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E-Mail:[email protected] Eating Asian America: Race, Culture, and Identity

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E-Mail:Malini@Ufl.Edu Eating Asian America: Race, Culture, and Identity Professor Malini J. Schueller AML 3673; Section 19CF Office: 4113 TUR Fall ‘19 Office Ph.: 392-6650 x 284 MWF 7 Office Hours: T 10:30--noon TUR 2346 R 10:40- noon and by appointment e-mail:[email protected] Eating Asian America: Race, Culture, and Identity Course Description: Food is necessary for life and hunger is a basic urge but eating and food are not simply about satisfying basic urges. Food is expressive. This course will bring food studies, psychoanalysis, and race studies to bear upon an understanding of Asian-American literary and cultural production. Anthropologists have long recognized that food is a metonym for culture and a way of expressing social identity. Food is also associated with power and control. For Asian Americans, as for other minorities food is often a marker of racial difference. Popular culture often promotes an exoticization of Asian Americans through food and ethnic restaurants in turn offer self-exoticization as a means of luring consumers: dragons abound in Chinese restaurants and geisha drinks in Japanese restaurants. In psychoanalysis images of consumption have related ideas of self to the Other: to consume the food of the Other might signify cultural assimilation and cultural cannibalism. At the same time cooking often means necessity: for Asian-American immigrants restaurants and grocery stores have often been the easiest means of earning a livelihood. This course brings together the cultural and political economies of foodways to examine Asian American literary and cultural production. We will examine works from a variety of Asian American genres including autobiographies, short stories, memoirs, novels, films, advertisements, and cookbooks. Required Texts: Ruth Ozeki My Year of Meats Jade Snow Wong Fifth Chinese Daughter Chitra Banerjee Divakaruni The Mistress of Spices Nora Okja Keller Fox Girl Frank Chin Donald Duk Mei Ng Eating Chinese Food Naked Lois Ann Yamanaka Blu’s Hanging Readings on canvas Course Requirements and Grade Distribution: Pop Quizzes ...................................................15% Oral Presentation on readings...........................8% Oral Presentations on Gainesville foods……….7% Essay # 1..................................... ......30% Essay # 2...................... …………………………30% Class Participation………………………………..10% Panels: Three or four students should get together to work on a panel. These panels are either intended to broaden, contextualize, or interrogate the topic being discussed in class. Many panels require you to take a position on a topic. Taking a position does not simply mean presenting an unverifiable opinion. A position must be supported by close readings of the text in question. It is best to use a powerpoint to put up specific passages (with page numbers) being discussed so students can follow. By all means, direct the class to a specific page and offer specific analyses. All panelists should e-mail a 1-2 page statement to each of the panel participants as well as to me at least 48 hours before class so I can make sure it’s okay and that you’re not repeating each other . During class, the panelists should read aloud their statements. Please do not pose questions to the class because this usually inhibits discussion. If I do not get your paper 48 hours before class, I will consider it late. Please submit the final statement online before class on the day of the presentation. Please practice and time yourself before you present in class. Presentations and panels will be graded on the information provided, clarity, and on the ability to elicit questions. Presentations on Food in Gainesville: The purpose of this assignment is to have you use your analytical skills and what you have learned to read Asian American food culture/representations in town. Four or more students should get together to work on a presentation. You could choose to work on a restaurant, a grocery store, or an Asian/Asian American festival/event on campus or in town that incorporates food. Analyze the object of your study using some of the concepts you have learned during the semester. Use a powerpoint with photos to help the class get oriented to your presentation. You can choose to have one person do the presentation or each one present different parts, but all of you should be in front of the class to answer questions. Attendance: Please remember that this is a discussion class and that you are expected to attend every day. Attendance means bringing all reading material to class and being prepared to discuss the readings. If you come to class without the assigned readings you may be considered absent. There is no way to simply "make