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Rose Gardner Mysteries
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2019 JABberwocky Literary Agency, Inc. 49 W. 45th St., 12th Floor, New York, NY 10036-4603 Phone: +1-917-388-3010 Fax: +1-917-388-2998 Joshua Bilmes, President [email protected] Adriana Funke Karen Bourne International Rights Director Foreign Rights Assistant [email protected] [email protected] Follow us on Twitter: @awfulagent @jabberworld For the latest news, reviews, and updated rights information, visit us at: www.awfulagent.com The information in this catalog is accurate as of [DATE]. Clients, titles, and availability should be confirmed. Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................22 Ellery Queen ................... Mystery.........................................................................64 Robert Asprin ................. Fantasy..........................................................................68 Brandon Sanderson ........ New York Times Bestseller.......................................51-60 Marie Brennan ............... Fantasy..........................................................................8-9 Jon Sprunk ..................... Fantasy..........................................................................36 Peter V. Brett .................. Fantasy.....................................................................16-17 Michael J. Sullivan ......... Fantasy.....................................................................26-27 -
Cthulhu Monsters a Field Observer's Handbook of Preternatural Entities
--- S. PETERSEN'S FIELD GUIDE TO Cthulhu Monsters A Field Observer's Handbook Of Preternatural Entities Paintings and Descriptions From the Cthulhu Mythos As Created by H.P. Lovecraft, With Augmentations for Today Sandy Petersen Tom Sullivan Lynn Willis with Peter Dannseys E.C. Fallworth L.N. Isinwyll Ivan Mustoll Chaosium Inc. Publication 5105 The 27 Most Frequently Encountered Monsters Howard Phillips Lovecraft 1890 - 1937 t PETERSEN'S Field Guide To Cthulhu :Monsters A Field Observer's Handbook Of Preternatural Entities Sandy Petersen conception and text TOIn Sullivan 27 original paintings, most other drawings Lynn ~illis project, additional text, editorial, layout, production Chaosiurn Inc. 1988 The FIELD GUIDe is p «blished by Chaosium IIIC . • PETERSEN'S FIELD GUIDE TO CfHUU/U MONSTERS is copyrighl e1988 try Chaosium IIIC.; all rights reserved. _ Similarities between characters in lhe FIELD GUIDE and persons living or dead are strictly coincidental . • Brian Lumley first created the ChJhoniwu . • H.P. Lovecraft's works are copyright e 1963, 1964, 1965 by August Derleth and are quoted for purposes of ilIustraJion_ • IflCide ntal monster silhouelles are by Lisa A. Free or Tom SU/livQII, and are copyright try them. Ron Leming drew the illustraJion of H.P. Lovecraft QIId tlu! sketclu!s on p. 25. _ Except in this p«blicaJion and relaJed advertising, artwork. origillalto the FIELD GUIDE remains the property of the artist; all rights reserved . • Tire reproductwn of material within this book. for the purposes of personal. or corporaJe profit, try photographic, electronic, or other methods of retrieval, is prohibited . • Address questions WId commel11s cOlICerning this book. -
Whirlwind Worldcon
EDITORIAL Sheila Williams WHIRLWIND WORLDCON; or SHAMELESS NAME DROPPING It was not my intention to attend LonCon 3, the 2014 Worldcon, which was held in London this past summer.Although I usually arrange family vacations around World- con, we couldn’t do that in 2014 because we were already planning to visit the UK in April. Our elder daughter was spending her junior semester abroad at University Col- lege London and then returning to the States for a paid summer internship. We could- n’t swing two trips to England and we didn’t want to take a trip without her. When I drew up the magazine’s 2014 budget, I decided my big professional outing would be the World Fantasy Convention in Washington, D.C. WFC is an excellent convention that, like Worldcon, is always jam-packed with authors. Yet, while I wasn’t planning on attending LonCon 3, the Universe was conspiring to get me there. My husband, younger daughter, and I set out for JFK and London on April 11. We checked our luggage and proceeded to security.While on that line, I received a super- secret email informing me that I’d been nominated for a Hugo. The rest of our jour- ney through security proceeded without incident. Eventually, we headed for our gate, only to make the startling discovery that our check-in had been accidentally voided and our seats given away to standby passengers! This plane was the last flight out to London of the night, so while our luggage was happily on its way to Heathrow, we weren’t going anywhere fast. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2006 SFRA ewN sletter 276 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 276 " (2006). Digital Collection - Science Fiction & Fantasy Publications. Paper 91. http://scholarcommons.usf.edu/scifistud_pub/91 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #~T. April/llay/June J006 • Editor: Christine Mains Hanaging Editor: Janice M. Boastad Nonfiction Reriews: Ed McKniaht Science Fiction Research Fiction Reriews: Association Philip Snyder SFRA Re~;e", The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction ResearchAs I .. "-HIS ISSUE: sodation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue SFRA Business #256, all issues will be published to SFRA's website no less than 10 weeks Editor's Message 2 after paper publication. For information President's Message 2 about the SFRA and its benefits, see the Executive Meeting Minutes 3 description at the back of this issue. For a membership application, contact SFRA Business Meeting Minutes 4 Treasurer Donald M. Hassler or get one Treasurer's Report 7 from the SFRA website: <www.sfra.org>. -
