ROCK LEGENDS STEVE HACKETT (Solo Artist; Genesis Guitarist

Total Page:16

File Type:pdf, Size:1020Kb

ROCK LEGENDS STEVE HACKETT (Solo Artist; Genesis Guitarist For Immediate Release nd Thursday, May 2 ,​ 2​ 016 ​ ​ ROCK LEGENDS STEVE HACKETT (solo artist; Genesis guitarist) & MARK STEIN (Vanilla Fudge) TO JOIN CARL PALMER’S ELP LEGACY DURING SPECIAL OFFICIAL TRIBUTE SHOW TO KEITH EMERSON TH TO BE PRESENTED IN MIAMI, FL ON JUNE 24 .​ Exciting show features the instrumental rock classics of​ EMERSON LAKE & PALMER, with contemporary dancers. Carl Palmer, among the most renowned drummers in rock history and a founding member of both ELP and ASIA, will be presenting a special official tribute show as a special performance during his 2016 REMEMBERING KEITH AND THE MUSIC OF EMERSON LAKE & PALMER TOUR. Originally designed th to be a celebration of Palmer’s 50 ​ year in music, the focus and name of the ​ th tour was changed in light of the tragic death of Keith Emerson on March 11 .​ ​ Legendary Genesis guitarist and solo artists Steve Hackett and Vanilla Fudge keyboardist and vocalist Mark Stein will both join Carl and his band for the tribute show in Miami. “I am honored and grateful that these two iconic musicians have agreed to appear at this special tribute to Keith,“ says Palmer. “I have been working as an instrumental act since 2001, so this will be different and exciting to have Mark Stein on keyboards and vocals and Steve Hackett on guitar for some of songs.” Also added will be The IDA Program Children’s Choir (led by Liz ​ ​ Quin) who will contribute on the ELP hymn classic, “Jerusalem.” Acclaimed producer and musician David Frangioni, will also be a special guest during the ​ ​ show. To honor his late friend and former band mate, Palmer, in association with Audio One, will present a special show: “Pictures At An Exhibition- A ​ Tribute To Keith Emerson” which will feature music by Carl Palmer’s ELP ​ Legacy band with special guests, cinematic images, and performances by The ​ Center For Contemporary Dance, who will interpret the music of Emerson ​ Lake & Palmer in contemporary dance segments combined with backing from Palmer and his band. The tribute show will be staged one night only, Friday, th June 24 ,​ 2016 at Miami, Florida’s historic and intimate Olympia Theater. ​ Tickets are available BUY TICKETS HERE ​ CARL PALMER'S ELP LEGACY- PICTURES AT AN EXHIBITION: A TRIBUTE TO KEITH EMERSON YouTube video Adds Palmer: “I hope this is something all fans of ELP and Keith Emerson will all want to come along and see to help celebrate his music. I had wanted to marry the music of ELP with a contemporary dance interpretation for quite a while. Originally, this event had been scheduled to be a celebration of my 50th ​ year in music and I had invited Keith to come and participate in this and other special events that had been planned in 2016. He told us he was interested, but sadly, fate intercepted these plans. I felt it was imperative that we turn this event into a tribute to him and the music we made together.” The “Remembering Keith” tour features his popular ELP Legacy band and will also highlight his collection of fine art, recently done in conjunction with California’s Scene Four Art Studios. A multi-media experience combining music ​ ​ and video projection, the show promises to be among the most musically compelling tours of the year. Carl Palmer ELP Legacy is a red-hot power trio that features Palmer on drums and percussion; guitarist Paul Bielatowicz and ​ ​ bassist Simon Fitzpatrick. ​ Carl Palmer’s ELP Legacy will play nearly two hours and drum enthusiasts can expect an evening of compelling percussive skills, from the man who brought the drum set to the forefront of rock n roll music. CARL PALMER’S ELP LEGACY “REMEMBERING KEITH” -THE MUSIC OF EMERSON LAKE & PALMER TOUR DATE VENUE CITY Thur Jun 2 BB King Blues Club, New York, NY BUY TICKETS HERE Fri June 3 Sellersville Theatre 1894 Sellersville, PA BUY TICKETS HERE Sun June 5 Tupelo Music Hall Londonderry, NH BUY TICKETS HERE Mon June 6 World Café Wilmington, DE BUY TICKETS HERE Tues June 7 Regent Theatre Arlington, MA BUY TICKETS HERE Wed June 8 Studio in Hamilton Canada Hamilton Ontario Canada BUY TICKETS HERE Thurs June 9 Penns Peak Jim Thorpe, PA BUY TICKETS HERE Fri June 10 YMCA Boulton Performing Arts Center Bay Shore, NY BUY TICKETS HERE Sat June 11 Benefit for Crouse Health Foundation­Palace Theater, Syracuse NY ​ BUY