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THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Kristin K. Vogel "The Title Role Was Radiantly Sung and Played by Soprano Kristin K
Kristin K. Vogel "The title role was radiantly sung and played by soprano Kristin K. Vogel” American Record Guide Roles Donna Anna Don Giovanni Asheville Lyric Opera April 2014 Marguerite Faust Boheme Opera New Jersey 2013 Rosalinda Die Fledermaus Meany Studio Opera UW 2012 Donna Elvira Don Giovanni Natchez Festival of Music 2012 Pamina The Magic Flute Boheme Opera New Jersey 2012 Lady Billows Albert Herring Meany Studio Opera UW 2012 Old Sally (speaking role) Oliver! Utah Festival Opera & Mus. Th. 2011 Donna Elvira cv. Don Giovanni Utah Festival Opera & Mus. Th. 2011 Filippa Piazza Navona Opera Manhattan 2011 Katherine The Vagabond King Light Opera of New York 2011 Mimì cv. La Boheme Natchez Festival of Music 2010 Marietta Naughty Marietta Light Opera of New York 2010 Fifi Mlle. Modiste Light Opera of New York 2010 Micaёla cv. Carmen Natchez Festival of Music 2009 Mimì cv. La Boheme Opera Manhattan 2009 Donna Elvira Don Giovanni Opera Manhattan 2008 Birdie cv./ Featured Dancer Regina Des Moines Metro Opera 2008 Grisette/ cv. Hanna The Merry Widow Liederkranz Opera Theater 2008 Cecile de Volanges The Dangerous Liaisons Dicapo Opera Theater 2008 First Lady/ cv. Pamina Die Zauberflöte Eugene Opera 2007 Frasquita Carmen (outreach) Dicapo Opera Theater 2007 Edith/ cv. Mabel The Pirates of Penzance Eugene Opera 2006 Suor Genovieffa Suor Angelica Dicapo Opera Theater 2006 Valencienne The Merry Widow Village Light Opera Group 2006 Frasquita Carmen (BYOB Opera) Opera Company of Brooklyn 2006 Ida Princess Ida Village Light Opera Group 2005 Concerts & Oratorio Soloist Ravel’s Shéhérazade Southeastern Pennsylvania SO 2014 Featured Soloist “Pace, pace” & “Dich, teure Halle” AIMS Symphony Orchestra 2013 Soprano Soloist Mahler’s 2nd Symphony UW Symphony Orchestra 2013 Soprano Soloist Beethoven’s 9th Symphony Tacoma Symphony & UWSO 2013 Soloist Copland’s 8 Poems of Emily Dickinson, Seattle Chamber Orch. -
SEASON 38 | 2016 - 2017 1 Said a Lot Perry’Swill About Him
SEASON 38 | 2016 - 2017 1 Said a Lot Perry’sWill About Him. What Does Your Will Say About You? Virginian-Pilot publisher Perry Morgan died in 1999. But today he and his late wife Bunny, provide college scholarships for 49 area students and help Virginia Gentleman Foundation build a Virginia Beach adventure camp for people with disabilities. Perry and Bunny will forever help people in Hampton Roads because of their charitable bequest. Help write our region’s future through your generosity. Learn how at (757) 622-7951 or leaveabequest.org. www.leaveabequest.org. • (757) 622-7951 2 THE WIZ BequestAds-StageOpera16.indd 3 9/7/16 2:13 PM ABOUT VIRGINIA STAGE COMPANY Virginia Stage Company is Southeastern Virginia’s leading non-profit theatre destination, serving an audience of over 70,000 patrons annually, both at the Wells Theatre and throughout the community. Our mission is to “enrich, educate and entertain the region by creating and producing theatrical art of the highest quality.” Virginia Stage Company is one of the country’s foremost regional theatre companies. Shows receiving their world premieres at Virginia Stage regularly include stories of special regional interest that we commission through our American Soil New Plays Program and musicals on their path to the Great White Way that we present in partnership with Broadway producers. VSC productions are created on site and from the ground up—costumes to sets, sound to lighting—especially for our unique Hampton Roads audience. Virginia Stage Company connects the Hampton Roads community through initiatives that enrich lives and encourage artists and audiences for the future. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P. -
A Multifaceted Nuptial Blessing: the Use of Ruth 4:11–12 Within Medieval Hebrew Epithalamia
A MULTIFACETED NUPTIAL BLESSING: THE USE OF RUTH 4:11–12 WITHIN MEDIEVAL HEBREW EPITHALAMIA Avi Shmidman* ABSTRACT: When bestowing poetic blessings upon newly married couples, the medieval Hebrew poets often advance analogies to biblical figures, indicating their wish that the couple should merit the good fortune of, for instance, the forefathers Abraham, Isaac and Jacob, or of later biblical figures such as Moses, Zipporah, Phinehas, or Hannah. The most common analogy offered, however, is that of the matriarchs Rachel and Leah, as per Boaz’s nuptial blessing from Ruth 4:11: “May the Lord make the woman who is coming into your house like Rachel and Leah, both of whom build up the House of Israel!” In this study, the usage of this recurring motif throughout medieval Hebrew epithalamia will be considered, so as to demonstrate its role as a focal point of poetic creativity. The medieval Hebrew poets composed hundreds of epithalamia, celebrating nuptial occasions within the Israelite nation, while offering blessings on behalf of the newly married couples.1 Many of these blessings center upon comparisons with biblical figures. For instance, ozrem uvarkhem ke’ish) עָזְרֵם ּובָרְכֵםּכְאִיׁש נִתְּבָרְֵךּבַּכֹל :one anonymous Palestinian poet writes nitbarekh bakkol, “assist them and bless them as he who was blessed in all things”),2 praying that the bride and groom should merit the blessings of Abraham. Similarly, the Palestinian * Lecturer in the Department of Literature of the Jewish People at Bar-Ilan University. Email: avi.shmidman@ biu.ac.il. I would like to thank my colleague Dr Tzvi Novick for his insightful comments on an earlier draft of this paper. -