up" work for missed classes. If you miss more than four hours of class, you will lose a third of a letter grade for each additional absence. The four-hour absence policy does not mean that I am encouraging these absences or that you should, indeed, miss four hours of class. The allowed absences are meant strictly to cover emergencies ( if you "use up" your absences and then have an emergency, you're out of luck). Missing eight or more hours of class constitutes failing the course. If you are absent you are still responsible for knowing the material and turning in assignments, including responses. Because this is an intensive discussion course the learning will take place by building upon our conversations. Class participation means contributing to the flow and interrogation of ideas or asking questions when you have difficulty. Attendance alone is not enough. Quizzes: These will generally be given at the beginning of class although I might quiz you at the end of a class period on what was discussed during class. The quizzes are easy. If you’ve done the reading you’ll find it simple to get an “A.” I will not be able to do any makeups for quizzes but I will drop the lowest quiz grade. Papers : You are required to write two 8-9 page papers due on the dates indicated on the syllabus. Please follow MLA guidelines for citation. Remember that any use of reference material, both in direct quote or paraphrase, must be meticulously footnoted. Plagiarism, while intentional or otherwise, will result in a failing grade. Make sure your paper has a thesis (ie something you need to prove), that there is only one thesis for the entire paper, and that your paper is not a plot summary. I will put a “Guidelines for Papers” handout on canvas as well as sample graded papers. Turning in Papers: All papers should be turned in on canvas. Late papers will be reduced one letter grade for each class period; after one week they earn an "E." Readings, cell phones and Laptop Use: Cell phones MUST be turned off at the beginning of class. I would prefer it if you bought hard copies of texts because discussion is far easier that way. Laptop/media policy: I have grudgingly accepted the fact that students work with e books and like to work electronically instead of using paper. You may bring your laptops, I pads etc to class but please make sure that you are only looking at the reading being discussed. If I see anyone looking at social media at any point in the semester I will deduct two points from your overall grade for each time this happens. If you feel you cannot resist the urge to be on social media please print out the readings and bring them to class. All papers and the panel must be done in order to pass the course. Work not done will receive a grade of "0" For purposes of calculation A=93, A-=90, B+=87 etc Announcements and Assignments will be on canvas. You can expect things of me in return. I will be happy to answer any questions or help you with papers. If you are not free during my office hours and need help, please don't hesitate to see me after class to set up an appointment. Tentative Syllabus: This syllabus may be changed according to the needs of the class Aug 21: Introduction: category of Asian American. Aug 23: Introduction: food and Asian Americans, foodways. Watch Chinese baby Jello Commercial before class. Theorizing Food: Nature, Culture, Class, Gender Aug 26: Aug 30: Claude Levi Strauss “The Culinary Triangle” from Food and Culture, pp. 40- 47 on canvas. Aug 28: Roland Barthes “Toward a Psychosociology of Contemporary Food Consumption” In Carole Counihan and Penny Van Esterik, Food and Culture: A Reader, pp. 20-27 on canvas From Wenying Xu Eating Identities: Reading Food in Asian American Literature, pp. 1-12. Culture: Food and Authenticity Aug 30: Screening Anatomy of a Spring Roll Sept 2: Labor Day Sept 4: Robert Ji-Song “Introduction” and “California Roll” from Dubious Gastronomy: The Cultural Politics of Eating Asian in the USA, pp. 1-48 Sept 6: Discussion Anatomy of a Spring Roll Panel# 1: Does Anatomy of a Spring Roll reinforce ideas of cultural authenticity or question them? PLEASE START READING MY YEAR OF MEATS Sept. 9: Ruth Ozeki My Year of Meats 1-123 (end of ch 5) Sept. 11: Ruth Ozeki My Year of Meats 124-241 (end of ch 9) Sept. 13: Ruth Ozeki My Year of Meats 243-end Panel # 2: What is the relationship between media and food in My Year of Meats? Or: How is the relationship between Japan and the US mediated by food in My Year of Meats? Food Pornography Sept. 16: Jade Snow Wong Fifth Chinese Daughter Sept. 18: Jade Snow Wong Fifth Chinese Daughter Sept. 20: Jade Snow Wong Fifth Chinese Daughter Sau Ling Cynthia Wong “Food Pornography” from Reading Asian American Literature pp. 55- 71 Panel # 3: Is Fifth Chinese Daughter a work of food pornography? Food, Nostalgia and Homelands Sept.
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