DOCSLIB.ORG

Mary Mccarthy, Mary Gordon, and the Irish-American Literary Tradition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mary Mccarthy, Mary Gordon, and the Irish-American Literary Tradition City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1995 Mary McCarthy, Mary Gordon, and the Irish-American Literary Tradition Stacey Lee Donohue Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1412 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS This manuscript has been reproduced from themicrofilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 m a r y McCa r t h y , m a r y Go r d o n , AND THE IRISH-AMERICAN LITERARY TRADITION by STACEY LEE DONOHUE A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 1995 DHI Number: 9530868 Copyright 1995 by Donohue, Stacey Lee All rights reserved. OMI Microform 9530868 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 ©1995 STACEY LEE DONOHUE All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. AfKJ! to, m s [signature] Date Chair of Examining Committee [signature] / ff / Date Executive Officer [signature] [signature] Supervisory Committee THE CITY UNIVERSITY OF NEW YORK Abstract m a r y McCa r t h y , m a r y Go r d o n , AND THE IRISH-AMERICAN LITERARY TRADITION by Stacey Lee Donohue Advisor: Dr. Morris Dickstein There is a distinct literary canon in the United States, composed of Irish-Catholic-American writers, which requires different modes of criticism or evaluation than other U.S. literatures, particularly the dominant, largely Protestant or Protestant-influenced, American literary canon. In addition, as a recently recognized literary tradition, many women writers have either been ignored or unnoticed because their works do not immediately fit into the evolving criteria of evaluation for the Irish-American literary tradition. My purpose in this study is not to survey the Irish-American literary canon, but to examine two women writers who have not always been admitted to an innately misogynistic Irish-Catholic tradition. Ironically, the dominant feminist literary tradition also does not know how to place Mary McCarthy and Mary Gordon (and perhaps other Irish-American women writers); feminists often are disturbed by a lurking conservativism in their works. Thus, both writers are doubly displaced. Through a cultural-religious-feminist analysis of their writings, I would like to reestablish McCarthy and Gordon within both the Irish-American literary tradition and the feminist literary tradition. In doing so, I will be addressing the following questions in an attempt to create new ways of evaluating Irish-American women’s fiction: First, what is the Irish-American literary tradition and what are its criteria for inclusion? How is an Irish heritage reflected in the writings of both male and female Irish- American writers? How is the writer’s moral perspective shaped by an Irish-Catholic religious heritage? How does a woman writer navigate among often competing identities as an orthodox Catholic, culturally Irish, intellectual, feminist, woman writer to create a space for herself and her heroines? Does Gordon’s feminism allow her heroines to transcend—to a degree—their fates? The dissertation makes use of current historical (Kirby Miller, Hasia Diner, William Shannon), cultural (Werner Sollors, Charles Fanning), religious (Paul Giles) and feminist literary criticism (including Carol Gilligan). vi Acknowledgments I would like to thank my parents, Janice and Harold Mahneke, my friends, Suzanne Samuels, Mary Been, Naomi Rand, and my colleagues at the Borough of Manhattan Community College for faithfully tolerating my self-absorption and listening to me moan for the past few years. Matt Smotzer deserves thanks for giving me shoulder rubs, emotional support, intellectual stimulation, and for making me laugh. Special thanks to my dissertation committee, Drs. Neal Tolchin and John Brenkman, and especially my chair, Dr. Morris Dickstein, for helping me shape the content and direction of the dissertation. Thanks to Dr. Jane Paznik-Bondarin for reading one Mary Gordon section (during a most hectic semester), and to the members of the Spril 1995 CUNY Faculty Writing Seminar for helping me revise another. A