TICKETS HERE Sun June 12 The Magic Bag Ferndale, MI BUY TICKETS HERE Wed June 15 Ridgefield Playhouse Ridgefield CT BUY TICKETS HERE Thur June 16 Paramount Hudson Valley Theater Peekskill, NY BUY TICKETS HERE Fri June 17 Lexington Village Theater Lexington, MI BUY TICKETS HERE Sat June 18 Benefit for Alive Inside­ Valley Forge High School Auditorium Parma, OH BUY TICKETS HERE Fri June 24 PICTURES AT AN EXHIBITION­ A TRIBUTE TO KEITH EMERSON WITH SPECIAL GUESTS STEVE HACKETT and MARK STEIN OLYMPIA THEATER Miami FL BUY TICKETS HERE Sat June 25 Private Art Event Miami, FL Sat July 2 Private Concert & Art Event Grand Cayman Islands Thur July 5 Silver Lake Ballroom Shreveport, LA BUY TICKETS HERE Fri July 8 Canyon Club Agoura Hills LA CA BUY TICKETS HERE Sat July 9 The Rock Yard Casino Indio, CA INFORMATION HERE Tues July 12 Poor David’s Dallas, TX BUY TICKETS HERE MORE DATES TO FOLLOW For All Things Carl Palmer, please visit: www.carlpalmer.com ​ To view Carl Palmer’s artwork, please visit: www.carlpalmerart.com ​ .
Recommended publications
  • Martin Hutchinson Interviews Steve
    18 wow! Friday, November 20, 2009 wow! music Friday, November 20, 2009 wow! 19 Two years ago, The Magic Numbers stepped off the From Genesis to jazz, Steve’s FAMILY AND FRIENDS exhausting treadmill they’d AGAIN: The Magic Numbers been on since their debut have regrouped stronger a heck of an eclectic guitarist album became a hit and and better than ever disappeared. Now they’re back, STEVE Hackett is a happy chap at the mo- turous journey, and using one style is limit- ment, not only has the litigation over his ing yourself unnecessarily.” rested and rejuvenated, with a latest album been settled in his favour, he is He warms to his theme: “There’s Turkish also about to undertake a UK tour. influences and Spanish music has been an new album in the pipeline. “There was an injunction stopping me from influence ever since I first picked up a Frontman Romeo told JUDITH releasing the album, but it was settled last nylon string guitar,” continued the 59 year- week and it’ll be out next week,” he says. old Londoner. DORNAN how they rediscovered After two weeks on the continent, he’s very “ Still Waters is a blues number. It’s really upbeat about touring: an excuse to play blues guitar. their magic “It’s been very good The music has a spirit, an unre- and I still feel fresh. It lenting pulse and audiences get Tales from MAGIC Numbers frontman must be the lack of excited by it.” Romeo Stodart clearly remembers smoking and drinking. Also in the mix is a bit of jazz with the day they realised they had to I sleep better these Ghost In The Glass.
    [Show full text]
  • Scanned Image
    INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company.
    [Show full text]
  • June 2021 Music Supplement
    Brixworth and District Newsletter Learn, laugh, live Registered Charity No 1178196 Issue 74 June 2021 PROGRESSIVE ROCK MUSIC SUPPLEMENT Helpful hint: Once the ‘YouTube’ video appears, once you have clicked on the links below, and after skipping the adverts, you may or may not know, that you can click on the 4-cornered square icon (usually bottom right of the screen on the tool bar, along with the /volume/stop/start/pause/ icons) which will fill the whole screen. You can then use the ‘esc’ button on your keypad to come back out. PROG ROCK (PR) started in the mid-1960s, and followed the anti-war flower-power era of free love. Probably the best- known track from that time, and most likely will be for years to come, is ‘21st Century Schizoid Man’ by KING CRIMSON. However, prior to that brilliant piece of work, the movement started with the likes of THE CRAZY WORLD OF ARTHUR BROWN and his ‘Fire’, and the 3-piece band THE NICE, fronted by keyboard player extraordinaire Keith Emerson, who later formed EMERSON, LAKE & PALMER. Greg Lake was originally with King Crimson and Carl Palmer played the drums with The Crazy World of Arthur Brown. Emerson, Lake & Palmer was the first of the super groups, preceded by British prog rock maestros YES and GENSIS, and later, many others. As a new genre, it was never really accepted in the USA, and I wonder if that had anything to with Keith Emerson who, with The Nice, produced the electrifying track ‘America’, during the playing of which, he stabbed knives into the Hammond Organ, and set fire to the Stars & Stripes flag, a regular event at his concerts, one of which I was present at in Bath in 1968.