Clockwork Heroines: Female Characters in Steampunk Literature Cassie N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-2013 Clockwork Heroines: Female Characters in Steampunk Literature Cassie N. Bergman Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Bergman, Cassie N., "Clockwork Heroines: Female Characters in Steampunk Literature" (2013). Masters Theses & Specialist Projects. Paper 1266. http://digitalcommons.wku.edu/theses/1266 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. CLOCKWORK HEROINES: FEMALE CHARACTERS IN STEAMPUNK LITERATURE A Thesis Presented to The Faculty of the Department of English Western Kentucky University Bowling Green Kentucky In Partial Fulfillment Of the Requirement for the Degree Master of Arts By Cassie N. Bergman August 2013 To my parents, John and Linda Bergman, for their endless support and love. and To my brother Johnny—my best friend. ACKNOWLEDGEMENTS I would like to thank Johnny for agreeing to continue our academic careers at the same university. I hope the white squirrels, International Fridays, random road trips, movie nights, and “get out of my brain” scenarios made the last two years meaningful. Thank you to my parents for always believing in me. A huge thank you to my family members that continue to support and love me unconditionally: Krystle, Dee, Jaime, Ashley, Lauren, Jeremy, Rhonda, Christian, Anthony, Logan, and baby Parker. -
The H. P. Lovecraft Tarot
The H. P. Lovecraft Tarot This interesting tarot deck was originally published in 1997 in a limited run and sold our fairly quickly, making it one of the most sought-after tarot decks on the market. This is one of the rare cases where you will actually hear these words: "Due to popular demand." This deck is the second printing from 2000, it is a blue deck, the 1st prinitng was red. Collectors take note! Each card in the deck is done in a dark, blue (1st printing) then red (2nd printing). Monochromatic decks appeal to me very much! The image is centered in the card and on the average has a lot of good detail which is easy enough to see. The border is also in the dark blue colour, but there is not enough contrast in this printing to clearly make out the text on the borders. You can see that it is there though, but you have to hold the cards fairly close to the light and angle them around a bit until you have made out each word. In the top center of the border is an eye. Pentacles are on the sides and the title at the bottom; the four corners have the suit icon itself on each card. Fortunately the little booklet has a legend in the back which shows the suit icons more clearly. In this deck, the figures of the Major Arcana are taken from various works of Lovecraft himself. The booklet that comes with this deck stresses that the Major Arcana cards have more power and influence over a reading than the Minor Arcana. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1996 SFRA ewN sletter 225 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 225 " (1996). Digital Collection - Science Fiction & Fantasy Publications. Paper 164. http://scholarcommons.usf.edu/scifistud_pub/164 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. (i j ,'s' Review= Issue #225, September/October 1996 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: Proposed SFRA Logo.......................................................... 5 President's Message (Sanders) ......................................... 5 Officer Elections/Candidate Statements ......................... 6 Membership Directory Updates ..................................... 10 SFRA Members & Friends ............................................... 10 Letters (Le Guin, Brigg) ................................................... 11 Editorial (Sisson) ............................................................. 13 NEWS AND INFORMATION ......................................... -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. -
Nightmare Magazine, Issue 93 (June 2020)
TABLE OF CONTENTS Issue 93, June 2020 FROM THE EDITOR Editorial Announcement for 2021 Editorial: June 2020 FICTION We, the Folk G.V. Anderson Girls Without Their Faces On Laird Barron Dégustation Ashley Deng That Tiny Flutter of the Heart I Used to Call Love Robert Shearman NONFICTION The H Word: Formative Frights Ian McDowell Book Reviews: June 2020 Terence Taylor AUTHOR SPOTLIGHTS G.V. Anderson Ashley Deng MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Nightmare Team Also Edited by John Joseph Adams © 2020 Nightmare Magazine Cover by Grandfailure / Fotolia www.nightmare-magazine.com Editorial Announcement for 2021 John Joseph Adams and Wendy N. Wagner | 976 words We here at Nightmare are very much looking forward to celebrating our 100th issue in January 2021, and we hope you are too; it’s hard to imagine we’ve been publishing the magazine for that long! While that big milestone looms large, that’s got your humble editor thinking about the future. and change—and thinking about how maybe it’s time for some. Don’t worry—Nightmare’s not going anywhere. You’ll still be able to get your weekly and/or monthly scares on the same schedule you’ve come to expect. It’s just that soon yours truly will be passing the editorial torch. Neither is that a reason for worry, because although she will be newly minted in title, the editor has a name and face you already know: Our long-time managing/senior editor, Wendy N. -