big :-) for Dr. Fred Gardaphe for offering editorial advice, as well as encouragement, via email. And to Mary McCarthy and Mary Gordon whose fiction and essays gave me something to think about, thank you. vu Table of Contents Chapter 1: Introduction 1 Irish-American Literary History 5 Mary McCarthy and Mary Gordon 8 Women and the Irish-Catholic Church 12 The Influence of Culture, Religion and Gender Chapter 2: The Irish-American Literary Tradition 24 Introduction: Cultural-Literary Criticism 24 Historical Background 27 The Irish and Irish-American Family 40 Irish and Irish-American Women 47 The Catholic Church and the Irish-American Artist 50 The Literaiy Tradition 57 The Influence o f Culture Chapter 3: Mary McCarthy, Mary Gordon, and the Irish-American Literary T radition 86 Mary McCarthy 88 McCarthy’s Irish-American Fiction 96 Irish Fatalism 96 The Analogical Imagination 103 “Artists in Uniform” 104 Mary Gordon 106 Mary Gordon’s Irish-American Fiction 106 Vlll The Protestants 109 The Irish-American Family 113 The Randomness of Life 121 The Influence of Religion Chapter 4: Mary McCarthy ’ s Irish-Catholic Sensibility 125 The Gap of Faith 133 Good and Evil: McCarthy’s Duali sm 148 Chapter 5: The Sacred and the Secular in Mary Gordon’s Fiction 159 The Irish-Catholic Imagination 160 Sacred and Secular Gordon’s Dualism 170 The Influence of Gender Chapter 6: “Angels of Self-Sacrifice”: The Heroines of McCarthy and Gordon 191 The Limitations and Possibilities for the Irish-Catholic Heroine 195 Women in the Orthodox Catholic Church 195 The Divided Heroine 199 Myn Owene Woman? 204 Fairy Tales and Nightmares 211 The War Between the Sexes 213 The Sado-Masochistic Irish-Catholic Heroine 219 The Mind/Body Problem 225 Mary Gordon’s Feminist Heroines and Mary McCarthy’s Angels of Self-Sacrifice 233 The Ethics of Care and Justice 238 The Feminist Influence 246 Chapter 7: Conclusion 258 Bibliography 266 1 Chapter One Introduction The Irish-Catholic-American sensibility is broad. James T. Farrell, F. Scott Fitzgerald, Eugene O'Neill, Mary McCarthy, Flannery O’Connor, Elizabeth Cullinan and Mary Gordon might not appear to have much in common, but they do. A particularly Irish brand of Catholicism hangs like a shroud. The humor is often dark, cruel, biting, and self-deprecating. The politics are generally liberal with paradoxical conservative views, or conservative with paradoxical liberal views. There is usually a conflict between the flesh and the intellect. The plot is often centered on family relationships and gatherings to illustrate their power on each character. There is often a self-loathing, similar to what we find in Jewish-American writers of this century; however, Irish-American writers combine this self-loathing with a distrust of free will that often results in a tragic, fatalistic outlook on life. There is an idealism that flourished despite years of colonization and emigrated along with millions of Irish men and women to the United States creating in their literature a disorienting sensibility of romanticism tinged with paradoxical fatalism. Mary McCarthy (1912-1989) and Mary Gordon (1949) are two Irish-American writers, writing in the relatively unexplored Irish-American Literary tradition that is informed by an orthodox Catholicism. I certainly wouldn't want to limit them to that identity, however, especially when within their respective writings, each attempts to create an individual identity or integrate identities from a rich yet murky multilayering of cultural identities as Irish-American-Catholic-Women-Writers. Of course they are very different writers: Gordon is more satisfying aesthetically and emotionally, McCarthy intellectually. However both broke away from an anti-intellectual, puritanical Irish-American Catholic Church, though not before it left an indelible influence on both their writing and their moral sensibility. Both writers share the same sense of humor that arises from the hypocrisies— the gap—between illusion and reality, a gap they recognized in the Church when they were young teenagers.
Load more

Recommended publications
  • Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
    Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J.
