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Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn -
June 2021 Music Supplement
Brixworth and District Newsletter Learn, laugh, live Registered Charity No 1178196 Issue 74 June 2021 PROGRESSIVE ROCK MUSIC SUPPLEMENT Helpful hint: Once the ‘YouTube’ video appears, once you have clicked on the links below, and after skipping the adverts, you may or may not know, that you can click on the 4-cornered square icon (usually bottom right of the screen on the tool bar, along with the /volume/stop/start/pause/ icons) which will fill the whole screen. You can then use the ‘esc’ button on your keypad to come back out. PROG ROCK (PR) started in the mid-1960s, and followed the anti-war flower-power era of free love. Probably the best- known track from that time, and most likely will be for years to come, is ‘21st Century Schizoid Man’ by KING CRIMSON. However, prior to that brilliant piece of work, the movement started with the likes of THE CRAZY WORLD OF ARTHUR BROWN and his ‘Fire’, and the 3-piece band THE NICE, fronted by keyboard player extraordinaire Keith Emerson, who later formed EMERSON, LAKE & PALMER. Greg Lake was originally with King Crimson and Carl Palmer played the drums with The Crazy World of Arthur Brown. Emerson, Lake & Palmer was the first of the super groups, preceded by British prog rock maestros YES and GENSIS, and later, many others. As a new genre, it was never really accepted in the USA, and I wonder if that had anything to with Keith Emerson who, with The Nice, produced the electrifying track ‘America’, during the playing of which, he stabbed knives into the Hammond Organ, and set fire to the Stars & Stripes flag, a regular event at his concerts, one of which I was present at in Bath in 1968. -
Old Mac Genesis Have Changed Again. ROBIN SMITH Talks to PHIL
S Aet:md Minot, Apni8, 1978 After Peter Gabriel left Genesis a demo tape by none other than Nick 1 Lower was tent In for consideration. Can you imagine the consequences' I Love The Sound Of Breaking Glass' delivered amidst flashing laser beams and dry Ice. the mind bonlee And would those boozy eyes V have really fined In with the dean Riders image of the rest of the band? The orld will never know. "Apart from the tape there was a photograph of Lowe," says Genesis drummer and lead vocalist Phil Collins." But in the end we decided that 1 should take over on vocals. I was worried about communicating of w1th an audience i couldn't go on stage drunk because I might slur my words a bit " Hmm. maybe Lowe would have fitted in after all, The bar d do drink. But according to Collins. Gabriel - used to get pissed after "sniffing at a glass of wine." ( Now It's all change time with the the band yet again. They're now down to three with the departure of Steve Hackett. the moody looking one with a quiet stamp of guitar playing r authority. But, as before, Genesis are riding whatever storms there may have been and Phil's not saying have s if there were any. The critics or sheathed their knives after 'mistakenly believing that Gabriel's departure would mean an end to the Genesis have changed again. band Genesis just seem to be moving on to fresh triumphs and Phil seems to feel that the splits have ROBIN SMITH talks to strengthened the band "Well we couldn't afford to lose PHIL COLLINS to find out anymore, but at the same time the band is a very strong unit, Perhaps wfien you lose people it's a what the band are going rejuvenation. -
Genesis 3 X 3 Mp3, Flac, Wma
Genesis 3 X 3 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 3 X 3 Country: UK Released: 1982 Style: Pop Rock MP3 version RAR size: 1545 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1333 mb Rating: 4.5 Votes: 267 Other Formats: VOX AIFF ADX MPC MP4 MOD AC3 Tracklist A1 Paperlate A2 You Might Recall B Me And Virgil Companies, etc. Phonographic Copyright (p) – Charisma Records Ltd. Published By – Hit & Run Music (Publishing) Ltd. Mastered At – The Town House Pressed By – Orlake Records Credits Producer – Genesis Written-By – Rutherford*, Collins*, Banks* Notes Also released as black vinyl disc with the same catalogue number. Image is a parody of Beatles' EP "Twist And Shout" ℗1963. Some copies have sticker on PVC jacket "Record No. Is GENPD 1" - see images Hit & Run Music (Publishing) Ltd. ℗ 1982 Charisma Records Ltd. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): GEN+1+A4 B Matrix / Runout (Runout side B, etched): GEN+1+B4 B ORLAKE Matrix / Runout (Runout both sides, stamped): TOWN HOUSE Other versions Category Artist Title (Format) Label Category Country Year Charisma, GEN 1, GEN1 Genesis 3 X 3 (7", EP) GEN 1, GEN1 UK 1982 Charisma Charisma, GEN 1, GEN1, GEN 1, GEN1, Genesis 3 X 3 (7", EP) Charisma, UK 1982 6205 059 6205 059 Charisma GEN-1 Genesis 3 X 3 (7", MP, Pic) Charisma GEN-1 UK 1982 Charisma, GEN 1, GEN1 Genesis 3 X 3 (7", EP) GEN 1, GEN1 UK 1982 Charisma Related Music albums to 3 X 3 by Genesis Genesis - Keep It Dark Genesis - Off The Record Specials With Mary Turner (OTR # 87-12) Genesis - Live Genesis - Turn It On Again Genesis - Invisible Touch Genesis - Mama Genesis - Paperlate Genesis - Abacab Genesis - Duke Genesis - A Trick Of The Tail Genesis - .. -
