 0481-2733239 0481-2733226 4. AD A VIII 0481-27733420 [email protected] issue, Income Tax matters of pensioners Pension Calculation, Pension Sanctioning, NLC [email protected] 5. AD A X Issuing, Family pension, VRS, Restoration of 0481-2333420 commuted portion of pensioners 6. AD A VI Medical Reimbursement 0481-2733305 [email protected] 7. Records Keeping University Records 0481-2733412 DR III All administrative matters related to Inter AR V (Admn) 8. AD A VII 0481-2733425 [email protected] (ADMN) University / Inter School Centres 0481-273 0481-273 3608 Service matters of VC, PVC, Registrar, FO, and [email protected] AR II (Admn.) DR II (Admn) 9. Ad A II 0481-2733281 CE. 0481-2733240 0481-2733227 1 Supervisory Officers Section Contact Sl. -
Introduction
Notes Introduction 1. Gellner differentiates nations from states and holds that both can emerge independent of each other. See Gellner, E. 2008. Nations and Nationalism. New York: Cornell University Press. 2. During the inter-war period and war years documentary was used for propa- gandist purposes to shape favourable public opinion towards the war. Leni Riefenstahl’s spectacular representations of Germany around the time of the Nazi ascendance to power, and Britain’s charged propaganda documentaries during the war both come to mind here. Propagandist documentary has also been mobilized to celebrate national development and planning pro- grammes, for example, Dziga Vertov’s dynamic representations of the Soviet Union’s five-year plans through his kino-pravda series and other full-length documentaries. The vast body of investigative, activist and exposé documen- taries has questioned nations, their institutions and ideological discourses. 3. Corner, J. 1996. The Art of Record: A Critical Introduction to Documentary. New York: Manchester University Press. 4. I take my cue here from Noel Carroll who, while discussing objectivity in relation to the non-fiction film, argues that documentary debate has been marred by con- fusions in the use of language that conflate objectivity with truth (Carroll 1983: 14). While I agree with Carroll that lack of objectivity does not necessarily mean bias, as a practitioner I am inclined to hold documentary making and reception as subjective experiences exercising subjects’, makers’ and the audiences’ ideo- logical stances, knowledge systems and even aesthetic preferences. 5. Governmental and semi-governmental funding bodies such as Prasar Bharati (Broadcasting Corporation of India), Public Service Broadcasting Trust and the Indian Foundation for the Arts offer financial support for documentary makers and Indian filmmakers have also secured funding from international agencies such as the European Union’s cultural funds. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
0 Cover Page
Mahatma Gandhi University 0 CONTENTS Sl.No Schools/Departments Page 1 School of Behavioural Sciences 1 2 School of Biosciences 13 3 School of Chemical Sciences 42 4 School of Computer Sciences 79 5 School of Environmental Sciences 86 6 School of Gandhian Thought & Development Studies 116 7 School of Indian Legal Thought 121 8 School of International Relations & Politics 124 9 School of Letters 131 10 School of Management and Business Studies 139 11 School of Pedagogical Sciences 150 12 School of Physical Education and Sports Sciences 158 13 School of Pure and Applied Physics 161 14 School of Social Sciences 180 15 School of Tourism Studies 186 16 Department of Lifelong Learning and Extension 197 17 Department of Printing and Publishing 198 Sl. No International and Inter University Centres/Inter School Centres 1 International and Inter University Centre for Nano Science and Nanotechnology 201 2 Advanced Centre for Environmental Studies and Sustainable Development 233 3 Inter University Centre for Bio Medical Research& Super Speciality 258 4 Inter University Centre for Disability Studies 266 5 Inter University -Instrumentation Centre 269 6 Inter University Centre for Social Science Research and Extension 294 7 Advanced Molecular Materials Research Centre 296 8 Centre for High Performance Computing 298 9 Institute for Contemporary Chinese Studies 300 10 Institute for Intensive Research in Basic Sciences 304 11 KN Raj Centre for Planning and Centre State Financial Relations 306 12 National Institute for Plant Science and Technology 310 13 University Centre for International Co-operation 316 Sl. No Constituent Colleges/Institution 1 University College of Engineering, Thodupuzha 319 2 School of Technology and Applied Sciences 323 3 School of Applied Life Sciences, Chuttippara 329 4 University Colleges of Teacher Education 331 5 Department of Library and Information Sciences 333 Publication details of Schools, Departments SCHOOL OF BEHAVIOURAL SCIENCES 3.4.2 Details of publications by the faculty Sl. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Early Cinema: the Brighton Conference 25