    [Show full text]
  • Mary Mccarthy and Vassar
    Mary McCarthy and Vassar 1 Mary McCarthy and Vass ar An Exhibition Catalogue VASSAR COLLEGE LIBRARIES 2012 2 3 Mary McCarthy and Vass ar An Exhibition Catalogue VASSAR COLLEGE LIBRARIES 2012 2 3 CONTENTS Mary McCarthy and Vassar page 5 The Company We Keep: Mary McCarthy and the Mythic Essence of Vassar page 7 Checklist of the Exhibition page 15 All essays 2012 © the authors 4 5 Mary McCarthy and Vassar By RONALD PATKUS 2012 marks the 100th anniversary of the birth of Mary McCarthy, one of 20th century America’s foremost writers and critics. She was born on June 21, 1912 in Seattle, Washington, the first child and only daughter of Roy Winfield and Therese (“Tess”) Preston McCarthy. McCarthy and her three younger brothers (Kevin, Preston, and Sheridan) were orphaned in 1918, when both parents died in the influenza epidemic. For a time the children lived with their great-aunt and her husband, but then McCarthy moved back to Seattle to live with her maternal grandparents, while her brothers were sent to boarding school. This was a privileged environment, and McCarthy at- tended excellent schools. In 1929 she enrolled in the freshmen class at Vassar. No one could have known it at the time, but McCarthy’s arrival on cam- pus was the beginning of a long relationship between her and the college, even though there were ups and downs at certain points. While a student, McCarthy was busy, making friends with classmates, writing for several un- dergraduate publications, and taking part in plays and other activities. Her academic responsibilities did not suffer, and she graduated Phi Beta Kappa in 1933.
    [Show full text]
  • 1 Fordham Center on Religion and Culture
    The Fordham Center On Religion and Culture 1 www.fordham.edu/CRC Fordham Center on Religion and Culture UNTO DUST: A LITERARY WAKE October 15, 2015 Fordham University | Lincoln Center E. Gerald Corrigan Conference Center | 113 W. 60th Street Panelists: Alice McDermott National Book Award-Winning Novelist and Author of Charming Billy, After This, and Someone Thomas Lynch Undertaker, Poet, Essayist and Author of The Good Funeral: Death, Grief and the Community of Care (with Thomas G. Long) and The Sin-Eater: A Breviary JAMES McCARTIN: Good evening. Welcome to Fordham. I am Jim McCartin, Director of the Fordham Center on Religion and Culture. I have to say that it is a particular thrill for me tonight to welcome here all of you, to be part of this conversation between the two very best people I could think of to discuss our mortal end. It is a topic that, I have to admit, I can never get enough of. It was at the tender age of eight that I began one of my still-favorite pastimes, which is to say, scouring the obituaries. In my perhaps somewhat peculiar point of view as a fully grown adult now, I contend that there are few things more satisfying than a proper funeral. Some will say — and perhaps McDermott and Lynch will agree with this — that my interest in death and in its many permutations runs deep in my Irish American heritage. But for me I gather it is something more than just the peculiarities of my ancestral identity. In studying the death notices as a young kid, what I was really trying to figure out, I think, was how the families of my hometown of Troy, New York, formed webs of relation with one another — how they were connected, who they married or loved, what institutions and organization formed them into the ordinary and sometimes, rarely, extraordinary people that they were.
