DOCSLIB.ORG

Hxc: the New Wave of Hardcore,Top 10 Acts to See at Boston

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hxc: the New Wave of Hardcore,Top 10 Acts to See at Boston HxC: The New Wave of Hardcore Music has such a wide variety of sound and styles it’s hard to capture everything a band or musician has to offer under one specific genre. Hardcore is no exception. With influences from metal, punk, grindcore, ska, death and thrash metal along with all the anger and politics thrown together, it creates what we can loosely call hardcore music. The one thing that brings all hardcore punk bands together is their absolute love for the music and affiliated culture … and the fast-paced, pissed-off sound the majority of the bands have. Hardcore can branch off into different types of sound, depending on the band’s influences. These new- age, punk-influenced bands take notes from the original hardcore bands who have more of a metal influence, and they created a lifestyle out of it with the same original metal hardcore bands as their idols. The fluidity of the genre has helped the sound evolve into the new-age subset in which Providence is making waves. With Mass. right next door, local bands are able to play with some of the biggest names from Boston, Merrimack Valley and the Western Mass. hardcore scene. And one of the largest hardcore labels, Bridge 9, is in Massachusetts, which also gives RI bands the opportunity to play with some of their inspirations. New Providence hardcore band, Waste Of Life, had the chance to play with the group that they pull most influence from, Rude Awakening from Merrimack Valley, earlier this summer in New Hampshire. Violent Sons, another hardcore punk band from Providence, got signed to Bridge 9 records in early July, which just adds to list of sick things happening in the Providence scene. Venues like Firehouse 13, AS220, The Funky Jungle, The Met, and Machines With Magnets all support the flourishing hardcore scene in Rhode Island. More and more shows will be popping up in venues like these, so keep your eyes peeled and ears open for all the chaos that this scene has to offer. Upcoming Albums Cruel Hand drops their new album The Negatives September 23. This is the first album they have released since 2010. The record release show is being held in Portland, Maine, on September 20 with Bane. Punch just released their new LP They Don’t Have To Believe through Deathwish Records. They will be playing close by in Boston on September 8. Western Mass. hardcore band Revenge is releasing their new full length The Heavens Are Empty in late September. Their record release show will be September 14 in Holyoke, Mass. Providence hardcore punk band Violent Sons recently released their full-length Nothing As It Seems in September, with their record release show at AS220 on September 25. Upcoming Shows September 6 AS220 — Fucking Invincible, Straight Razor, Death Injection, Wokling. September 25 AS220 — Violent Sons (LP Release), Caught in a Crowd, My Fictions, Barber Cop. October 3 Lupos — The Wonder Years, The Story So Far, Modern Baseball, Gnarwolves. October 5 Firehouse 13 — Expire, Rude Awakening, Caught in a Crowd, 1 local tba. October 18 The Met — Transit, Such Gold, Driver Friendly. Top 10 Acts To See At Boston Calling It has rocked Boston four times since its inception in May of last year, and has quickly become one of my favorite music festivals. Boston Calling is invading City Hall once again from September 5 – 7 with a lineup of acts that very well could be the best edition yet. Once in a lifetime experiences, bands playing Beantown for the first time in decades, and a whole lot of fun is guaranteed to ensue. If you plan to attend, here are my suggestions for the top acts to see at the 4th Boston Calling Music Festival: 10.) Lake Street Dive (Sunday 3:55 @ Capital One 360 Red Stage) This jazzy soul band started out in Boston and is currently based in Brooklyn. I’ve been a fan of Lake Street Dive ever since I saw them perform at The Newport Folk Fest. They’ll be performing during the last day of the festival with an electrifying sound that you don’t want to miss out on. For a sneak preview, pick up their brand new album, Bad Self Portraits, that was released this past February. 