CONTENTS Preface xxiii Introduction XXV History, Historiography, and Film History: An Advanced Introduction xxxi A Note on Format xliii PART ONE: EARLY CINEMA , 1 THE INVENTION AND EARLY YEARS OF THE CINEMA, 18 8 0 s-l 904 з THE INVENTION OF THE CINEMA 4 Preconditions fo r Motion Pictures 4 / Major Precursors o f Motion Pictures 5 / An International Process o f Invention 7 EARLY FILMMAKING AND EXHIBITION 12 The Growth o f the French Film Industry 14 / England and the “Brighton School" 17 / The United States: Competition and the Resu rgence o f Edison 19 NOTES AND QUERIES 24 Identification and Preservation o f Early Films 24 / Reviving Interest in Early Cinema: The Brighton Conference 25 REFERENCES 25 x/ CONTENTS 2 THE INTERNATIONAL EXPANSION OF THE CINEMA, 1905-1912 26 FILM PRODUCTION IN EUROPE 26 France 26 / Italy 28 / Denmark 29 / Other Countries 31 THE STRUGGLE FOR THE EXPANDING AMERICAN FILM INDUSTRY 31 The Nickelodeon Boom 31 / The Motion Picture Patents Company vs. the Independents 33 / Social Pressures and Self-Censorship 36 / The Rise o f the Feature Film 37 / The Star System 37 / The Move to Hollywood 38 FURTHER EXPLORATIONS OF FILM STYLE 39 In tertitles 40 / The Beginnings o f the Continuity System 41 / Camera Position and Acting 46 / Color 47 / Set Design and Lighting 47 / An International Style 48 NOTES AND QUERIES 49 Griffith’s Importance in the Development o f Film Style 49 REFERENCES 52 3 NATIONAL CINEMAS, HOLLYWOOD ClASSICISM , AND WORLD WAR I,19 1 3 - 1 9 1 9 53 THE AMERICAN TAKEOVER OF WORLD MARKETS 54 THE RISE OF NATIONAL -
Ecocritical Exploration in Vikram Seth's Poem
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 17:5 May 2017 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. C. Subburaman, Ph.D. (Economics) N. Nadaraja Pillai, Ph.D. Renuga Devi, Ph.D. Soibam Rebika Devi, M.Sc., Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. Language in India www.languageinindia.com is included in the UGC Approved List of Journals. Serial Number 49042 Contents Materials published in Language in India www.languageinindia.com are indexed in EBSCOHost database, MLA International Bibliography and the Directory of Periodicals, ProQuest (Linguistics and Language Behavior Abstracts) and Gale Research. The journal is included in the Cabell’s Directory, a leading directory in the USA. Articles published in Language in India are peer-reviewed by one or more members of the Board of Editors or an outside scholar who is a specialist in the related field. Since the dissertations are already reviewed by the University-appointed examiners, dissertations accepted for publication in Language in India are not reviewed again. Language in India www.languageinindia.com ISSN 1930-2940 17:5 May 2017 Contents i PDF processed with CutePDF evaluation edition www.CutePDF.com This is our 17th year of publication. All back issues of the journal are accessible through this link: http://languageinindia.com/backissues/2001.html Md Abu Nayeem Chain Reactions of Private Tutoring in English Language Learning at the SSC Level of Bangladeshi Students: Problems and Probable Solutions 1-16 G. -
A Multi-Disciplinary Argument for the Mental Nature of Reality Author
NATIONAL INSTITUTE OF ADVANCED STUDIES LIBRARY NEW ARRIVALS 1 January 2020 SL.No TITLE ABSTRACT 1 The Idea of the World: A Multi-Disciplinary A rigorous case for the primacy of mind in nature, from philosophy to neuroscience, psychology and physics. The Idea of the World Argument for the Mental Nature of Reality offers a grounded alternative to the frenzy of unrestrained abstractions and unexamined assumptions in philosophy and science today. This book examines what can be learned about the nature of reality based on conceptual parsimony, straightforward logic and empirical evidence from fields as diverse as physics and neuroscience. It compiles an overarching case for idealism - the notion that Author: Bernardo Kastrup reality is essentially mental - from ten original articles the author has previously published in leading academic journals. The case Publisher: Iff Books begins with an exposition of the logical fallacies and internal contradictions of the reigning physicalist ontology and its popular Year: 2019 alternatives, such as bottom-up panpsychism. It then advances a compelling formulation of idealism that elegantly makes sense of - and reconciles - classical and quantum worlds. The main objections to idealism are systematically refuted and empirical evidence is Call Number: 110 reviewed that corroborates the formulation presented here. The book closes with an analysis of the hidden psychological motivations KAS behind mainstream physicalism and the implications of idealism for the way we relate to the world. 17852 Recommended by: Dr Nithin Nagaraj 2 Holy Science : The Biopolitics of Hindu Behind the euphoric narrative of India as an emerging world power lies a fascinating but untold story of an evolving relationship Nationalism between Science and religion. -
Science Communicator
