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Martin Hutchinson Interviews Steve
18 wow! Friday, November 20, 2009 wow! music Friday, November 20, 2009 wow! 19 Two years ago, The Magic Numbers stepped off the From Genesis to jazz, Steve’s FAMILY AND FRIENDS exhausting treadmill they’d AGAIN: The Magic Numbers been on since their debut have regrouped stronger a heck of an eclectic guitarist album became a hit and and better than ever disappeared. Now they’re back, STEVE Hackett is a happy chap at the mo- turous journey, and using one style is limit- ment, not only has the litigation over his ing yourself unnecessarily.” rested and rejuvenated, with a latest album been settled in his favour, he is He warms to his theme: “There’s Turkish also about to undertake a UK tour. influences and Spanish music has been an new album in the pipeline. “There was an injunction stopping me from influence ever since I first picked up a Frontman Romeo told JUDITH releasing the album, but it was settled last nylon string guitar,” continued the 59 year- week and it’ll be out next week,” he says. old Londoner. DORNAN how they rediscovered After two weeks on the continent, he’s very “ Still Waters is a blues number. It’s really upbeat about touring: an excuse to play blues guitar. their magic “It’s been very good The music has a spirit, an unre- and I still feel fresh. It lenting pulse and audiences get Tales from MAGIC Numbers frontman must be the lack of excited by it.” Romeo Stodart clearly remembers smoking and drinking. Also in the mix is a bit of jazz with the day they realised they had to I sleep better these Ghost In The Glass. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
June 2021 Music Supplement
Brixworth and District Newsletter Learn, laugh, live Registered Charity No 1178196 Issue 74 June 2021 PROGRESSIVE ROCK MUSIC SUPPLEMENT Helpful hint: Once the ‘YouTube’ video appears, once you have clicked on the links below, and after skipping the adverts, you may or may not know, that you can click on the 4-cornered square icon (usually bottom right of the screen on the tool bar, along with the /volume/stop/start/pause/ icons) which will fill the whole screen. You can then use the ‘esc’ button on your keypad to come back out. PROG ROCK (PR) started in the mid-1960s, and followed the anti-war flower-power era of free love. Probably the best- known track from that time, and most likely will be for years to come, is ‘21st Century Schizoid Man’ by KING CRIMSON. However, prior to that brilliant piece of work, the movement started with the likes of THE CRAZY WORLD OF ARTHUR BROWN and his ‘Fire’, and the 3-piece band THE NICE, fronted by keyboard player extraordinaire Keith Emerson, who later formed EMERSON, LAKE & PALMER. Greg Lake was originally with King Crimson and Carl Palmer played the drums with The Crazy World of Arthur Brown. Emerson, Lake & Palmer was the first of the super groups, preceded by British prog rock maestros YES and GENSIS, and later, many others. As a new genre, it was never really accepted in the USA, and I wonder if that had anything to with Keith Emerson who, with The Nice, produced the electrifying track ‘America’, during the playing of which, he stabbed knives into the Hammond Organ, and set fire to the Stars & Stripes flag, a regular event at his concerts, one of which I was present at in Bath in 1968. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Fowler Escalates Attack on Broadcast Regulation WAAF Pulls of Stones
THE INDUSTRY'S NE WSPAPER SE P T E M B E R 25, 1981 ISSUE NUMBER 401 NE W OWNERSHIP RULES, NO MORE "FEDERAL PLY'S" MEMBRADO TAKES INSIDE R&R: Fowler Escalates Attack NE W POSITION Arbitron Limits Sports Aurichio Heads Credit Outside Metro: On Broadcast Regulation Radio & TV In Diaries outside a metro which list Blasting the "Big Brother" con- than a regulatory trend, Fowler sports teams but no call letters cept of broadcast regulation, FCC called regulation based on will no longer be assigned to Arbitron Changes Chairman Mark Fowler told marketplace forces a social, com- stations, and broadcasters are Rick Aurichio. longtime broadcast executives attending mercial, and Constitutional im- less than thrilled 3 VP/GM of Arbitron's radio divi- perative. the International Radio & TV sion who became 'VP/G M of the "From here onward," Fowler Society's luncheon, Wednesday company's TV division 18 months (9-23), that dictating how licen- stressed, "the public interest ago, will now head both areas as Rick Aurichio Elektra/Asylum Distributes sees serve their com mittees must must determine the public in- Executive VP/GM for Radio & tion as "creating an ombudsman, • Gospel Label: &A's deal with cease. terest." Noting that the FCC's TV. The move comes as part of a someone who will not be trying to Light Records signals a significant Nor will the Com mission con- seven Com missioners are "ill- significant realignment of the sell anything but who will be push in Christian music 3 tinue a policy of "protected pro- suited" to be "Federal program ratings firm's executive struc- responsive to station concerns and tectionism," Fowler said. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Ray Wilson Ua Zu „
Ray Wilson u.a. zu „Time And Distance“ “20 Jahre nach Calling All Stations“ oder „Re-Boot nach dem Genesis-Ende“ Der ehemalige Genesis-Sänger Ray Wilson ist aktuell wieder auf Tour, mit einem neuen Live-Doppelalbum im Gepäck, aus dem Ausschnitte auch beim diesjährigen Night Of The Prog Festival auf der Loreley vorgestellt wurden. Es gilt, das 20jährige Jubiläum des letzten Genesis-Studioalbums „Calling All Stations“ zu feiern, auf dem Wilson bekanntlich als Nachfolger von Phil Collins agierte. Genug Gesprächsstoff also, und Ray Wilson stellte sich bereitwillig den Fragen und erwies sich als ausgesprochen angenehmer Gesprächspartner. Zunächst die unausweichlichen Fragen zu Genesis, beginnend damit, wie es eigentlich dazu kam. Als Phil Collins Genesis verließ, war ich mit meiner Band Stiltskin bei der gleichen Plattenfirma unter Vertrag. Genesis hatten damals bei Virgin nachgefragt, ob man dort Ideen für die Nachfolge hätte. Virgin hatte dann Genesis die Stiltskin- Musik geschickt. Die Band hörte sich das an und fand, dass die Stimme etwas hat und zu ihrer Neuausrichtung passen könnte. Ich wurde eingeladen und sang acht Songs ausCollins und Gabriels Phase vor. Dann haben wir uns zusammengesetzt und ein paar neue Songs ausprobiert. Ich brachte selbst dann ein paar Ideen ein, sowohl Musik als auch Texte betreffend. Und das war es auch schon – es waren gerade mal zwei Treffen mit einem Monat Abstand, und dann war es entschieden, ich hatte den Job. Wenn eine Band, die sehr stark auch mit dem Frontmann assoziiert wird, einen Nachfolger suchen muss – ist es besser einen Klon zu suchen oder neue Wege zu gehen? Wie lief das bei dir? Es mag natürlich sein, dass es für jemanden mit einer sehr Collins-ähnlichen Stimme einfacher gewesen wäre, aber es war wohl auch von Mike und Tony beabsichtigt, wieder etwas mehr in Richtung der früheren Gabriel-Zeiten zu klingen, deswegen habe ich wohl auch den Job bekommen. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in.