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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Politics Isn't Everything
Vol. 9 march 2017 — issue 3 iNSIDE: TOWNHALL TO NO ONE - POLITICS ISN’T EVERYTHING - COLD - why aren’t millennials eating pho - still drinking - BEST PUNK ALBUM EVER?? - ASK CREEPY HORSE - LOST BOYS OF THE RIGHT - misjumped - record reviews - concert calendar Town hall to no one Recently I was invited to attend a town hall meeting for our local representative to Congress, Rep. Bill Flores. In this day and age, you definitely want to have access to the person your district voted to send to 979Represent is a local magazine Washington and represent the interests of your home for the discerning dirtbag. area. 100 or so people turned out, submitted questions, gave passionate testimonials, aired grievances, ex- pressed outrage, even gave praise to Flores for a certain Editorial bored stance (though that was brief). Gay, straight, trans, white, other, Christian, Jew, Muslim, atheist, profession- Kelly Minnis - Kevin Still al, student, retired...a cross-section of the district’s diverse populace attended. Local police kept everything low key, local media showed to document the process. Art Splendidness Ivory is white, coal is black, water is wet...who cares, Katie Killer - Wonko The Sane right? This sort of thing happens all the time all over the country so what was so special about this event? Folks That Did the Other Shit For Us It was a townhall meeting with our congress- man...without the actual congressman in attendance. HENRY CLAYMORE - CREEPY HORSE - TIMOTHY MEATBALL He decided not to participate and instead flew to Mar-A- DANGER - MIKE L. DOWNEY - Jorge goyco - TODD HANSEN Lago to pull on Daddy Trump’s shirttail to beg of some EZEKIAL HENRY - Rented mule - HENRY ROWE - STARKNESS of the Orange Julius’s attention. -
Timothy Woon - Magician Illusionist AS IS WORKING TITLE THEATRE Tues 15Th April 8Pm
Auckland University Students Association, Incorporated FREE VOL. 60, NO. 8: 14 APRIL 1986 Rebel Tour to S.A. on ! Umtata (Transkei) — Reuter/Craccum. A "rebel" tour to the apartheid-ridden Boer empire in southern Africa by the inappropriately-named A ll Blacks, New Zealand's national rugby team, will take place, and the team departed from N.Z. yesterday, announced the Puppet President of Transkei. The footballers' visit to Africa is expected to provide much-needed legitimation to the minority Boer regime which controls the southern part of the continent by military oppression and a nuclear-armed airforce. The 30-odd players are expected to each receive about NZ$500,000 for their efforts in backing the regime in this way, although a spokesperson for the NZRU in Wellington, Mr Ces Blazey, declined to either confirm or deny this figure. A Quadrilateral Award for Beret Recovered ! The NZRU is expected to face contempt of court charges Buzz - see Page 5. Dieppe, (France), Reuter. as the players who have gone, while they may not wear the — The DGSE while on an official A ll Blacks uniform, are nevertheless substantially the underwater training mission same as the team named for the abortive tour that was off the coast of Honshu has WE CAN MAKE IT ! recovered a suspicious cancelled by the High Court last year. The Inland Revenue beret with a nametag Dept, confirmed it will "closely monitor" the accounts of 'Graham Peter Jules those who travel to Africa. ELEMENTARY ... Watson' inside, announced the ex-Spokesperson for From Zambia, a spokesperson for the African National says WATSON Sabotage, Monsieur Hernu, Congress, which claims the support of the majority of the today. -