The Apocalypse
ACT III – THE APOCALYPSE APOCALYPSE MOOD HOPEFUL BEATS You catch sight of a mother nursing a newborn, clearly born since the apocalypse began. You find an apple in your pocket that you remember putting there only now that you see it again. It’s still good, crisp and sweet. A young woman passing in the other direction looks up into your eyes and must see the depth of the despair that haunts you, because she reaches out suddenly, takes your hand, and says simply, “It’s going to be OK.” Before smiling ever so briefly and moving on before you can say anything. You can see a chicken cross the road. You look again: Yes. A chicken, a road. You laugh out load. SINISTER BEATS You run your hands through your hair, and they come away dusted with the infernal ash that blankets the whole world, an inescapable reminder of everything horrible, your whole universe crashing down around you. You come around a corner, and a desperate man, unshaven for a month, hair unkempt, points a trembling knife at your chest and demands any food you have on you. But then his knife falls out of his hand, and he runs away from you, sobbing. You walk through a stinking cloud, the smell of sulfur catching in your throat and making you gag. You’re jarred from slumber into terrified wakefulness by a crack of thunder. Your heart pounds. It will probably be an hour before you can find the realm of sleep again. Act 3.2 – Apocalypse 1 APOCALYPSE SPINE SEQUENCE 1: THE APOCALYPSE BEGINS SEQUENCE 2: REVELATION OF AZATHOTH SEQUENCE 3: SCENES FROM THE APOCALYPSE SEQUENCE 4: JOURNEY TO SAVANNAH – THE EYE OF THE STORM FINALE: RETURN TO JOY GROVE EPILOGUE REVELATION LIST – NPCs EDGAR JOB REFERENCE – STABILITY LOSS IN THE APOCALYPSE Roughly speaking, stability loss during each sequence (including the Return to Joy Grove finale) is capped at 6 points. -
ENC 1145 3309 Chalifour
ENC 1145: Writing About Weird Fiction Section: 3309 Time: MWF Period 8 (3:00-3:50 pm) Room: Turlington 2349 Instructor: Spencer Chalifour Email: [email protected] Office: Turlington 4315 Office Hours: W Period 7 and by appointment Course Description: In his essay “Supernatural Horror in Fiction,” H.P. Lovecraft defines the weird tale as having to incorporate “a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” This course will focus on “weird fiction,” a genre originating in the late 19th century and containing elements of horror, fantasy, science fiction, and the macabre. In our examination of weird authors spanning its history, we will attempt to discover what differentiates weird fiction from similar genres and will use several theoretical and historical lenses to examine questions regarding what constitutes “The Weird.” What was the cultural and historical context for the inception of weird fiction? Why did British weird authors receive greater literary recognition than their American counterparts? Why since the 1980s are we experiencing a resurgence of weird fiction through the New Weird movement, and how do these authors continue the themes of their predecessors into the 21st century? Readings for this class will span from early authors who had a strong influence over later weird writers (like E.T.A. Hoffman and Robert Chambers) to the weird writers of the early 20th century (like Lovecraft, Robert Howard, Clark Ashton Smith, Lord Dunsany, and Algernon Blackwood) to New Weird authors (including China Miéville, Thomas Ligotti, and Laird Barron). -
AH Archive Catalog NEW 2:27:2021
ARKHAM HOUSE: AN IMPORTANT ARCHIVE FROM THE FILES OF AUGUST DERLETH L.W. Currey, Inc. John W. Knott, Jr., Bookseller I. A Brief History of Arkham House II. The Importance of Arkham House III. The Importance of August Derleth as Editor and Publisher IV. Description and Calendar of the Arkham House Archive I. A BRIEF HISTORY OF ARKHAM HOUSE In 1939 a promising Midwestern mainstream novelist and a popular Midwestern writer of pulp fiction co- founded a small press to publish a hardbound book to preserve the writing and perpetuate the memory of their dearly departed friend and mentor, Howard Phillips Lovecraft. Arkham House was officially in business when August Derleth and Donald Wandrei signed the George Banta Publishing Company's "Proposal for Printing" THE OUTSIDER AND OTHERS by H. P. Lovecraft dated 25 August 1939. 1268 copies of this "landmark in the history of weird fiction and American publishing" (Joshi) were printed and most were sold for $5.00 each (then a high list price for a book of fiction). THE OUTSIDER AND OTHERS was the first of three projected volumes of Lovecraft's works Arkham House planned to publish. Derleth and Wandrei (with the considerable assistance of Robert H. Barlow) compiled a second omnibus volume, BEYOND THE WALL OF SLEEP, published in 1943, which was followed by MARGINALIA a lesser so-called "stop-gap" volume published in 1944 to satisfy readers until Lovecraft's letters could be located, transcribed and edited (the envisioned single volume of letters was ultimately expanded to five). In the beginning neither Derleth nor Wandrei intended to publish books by any writer except Lovecraft, but at the suggestion of William C.