    [Show full text]
  • Vita I. Academic/Professional
    VITA I. ACADEMIC/PROFESSIONAL BACKGROUND A. Name Title Mark Bayless Busby, Professor of English B. Educational Background (Years, Degrees, Universities, Majors, Thesis/Dissertation) August 1977 Ph.D. University of Colorado, Boulder Dissertation: “The Merging Adam-Christ Figure in Contemporary American Fiction” Director: James K. Folsom January 1969 M.A. Texas A&M University-Commerce Thesis: “Recent Trends in Marxist Literary Theory” Director: Thomas A. Perry May 1967 B.A. Texas A&M University-Commerce Majors: English and Speech C. University Experience (Dates, Positions, Universities,) Sept. 1994-Present Professor of English, Texas State University, San Marcos, TX August 1991-Sept. 1994 Associate Professor of English, Texas State University, San Marcos, TX August 2002-2012 Director, Southwest Regional Humanities Center, Texas State University, San Marcos, TX August 1991-2012 Director, Center for the Study of the Southwest, Texas State University, San Marcos, TX August 1983-July 1991 Associate Professor of English, Texas A&M University, College Station, TX August 1977-Aug. 1983 Assistant Professor of English, Texas A&M University, College Station, TX August 1972-May 1977 Instructor of English, University of Colorado, Boulder, CO June-August 1974, 1975 Instructor of English, Black Education Program, University of Colorado, Boulder, CO September 1970-June 1972 Associate Faculty Instructor of English, Indiana-Purdue University, Indianapolis, IN D. Relevant Professional Experience (Dates, Position, Entity,) September 1970-Dec. 1971 Communicative Arts Instructor, U.S. Army Adjutant General School, Fort Harrison, IN September 1967-May 1969 Teaching Assistant in English, Texas A&M University-Commerce, TX II. TEACHING A. Teaching Honors and Awards: 2012 Named Alpha Chi Favorite Professor, Texas State University 2008- Named Jerome H.
    [Show full text]
  • Search Titles and Presenters at Past AAHN Conferences from 1984
    American Association for the History of Nursing, Inc. 10200 W. 44th Avenue, Suite 304 Wheat Ridge, CO 80033 Phone: (303) 422-2685 Fax: (303) 422-8894 [email protected] www.aahn.org Titles and Presenters at Past AAHN Conferences 1984 – 2010 Papers remain the intellectual property of the researchers and are not available through the AAHN. 2010 Co-sponsor: Royal Holloway, University of London, England September 14 - 16, 2010 London, England Photo Album Conference Podcasts The following podcasts are available for download by right-clicking on the talk required and selecting "Save target/link as ..." Fiona Ross: Conference Welcome [28Mb-28m31s] Mark Bostridge: A Florence Nightingale for the 21st Century [51Mb-53m29s] Lynn McDonald: The Nightingale system of training and its influence worldwide [13Mb-13m34s] Carol Helmstadter: Nightingale Training in Context [15Mb-16m42s] Judith Godden: The Power of the Ideal: How the Nightingale System shaped modern nursing [17Mb-18m14s] Barbra Mann-Wall: Nuns, Nightingale and Nursing [15Mb-15m36s] Dr Afaf Meleis: Nursing Connections Past and Present: A Global Perspective [58Mb-61m00s] 2009 Co-sponsor: School of Nursing, University of Minnesota September 24 - 27, 2009 Minneapolis, Minnesota Paper Presentations Protecting and Healing the Physical Wound: Control of Wound Infection in the First World War Christine Hallett ―A Silent but Serious Struggle Against the Sisters‖: Working-Class German Men in Nursing, 1903- 1934 Aeleah Soine, PhDc The Ties that Bind: Tale of Urban Health Work in Philadelphia‘s Black Belt, 1912-1922 J. Margo Brooks Carthon, PhD, RN, APN-BC The Cow Question: Solving the TB Problem in Chicago, 1903-1920 Wendy Burgess, PhD, RN ―Pioneers In Preventative Health‖: The Work of The Chicago Mts.