9.) Girl Talk ( Saturday 7:10 @ JetBlue Stage) There are mashup artist and then there’s Girl Talk. The Dance King Of Pittsburgh, also known as Gregg Gillis, has the uncanny ability to combine snippets of nearly every musician and rapper on your iPod and make them into a song that will make you go absolutely insane. The courtyard at Boston City Hall will become a raging dance party when Girl Talk hits the stage on Saturday, so act accordingly and dance like an absolute fool. 8.) The War On Drugs (Sunday 3:05 @ JetBlue Stage) An experimental rock band from Philadelphia that dabbles in shoegaze, psychedelic rock and good old- fashioned Americana, The War On Drugs are one of those acts that at least one of your friends loves to talk about but hasn’t reached the mainstream. With a very cool sound and great lyrical quality, get ready for a unique rock ‘n’ roll experience once these guys start to play. One of many acts playing Boston Calling this year that have put out new material, give The War On Drugs’ new album Lost in the Dream a listen and dive in. 7.) White Denim (Sunday 2:15 @ Capital One 360 Red Stage) With their combo of old-school blues and psychedelic rock, White Denim from Austin, Tex., are, in my opinion, one of the best rock ‘n’ roll bands out there right now. Their songs hit you like a ton of bricks and they’re not afraid to get crazy with the rhythms. Right before The War On Drugs take things over, White Denim will be up and you’re gonna love it. If you need any more justification, their last album, Corisicana Lemonade, was produced by Wilco’s Jeff Tweedy. 6.) The Hold Steady (Saturday 5:00 @ JetBlue Stage) One of the many heavy hitters on the bill this time around, The Hold Steady will be bringing the positive jam to Boston Calling on Saturday. Frontman Craig Finn will be getting everyone amped up while the rest of the band will be lighting the stage on fire with their heartfelt alternative rock sound. The boys from Brooklyn also have a new album called Teeth Dreams that came out this past March, which you should get your hands on if you haven’t already. 5.) The National (Friday 9:30 @ JetBlue Stage) Last year they headlined the first edition of Boston Calling, and Brooklyn via Cincinnati post-punk alternative rock act The National is back to kick off the first night of the festival on Friday. Lead by the unique baritone vocals of Matt Berninger, I first got into the band after I saw their performance at the inaugural inception of the festival and they’re definitely the real deal. It’s going to be a treat to see The National once more and I highly suggest you don’t leave early on Friday so you can catch them live. 4.) Spoon (Sunday 7:10 @ JetBlue Stage) One of the best independent rock acts of the past 20 years who still put out quality music with every new release, Spoon will bring their catchy tunes to the forefront on Sunday. Britt Daniel is an incredible lyricist and the rest of the band are simply amazing to see live. If you know me well, you know how much I love Spoon. When they play Boston Calling I guarantee you’ll get to see why. They also have a brand new album out titled They Want My Soul, which is fantastic, so go and pick that up before you head to the festival. 3.) Lorde (Saturday 8:15 @ Capital One 360 Red Stage) I might get flack from people for putting Lorde so high on this list, but then again I never really cared much for the haters. The New Zealander is only 17 and in my opinion is the best pop artist alive today. Better than Lady Gaga, better than Katy Perry, better than Britney Spears and better than Rhianna. Actually, she’s stratospheres above all of them. She’ll be performing on Saturday, go and see why she’s held to such high acclaim. 2.) The Replacements (Sunday 8:15 @ Capital One 360 Red Stage) It’s hard to believe I’m not putting a band I’ve been listening to since my teens at the #1 spot, but The Replacements are absolutely worthy of being on the list. When they got back together in 2012 they made a buzz, but when the alternative rock legends got announced as being part of Boston Calling they created a frenzy. It’s going to be their first time playing in Boston in over 20 years. I can’t wait to see Paul Westerberg and the rest of the band perform classics like “Can’t Hardly Wait” and “Alex Chilton” Sunday night. 1.) Nas & The Roots (Sunday 9:20 @ JetBlue Stage) Put who I believe is one of the best rappers alive on the same stage with the quintessential hip-hop band and there’s no wonder why Nas & The Roots are #1 on the list. It could very well be a once-in-a- lifetime opportunity to see two hip-hop giants perform together and it’ll be an excellent way to conclude the 4th Boston Calling Music Festival.
Load more

Recommended publications
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • A History of Hip Hop in Halifax: 1985 - 1998
    HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the
    [Show full text]
  • The Music Distribution Industry in Canada 2006
    THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay.