Look Homeward, Angel"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 The Problem of Time in Thomas Wolfe's "Look Homeward, Angel" Patrick M. Curran College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Curran, Patrick M., "The Problem of Time in Thomas Wolfe's "Look Homeward, Angel"" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625884. https://dx.doi.org/doi:10.21220/s2-7tbv-bk17 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE PROBLEM OF TIME IN THOMAS WOLFE'S LOOK HOMEWARD, ANGEL A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements of the Degree of Master of Arts by Patrick M. Curran, Jr. 1994 ProQuest Number: 10629309 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10629309 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Opera/Musical Theatre
Jonathan Walker-VanKuren curriculum vitae www.jonathanwvankuren.com [email protected] / 570.250.8700 education Artist Diploma in Voice Texas Christian University / Fort Worth, TX / 2020 Master of Music in Vocal Performance Michigan State University / East Lansing, MI / 201 Bachelor of Fine Arts in Vocal Performance Indiana University of Pennsylvania / Indiana, PA / 2015 academic employment & teaching Lebanon Valley College ASSISTANT PROFESSOR OF VOICE (ARTIST TEACHER OF MUSIC THEATRE & STUDIO VOICE) Present • Teach Applied Voice Lessons (MUI 121 & 221); which involves assigning repertoire, weekly lessons, developing vocal technique in varying genres, informing lyric diction and preparing for jury evaluations. • Teach Song Interpretation (MSC 225); which involves analyzing texts of songs of varying genres and workshopping how to perform them on the stage whether in concert, production, or in an individualized lesson. Southwestern Baptist Theological Seminary ADJUNCT PROFESSOR OF VOICE August 2019 – May 2020 • Teach English, Italian, and Latin Diction (VOI 1602A): which involves teaching students the basics of the International Phonetic Alphabet as it pertains to the English, Italian, and Latin languages. • Teach German, Italian Song Literature (VOI 3412A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages. • Teach English, French, Spanish Song Literature (VOI 3422A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
2016 Year in Review
2016 YEAR IN REVIEW “WE HAVE DIFFERENT LIVES AND FACES, BUT OUR HEARTS HAVE COMMON PLACES” RAGTIME SHOWBOAT PORGY & BESS PUCCINI’S TRILOGY PETER PAN Dear Friends We are already gearing up for an Zions Bank for their unselfish devotion outstanding 2017 season this coming and support in making the renovation of summer as we celebrate 25 years of this historic theater possible. presenting world-class opera and musical theater here in Logan! We hope you We need your help as we begin our enjoyed the wonderful performances and celebration! Our year-end appeal for special events during our bigger-than- donations is now in full force. Will life 2016 festival this past summer that you partner with us as we enter the generated rave reviews and reminded us next quarter of a century of providing that “all men are created equal.” We are world-class productions on the stage, so grateful to you, our sponsors, patrons, ground-breaking education programs for and donors, for the leading roles you play students, and year-round programs in in our success. THANK YOU! We simply the Utah Theatre? Your donation of any could not do it without you! amount has the power to change lives and help us fulfill our mission: bringing The beautiful Utah Theatre will play a people together to share ennobling artistic major role this coming year, with classic experiences. films, special productions, concerts, and events featuring the Mighty Wurlitzer Gratefully, Organ. With our summer productions now being housed in both the Ellen Eccles and the Utah Theatres, we BOARD OF DIRECTORS are pleased to be able to expand our MICHAEL BALLAM Founding General Director programming. -
Sherman Edwards Peter Stone
Artistic Director Nathaniel Shaw Managing Director Phil Whiteway 1776 SEASON SPONSORS AMERICA’S PRIZE WINNING MUSICAL MUSIC AND LYRICS BY SHERMAN E. Rhodes and Leona B. EDWARDS Carpenter Foundation BOOK BY PETER STONE BASED ON A CONCEPT BY SHERMAN EDWARDS ORIGINAL PRODUCTION DIRECTED BY PETER HUNT ORIGINALLY PRODUCED ON THE BROADWAY STAGE BY STUART OSTROW STAGE MANAGEMENT Laura Hicks* SET DESIGN COSTUME DESIGN Rich Mason Sue Griffin LIGHT DESIGN SOUND DESIGN BJ Wilkinson Derek Dumais MUSIC DIRECTION Sandy Dacus DIRECTION Debra Clinton 1776 is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com CAST MUSICAL NUMBERS AND SCENES ACT I MEMBERS OF THE CONTINENTAL CONGRESS For God’s Sake, John, Sit Down ............................... Adams & The Congress Piddle, Twiddle ............................................................. Adams President Delaware Till Then .......................................................... Adams & Abigail John Hancock............ Michael Hawke Caesar Rodney ........... Neil Sonenklar The Lees of Old Virginia ......................................Lee, Franklin & Adams Thomas McKean ..... Andrew C. Boothby New Hampshire But, Mr. Adams — .................. Adams, Franklin, Jefferson, Sherman & Livingston George Read ................ John Winn Dr. Josiah Bartlett ......Joseph Bromfield Yours, Yours, Yours ................................................ Adams & Abigail Maryland He Plays the Violin ........................................Martha,