    [Show full text]
  • Mary Mccarthy
    Mary McCarthy: Manuscripts for in the Manuscript Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: McCarthy, Mary, 1912-1989 Title: Mary McCarthy, Manuscripts for The Group Dates: 1953-1964 Extent: 2 boxes, 1 galley folder (.63 linear feet) Abstract: The Ransom Center’s holdings for Mary McCarthy comprise her draft chapters, final manuscript, and galley proofs for the novel The Group . RLIN Record #: TXRC05-A10006 Language: English . Access: Open for research Administrative Information Acquisition: Purchase, 1968 (R4493) Processed by: Bob Taylor, 2003 Repository: The University of Texas at Austin, Harry Ransom Humanities Research Center McCarthy, Mary, 1912-1989 Biographical Sketch Born in Seattle on June 21, 1912, Mary McCarthy was the eldest of four children born to Roy and Therese McCarthy. Orphaned upon their parents’ deaths in the flu epidemic of 1918, Mary and her brothers eventually found refuge with their maternal grandparents in Seattle. Following her graduation from Vassar College in 1933, McCarthy, intending to pursue a literary career, moved to New York City, where she soon attracted attention for her essays and dramatic criticism. In the late 1930s she began to write short stories, several of which served as the nucleus of her first novel, The Company She Keeps, published in 1942. As one of the major figures in contemporary American cultural and political thought, Mary McCarthy wrote widely in fiction( The Oasis, Cast a Cold Eye, The Groves of Academe ), theater criticism( Mary McCarthy’s Theatre Chronicles, 1937-1962 ), memoir( Memories of a Catholic Girlhood and How I Grew ), and broad-ranging commentary( Venice Observed and The Mask of State: Watergate Portraits ).
    [Show full text]
  • TALK SERIES Updated February 2013
    TALK SERIES updated February 2013 To schedule a book series for your local library, senior center, historical society, or other Kansas nonprofit community organization, visit www.kansashumanities.org. Questions? Contact Leslie Von Holten, [email protected], 785/357-0359. THE 1930s COMING OF AGE IN RURAL AMERICA All the King’s Men by Robert Penn Warren Farmer Boy by Laura Ingalls Wilder The Day of the Locust by Nathanael West Good Land by Bruce Bair Mules and Men by Zora Neale Hurston Nathan Coulter by Wendell Berry The Worst Hard Time by Timothy Egan Under the Feet of Jesus by Helena Maria Viramontes Winter Wheat by Mildred Walker AFRICAN-AMERICAN PERSPECTIVES The Autobiography of Malcolm X COMMUNITY: THE WAY WE LIVE The Fire Next Time by James Baldwin Bailey’s Cafe by Gloria Naylor I Know Why the Caged Bird Sings by Maya Angelou Mama Day by Gloria Naylor Praisesong for the Widow by Paule Marshall Cannery Row by John Steinbeck Race Matters by Cornel West Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg Their Eyes Were Watching God by Zora Neale Hurston The Milagro Beanfield War by John Nichols Snow Falling on Cedars by David Guterson AWARD WINNERS Charming Billy by Alice McDermott CONTEMPORARY IMMIGRATION Cold Mountain by Charles Frazier Breath, Eyes, Memory by Edwidge Danticat Gilead by Marilynne Robinson Caramelo by Sandra Cisneros Motherless Brooklyn by Jonathan Lethem Harbor by Lorraine Adams Typical American by Gish Jen BEFORE THE CIVIL WAR The All-True Travels and Adventures of Lidie Newton by Jane Smiley ENCOUNTERING ASIA The Englishman in Kansas by T.
    [Show full text]
  • Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
    Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence.
