Towards a More Resilient Europe Post-Coronavirus: an Initial Mapping of Structural Risks Facing
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Culture Report Eunic Yearbook 2011 Culture Report Eunic Yearbook 2011
CULTURE REPORT EUNIC YEARBOOK 2011 CULTURE REPORT EUNIC YEARBOOK 2011 Cultural relations are the glue that holds alliances together. The geopolitics of the 21st century mean we need to see a revival of cultural diplomacy. China and India are already expanding their external cultural policies. Despite Europe‘s huge cultural diversity, the EU has still not developed an adequate cultural strategy for its foreign policy. The establishment of the European External Action Service (EEAS) provides an opportunity to tighten up and co-ordinate the EU‘s existing cultural foreign policy. In this edition of the Culture Report, 30 authors from 20 different countries examine what this all means. Foreword: Crisis and new awakenings by Sebastian Körber 4 CHAPTER 1: EXTERNAL PERSPECTIVES A Brave New World - Globalisation as Europe’s touchstone by Yang Lian 8 All talk and no action by Mai’a K. Davis Cross 20 Art at the heart of mainstream entertainment – an interview by Regis Debray with Frédéric Martel 28 Seizing the day by André Azoulay 38 The cultural revolution by Reem Kassem 45 A gateway to two worlds by Julie Chénot 48 Welcome to the real world by André Lemos 54 A union of double standards by Mahir Namur 60 2 Contents Moving the chairs in the global boardroom by Rajeef Balasubramanyam 64 Europe‘s forgotten fringes by Jurko Prochasko 70 Peeking through the open window by Hela Kamarou 78 CHAPTER 2: EUROPE IN THE WORLD THE WORLD IN EUROPE Now is the time by Robert Palmer 86 Common spaces by Gerhard Sabathil 96 A necessity, not a luxury by Marietje Schaake -
City Space and Urban Identity a Post-9/11 Consciousness in Australian Fiction 2005 to 2011
City Space and Urban Identity A Post-9/11 Consciousness in Australian Fiction 2005 to 2011 By Lydia Saleh Rofail A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy in English. Faculty of Arts and Social Sciences The University of Sydney 2019 Declaration of Originality I affirm that the intellectual content of this thesis is the product of my own work and I certify and warrant to the best of my knowledge that all sources of reference have been duly and fully acknowledged. Lydia Saleh Rofail i Abstract This thesis undertakes a detailed examination of a close corpus of five Australian literary novels published between 2005 and 2011, to assess the political, social, and cultural implications of 9/11 upon an urban Australian identity. My analysis of the literary city will reveal how this identity is trapped between layers of trauma which include haunting historical atrocities and inward nationalism, as well as the contrasting outward pull of global aspirations. Dead Europe by Christos Tsiolkas (2005), The Unknown Terrorist by Richard Flanagan (2006), Underground by Andrew McGahan (2006), Breath by Tim Winton (2008), and Five Bells by Gail Jones (2011) are uniquely varied narratives written in the shadow of 9/11. These novels reconfigure fictional notions of Australian urbanism in order to deal with fears and threats posed by 9/11 and the fallout that followed, where global interests fed into national concerns and discourses within Australia and resonated down to local levels. Adopting an Australia perspective, this thesis contextualises subsequent traumatic and apocalyptic trajectories in relation to urbanism and Australian identity in a post-9/11 world. -
Refugees in Europe, 1919–1959 Iii Refugees in Europe, 1919–1959
Refugees in Europe, 1919–1959 iii Refugees in Europe, 1919–1959 A Forty Years’ Crisis? Edited by Matthew Frank and Jessica Reinisch Bloomsbury Academic An imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2017 © Matthew Frank, Jessica Reinisch and Contributors, 2017 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-8562-2 ePDF: 978-1-4725-8564-6 eBook: 978-1-4725-8563-9 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Cover image © LAPI/Roger Viollet/Getty Images Typeset by Deanta Global Publishing Services, Chennai, India To find out more about our authors and books visit www.bloomsbury.com. Here you will find extracts, author interviews, details of forthcoming events and the -
'What's Haunting Dead Europe?'
