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INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo­ Graph and Reproduce This Manuscript from the Microfilm Master INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the au thor did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMÎ University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9014429 Song composers and their poetry choices: An analysis of the literary background and textual selections of twelve composers Gregg, Thomas Andrew, D.M.A. The Ohio State University, 1989 Copyright ©1989 by Gregg, Thomas Andrew. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 SONG COMPOSERS AND THEIR POETRY CHOICES; AN ANALYSIS OF THE LITERARY BACKGROUND AND TEXTUAL SELECTIONS OF TWELVE COMPOSERS D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of the Ohio State University By Thomas Andrew Gregg, B.M., M.M. ***** The Ohio State University 1989 Document Committee: Approved by H. Swank E. Davis Adviser M. Barnes School of Music © 1989 Thomas A. Gregg To My Family, Mentors, Colleagues and Friends 11 ACKNOWLEDGEMENTS I express sincere appreciation to both Professor Helen Swank and Professor Eileen Davis for their guidance throughout my course of study, including work on this docu­ ment. Thanks also go to the other committee members. Dr. Marshall Barnes and Dr. David Butler for their time and support. The assistance of Dr. Franz Keller of the French Department at The Ohio State University, Betsy Baumeister and Lois Sims of The Ohio State University Libraries, and Dr. James Porter of the Mathematics Department at the University of Mississippi is also gratefully acknowledged. To the others who have provided help and emotional support, I offer many thanks: Carol Rausch, Cindy Cole­ man, Stephanie Carter, and especially Paul Gunzelmann. Ill VITA March 19,1958 .............................................. Bom — Marysville, Ohio 1980 .................................................................B.M., Capital University, Columbus, Ohio 1982 .................................................................M.M., University of Michigan, Ann Arbor 1983-1985 ....... ................................................Private studio voice teacher, free-lance singer, Washington, D C. area; Admin. Specialist, Arlington, Virginia Health Department, Public Library 1986-1988 ........................................................Graduate Teaching Associate in Studio Voice, The Ohio State University, Columbus, Ohio 1988-Present ....................................................Instructor (1988-89), Assistant Professor (1989-Present), Department of Music, the University of Mississippi, Oxford, Missis­ sippi FIELDS OF STUDY Major Field: Music Studies in Voice, Vocal Literature, Vocal Pedagogy, Music Theory, Music Perception, and Composition. IV TABLE OF CONTENTS ACKNOWLEDGEMENTS................................................................................................. iii VITA....................................................................................................................................... iv TABLE OF CONTENTS...................................................................................................... v LIST OF TABLES................................................................................................................vii LIST OF FIGURES.............................................................................................................viii RECITAL PROGRAMS...................................................................................................... xi INTRODUCTION.................................................................................................................. 1 CHAPTER PAGE I. TEXTUAL SOURCES FOR THE LIED COMPOSERS Introduction to Chapter I ...............................................................................8 Franz Schubert (I797-I828) ...... 10 Robert Schumann (1810-1856) ...................................................................25 Johannes Brahms (1833-1897) ...................................................................39 Hugo Wolf (1860-1903) ..............................................................................56 Summary for the Lied Composers ............................................................. 71 n. TEXTUAL SOURCES FOR THE MELODIE COMPOSERS Introduction to Chapter I I ...............................................................84 Henri Duparc (1848-1933) ......................................................................... 86 Gabriel Fauré (1845-1924) ......................................................................... 95 Claude Debussy (1862-1918) ................................................................... 107 Francis Poulenc (1899-1960) .................................................................... 121 Summary for the Mélodie Composers ....................................................133 m . TEXTUAL SOURCES FOR THE AMERICAN ART SONG COMPOSERS Introduction to Chapter III ........................................................................ 144 Châties Ives (1874-1954) ......................................................................... 147 Samuel Barber (1910-1981) ..................................................................... 167 Ned Rorem (b. 1923) .................................................................................184 Dominick Argento (b. 1927) ..................................................................... 197 Summary for the American Art Song Composers ..................................206 FINAL SUMMARY: THE TWELVE COMPOSERS...................................................216 APPENDIX: TABLES 13-34............................................................................................231 LIST OF REFERENCES...................................................................................................254 VI LIST OF TABLES TABLE PAGE 1. The Songs of Franz Schubert ...................................................................................17 2. The Songs of Robert Schumann ..............................................................................30 3. The Songs of Johannes Brahms ...............................................................................45 4. The Songs of Hugo W olf ......................................................................................... 62 5. The Songs of Henri Duparc .....................................................................................89 6. The Songs of Gabriel Fauré .................................................................................. 100 7. The Songs of Claude Debussy ............................................................................... 113 8. The Songs of Francis Poulenc ............................................................................... 126 9. The Songs of Charles Ives ................. 153 10. The Songs of Samuel Barber ................................................................................. 173 11. The Songs of Ned Rorem .......................................................................................189 12. The Songs of Dominick Argento ...........................................................................201 13. Textual Sources for the Songs of Franz Schubert (1797-1828) ..........................232 14. Textual Sources for the Songs of Robert Schumann (1810-1856) ......................236 15. Textual Sources for the Songs of Johannes Brahms (1833-1897) .......................238 16. Textual Sources for the Songs of Hugo Wolf (1860-1903) ................................. 240 17. Textual Sources for the Songs of Henri Duparc (1848-1933) ............................. 241 18. Textual Sources for the Songs of Gabriel Fauré (1845-1924) ............................. 242 19. Textual Sources for the Songs of Claude Debussy (1862-1918) .........................243 20. Textual Sources for the Songs of Francis Poulenc (1899-1963) .........................244 21. Textual Sources for the Songs of Charles Ives (1874-1954) ..............................
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