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Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
REYNOLDS, Brian
BRIAN J. REYNOLDS DIRECTOR OF PHOTOGRAPHY https://vimeopro.com/user5249916/brian-j-reynolds-director-of-photography TELEVISION DOLLY PARTON’S HEARTSTRINGS: Netflix Prod: Patrick Sean Smith, Sam Haskell, Dir: Joe Lazarov THESE OLD BONES (Anthology Feature) Dolly Parton, Hudson Hickman DO UNTO OTHERS (MOW) Lifetime Prod: Julie Jarrett-Insogna, Stefanie Ziev Dir: Seth Jarret DOLLY PARTON’S (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek CIRCLE OF LOVE COAT OF MANY COLORS (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek MANHATTAN LOVE STORY (Season 1) ABC Prod: Jeff Lowell, Peter Traugott, Robin Schwartz Dir: Michael Fresco 90210 (Seasons 4 & 5) CBS/The CW Prod: Michael Pendell, Patricia Carr, Lara Olsen Dir: Various UNITED STATES OF TARA (Eps. 305-308) DreamWorks/Showtime Prod: Darryl Frank, Dan Kaplow Dir: Various THE GOOD GUYS (Pilot & Series) Fox TV Studios/FOX Prod: Matt Nix Dir: Tim Matheson BETTER OFF TED (Season 2) 20th Century Fox/ABC Prod: Marc Solakian, Michael Shipley Dir: Michael Fresco LIMELIGHT (Pilot) Warner Bros./ABC Prod: K.J. Steinberg, McG Dir: David Semel THE CLOSER (Seasons 1-4) Warner Bros./TNT Prod: Michael Robin, Greer Shephard Dir: Michael Robin CLEANER (Pilot) CBS Paramount/A&E Prod: Jonathan Prince, Robert Paul Munic Dir: David Semel TRUST ME (Pilot) Warner Horizon/TNT Prod: Hunt Baldwin, John Coveny Dir: Michael Robin THE VIRGIN OF AKRON OHIO (Pilot) Fox TV Studios/Lifetime Prod: Cary Brokaw, Jordan Budde Dir: Randall Zisk IMPERFECT UNION (Pilot) TNT Prod: -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Culture in Con Ict / Culture on the Move
Culture in Con◊ict / Culture on the Move November 13 – 15, 2008 Cercle de l’Union Interalliée 33, rue du Faubourg Saint-Honoré Paris VIII, France An Annual Convening of the Aspen Institute Global Initiative on Arts, Culture, and Society Culture in Con◊ict / Culture on the Move Presented by THE ARTS ARENA galleries & collections | center for writers & trans lators | forum for culture & society | the film place | performing arts space | museum GLOBAL INITIATIVE ON ARTS, cooperative | publications/media site | CULTURE, AND SOCIETY Supported by THE RUTH & FRANK STANTON FUND Table of Content Introduction Cultural Diplomacy Pledge · 4 Welcome to the Aspen Cultural Diplomacy Forum in Paris · 5 Program Pre-Forum Activities · 6 Program overview · 7 Daily Schedule · 8 Aspen Cultural Diplomacy Awards Ceremony · 15 The House is Small – The Welcome is Big: Photo Exhibition · 16 Presenters Forum Presenters List · 18 Biographies · 22 General Information The Aspen Institute Global Initiative · 49 Upcoming Aspen Institute Public Events · 50 Cercle de l’Union Interalliée 33, rue du Faubourg Saint-Honoré, Paris VIII The Council of Women World Leaders · 51 The Arts Arena · 52 Acknowledgments Special Thanks · 54 Cultural Diplomacy Forum Team · 54 Cultural Welcome to the Diplomacy Pledge Aspen Cultural Diplomacy Forum At the first public meeting held in Aspen in June 1949, to celebrate the life and It gives me a great pleasure to welcome you to the inauguration of the Aspen work of German humanist Johann von Goethe, participants signed a resolution, Cultural Diplomacy Forum. We are delighted that you have chosen, at this read by Thornton Wilder at the closing assembly, calling for “the formation of a particular moment in history, to join us in launching this unprecedented global world council of international relations to continue the work pioneered at these convening that we hope to organize annually in different locations. -
Wolscript.Pdf
Without Limits (Warner Brothers, 1998) Running time: 1 hour, 58 minutes Selected Film Credits Produced by Tom Cruise and Paula Wagner Directed by Robert Towne Executive Producers – Jonathan Sanger and Kenny Moore Written by Robert Towne and Kenny Moore Track Consultants – Frank Shorter, John Gillespie, Steve Bence Special Consultants – Bill and Barbara Bowerman, Jim Jaqua, Mary Marckx, Dave Frohnmayer Original music composed and conducted by Randy Miller Partial Cast of Characters Steve Prefontaine Billy Crudup Olympic Trials Bill Bowerman Donald Sutherland George Young Garth Granholm Walt McClure Greg Foote Bill Dellinger Dean Norris Munich Olympics Elfriede Prefontaine Lisa Banes TV Director William Friedkin Kenny Moore Billy Burke Charlie