    [Show full text]
  • Ray Wilson Ua Zu „
    Ray Wilson u.a. zu „Time And Distance“ “20 Jahre nach Calling All Stations“ oder „Re-Boot nach dem Genesis-Ende“ Der ehemalige Genesis-Sänger Ray Wilson ist aktuell wieder auf Tour, mit einem neuen Live-Doppelalbum im Gepäck, aus dem Ausschnitte auch beim diesjährigen Night Of The Prog Festival auf der Loreley vorgestellt wurden. Es gilt, das 20jährige Jubiläum des letzten Genesis-Studioalbums „Calling All Stations“ zu feiern, auf dem Wilson bekanntlich als Nachfolger von Phil Collins agierte. Genug Gesprächsstoff also, und Ray Wilson stellte sich bereitwillig den Fragen und erwies sich als ausgesprochen angenehmer Gesprächspartner. Zunächst die unausweichlichen Fragen zu Genesis, beginnend damit, wie es eigentlich dazu kam. Als Phil Collins Genesis verließ, war ich mit meiner Band Stiltskin bei der gleichen Plattenfirma unter Vertrag. Genesis hatten damals bei Virgin nachgefragt, ob man dort Ideen für die Nachfolge hätte. Virgin hatte dann Genesis die Stiltskin- Musik geschickt. Die Band hörte sich das an und fand, dass die Stimme etwas hat und zu ihrer Neuausrichtung passen könnte. Ich wurde eingeladen und sang acht Songs ausCollins und Gabriels Phase vor. Dann haben wir uns zusammengesetzt und ein paar neue Songs ausprobiert. Ich brachte selbst dann ein paar Ideen ein, sowohl Musik als auch Texte betreffend. Und das war es auch schon – es waren gerade mal zwei Treffen mit einem Monat Abstand, und dann war es entschieden, ich hatte den Job. Wenn eine Band, die sehr stark auch mit dem Frontmann assoziiert wird, einen Nachfolger suchen muss – ist es besser einen Klon zu suchen oder neue Wege zu gehen? Wie lief das bei dir? Es mag natürlich sein, dass es für jemanden mit einer sehr Collins-ähnlichen Stimme einfacher gewesen wäre, aber es war wohl auch von Mike und Tony beabsichtigt, wieder etwas mehr in Richtung der früheren Gabriel-Zeiten zu klingen, deswegen habe ich wohl auch den Job bekommen.
    [Show full text]
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • MUSIC with STEVE SCOTT STEVE HACKETT
    MUSIC with STEVE SCOTT Hackett’s Genesis spirit Steve Hackett... picking the acoustic instrumental Horizons (Foxtrot) By Steve Scott compromised doing that. “For Please Don’t Touch I had the idea of doing an album that Former Genesis lead guitarist Steve Hackett is bringing his “I particularly remember our singer Nad mentioning to me was a cross between white European music and black own band to Auckland in July to perform under the banner his album Unifaun (2008). American music and I was fortunate to get stellar Steve Hackett and Genesis Revisited. “He said it was in the spirit of Genesis and it featured the performances from all those people. He says he is ‘absolutely thrilled’ that so many of Genesis’ kind of songs Genesis could have done. Three years later, Out Of The Tunnel’s Mouth (2009) songs written in the 1970s are considered to be worth more “So I believe Genesis was a very important band for him and revealed influences from Turkey. than a second listen. a big influence and it is wonderful that he reiterated to me On his latest release, his 25th solo album The Night Siren, ‘’I think songs that are written, often very quickly, well you that he is happy to keep doing this, even though he has been Hackett has incorporated musicians and instruments from have no idea of the longevity or effect that they are going to producing great solo stuff and constantly touring to rave a variety of countries. They include vocalists from Israel and have on listeners or concert-goers.