Newark Grand Jury Indicts 21 in Cutout Dealings
I N S E: Stiker Named VP/GM FIRST SUMMER BIRCHES At WHDH & WZOU Chicago: WGCI-FM soars to 5 -share lead Detroit: WJR roars back into first WCBM /Baltimore VP /GM for four and a half years. Boston: WXKS -FM gains 4 for top spot Bud Stiker has left Metromedia San Diego: KGB hits double figures to become VP/GM at Blair's "(Metromedia Radio Divi- Washington: WKYS holds edge over Boston AC-CHR combo WHDH sion President) Carl Brazell WHUR & WZOU. The 28 -year broad- really went out of his way to Cleveland: WMMS lead cut to 11 caster fills the vacancy created help me," Stiker told R&R. Page 24 earlier this month when Al "This is a dream come true, Brady Law joined KTKS /Dal- and I'm very proud of it. The CHR TODAY: A las as VP /GM. competition is terrific, and I'm CREATIVE VACUUM? Stiker spent a year at WCBM excited about working with overseeing the format conver- (Owned Stations Division Presi- All over America, CHR stations may well sion from News /Talk to Tran- dent) Jim Hilliard, (Blair Pro- be diluting the format's formula and RADIO & RECORDS star's Format 41. He transfer- gram Consultant) George Wil- deluding themselves that they'll gain.Joel red to Baltimore from the GM liams, (WHDH PD) Jim Mur- Denver provides an in -depth analysis. post at KHOW /Denver, and phy, and (WZOU PD) Harry Page 42 earlier managed KTXQ /Dallas Nelson." FAIRNESS DOCTRINE NOT A LAW? LEVY INDICTED The U.S. Court of Appeals ruled that the Fairness Doctrine has never been voted into federal law. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Gazzara Plays Genesis – Here It Comes Again
Gazzara Plays Genesis – Here It Comes Again (73:08, CD, IRMA, 2020) Ein weiteres Album mit Coverversionen von Genesis-Songs also. Dem Cover ist schon zu entnehmen, welche Alben denn hier vorkommen, so sieht man nachgeahmte Coverausschnitte von „Foxtrot“, „A Trick of the Tail“, „Wind and Wuthering“ und „Duke“. Also sind sowohl Peter Gabriels als auch Phil Collins‚ Ära vertreten. Da stellt sich natürlich sofort die Frage, wie mag dies denn gesanglich umgesetzt sein. Ganz einfach: gar nicht! Es handelt sich nämlich um ein rein instrumentales Album, um die Arrangements von Genesis-Klassikern aus der Sicht eines Pianisten. Auch das ist nichts Neues, wir erinnern uns an den ehemaligen Musical Box-Keyboarder David Myers oder „Genesis for two grand pianos“. Nun also Francesco Gazzara, für den dies allerdings keine völlig neue Herausforderung ist, hat er doch bereits 2014 ein Doppelalbum namens „Play Me My Song“ herausgebracht, auch damals schon als „Gazzara Plays Genesis“. Er geht gleich in die Vollen und startet mit einer Elf-Minuten Version von ‚The Musical Box‘, gefolgt von 23 Minuten ‚Supper’s Ready‘. Mutig – man muss halt darauf verzichten können, dass gleich ein Gabriel oder Collins – oder Nachahmer – um die Ecke schaut. Doch es bleibt halt instrumental. Und es ist größtenteils gut gelungen. Zwar beweist er immer wieder seine Kernkompetenz am Klavier, doch auch das weitere Tastenarsenal findet Anwendung, hinzu kommt gehäufter Einsatz der Flöte. Auch wenn man immer wieder zuckt und den Gesangseinsatz erwartet, es kommt nicht dazu – es bleibt bei rein instrumentalen Versionen, die durchaus immer wieder mal ihren eigenen Reiz bieten. Es bleibt bei der Reihenfolge der ausgewählten Titel chronologisch, denn es folgen noch zwei weitere Songs aus der Gabriel-Zeit mit ‚I Know What I Like‘ und ‚The Carpet Crawlers‘. -
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in. -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt. -
Large-Scale Strategy and Compositional Design in the Early Music of Genesis
Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with -
View Song List
Piano Bar Song List 1 100 Years - Five For Fighting 2 1999 - Prince 3 3am - Matchbox 20 4 500 Miles - The Proclaimers 5 59th Street Bridge Song (Feelin' Groovy) - Simon & Garfunkel 6 867-5309 (Jenny) - Tommy Tutone 7 A Groovy Kind Of Love - Phil Collins 8 A Whiter Shade Of Pale - Procol Harum 9 Absolutely (Story Of A Girl) - Nine Days 10 Africa - Toto 11 Afterglow - Genesis 12 Against All Odds - Phil Collins 13 Ain't That A Shame - Fats Domino 14 Ain't Too Proud To Beg - The Temptations 15 All About That Bass - Meghan Trainor 16 All Apologies - Nirvana 17 All For You - Sister Hazel 18 All I Need Is A Miracle - Mike & The Mechanics 19 All I Want - Toad The Wet Sprocket 20 All Of Me - John Legend 21 All Shook Up - Elvis Presley 22 All Star - Smash Mouth 23 All Summer Long - Kid Rock 24 All The Small Things - Blink 182 25 Allentown - Billy Joel 26 Already Gone - Eagles 27 Always Something There To Remind Me - Naked Eyes 28 America - Neil Diamond 29 American Pie - Don McLean 30 Amie - Pure Prairie League 31 Angel Eyes - Jeff Healey Band 32 Another Brick In The Wall - Pink Floyd 33 Another Day In Paradise - Phil Collins 34 Another Saturday Night - Sam Cooke 35 Ants Marching - Dave Matthews Band 36 Any Way You Want It - Journey 37 Are You Gonna Be My Girl? - Jet 38 At Last - Etta James 39 At The Hop - Danny & The Juniors 40 At This Moment - Billy Vera & The Beaters 41 Authority Song - John Mellencamp 42 Baba O'Riley - The Who 43 Back In The High Life - Steve Winwood 44 Back In The U.S.S.R.