Class and Gender Identify in the Film Transpositions of Emily Brontë's
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Appendix Wuthering Heights Screen Adaptations
Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial]. -
Wuthering Heights and Jane Eyre: Deadly Versus Healing Fantasy in the Lives and Works of the Brontes
The Review: A Journal of Undergraduate Student Research Volume 1 Article 7 1997 Wuthering Heights and Jane Eyre: Deadly Versus Healing Fantasy in the Lives and Works of the Brontes Jeanne Moose St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/ur Part of the English Language and Literature Commons How has open access to Fisher Digital Publications benefited ou?y Recommended Citation Moose, Jeanne. "Wuthering Heights and Jane Eyre: Deadly Versus Healing Fantasy in the Lives and Works of the Brontes." The Review: A Journal of Undergraduate Student Research 1 (1997): 49-66. Web. [date of access]. <https://fisherpub.sjfc.edu/ur/vol1/iss1/7>. This document is posted at https://fisherpub.sjfc.edu/ur/vol1/iss1/7 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. Wuthering Heights and Jane Eyre: Deadly Versus Healing Fantasy in the Lives and Works of the Brontes Abstract In lieu of an abstract, below is the article's first paragraph. Dreams and fantasies provide humans with a means of escape from everyday reality. According to Sigmund Freud, dreams carry one "off into another world" (Strachey, 1900, 7). Their aim is to free us from our everyday life (Burdach, 1838, 499) and to provide us with the opportunity to fantasize about how we would like our lives to be or to imagine our lives as worse than they are so that we can cope with our current situation. -
Sunday Morning Grid 8/13/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 8/13/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Bull Riding 2017 PGA Championship Final Round. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Triathlon From Kailua-Kona, Hawaii. IAAF World Championships 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Invitation to Fox News Sunday News Paid Program 13 MyNet Paid Matter Fred Jordan Paid Program The Pink Panther ›› 18 KSCI Paid Program Church Paid Program The Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Cooking Cooking Baking Project 28 KCET 1001 Nights Bali (TVG) Bali (TVG) Edisons Biz Kid$ Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Law Order: CI Law Order: CI Law Order: CI Law Order: CI 34 KMEX Conexión Paid Program Fútbol Central Liga MX (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress Super Kelinda John Hagee 46 KFTR Paid Program Recuerda y Gana Juego Estrellas Gladiator ››› (2000, Drama Histórico) Russell Crowe, Joaquin Phoenix. -
Cast Bios Lacey Chabert
‘FAMILY FOR CHRISTMAS’ CAST BIOS LACEY CHABERT (Hannah Dunbar/Hannah Matthews) – Lacey Chabert is regarded as one of the best young actresses of her generation. From an early age, she was exposed to dramatic and musical performances in and around her hometown of Purvis, Mississippi. Chabert received her first break in a cough syrup commercial before successfully auditioning for the Broadway production of Les Miserables, in which she played young Cosette for two years. In 1998, she made her feature film debut as Penny Robinson in “Lost in Space.” Chabert’s resume is as extensive as it is versatile. Consistently delivering memorable performances, she has become one of Hollywood’s most sought-after talents. Chabert is best known for her role as Claudia on the Golden Globe Award®-winning FOX television series “Party of Five,” and can currently be seen on ABC Family’s “Baby Daddy.” She has appeared on “All My Children” as well as in several made-for-TV movies, including “Gypsy” starring Bette Midler, “A Little Piece of Heaven” with Cloris Leachman, Lifetime’s “What If God Were The Sun?” starring opposite Gena Rowlands, and the Hallmark Channel Original Movies “All of My Heart” with Edward Asner, “Matchmaker Santa” opposite Florence Henderson, and “A Royal Christmas” alongside Jane Seymour and John Ratzenberger. Chabert also starred in the Hallmark Movies & Mysteries Original “The Color of Rain,” which was the highest rated and most watched original film in the network’s history. Chabert’s feature film credits include Warner Brother’s “Ghosts of Girlfriend’s Past,” starring opposite Jennifer Garner and Matthew McConaughey, box office hit “Mean Girls,” for which she received outstanding reviews and an MTV Movie Award, “Daddy Day Care,” starring as Anjelica Huston’s daughter, and A&E’s “The Brooke Ellison Story,” playing the lead in Christopher Reeve’s final directorial project. -