‘What’s haunting Dead Europe?’ Trauma fiction as resistance to postmodern governmentality MICHAEL VAUGHAN University of Sydney Dead Europe is a novel that has been described as unsettling, disturbing, poisoned, repellent. The text, by most accounts, has the capacity to haunt readers as much as it tracks the diegetic haunting of its protagonist. This paper argues that we can read Dead Europe as an example of trauma fiction, where the painful past is first accessed through its haunting and troped echoes in the present, and that the trauma Tsiolkas writes of is the blood-soaked history of 20th century European history. Indeed, most critics are either implicitly or explicitly in agreement about this first point, whether or not they situate the text specifically within the framework of trauma theory. However, the argument here will be that the purpose of Tsiolkas’ trauma fiction is as resistance to postmodern governmentality, the omnivorous neoliberal democracy beyond the ‘end of history’. In doing so, this paper will draw on Derrida’s concept of hauntology, a product of his reading of the role of Marxism after the fall of the Berlin Wall. Derrida, and arguably Tsiolkas, maintain the usefulness of the spirit of Marx not in the dogmatic belief in his specific theories (such as dialectical materialism) but rather as an ongoing spirit of critical reflexivity, a spectrality which acts as a reminder of the ideological contingency of the present moment. Tsiolkas writes trauma fiction to challenge the totalising discourse of postmodern governmentality, to assert the impossibility of an end to history, and to construct a way of writing and reading fiction ethically which can haunt its readers. -
Yaffa Eliach's Hasidic Tales of the Holocaust
Navigating the Kingdom of Night: Writing the Holocaust Amy T Matthews Thesis submitted for the degree of Doctor of Philosophy in Creative Writing Discipline of English School of Humanities University of Adelaide April 2007 2 Contents 1. Abstract 3 2. Statement of Originality 5 3. A Brief Outline of the Debate over Fictionalising the Holocaust 6 Literary Risk and Moral Peril 7 The Case of DM Thomas’ The White Hotel 10 Holocaust Endings and the Right to Write 13 4. Fantastic Narrative Strategies: the Use of the Hasidic Tale, Magic Realist Folk Tale and Fable in Holocaust Literature 20 Yaffa Eliach’s Hasidic Tales of the Holocaust 21 Jonathan Safran Foer’s Everything Is Illuminated 28 John Boyne’s The Boy in the Striped Pyjamas 36 5. Contracts with the Reader: Writers Who Break the Reader/Writer Contract 43 Jerzy Kosinski’s The Painted Bird 44 Helen Darville’s The Hand That Signed the Paper 52 6. Addressing the Moral Minefield Self-Reflexively: the Case of Art Spiegelman’s Maus 66 7. Navigating the Kingdom of Night: My Journey as a Writer 75 8. Works Cited for ‘Navigating the Kingdom of Night’ 87 9. Bibliography for End of the Night Girl and ‘Navigating the Kingdom of Night’ 95 3 Abstract End of the Night Girl and ‘Navigating the Kingdom of Night’: End of the Night Girl Nothing seems to go right for Molly – she’s stuck in a dead-end waitressing job, she’s sleeping with a man she doesn’t even like, and she’s just been saddled with a swarm of goldfish and a pregnant stepsister. -
Janine Hauthal
Journal of the European Association for Studies of Australia, Vol. 10, No. 2, 2019 Europe as Alternative Space in Contemporary Australian Fiction by Carey, Tsiolkas and Jones Janine Hauthal Abstract: This article investigates imaginings of Europe in contemporary Australian fiction in order to explore whether (traveling to) Europe provides alternative points of reference to discourses on nation, belonging, and identity beyond the (settler) postcolonial. The article sets out to compare recent works by Peter Carey, Christos Tsiolkas and Gail Jones who narrate Europe against a wide range of backgrounds, covering diverse diasporic, migratory and expatriate experiences, in order to explore the role of Europe as an alternative space, and of European modernities in particular, in the Australian literary imagination. Concentrating on Jack Maggs (1997), Dead Europe (2005) and A Guide to Berlin (2015), the article has a threefold focus: Firstly, it analyses the representation of European spaces and explores how the three novels draw attention to multiple modernities within and beyond Europe. Secondly, it demonstrates how all three novels, in their own way, reveal European modernities to be haunted by its other, i.e. death, superstition, ghosts, or the occult. Thirdly, these previous findings will be synthesized in order to determine how the three novels relate Europe to Australia. Do they challenge or perpetuate the protagonists’ desire for Europe as an ‘imaginary homeland’? Do references to Europe support the construction of national identity in the works under review, or do these references rather point to the emergence of multiple or transnational identities? Keywords: contemporary Australian literature; fictions of Europe; multiple modernities; Peter Carey; Christos Tsiolkas; Gail Jones Introduction This article sets out to compare works by Peter Carey, Christos Tsiolkas and Gail Jones in order to explore the role of Europe as an alternative space, and of European modernity in particular, in the Australian literary imagination. -
