The Alt-Right, Art, and Archaeology
Classicizing Identity: The Alt-Right, Art, and Archaeology A Senior Thesis Nina Angileri Bryn Mawr College Undergraduate Classical and Near Eastern Archaeology B.A. Candidate ‘19 Professor A. A. Donohue Ph.D, Advisor May 2019 Introduction Angileri 1 “Already our ancestors thousands of years ago knew what happens when women are given voting rights and are allowed into parliaments.” If this archaic statement were not prefaced by the assertion that the “Ancient Greeks were pretty woke,”1 one might mistake it for the opinion of an early twentieth-century anti-suffragist. These quotations, in fact, come from the recently leaked chat messages of Identity Evropa,2 a white-nationalist organization designated as a hate group by the Southern Poverty Law Center. Identity Evropa publicly presents itself as an “identitarian” group whose mission is to advocate for white “identity” and “heritage” through non-violent activism. The internal dynamics of the group, however, reveal the particular strain of virulent racism, misogyny, xenophobia, and anti-Semitism that has come to characterize the alt- right in America. In addition to providing numerous concrete examples of the hate-filled ideology that pervades Identity Evropa, the leaked chat messages highlight another of the group’s defining characteristics: its manipulation of the classical past in order to intellectualize its reactionary worldview. User Steve-NJ posted “Ancient Greeks were pretty woke” along with a screenshot of 1 Generally, to be “woke” carries a positive connotation, indicating that one is socially or politically aware of such oppressive structures as racism and sexism, as well as their detrimental effects. In this context, however, the author intentionally misuses the term, suggesting that the ancient Greeks were “woke” for denying women the right to vote and participate in government.
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