1 Wuthering Heights (William Wyler, 1939; Robert Fuest, 1970; Jacques
1 Wuthering Heights (William Wyler, 1939; Robert Fuest, 1970; Jacques Rivette, 1985; Peter Kosminsky, 1992) Wyler’s ghastly sentimental version concedes nothing to the proletariat: with the exception of Leo G. Carroll, who discards his usual patrician demeanour and sports a convincing Yorkshire accent as Joseph, all the characters are as bourgeois as Sam Goldwyn could have wished. Not even Flora Robson as Ellen Dean – she should have known better – has the nerve to go vocally downmarket. Heathcliff may come from the streets of Liverpool, and may have been brought up in the dales, but Olivier’s moon-eyed Romeo-alternative version of him (now and again he looks slightly dishevelled, and slightly malicious) comes from RADA and nowhere else. Any thought that Heathcliff is diabolical, or that either he or Catherine come from a different dimension altogether was, it’s clear, too much for Hollywood to think about. Couple all this with Merle Oberon’s flat face, white makeup, too-straight nose and curtailed hairstyles, and you have a recipe for disaster. We’re alerted to something being wrong when, on the titles, the umlaut in Emily’s surname becomes an acute accent. Oberon announces that she “ is Heathcliff!” in some alarm, as if being Heathcliff is the last thing she’d want to be. When Heathcliff comes back, he can of course speak as high and mightily as one could wish – and does: and the returned Olivier has that puzzled way of looking straight through a person as if they weren’t there which was one of his trademarks (see left): for a moment the drama looks as if it might ratchet up a notch or two. -
Erika Christensen Actress
The Official Magazine of The Independent Jeweler • Volume 7, Issue 4 • June 2016 Erika Christensen Actress Yael Designs Unique Settings Goldstein Diamonds Page 40 Page 41 Page 41 TABLE OF CONTENTS JUNE 2016 40 8 Stuller Workshop April 2016 By Frank Dallahan 12 Performance Reviews Should Be Performance Conversations By Bill Boyajian 16 Going Bankrupt Because Of Healthcare Costs? Protect Your Estate Now By John Politi 22 Motor Trends By Andrew Kohler 24 Star Gazing 41 28 Safety Tips For Jewelers And Their Customers Who Travel By David Sexton 32 New and Noteworthy 38 Is 20% a Discount Sufficient to Generate Sales? By Ed Coyne 40 The Style Page 42 Silvers Growth Continues 41 44 A Life Long Dream By Ruth Mellergaard 52 How To Get The Most People To Sign Up For Your Email Newsletter By Matt Perosi 40 54 Innovate Your Business Model By Donna M. Phelan 60 What Do Jewelers Most Want? Customers! By Jacques Vorhees 65 Center Stage 68 Advertiser’s Index COVER COURTESY OF THE AGTA Erika Christensen, actress Photographer - Andrew Macpherson; Produced and Styled by Tod Hallman for Ivy Eleven; Hair - Lisa Satorn for Spotlight West; Makeup - Stephanie Scholz; Manicurist - Jolene Brodeur for Ivy Eleven; Dress: Caroline Herrera – Navy Strapless Gown (Available at Saks Fifth Avenue); Earring: Laurence Bruyninckx, Laurence Bruyninckx - 18K white gold earrings featuring blue Topaz, mint Tourmaline and Diamond tops with interchangeable dangles with Diamonds or mint Tourmalines, blue Topaz and Diamonds.; Necklace: Brent Malgarin, Elegant Gems, Ltd. - Platinum necklace featuring a 12.63mm natural Pearl and a 15.22mm natural Pearl accented with a 4.64 ct. -
Snowschool Offered to Local Students Environment
6 TUESDAY, JANUARY 28, 2020 The Inyo Register SnowSchool offered to local students environment. The second with water. The food color- journey is unique. This Bishop, session allows students to ing and glitter represent game shows students how Mammoth review the first lesson and different, pollutants that water moves through the learn how to calculate snow might enter the watershed, earth, oceans, and atmo- Lakes fifth- water equivalent. The final and students can observe sphere, and gives them a grade students session takes students how the pollutants move better understanding of from the classroom to the and collect in different the water cycle. participate in mountains for a SnowSchool bodies of water. For the final in-class field day. Once firmly in For the second in-class activity, students learn SnowSchool snowshoes, the students activity, students focus on