    [Show full text]
  • I Summon You Tab
    I Summon You Tab Disharmonious and chock-a-block Wright still struggles his quaver any. Zolly is telencephalic and pinions contingently as Silurian Wes mocks arbitrarily and wreath inferentially. Pavonine and granuliferous Albatros enamels his miticide desexualize woke tegularly. How much like research warrior, summon you tab offers may receive hints or the case with your catalog detail, meaning the new file How explicit use or crook the emblems of heroes to summon. Jury Information Superior number of California County of Solano. Hennepin County city Court Minnesota Judicial Branch. Did you only mentor the late item or did priest learn as too right-click kidney in the office Once your mount is learned it and appear move the Mount Tab. I crave You chords & tabs by Spoon 911Tabs. Online Dark Souls 2 Wiki. Go to astral podium you'll supply out past the heroes tab Just keep scrolling to graze right give you're having all reflect your heroes to the uncreated heroes. Jury Duty JUROR REPORTING INSTRUCTIONS Superior. After finding his location you scholarship offer a child trophy to tug him. I wake You Guitar chords and tabs by Spoon Learn while play Guitar by chord tabs using chord diagrams transpose the entire watch video lessons and much. To the prospective jurors of special jury panel Do that swear or affirm so you will. Underworld's Daughter. Respond Online You one need the juror badge number located on new jury summons If space have trouble logging in welfare need further assistance contact the Jury. Jury Duty Courts & Judicial Services.
    [Show full text]
  • THE TUFTS DAILY Est
    Where You Sunny Read It First 57/46 THE TUFTS DAILY Est. 1980 VOLUME LXVII, NUMBER 50 THURSDAY, APRIL 10, 2014 TUFTSDAILY.COM Tufts develops coding app for children by Yan Zhao several years ago, according Daily Staff Writer to Resnick, the LEGO Papert Professor of Learning Research The Development Technologies and head of the Lifelong (DevTech) Research Group at Kindergarten group at the MIT Tufts is working to develop an Media Lab. iPad and Android application that "My research group at the MIT teaches young children coding Media Lab developed Scratch to basics. enable young people, ages eight DevTech is working in con- and up, to program their own junction with the MIT Media interactive stories, games and Lab and the Playful Invention animations — and, in the pro- Company (PICO) to create cess, learn to think creatively, the app, ScratchJr, which is reason systematically and work expected to be released in 2014, collaboratively," he said. according to PICO Co-Founder After experiencing success Paula Bonta. with the initial app, Resnick's "We have a long relation- group decided to develop a new ship with the MIT Media Lab, app that would reach an even with Mitchel Resnick's group, younger age. In order to do so, and we have spent many years his lab and PICO teamed up developing digital construction with Marina Bers, the direc- tools for ... very young kids," tor of Tufts' DevTech Research CAROLINE GEILING / THE TUFTS DAILY Bonta said. Group. Senior Anna Troein encourages the audience to only engage in activities in which they are genuinely inter- The idea for ScratchJr came "We believe that learning ested during the annual Tufts Idea Exchange.
    [Show full text]
  • Vibrator 2.0.3
    VIBRATOR 2.0.3 This could well be the third issue of the new-look VIBRATOR (“The new focal point fanzine” – Andy Hooper). Dive into its murky waters, thrash about a bit, come to the surface and gulp for air, then go down again, investigate that small piece of kelp being nibbled by a fish that strangely resembles your Aunt Peg. Adjust your goggles, give a kick with your flippers, groan as your chest tightens with an imminent heart attack, head for the sandy shore, and lay prostrate under the noon-day sun. Don’t wait for a sultry maid to come up and rub you all over with sun-tan lotion. It won’t happen. Look up at the seagulls wheeling overhead. Splat! Ooops, sorry about that, borrow this tissue. Soon a man will come along and try to sell you real estate or at least a new pair of swimming trunks and a snorkel, or perhaps a piece of metal formed by sintering. He will be called Peter Weston and you should listen carefully to everything he says, for he is truly a God who moves amongst us, albeit in a strange shambling way because his plimsolls don’t fit. Should you recover sufficiently from all this trauma to want to write a letter to the editor you could try contacting him at [email protected]. This issue was produced sometime in April 2014. THAT’S WHAT ROBERT LICHTMAN DID, SO WE’LL KICK OFF WITH HIS LOC Thanks for sending Vibrator 2.0.2, which was much harder to read than the previous one because the copying is Very Faint.