The Brussels Effect
Copyright 2012 by Northwestern University School of Law Printed in U.S.A. Northwestern University Law Review Vol. 107, No. 1 Articles THE BRUSSELS EFFECT Anu Bradford ABSTRACT—This Article examines the unprecedented and deeply underestimated global power that the European Union is exercising through its legal institutions and standards, and how it successfully exports that influence to the rest of the world. Without the need to use international institutions or seek other nations’ cooperation, the EU has a strong and growing ability to promulgate regulations that become entrenched in the legal frameworks of developed and developing markets alike, leading to a notable “Europeanization” of many important aspects of global commerce. The Article identifies the precise conditions for and the specific mechanism through which this externalization of EU’s standards unfolds. Enhanced understanding of these conditions and this mechanism helps explain why the EU is currently the only jurisdiction that can wield unilateral influence across a number of areas of law—ranging from antitrust and privacy to health and environmental regulation—and why the markets, other states, and international institutions can do little to constrain Europe’s global regulatory power. AUTHOR—Professor of Law, Columbia Law School. Helpful comments were provided by Lucas Bergkamp, George Bermann, Travis Bradford, Rachel Brewster, Tim Buthe, Grainne DeBurca, Lee Fennell, Jacob Gersen, Tom Ginsburg, Victor Goldberg, Michael Graetz, Todd Hendserson, Aziz Huq, Suzanne Kingston, Katerina Linos, Richard McAdams, Jay Modrall, Henry Monaghan, Jide Nzelibe, Nathaniel Persily, Katharina Pistor, Eric Posner, Tonya Putnam, Charles Sabel, Joanne Scott, Anne-Marie Slaughter, and David Vogel, as well as the participants of the workshops held at Columbia Law School, Duke Law School, University of Chicago Law School, and the University of Florence. -
JASAL 2007 Special Edition.Indd
52 JASAL SPECIAL ISSUE 2007: SPECTRES, SCREENS, SHADOWS, MIRRORS “Blood and land and ghosts:” Haunting Words in Christos Tsiolkas’ Dead Europe CATHERINE PADMORE La Trobe University Ah, do not ghosts prove—even rumours, whispers, stories of ghosts—that the past clings, that we are always going back … ? Graham Swift, Waterland (89) A past that clings and a sense of going back to old haunts are appropriate ways to describe Christos Tsiolkas’ Dead Europe. Released in 2005 and recipient of both the Age fiction book of the year prize and the Melbourne Prize for literature (best writing award), the novel tells the story of Isaac Raftis, a Greek-Australian photographer in his mid-thirties who returns to Europe after a ten-year absence. Europe has changed since his last visit: the Berlin Wall has come down; community demographics have shifted with tides of migration; and American dollars (and child prostitutes) flood the marketplaces. Isaac travels from Australia to Greece, then through Italy, the Czech Republic, Germany, France, Holland and the UK. After wading knee- deep through blood, spew, shit, spit and semen, he returns home a changed man. On his first trip to Europe, while in a Thessaloniki museum, Isaac photographs a photograph of Jewish resistance fighters, and he describes the image thus: “Blood and land and ghosts” (90). This short phrase captures three vital elements of the book and I will explore some of the ways—not always comfortable—that they intertwine in Tsiolkas’ most recent novel. The novel was widely reviewed and often in colourful language: my favourite describes the novel’s world as “a Judeo-Christian devil’s jumping castle submerged in excrement, blood and foul vapours” (Rosenblatt 48). -
European Foreign Policy Scorecard 2015 About Ecfr
EUROPEAN FOREIGN POLICY SCORECARD 2015 ABOUT ECFR The European Council on Foreign Relations (ECFR) is the first pan-European think-tank. Launched in October 2007, its objective is to conduct research and promote informed debate across Europe on the development of coherent, effective and values-based European foreign policy. ECFR has developed a strategy with three distinctive elements that define its activities: • A pan-European Council. ECFR has brought together a distinguished Council of over two hundred Members – politicians, decision makers, thinkers and business leaders from the EU’s member states and candidate countries – which meets once a year as a full body. Through geographical and thematic task forces, members provide ECFR staff with advice and feedback on policy ideas and contribute to ECFR’s activities within their own countries. The Council is chaired by Martti Ahtisaari and Mabel van Oranje. • A physical presence in the main EU member states. ECFR, uniquely among European think-tanks, has offices in Berlin, London, Madrid, Paris, Rome, Sofia and Warsaw. Our offices are platforms for research, debate, advocacy and communications. • A distinctive research and policy development process. ECFR has brought together a team of distinguished researchers and practitioners from all over Europe to advance its objectives through innovative projects with a pan-European focus. ECFR’s activities include primary research, publication of policy reports, private meetings and public debates, ‘friends of ECFR’ gatherings in EU capitals and outreach to strategic media outlets. ECFR is a registered charity funded by the Open Society Foundations and other generous foundations, individuals and corporate entities. These donors allow us to publish our ideas and advocate for a values- based EU foreign policy. -