    [Show full text]
  • Read Book Genesis Ebook, Epub
    GENESIS PDF, EPUB, EBOOK Sebastiao Salgado,Lella Salgado | 520 pages | 15 Jun 2013 | Taschen GmbH | 9783836538725 | English | Cologne, Germany Genesis PDF Book Macalister, Gezer II , p. And while it might not have become a pop culture phenomenon, the album and the song did find an audience among collegiate listeners. Charterhouse alumnus, recording artist, and producer Jonathan King heard the tape and arranged for the group to continue working in the studio, and it was also King who renamed the band Genesis. We are told in the second chapter of Genesis that God caused all the animals to pass before Adam to see what he would call them. But Peter Gabriel , with his growing array of costume changes and acting out of roles, far transcended anything seen on a rock stage -- it was true rock theater, and an intense listening experience. The members began thinking about getting on with their lives outside of music, and especially attending college. As you are aware, this is an unprecedented time and our agency needs are changing and evolving at a rapid pace. In addition, the group has provided a launching pad for the superstardom of members Peter Gabriel and Phil Collins , and star solo careers for members Tony Banks , Michael Rutherford , and Steve Hackett. The creation: secular, Jewish, Catholic, Protestant, and Muslim perspectives. Contrast: C C. Reading the Old Testament. See how many words from the week of Oct 12—18, you get right! Rogo-te que te apartes de mim. They merged, with the result that year-olds Peter Gabriel , Tony Banks , and Michael Rutherford joined with year-old Anthony Phillips , calling themselves the New Anon and recording a six-song demo featuring songs primarily written by Rutherford and Phillips.
    [Show full text]
  • The Peter Vickers Genesis Collection Wednesday 16Th May 2018 at 10.00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) The Peter Vickers Genesis Collection Wednesday 16th May 2018 at 10.00 Viewing: 14th May 10.00-16.00 For enquiries relating to the auction 15th May 2018 09:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 David Martin Fax: 0871 714 6905 Music & Email: [email protected] Entertainment www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price The Peter Vickers Genesis Collection Peter Vickers started collecting Genesis Records and Memorabilia in the Mid 1970s and became a well known and respected member of the Genesis fan community, writing a number of articles on the band for magazines and on line. Peter also self produced several limited edition books on the history of Genesis and Rare Collectibles. It is doubtful if anyone else had the depth and breadth of his knowledge regarding the Band’s Recorded output around the world.
    [Show full text]
  • TRAVERSES N° 34
    TRAVERSES n° 34 ● GENESIS REVISITED II : Concert au Festival de Cornouaille, le 26 juillet 2013, à Quimper Un guitariste « mythique » Pour le grand public rock, le nom de GENESIS évoque le trio Phil COLLINS, Mike RUTHERFORD et Tony BANKS, dernier avatar de cette formation qui s’est produite à Paris (pour la dernière fois ?), il y a quelques années. Pourtant, après une première époque (avec le guitariste Anthony PHILLIPS et le batteur John MAYHEW), peu après les débuts de sa renommée, dès 1971, ce groupe - dont le nom signifie la genèse -, était constitué de cinq musiciens. Les trois nommés (Phil : batterie/chant, Mike : guitares/basse, Tony : claviers/chant) ainsi que Steve HACKETT (guitare solo) et Peter GABRIEL (chant solo et flûte) enregistrèrent ensemble quatre albums qui sont à présent entrés dans la mythologie du rock progressif : Nursery crime (1971), Foxtrot (1972), Selling England by the Pound (1973), The Lamb Lies down on Broadway (1974). Après le départ de Peter GABRIEL en 1975, Steve restera le guitariste solo de GENESIS sur les deux albums studio suivants : A Trick of the Tail (1975) et Wind and Wuthering (1977). Steve HACKETT parti du groupe à son tour se consacra à sa carrière solo, ayant livré à ce jour un impressionnant nombre d’enregistrements rock, mais aussi de guitare classique (6 et 12 cordes). Depuis quelques années, notre musicien et chanteur présente le répertoire des « classiques » de GENESIS (Genesis Revisited) avec son groupe, donnant à entendre les partitions semblables à celles figurant sur les disques mentionnés. Un bon vieux concert ! Steve HACKETT s’est donc produit à Quimper le 26 juillet dernier entouré de Nad SYLVAN (chant), Roger KING (claviers), Gary O’TOOLE (batterie), Rob TOWNSEND (saxophones, flûte et percussions) et Dick CADBURY (basse et guitare double manche).
