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Lee Proud Represented by Michael Garrett
23 Haymarket London SW1Y 4DG United Kingdom Phone: 020 7839 4888 Email: [email protected] Website: www.globalartists.co.uk Lee Proud Represented by Michael Garrett Choreography: Mr Punch National Theatre Studio 2018 Patrick Marber The Rocky Horror Show Iceland 2018 Reykjavik City Theatre Ghost Berlin 2017 Stage Entertainment Elf The Musical Tivoli Copenhagen 2017 Tivoli Sunset Boulevard UK Tour 2017 David Ian Productions Legally Blonde Leicester Curve/Monaco 2017 Nikolai Foster Ghost Landestheater Linz 2017 Linz, Austria RENT UK Tour 2016 Bruce Guthrie Spring Awakening Leicester Curve 2016 Nikolai Foster The Savage Live Theatre 2016 Lee Proud Grand Hotel Japan 2016 Thom Southerland The Smallest Show on UK Tour 2015 Thom Southerland Earth Mamma Mia Reykjavik 2016 Unn OSP Stefansdottir Grand Hotel Southwark Playhouse 2015 Thom Southerland The Wind in the Willows Grosvenor Park Open Air 2015 Alex Clifton Theatre The Producers UK Tour 2015 Adam Spiegel Michael Garrett Associates Ltd. t/a Global Artists | Registration No. 4404385 | VAT No. 796 1383 89 Reg Office: 23 Haymarket, London, SW1Y4 DG | Tel: 020 7839 4888 | Fax: 020 7839 4555 [email protected] | globalartists.co.uk | twitter.com/GlobalArtistsUK Any offer contained within this letter does not constitute a contract | Member of the PMA Billy Elliot Reykjavik City Theatre 2014 Ghost The Musical English Theatre Frankfurt 2014 Adam Penford Post Office of Iceland TV Commercial 2014 Lottys War UK Tour 2014 Bruce Guthrie Revolution in the Elbow of Minetta Lane Theatre New 2014 -
Imy Wyatt Corner [email protected]
Imy Wyatt Corner [email protected] Directing SHOW THEATRE/ VENUE WRITER LENGTH OF RUN YEAR Humane Pleasance Theatre * Polly Creed 3 weeks (postponed) 2021 Gaslight Playground Theatre * Patrick Hamilton 3 weeks 2019 Baby, What Blessings Theatre503 * Siofra Dromgoole 1 week 2019 Baby, What Blessings Edinburgh Fringe Siofra Dromgoole 2 weeks 2019 Baby, What Blessings Bunker Theatre Siofra Dromgoole 1 night 2019 Baby, What Blessings Brewery Arts Centre, Siofra Dromgoole 1 night 2019 Kendal Q&A Southwark Playhouse Jess Moore 1 night 2019 From There to Here Old Red Lion Theatre Amanda Lane 2 nights 2019 We, The People Etcetera Theatre * Eleanor Ross 1 night 2019 Walk Swiftly & With Purpose North Wall Arts Centre Siofra Dromgoole 2 nights 2019 Walk Swiftly & With Purpose Theatre503 * Siofra Dromgoole 1 week 2018 Walk Swiftly & With Purpose Edinburgh Fringe Siofra Dromgoole 2 weeks 2018 NSA The Mono Box Charles Entsie 1 night 2018 Our Lemon Sherbet Sky Arcola Theatre Eleanor Ross 1 night 2018 Flux Leyton Technical/ Plymouth Fringe Naomi Soneye-Thomas 4 nights 2018 Happy Yet? International Theatre, Katie Berglof 4 nights 2018 Frankfurt * Happy Yet? Courtyard Theatre Katie Berglof 1 week 2017 Happy Yet? Edinburgh Fringe Katie Berglof 2 weeks 2016 Assistant Directing SHOW THEATRE/ VENUE DIRECTOR LENGTH OF RUN YEAR NoF*cksgiven Vault Festival Michael Oakley 1 week 2019 R&D Felt Little Angel/ The North Wall * Pip Williams 10 days 2020/21 Humane Pleasance Theatre Polly Creed 1 week 2019 Baby, What Blessings Brewery Arts, Kendal Siofra Dromgoole 1 week 2019 *= professional Other Work & Training Bristol Old Vic Theatre School, MA Drama Directing (2020 – ongoing) Everywoman & Other Confessions,*Producer. -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
Love's Labour's Lost
CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo. -
New Appointments at Trafalgar Entertainment Group Bolster Company’S Expansion Plans
PRESS RELEASE 01/11/2018 NEW APPOINTMENTS AT TRAFALGAR ENTERTAINMENT GROUP BOLSTER COMPANY’S EXPANSION PLANS Sir Howard Panter and Dame Rosemary Squire have made two major appointments as part of their planned expansion of Trafalgar Entertainment Group (TEG). Tim McFarlane has joined the TEG senior management team as Executive Chairman of Trafalgar Entertainment Asia-Pacific Pty Limited and Andrew Hill has been appointed as Business Affairs Director of Trafalgar Entertainment Group. Tim commenced his role earlier this autumn and is based in Sydney, whilst Andrew commences work on 1 November at TEG’s London office on The Strand. Both Tim and Andrew have previously worked with Howard and Rosemary as they built one of the world’s largest and most successful live theatre businesses, the Ambassador Theatre Group. At TEG, Tim is already working on various Australian projects, and he will be driving TEG’s international strategy to build and strengthen relationships and partnerships in the Asia Pacific region. Andrew will be responsible for overseeing the company’s planned future growth, acquisitions and business development. Tim McFarlane, said: “To work with Sir Howard and Dame Rosemary pursuing theatres and productions for Australia and Asia Pacific is to work with the best people in the business. I’m absolutely delighted.” Andrew Hill, said: “I have worked alongside Rosemary and Howard in an advisory capacity on a number of their transformative acquisitions, and have always admired their tenacity, insight and vision. I am very much looking forward to supporting them in the future expansion and development of Trafalgar Entertainment Group.” Executive Chair and Joint CEO of TEG, Dame Rosemary Squire, said: “These are two really exciting appointments for Trafalgar Entertainment Group as we continue to invest in the company’s future and build our executive team. -