Interfacing Privacy and Trade
Case Western Reserve Journal of International Law Volume 53 Issue 1 Article 5 2021 Interfacing Privacy and Trade Mira Burri Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Mira Burri, Interfacing Privacy and Trade, 53 Case W. Res. J. Int'l L. 35 (2021) Available at: https://scholarlycommons.law.case.edu/jil/vol53/iss1/5 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law 53 (2021) Interfacing Privacy and Trade Mira Burri* Table of Contents Table of Contents ............................................................................ 35 A. Introduction: The increasingly contentious nature of the trade and privacy interface ................................................... 35 B. Legal frameworks for the protection of privacy .................. 44 I. International rules for the protection of privacy .................................... 44 II. Transnational rules for the protection of privacy: The OECD and the APEC frameworks............................................................................ 46 III. National approaches for data protection: The European Union versus the United States ........................................................................ -
Exporting Standards: the Externalization of the EU's Regulatory Power Via Markets
G Model IRL-5662; No. of Pages 16 ARTICLE IN PRESS International Review of Law and Economics xxx (2014) xxx–xxx Contents lists available at ScienceDirect International Review of Law and Economics Exporting standards: The externalization of the EU’s regulatory power via markets ∗ Anu Bradford Columbia Law School, Jerome L. Greene Hall, 435 West 116th Street, Room 927, New York, NY 10027, USA a r t i c l e i n f o a b s t r a c t Article history: This Article examines the unprecedented and deeply underestimated global power that the EU is exercis- Received 30 August 2012 ing through its legal institutions and standards, and how it successfully exports that influence to the rest Received in revised form 4 June 2014 of the world. Introducing the notion of “the Brussels Effect,” the Article shows how market forces alone Accepted 27 September 2014 are sufficient to convert EU standards into global standards. Without the need to use international institu- Available online xxx tions or seek other nations’ cooperation, the EU has a strong and growing ability to promulgate regulations that become entrenched in the legal frameworks of developed and developing markets alike, leading to Keywords: a notable “Europeanization” of many important aspects of global commerce. This Article identifies and Regulation explains the precise conditions for and the specific mechanism through which this externalization of EU’s Brussels effect standards unfolds. Enhanced understanding of this dynamic explains why the EU is currently the only California effect European union jurisdiction that can wield unilateral influence across a number of areas of law, ranging from competition Regulatory power and privacy to health and environmental regulation. -
Spectral Shadows in Christos Tsiolkas' DEAD EUROPE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online ‘There Were Phantoms’: Spectral Shadows in Christos Tsiolkas’ DEAD EUROPE LIZ SHEK-NOBLE University of Sydney The return of the dead and the repression of family secrets are central concerns of Christos Tsiolkas’ Dead Europe (2005). The killing of a young Jewish boy, Elias, instigates a narrative of intrafamilial trauma in which his phantom as a psychic double emerges to haunt the descendants of his murderers, Michaelis and Lucia Panagis. Michaelis and Lucia silently transmit this secret to their descendants, Reveka and Isaac, who become, in Esther Rashkin’s sense, ‘living tombs’. It is the contention of this essay that Nicolas Abraham and Maria Torok’s phantom is a psychopathological figure that illuminates the unwitting transmission of family legacies in Dead Europe, these legacies being sexual violence, murder, and anti-Semitism. What the protagonist, Isaac Raftis, realises, is that in the process of being haunted by the phantom- Elias who ‘lies buried yet alive’ (Rashkin, ‘Haunted’ 346) in his psyche, Isaac is powerfully compelled to come to terms with not only his family history but also his own relation to his Greek heritage. It is somewhat serendipitous that in attempting to find answers to ‘the theme of homesickness, of exile and return’ (Tsiolkas 35) by journeying to his mother’s homeland Agrio Dassos, Isaac reawakens the phantom of his family’s unspeakable past. The phantom as a spectral doppelganger of the young Jewish boy, Elias, returns to haunt the Panagis/Raftis family in order to seek retribution for his murder and that of his child, Christos, by Maritha Panagis.