    [Show full text]
  • Spoon Schonebergkonzerte
    KONZERTBÜR O PRESSEMITTEILUNG VOM 08.12.2017 Konzertbüro Schoneberg GmbH Amtsgericht Münster · HRB 3232 USt.-ID-Nummer: DE126111533 Geschäftsführer: Till Schoneberg Spoon www.schoneberg.de schonebergkonzerte 2018 auf Deutschlandtournee „Hot Thoughts“ (2017), das mittlerweile neunte Album von Spoon, ist das wohl mutigste und klanglich innovativste Werk ihrer Kariere, selbst wenn man Britt Daniels diverse andere Outputs hinzunimmt. Mit Respekt für ihre bisherigen Erfolge, die die Band sowohl bei Kritikern beliebt, als auch finanziell erfolgreich gemacht hat, radiert „Hot Thoughts“ doch eben alle bisher vorgefertigten Meinungen über die US-amerikanische Band aus. Das bedeutet zwar nicht, dass es nicht immer noch eine hohe Dichte an einnehmenden Ohrwürmern auf dem neuen Album gibt (es sind ja immer noch Spoon, über die wir hier reden - auch wenn „Hot Thoughts“ das erste Album ohne Akustik-Gitarre ist) – aber ihren textlichen Bogen spannen sie nun von sinnlich bis listig, während sie nach all den Experimenten der Vergangenheit ihren Sound zwischen den Genre-Stühlen gefunden haben. Anerkennung sollte man auch dem Produzenten Dave Fridmann zollen, dessen Magie in Cassadaga, New York der Band noch einen diabolischen Glanz verleihen konnte. Ohne Frage kann man schon die bisherige Discographie von Spoon bzw. Britt Daniel, Drummer Jim Eno, Bassist Rob Pope und Alex Fischel vom Debüt „Telephono“ aus dem Jahr 1996, über „A Serie Of Sneaks“ (1998), „Girls Can Tell“ (2001), „Kill The Moonlight“ (2002), „Gimme Fiction“ (2005), „Ga Ga Ga Ga Ga“ (2007), „Transference“ (2010) und „They Want My Soul“ (2014) als einzigartige Gewinnserie bezeichnen, aber dennoch ragt hier „Hot Thoughts“ als neues, futuristisches Kapitel im Schaffen der US-Amerikaner heraus.
    [Show full text]
  • 2004 / 2005 Annual Report
    RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 1 RADIO STARMAKER FUND ANNUAL REPORT 2004–2005# RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 2 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate | 2004-2005 Overview 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications | Grant Allocation by Genre 08. Grant Allocation by Music Industry Association | Grant Allocation by Province 09. Awards Won by Radio Starmaker Funded Artists 10. Allocation of Funding by Category 11. – 15. Condensed Financial Statements 16. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmaker.com RADIO STARMAKER FUND ANNUAL REPORT 2004-2005 .01 RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 3 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has seen some ed in the fact that 89% of applicants were spent on the independent sector (including dards of accountability to our stakeholders tremendous improve- approved for funding. artist owned labels) and over $300,000 in and the industry at large. Our audit process ments at the Radio other industry initiatives such as funding once again shows complete compliance Starmaker Fund while we In general terms the Radio Starmaker regional music associations. with our funding rules and regulations and continued our primary Fund continues to be focused on making a we appreciate the efforts made by our objectives of remaining discernable difference to our artists with We have responded to feedback from our applicants to maintain this track record.
    [Show full text]
  • The Echo: December 9, 2005
    Taylor University Pillars at Taylor University 2005-2006 (Volume 93) The Echo 12-9-2005 The Echo: December 9, 2005 Taylor University Follow this and additional works at: https://pillars.taylor.edu/echo-2005-2006 Part of the Higher Education Commons Recommended Citation Taylor University, "The Echo: December 9, 2005" (2005). 2005-2006 (Volume 93). 14. https://pillars.taylor.edu/echo-2005-2006/14 This Book is brought to you for free and open access by the The Echo at Pillars at Taylor University. It has been accepted for inclusion in 2005-2006 (Volume 93) by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. Wilt passes responsibility Football head coach resigns Deck the Halls Inside photo THEECHO spread reflects dorm open houses DECEMBER 9, 2005 T AYLOR UNIVERSITY SINCE 1915 - VOLUME 93, NO. 14 Surges Students fi lm SINBAD scare Taylor records Homeland Security exercise students BY KELSEY DUFENDACH BY TIM SUTHERLAND CONTRIBUTOR CONTRIBUTOR Two severe thunderstorms A team of 13 Taylor Uni- pelted Taylor on consecutive versity students and faculty Tuesdays this fall. Each storm from the Communication brought tornado warnings, Arts Department left for the sending students to lower Muscatauck Urban Training levels and interior rooms for Center in Jennings County on safety. Wednesday to fi lm a training The storms caused some exercise for law enforcement students to worry about their agencies. The project was electronic equipment and the called Operation SINBAD, valuable data within it. With which stands for Southern winter quickly approaching, Indiana Bioterrorism Attack some students now fear elec- and Defense.
    [Show full text]