Reg. No. KERENG/2010/35808 ISSN 2231-217 X SCIENCE COMMUNICATOR INTER-DISCIPLINARY JOURNAL FOR SCIENCE COMMUNICATION AND JOURNALISM Volume 02, Issue 02, June 2011 Directorate of Public Relations and Publications Cochin University of Science and Technology Kochi - 682 022, Kerala, India Reg. No. KERENG/2010/35808 ISSN 2231-217 X SCIENCE COMMUNICATOR INTER-DISCIPLINARY JOURNAL FOR SCIENCE COMMUNICATION AND JOURNALISM Volume 02, Issue 02, June 2011 (Half yearly publication) Directorate of Public Relations & Publications Cochin University of Science and Technology Ernakulam, Kochi - 682 022, Kerala, India 1 SCIENCE COMMUNICATOR, JUNE 2011 Editor Dr. S. Anil Kumar Director, Public Relations and Publications & Co-ordinator, Centre for Science Communication Cochin University of Science and Technology Editorial Board Dr. Gangan Prathap Director, National Institute of Science Communication and Information Resources (CSIR), New Delhi Dr. K. V. Nagaraj Professor & Chairman, Dept. of Mass Communication & Journalism Central University, Silchar, Assam Dr. V. P. N. Nampoori CSIR Emeritus Scientist, CUSAT Dr. Manoj K. Patairiya Director, NCSTC, Dept. of Science and Technology New Meharauli Road, New Delhi Dr. P. Govindaraju Professor and Head, Dept. of Communication & Media Studies M.S. University, Tirunelveli Dr. Tapati Basu Professor and Head, Dept. of Journalism & Mass Communication University of Calcutta, Kolkata Dr. C. Pichandy Head, Dept. of Communication PSG College of Arts and Science, Coimbatore - 641 014 Dr. K. Girish Kumar Professor of Applied Chemistry, CUSAT, Kochi-682 022 Prof. S. Sivadas Chief Editor, Labour India Publications (Prasanth, Annankunnu, Kottayam - 686 010) Dr. Ajith Prabhu (Joint Director, Kerala State Council for Science Technology and Environment, Pattam, Thiruvananthapuram) Editorial Consultant Dr. -
Kausik Bhowmik.P65
KAUSHIK BHAUMIK The Persistence of Rajasthan in Indian Cinema : One Region, So Many Views O f all the eco-cultural zones in India Rajasthan has received the maximum cinematic attention from filmmakers not belonging to the region, ranging from Mani Kaul from Kashmir to Vijay Anand from Punjab to Kumar Shahani from Sind to Satyajit Ray from Bengal to Kalpana Lajmi from Assam. There is by now a large corpus of films shot in this region that together make up a series of overlapping viewpoints on aspects of Indian culture. Beginning with the very process of narrativization and visualizing narratives, thinking through India’s cultural histories at its eco-cultural frontiers, to the issue of feudal cultures that constitute the political and cultural economies of north India, if not India as a whole, the films have touched on a wide range of concerns.1 For the purposes of this seminar my simple argument would be that Rajasthan serves as some kind of a cultural matrix where the ‘truth’ of India is relentlessly queried and the workings of the eco-culture made to utter oracular prognostications about the fate of India, albeit a certain India. The rarefaction of cultural life in an arid eco-frontier of north India seems to distil the ‘essence’ of north Indian culture as a whole and therefore serves as much to reveal as construct a cultural fantasy about what north Indian culture is all JOURNAL OF THE MOVING IMAGE 13 about. Such a ‘marginal-central’ position that narratives set in Rajasthan seem to occupy in the history of Indian cinema in turn creates an ‘extreme’ cinema in all registers of filmmaking that produce, I shall argue, the intensification not of a ‘real’ of India but of certain filmmaking proclivities reacting to the directions India’s cultural history has taken in the last fifty years or so. -
Twenty Kr Narayanan Orations
TWENTY K.R. NARAYANAN ORATIONS ESSAYS BY EMINENT PERSONS ON THE RAPIDLY TRANSFORMING INDIAN ECONOMY TWENTY K.R. NARAYANAN ORATIONS ESSAYS BY EMINENT PERSONS ON THE RAPIDLY TRANSFORMING INDIAN ECONOMY EDITED BY RAGHBENDRA JHA To the memory of Dr K.R. Narayanan Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464349 ISBN (online): 9781760464356 WorldCat (print): 1247155802 WorldCat (online): 1248765159 DOI: 10.22459/TKRNO.2021 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2021 ANU Press Contents An Introduction to the Volume . ix Raghbendra Jha About the Australia–India Council . xxiii Oration 1: 1994 K.R. Narayanan Oration .....................1 Reforming India’s Tax Base for Economic Development Raja J . Chelliah Oration 2: 1995 K.R. Narayanan Oration ....................17 Space Technology for Sustainable Development in Asia U .R . Rao Oration 3: 1996 K.R. Narayanan Oration ....................49 India: Retrospect and Prospect Jagdish Bhagwati Oration 4: 1999 K.R. Narayanan Oration ....................69 Stronger Branches, Deeper Roots: The Democratisation of India’s Economic Reforms P . Chidambaram Oration 5: 2001 K.R. Narayanan Oration ....................85 Monetary Policy in a Developing Economy — The Indian Experience C . Rangarajan Oration 6: 2002 K.R. Narayanan Oration ...................103 Democracy and Development: India 1947–2002 Meghnad Desai Oration 7: 2003 K.R.