    [Show full text]
  • Stories Matter: the Complexity of Cultural Authenticity in Children's Literature (Pp
    DOCUMENT RESUME ED 480 339 CS 512 399 AUTHOR Fox, Dana L., Ed.; Short, Kathy G., Ed. TITLE Stories Matter: The Complexity of CulturalAuthenticity in Children's Literature. INSTITUTION National Council of Teachers of English, Urbana,IL. ISBN ISBN-0-8141-4744-5 PUB DATE 2003-00-00 NOTE 345p. AVAILABLE FROM National Council of Teachers ofEnglish, 1111 W. Kenyon Road, Urbana,.IL 61801-1096 (Stock no. 47445: $26.95members; $35.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010).-- Collected Works General (020) -- Opinion Papers (120) EDRS PRICE EDRS Price MF01/PC14 Plus Postage. DESCRIPTORS *Childrens Literature; *Cultural Context; ElementaryEducation; *Literary Criticism; *Multicultural Literature;Picture Books; Political Correctness; Story Telling IDENTIFIERS Trade Books ABSTRACT The controversial issue of cultural authenticity inchildren's literature resurfaces continually, always elicitingstrong emotions and a wide range of perspectives. This collection explores thecomplexity of this issue by highlighting important historical events, current debates, andnew questions and critiques. Articles in the collection are grouped under fivedifferent parts. Under Part I, The Sociopolitical Contexts of Cultural Authenticity, are the following articles: (1) "The Complexity of Cultural Authenticity in Children's Literature:Why the Debates Really Matter" (Kathy G. Short and Dana L. Fox); and (2)"Reframing the Debate about Cultural Authenticity" (Rudine Sims Bishop). Under Part II,The Perspectives of Authors,
    [Show full text]
  • Inter/View: Talks with America's Writing Women
    University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole
    [Show full text]
  • Planned Parenthood Center of Tucson (1950-1977) [1]
    Published on The Embryo Project Encyclopedia (https://embryo.asu.edu) Planned Parenthood Center of Tucson (1950-1977) [1] By: Nunez-Eddy, Claudia Keywords: Reproductive Health Arizona [2] Established in 1950, the Planned Parenthood Center of Tucson provided Arizona women with family planning [3] resources until 1977, when it expanded to locations outside of Tucson and became Planned Parenthood of Southern Arizona. The Planned Parenthood Center of Tucson was formed after the Clinica Para Madres, the first birth control [4] clinic in Arizona, merged with the national organization [5] Planned Parenthood Federation of America. The clinic moved to several rented locations throughout the Tucson area before establishing a permanent location named the Margaret Sanger Clinic in Tucson, Arizona. The Planned Parenthood Center of Tucson began as the Clinica Para Madres, the first birth control [4] clinic in Arizona established by birth control [4] activist Margaret Sanger and a group of prominent Tucson women. In the 1930s, following several years of birth control [4] activism in New York, Sanger moved to Arizona in an attempt to better her son's respiratory health. Once there, Sanger argued that contraception [6] and family planning [3] could help reduce Arizona's high rate of infant mortality. Sanger and other birth control [4] activists used the term family planning [3] to describe the practice of women planning when to have children, spacing apart their pregnancies. Sanger viewed the spacing of children, through contraception [6], as beneficial to women because it allowed them to have children when they were physically, emotionally, and financially prepared. Sanger and a group of women with social, political, and financial prominence in Tucson opened Clinica Para Madres in December 1934.
    [Show full text]
  • "A Road to Peace and Freedom": the International Workers Order and The
    “ A ROAD TO PEACE AND FREEDOM ” Robert M. Zecker “ A ROAD TO PEACE AND FREEDOM ” The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954 TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2018 by Temple University—Of The Commonwealth System of Higher Education All rights reserved Published 2018 All reasonable attempts were made to locate the copyright holders for the materials published in this book. If you believe you may be one of them, please contact Temple University Press, and the publisher will include appropriate acknowledgment in subsequent editions of the book. Library of Congress Cataloging-in-Publication Data Names: Zecker, Robert, 1962- author. Title: A road to peace and freedom : the International Workers Order and the struggle for economic justice and civil rights, 1930-1954 / Robert M. Zecker. Description: Philadelphia : Temple University Press, 2018. | Includes index. Identifiers: LCCN 2017035619| ISBN 9781439915158 (cloth : alk. paper) | ISBN 9781439915165 (paper : alk. paper) Subjects: LCSH: International Workers Order. | International labor activities—History—20th century. | Labor unions—United States—History—20th century. | Working class—Societies, etc.—History—20th century. | Working class—United States—Societies, etc.—History—20th century. | Labor movement—United States—History—20th century. | Civil rights and socialism—United States—History—20th century. Classification: LCC HD6475.A2
    [Show full text]