S011630 Brettenham House Brochure V10.Indd
Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Wimbledon Survey
Respondent ID Please tick "yes" or "no" for the following proposals for Wimbledon town centre: Please tick "yes" or "no" for the following proposals for the areas surrounding Wimbledon: Please tell us if you have any other comments. Please use the box below to tell us more (optional) Please use the box below to tell us more (optional) Open-Ended Response Workingcollaboratively ona masterplan forWimbledon town centreto ensurethat Wimbledon andits surrounds benefits from thepotential investment of Crossrail2. shops Prioritising at the heart of Wimbledon centre. town Encouraging theprovision ofoffice major development above shopsat the heart of the towncentre. theSupporting provision of community and leisure facilities, especiallyaround theexisting hub at the eastern end of The Broadway. Encouraging developmentthat attracts visitors to thearea yearall includinghigh qualityround, hotels, conference facilities and culturalactivities. Strengthen theposition of Wimbledon asa one of south London’s MajorCentre through the redevelopment of key sites the within centre. Promotea balanced evening economythrough aof mix uses. Improvingthe publicrealm to makethe centre more attractive, legibleand easier to get around both for pedestriansand traffic, promotingconnections between TheBroadway, Victoria Crescent, Queen'sRoad andWimbledon Bridge. improvementsSupporting to thepublichighway users,forall and to thepublictransport interchange, especially at Wimbledon Station. Maintaining theunique character ofWimbledon supporting Village, developmentcomplements -
Happy New Year!
Friday, January 3, 2020 at 15:31:50 Greenwich Mean Time WIMBLEDON UNION OF RESIDENTS’ ASSOCIATIONS Newsletter 57 Happy New Year! OPPORTUNITY! Make money from your spare room and help an iconic local business. Wimbledon Village Stables is recruiting new staff and is seeking accommodation for professional horse riding Instructors while they work at the stables. If you wish to know more please contact the stables [email protected]. ***** Wimbledon Guild, in partnership with New Wimbledon Theatre, is delighted to announce that Merton Live! is back for a second year. A great day out at the theatre for the whole family, Merton Live! will showcase a fantastic line-up of local schools, dance, drama, music and gymnastics groups with performances throughout the day at one of London’s biggest theatres. This year, the event will be on Saturday 1st February from 10am -5pm. Merton Live! will be one of the charity’s main fundraising events of 2020. This family day out will help to raise money to aid the vital work Wimbledon Guild does to support local people in Merton who are experiencing social isolation and loneliness. Page 1 of 5 Merton Live! will showcase a fantastic line-up of local schools, dance, drama, music and gymnastics groups with performances throughout the day at one of London’s biggest theatres. In addition, the theatre will be throwing open its doors for ticket-holders to explore this historic building with backstage tours and a host of theatre related activities for all the family including: theatre workshops; face painting; slime making; insight to technical side of the theatre; arts and crafts; treasure hunt; food and drink, plus lots more. -
Theatre Royal, Catherine Street, London, WC2B 5JF, Proposal Change of Use of the Ground Floor and Basement of No
Item No. 2 CITY OF WESTMINSTER PLANNING Date Classification APPLICATIONS SUB For General Release COMMITTEE Report of Ward(s) involved Director of Planning St James's Subject of Report Theatre Royal, Catherine Street, London, WC2B 5JF, Proposal Change of use of the ground floor and basement of no. 6 Catherine Street from office use (use class B1) to restaurant use (use class A3), together with associated elevational changes at ground floor level (No. 6 Catherine Street); creation of a new opening between no. 6 Catherine Street and Vinegar Yard; enclosure of the rear part of Vinegar Yard; demolition of a redundant generator shed in Vinegar Yard; installation of exterior plant equipment on the Theatre Royal Drury Lane and Vinegar Yard; and the creation of a publically-accessible terrace on the Theatre Royal at the corner of Russell Street and Catherine Street. Internal works to the front of house, auditorium, stage area and back of house of the Theatre Royal. (Site includes Theatre Royal and 6 Catherine Street). Agent Miss Julie McLaughlin On behalf of Really Useful Theatres Group Ltd Registered Number 17/08082/FULL Date amended/ completed 11 September Date Application 8 September 2017 2017 Received Historic Building Grade Theatre Royal Grade I Conservation Area Covent Garden 1. RECOMMENDATION 1. Grant conditional permission. 2. Grant conditional listed building consent. 3. Agree the reasons for granting listed building consent as set out in Informative 1 of the draft decision letter. 2. SUMMARY The Theatre Royal is one of the UK’s most important theatres. There has been a theatre in this location since the mid-1600s, the current theatre building is Grade I listed and is of exceptional significance.