    [Show full text]
  • Die 3-Cd Genesis- Anthologie 'R-Kive'
    DIE 3-CD GENESIS- ANTHOLOGIE ‘R-KIVE’ VÖ: 03. Oktober 2014 Erstmals vereint: 37 der besten Songs von Genesis und aus den Solowerken der einzelnen Musiker Am 03. Oktober wird Virgin EMI / Universal Music Catalogue die drei CDs umfassende Genesis-Anthologie ‘R- Kive’ veröffentlichen. Das 37 Songs umfassende CD-Set, das 42 Schaffensjahre umfasst, dokumentiert die Bandgeschichte mit klassischen Arbeiten von Genesis und ausgewähltem Material aus den Solokarrieren von Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett sowie Mike Rutherford / Mike + The Mechanics. Die Werke von Genesis und die aus der Band hervorgegangenen Soloprojekte sind im Laufe der Jahre zu einer mehr als bemerkenswerten Serie von Glanzleistungen angewachsen und haben es gemeinsam auf unglaubliche 14 Alben gebracht, die die Charts anführten, sowie zwei weitere Dutzend in den Top 10. Insgesamt wurden von Genesis und den Solowerken der Bandmusiker weltweit mehr als 300 Millionen Alben verkauft. ‘R-Kive’ enthält in chronologischer Reihenfolge die größten Hits von Genesis, darunter ‘Invisible Touch’, ‘Turn It On Again’, ‘Land of Confusion’ und ‘I Can’t Dance’. Dazu gesellen sich, in entsprechender Reihenfolge, Soloklassiker wie ‘The Living Years’ und ‘Over My Shoulder’ von Mike + The Mechanics, ‘In The Air Tonight’ von Collins und sein Duett mit Philip Bailey, ‘Easy Lover’, sowie Peter Gabriels ‘Solsbury Hill’. ‘R-Kive’ beginnt mit ‘The Knife’, einer neunminütigen Proto-Punk-Nummer, die bei den frühen Konzerten den krönenden Abschluss bildete und noch zu jener Zeit entstanden war, bevor Hackett und Collins zur Band stießen. Zu den insgesamt 22 Songs von Genesis ist jeder der fünf Musiker gleichberechtigt mit jeweils drei Songs seiner Solowerke vertreten.
    [Show full text]
  • MARK SPICER Genesis's Foxtrot* One of the Most Ironic
    MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio.
    [Show full text]
  • Steve Hackett - Genesis Revisited
    STEVE HACKETT - GENESIS REVISITED Legendary Genesis guitarist’s first ever Australian tour. Steve Hackett, as the powerhouse guitarist for inarguably one of the most important progressive rock bands ever, has been a guiding influence for musicians and guitarists for over 40 years. Genesis, only ever made it to Australia once, in 1986 – years after Steve and singer Peter Gabriel left the band, so Steve is making it up to fans by bringing some Genesis magic to our shores. Genesis classics “Dance On A Volcano” and “Eleventh Earl Of Mar” have never been performed here, and Steve’s incendiary guitar work on a magnum opus such as “Dancing With The Moonlit Knight” will have jaws dropping. In this special Australian only show, Steve will also perform a couple of songs from his critically acclaimed new album, The Night Siren, before whetting the appetite for a grand finale that will leave fans ecstatic. “I'm thrilled to bring my Genesis Revisited tour to Australia. I'll be playing there for the first time and I'm hugely looking forward to it! It'll be great to meet fans and friends, and I know it's an incredibly beautiful country. I'm bringing a special set, including big favourites like ‘Supper's Ready’, ‘The Musical Box’ and ‘Firth of Fifth’ amongst many other stellar Genesis numbers and some solo. I can't wait!” Steve Hackett Steve is renowned for his dazzling guitar playing but his world class band is equal to the task, presenting extraordinarily proficient performances, sensitive to the original recordings yet adding very clear nuances and personality to the music.
    [Show full text]