The Damned Don't You Wish Press Release.Indd
PRESS RELEASE The Damned: Don’t You Wish That We Were Dead (15) RELEASE DATE On Blu-ray and DVD 29 May 2017 On Digital 22 May 2017 KEY TALENT INFORMATION Starring • David Vanian (lead singer, The Damned) • Captain Sensible (guitar/vocals, The Never mind the Sex Pistols… Damned) • Rat Scabies (drummer, The Damned) here’s The Damned! • Lemmy (Motorhead) • Mick Jones (The Clash) Fast Sell: • Steve Diggle (The Buzzcocks) • Chrissie Hynde (The Pretenders) A rip-roaring, hellraising account of one of the fi rst and • Chris Stein and Clem Burke (Blondie) greatest punk bands, The Damned, who ripped up the • Jon Moss (Culture Club) 70s music scene, fell apart in chaos, reformed and are still • Duff McKagan (Guns ‘N’ Roses) touring today 40 years strong! This joins Lemmy, The Filth • Glen Matlock (Sex Pistols) and the Fury and Anvil as a gleefully riotous, must watch • Nick Mason (Pink Floyd) rock-doc! • Ian MacKaye (Fugazi, Minor Threat) • Jesse Hughes (Eagles of Death Metal) From the co-director of Lemmy, featuring Chrissie Hynde, • Dexter Holland (The Off spring) Mick Jones, Lemmy, and members of Pink Floyd, Black Flag, • Jack Grisham (T.S.O.L) Guns ‘N’ Roses, Sex Pistols, Fugazi, Blondie, The Buzzcocks • David Gahan (Depeche Mode) and many more! • Don Letts • Billy Idol Synopsis: Director The story of the long-ignored pioneers of punk: The • Wes Orshoski (Lemmy) Damned. CONTACT/ORDER MEDIA The long-ignored pioneers of punk, The Damned started out as trailblazers on London’s 70s punk rock scene, being Thomas Hewson - [email protected] the fi rst British punk band to release a single, the immortal New Rose in 1976. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
The Vinyl Countdown for Record Store Day April 13 at Neat Neat Neat and Wooden Nickel
METHENY, GIN BLOSSOMS HARRY POTTER SCOTTY things to do 353in the area POP INTO PAVILION AND THE PHIL McCREERY CALENDARS START ON PAGE 11 Apr. 4-10, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE VINYL COUNTDOWN FOR RECORD STORE DAY APRIL 13 AT NEAT NEAT NEAT AND WOODEN NICKEL ALSO INSIDE: DANCE AND COMEDY FESTIVALS · ALBUM REVIEWS · SHAZAM! WITH LIGHT PRAISE starstarstarstarstar whatzup.com LONGE OPTICAL 2 WHATZUP APRIL 4-10, 2019 Inside This Week Volume 23, Number 36 Indiana Dance Fest 5 NEAT NEAT NEAT Records & Music Harry Potter4 for the 12th annual and The Phil 7 Zakir Hussain Scotty McCreery6 Maumee, Mary, and 9 Joseph Comedy Fest 8am 8 Record Store Day 1836 S Calhoun St Columns & Reviews Calendars Out and About ⁄ 10 Spins ⁄ 19 Live Music & Comedy ⁄ 11-15 Metheny, Gin Blossoms pop into Maren Morris, Steve Gunn, Xiu Xiu Pavilion On the Road ⁄ 16-18 Backtracks ⁄ 19 Picks ⁄ 12, 14 The Easybeats, It’s 2 Easy (1966) Road Trips ⁄ 17 Sanctus Real, Rock and Roll Voodoo, Stage & Dance ⁄ 21 Sam Evian, Heartland Sings Reel Views ⁄ 20 Lack of clear vision stalls out otherwise Things To Do ⁄ 22 News and Venues ⁄ 15 worthy Shazam! Kids can develop theater skills at Art & Exhibits ⁄ 23 Wagon Wheel camps Screen Time ⁄ 20 Here’s to hoping Burton recaptures Road Notes ⁄ 16 magic of earlier in his career Comic Con orders side of Meatloaf Cover photo by Eric Wilson APRIL 4-10, 2019 WHATZUP 3 Philharmonic to How to reach us Whatzup LLC 5501 U.S. -
Rockfest 80'S Returns for Year Three!