about winter ecology and learn about snow science the water cycle by taking how animals adapt for the By John Kelly hands-on and get a chance on the role of a water mol- winter. Using Play-Doh, Education Manager, ESIA to play in the snow. ecule and experiencing its they create fictional ani- During the in-class ses- journey firsthand. Students mals that have their own For the last five years, sion, students participate break up into different sta- winter adaptations. Some the Eastern Sierra in three activities relating tions. Each station repre- creations in past Interpretive Association to watersheds, the water sents a destination a water SnowSchools had skis for (ESIA) and Friends of the cycle, and winter ecology. molecule might end up, feet to move more easily Inyo have provided instruc- In the first activity, stu- such as a lake, river, cloud, on the snow and shovels tors who deliver the Winter dents create their own glacier, ocean, in the for hands for better bur- Wildlands Alliance’s watershed, using tables groundwater, on the soil rowing ability. -
John Collins Production Designer
John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management -
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals. -
The Affect on Plot and Character in the Brontë Sisters' Novels
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2014 Motherless Women Writers: The Affect on Plot and Character in the Brontë Sisters’ Novels Laci J. Baker Follow this and additional works at: https://dc.etsu.edu/honors Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Baker, Laci J., "Motherless Women Writers: The Affect on Plot and Character in the Brontë Sisters’ Novels" (2014). Undergraduate Honors Theses. Paper 187. https://dc.etsu.edu/honors/187 This Honors Thesis - Withheld is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Motherless Women Writers: The Affect on Plot and Character in the Brontë Sisters’ Novels Thesis submitted in partial fulfillment of Honors By Laci Baker The Honors College Midway Honors Program East Tennessee State University April 11, 2014 Laci Baker, Author Dr. Judith B. Slagle, Faculty Mentor Dr. Michael Briggs, Faculty Reader Dr. Phyllis Thompson, Faculty Reader 2 Introduction to Thesis: The idea that an author’s heritage and environment can be reflected in the plotline of his/her narratives and in the development of each character is thought-provoking; while it is true that an author’s voice may not be the same as the narrator’s voice, the work is still influenced by the author and his/her perception of the characters, their world, and their journey. -
Maria Kyriacou
MINUTES SEASON 8 1 3 THE EUROPEAN SERIES SUMMIT JULY FONTAINEBLEAU - FRANCE 2019 CREATION EDITORIAL TAKES POWER! This mantra, also a pillar of Série Series’ identity, steered Throughout the three days, we shone a light on people the exciting 8th edition which brought together 700 whose outlook and commitment we particularly European creators and decision-makers. connected with. Conversations and insight are the DNA of Série Series and this year we are proud to have During the three days, we invited attendees to question facilitated particularly rich conversations; to name but the idea of power. Both in front and behind the camera, one, Sally Wainwright’s masterclass where she spoke of power plays are omnipresent and yet are rarely her experience and her vision with a fellow heavyweight deciphered. Within an industry that is booming, areas in British television, Jed Mercurio. Throughout these of power multiply and collide. But deep down, what is Minutes, we hope to convey the essence of these at the heart of power today: is it the talent, the money, conversations, putting them into context and making the audience? Who is at the helm of series production: them available to all. the creators, the funders, the viewers? In these Minutes, through our speakers’ analyses and stories, we hope to For the first time, this year, we have also wanted to o er you some food for thought, if not an answer. broaden our horizons and o er a “white paper” as an opening to the reports, focusing on the theme of Creators, producers, broadcasters: this edition’s power, through the points of view that were expressed 120 speakers flew the flag for daring and innovative throughout the 8 editions and the changes that Série 3 European creativity and are aware of the need for the Series has welcomed. -
A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P.