Jones Himself Roscoe Devine Matthew Lillard Fred Long Frank Shorter Mary Marckx Monica Potter BBC Commentator David Coleman Molly Cox Karen Elliott Prefontaine (age 6) Jamie Schwering Bob Peters William Mapother Bully Coleman Dow Barbara Bowerman Judith Ivey German Guard John Roemer Mac Wilkins Adam Setliff Russ Francis Nicholas Oleson Lasse Viren Pat Porter Hayward Field Announcer Wendy Ray Mohammed Gammoudi Steve Ave Starter Wade Bell Dave Bedford Jonathan Pritchard Don Kardong Gabriel Olds Emiel Puttemans Tom Ansberry Turn Judge Edwin L. Coleman II Harold Norpoth Sol Alexis Sallos Coed #1 Katharine Towne Juha Vaatinen Thomas DeBacker Coed #2 Cassandra A. Coogan Ian Stewart Ashley Johnson Coed #3 Amy Erenberger Javier Alvarez Brad Hudson Frank Eisenberg Todd D. Lewis NCAA Championships Per Halle Tove Christensen Iowa’s Finest Amy Jo Johnson Nikolay Sviridov Chris Caldwell Ian McCafferty Paul Vincent Helsinki Frank Shorter Jeremy Cisto Restoration Meet & Party Finnish Track Official #1 Ryan S. -
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Layout 1 Copy 6/9/19 10:20 PM Page 1
Scoop, June 14, 2019 2.qxp_Layout 1 copy 6/9/19 10:20 PM Page 1 Friday, June 7, 2019 SCOOP USA M EDIA Celebrating 59 Years of Community News by Adelaide AbSdur-Rcahmoan opUSA Black Historthye Un ivCersal Loife Inrsurannce Ceompr any dies in Memphis, [email protected] TN. 2007 Nellie Lutcher, pianist and singer (He’s A Real GEMINI - May 21 - June 21 Gone Guy) dies. Smart and witty. Outgoing, very chatty. Lively, ener- getic. Adaptable but needs to express themselves. Ar- June 9 gumentative and outspoken. Like change. Versatile. Busy, sometimes nervous and tense. Gossips. May You are charming, gracious and have a sweet disposi - seem superficial or inconsistent. Beautiful physically and men- tion. You have a keen and active mind, determined and tally. concentrated in your work and have a goodly amount of executive ability. You are a good entertainer and are The Pearl is the stone for the month of June popular in your own social circle. Pearls are symbolic of modesty and purity; they inspire 1877 Meta Vaux Warrick Fuller, artist and sculptor is honesty, innocence and love. Pearls were often thought to bring martial bliss to their wearers. The oldest known born in Philadelphia, PA. Her former home was located pearl necklace is more than 4,000 years old; it was found at 254 South 12th Street. in the sarcophagus of a Persian princess who died in 520 1888 Peter Marshall Murray, the first African Ameri - BC. An old legend says pearls were formed when dew- can member of the American Medical Association’s drops filled with moonlight fell into the ocean and were House of Delegates is born in Houma, LA. -
Speaking Parts
CINEMA CAN A D A Atom Egoyan's Speaking Parts ith his third film, Speakillg Parts , Atom Egoyan continues his exploration of memory, family, and technology. The landscape is becoming familiar: the video imWages, the alienated hero, the domineering patriarch, the bewildered feminine, the highly stylized performances. This time, however, technique is more assured; the vision denser, bleaker, and at times funnier. Clara (Gabrielle Rose), university professor and writer, sits in a trance in fro nt of a monitor in a video mausoleum grasping at Images of her dead brother. Lance (Michael McManus) moves in a semi-catatonic state from room to room in a luxury hotel changing sheets. Lisa (Arsinee Khanjian), sorts laundry in the hotel basement; she is abstracted, dissociated from her tasks and environment. The dance begins as austerely as an intricate Noh drama, in which gestures and Michael McManus as Lance silence delineate the boundaries of human communication. Here, however, video cuts a liaison. lllicit because of the electronic media's the story, begs Lance to do something . But Producer to control Clara and the film. technological swath across the human, usurpation of the sexual; and illicit because of Lance can only keep his speaking part if he Acold film, Speaking Paris eschews audience exposing, like an unhealed sore, memory and the essentially incestuous nature of Clara's remains silent. Lisa is silent about Lance's involvement for more intellectual pleasures: an truth. When the body is shipped of skin, we relationship to Lance, who has become her connection to the death in room 106, despite inhicate construct within a finely balanced find, not flesh or blood, but video images.