Contact: Roy Anthony Rockfest Concerts, LLC. [email protected] Rockfest 80’s Returns For Year Three! Brand New Venue And The Ultimate Line Up To Date, Bringing The Best 80’s Music Festival In The Country. One “Rockin” Veterans Day Weekend ----- 16 Rock Icons Will Grace The Stage (Miramar, FL – July 2018) – Get ready for round three, with the most ultimate line-up set to ignite South Florida this fall for the third Annual Rockfest 80’s festival event. The epic two-day event is coming to Miramar Amphitheater, Saturday November 10th & Sunday November 11th, 2018 – Doors open noon to 10:30pm each day. Tickets are on-sale: http://www.rockfest80s.com This year’s spectacular lineup features: Vince Neil, Ace Frehley, Cinderella’s Tom Keifer, Night Ranger, Sebastian Bach, KIX, Winger, Mr Big’s Eric Martin, Trixter, Firehouse, Steelheart, Nelson, Zebra and Kickin Valentina. Paying homage to South Florida’s local music scene, Rockfest 80’s always brings the best of the best. The local band scene joining the line-up thus far: Stellar Revival and Big Rock Band. Miramar Amphitheater (Home to Rockfest 80's) located in Miramar, FL. is the center piece of the Miramar Regional Park. The completion of the Miramar Amphitheater came in spring of 2017 with a July 4th grand opening. This State of the Art Amphitheater is the only Amphitheater in South Florida with a canopy covering its 3,000 luxury seats, flanked by a general admission lawn that holds an additional 2,000 people. Being one of Broward County’s premier parks and extremely popular serving Miramar, Pembroke Pines, Hollywood and both Ft Lauderdale and Miami. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay. -
Joseph Ghosn
AGENDA (Larousse) à découper et mettre sur son frigo SOMMAIRE DOS AU FRIGO AGENDA DE Agenda de Frigo................. 2 Edito.................................... 3 Les infos très pratiques du Temps Machine................ 4 Le programme.................... 5 Le rubrique de Pauline....... 36 Le DSC................................ 38 Hors du Temps Machine.... 40 L’instant scientifique................42 Ça se passe aussi au Temps Machine.....................44 Et si on parlait de...................46 Cahier ou groupe de cahiers d’un ouvrage publié par fragments. fragments. par publié ouvrage d’un cahiers de groupe ou Cahier La surprise du fascicule......................... 48 Rewind................................. 51 FASCICULE Chez les copains................; 64 LE TEMPS MACHINE CooRdonnées EDITO Le Temps Machine Parvis Miles Davis BP 134 37301 JOUÉ LÈS TOURS CEDEX Tel : 02 47 48 90 60 Courriel : [email protected] www.letempsmachine.com www.facebook.com/letempsmachine Comment tu t'appelles ? Horaires Ambiant, drone, experimental, improv, courage : que risque-t-on en effet à parler Les Bureaux space, noise, psyche, freaky, dream, de post-dubstep, de chill pop, de witch- du lundi au vendredi : heaven, inde hip-hop, anti-post-folk, house, de synthwave ou de drone-metal 10h00 / 12h30 & 14h00 / 18h00 space-choir, 80's revival, proto-garage, (jadis trip-hop, balearic, glitch, post-rock FRIGO Le Centre avant-jazz-core-fanfare ou que sais-je encore ou bien naguère no-wave, new romantic ou Mardi – jeudi – vendredi : 14h00 / 18h30 DE Mercredi -
2004 / 2005 Annual Report
RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 1 RADIO STARMAKER FUND ANNUAL REPORT 2004–2005# RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 2 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate | 2004-2005 Overview 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications | Grant Allocation by Genre 08. Grant Allocation by Music Industry Association | Grant Allocation by Province 09. Awards Won by Radio Starmaker Funded Artists 10. Allocation of Funding by Category 11. – 15. Condensed Financial Statements 16. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmaker.com RADIO STARMAKER FUND ANNUAL REPORT 2004-2005 .01 RSM ANNUAL REPORT 23.1.06 1/24/06 9:34 AM Page 3 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has seen some ed in the fact that 89% of applicants were spent on the independent sector (including dards of accountability to our stakeholders tremendous improve- approved for funding. artist owned labels) and over $300,000 in and the industry at large. Our audit process ments at the Radio other industry initiatives such as funding once again shows complete compliance Starmaker Fund while we In general terms the Radio Starmaker regional music associations. with our funding rules and regulations and continued our primary Fund continues to be focused on making a we appreciate the efforts made by our objectives of remaining discernable difference to our artists with We have responded to feedback from our applicants to maintain this track record.