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Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Joel Parkinson (AUS) Miguel Pupo (BRA) Brett Simpson (USA) QUIKSILVER PRO Michel Bourez (PYF) GOLD COAST
ROUND ONE 25th Ratings Points 500 13th Ratings Points 1750 1st>Rnd3,2nd,3rd>Rnd2 1st>Rnd3,2nd=25th 1st>Rnd4,2nd=13th Pts Plc us$-Prizemoney $9,000 us$-Prizemoney $10,500 R 6 Joel Parkinson (AUS) 15.16 1 ROUND 2 HEAT 1 Pts Plc ROUND 3 HEAT 1 Pts Plc ROUND 5 W 1 19 Miguel Pupo (BRA) 11.00 3 Mick Fanning (AUS) 4 ROUND 4 1st>Quarters,2nd=9th QUARTER FINALS B 31 Brett Simpson (USA) 11.87 2 Dane Reynolds (USA) 21 1st>Quarters,2nd,3rd>Rnd5 9th Ratings Points 4000 5th Ratings Points 5200 QUIKSILVER PRO R 5 Michel Bourez (PYF) 14.44 2 HEAT 2 HEAT 2 us$-Prizemoney $12,750 us$-Prizemoney $15,000 GOLD COAST - QLD - AUSTRALIA W 2 20 Sebastian Zietz (HAW) 14.60 1 Kelly Slater (USA) 9 HEAT 1 Pts Plc Pts Plc Pts Plc FFEBRUARY 28TH - MARCH 11TH B 32 Ricardo Christie (NZL) 8.94 3 Jack Freestone (AUS) 16 1.1 R4H1.2nd R4H1.1st US$525,000 R 4 Kelly Slater (USA) 14.43 2 HEAT 3 HEAT 3 1.2 HEAT 1 QUARTER 1 W 3 21 Fredrick Patacchia (HAW) 17.06 1 Michel Bourez (PYF) 5 1.3 R4H2.3rd R5H1.1st B 33 CJ Hobgood (USA) 12.50 3 Glenn Hall (IRL) 20 R 3 John John Florence (HAW) 16.80 1 HEAT 4 HEAT 4 W 4 22 Jadson Andre (BRA) 12.57 3 Adriano De Souza (BRA) 8 HEAT 2 SEMI-FINALS B 34 Glenn Hall (IRL) 12.84 2 CJ Hobgood (USA) 17 1.4 R4H2.2nd R4H2.1st 3rd Ratings Points 6500 FINAL R 2 Mick Fanning (AUS) 17.06 2 HEAT 5 HEAT 5 1.5 HEAT 2 QUARTER 2 us$-Prizemoney $20,000 1st Ratings Points W 5 23 Matt Banting (AUS) 17.76 1 Taj Burrow (AUS) 12 1.6 R4H1.3rd R5H2.1st Pts Plc us$-Prizemoney B 35 Jack Freestone (AUS) 15.83 3 Ricardo Christie (NZL) 13 QH1.1st 2nd Ratings Points R 1 Gabriel -
Julian Wilson (AUS) Jeremy Flores (FRA) Travis Logie (ZAF
ROUND ONE 25th Ratings Points 500 13th Ratings Points 1750 1st>Rnd3,2nd,3rd>Rnd2 1st>Rnd3,2nd=25th 1st>Rnd4,2nd=13th Pts Plc us$-Prizemoney $8,000 us$-Prizemoney $9,500 R 6 Julian Wilson (AUS) 12.00 3 ROUND 2 HEAT 1 Pts Plc ROUND 3 HEAT 1 Pts Plc ROUND 5 W 1 19 Jeremy Flores (FRA) 13.76 1 Mick Fanning (AUS) 13.67 1 Taj Burrow (AUS) 12.93 1 ROUND 4 1st>Quarters,2nd=9th QUARTER FINALS B 31 Travis Logie (ZAF) 13.40 2 Matt Banting (AUS) 9.17 2 Travis Logie (ZAF) 9.93 2 1st>Quarters,2nd,3rd>Rnd5 9th Ratings Points 4000 5th Ratings Points 5200 QUIKSILVER PRO R 5 Taj Burrow (AUS) 16.17 1 HEAT 2 HEAT 2 us$-Prizemoney $12,500 us$-Prizemoney $15,000 GOLD COAST - QLD - AUSTRALIA W 2 20 Miguel Pupo (BRA) 11.83 2 Jordy Smith (ZAF) 12.67 2 Michel Bourez (PYF) 10.10 2 HEAT 1 Pts Plc Pts Plc Pts Plc MARCH 01-12 B 32 Dion Atkinson (AUS) 7.37 3 Tiago Pires (PRT) 12.70 1 Fredrick Patacchia (HAW) 10.93 1 Taj Burrow (AUS) 14.53 1 Fredrick Patacchia (HAW) 13.20 2 Taj Burrow (AUS) 15.00 1 US$500,000 R 4 Jordy Smith (ZAF) 8.40 3 HEAT 3 HEAT 3 Fredrick Patacchia (HAW) 14.10 2 HEAT 1 QUARTER 1 W 3 21 Fredrick Patacchia (HAW) 13.03 1 Julian Wilson (AUS) 13.56 1 Julian Wilson (AUS) 13.76 2 Mitch Crews (AUS) 13.00 3 CJ Hobgood (USA) 13.53 1 CJ Hobgood (USA) 12.46 2 B 33 Brett Simpson (USA) 12.37 2 Brett Simpson (USA) 9.00 2 Mitch Crews (AUS) 15.16 1 R 3 Joel Parkinson (AUS) 16.43 1 HEAT 4 HEAT 4 W 4 22 Bede Durbidge (AUS) 13.60 2 Kai Otton (AUS) 7.00 2 CJ Hobgood (USA) 10.20 1 HEAT 2 SEMI-FINALS B 34 Tiago Pires (PRT) 9.93 3 Dion Atkinson (AUS) 16.23 1 Adam Melling -
Lotus to Adjust Position and Center Spine Type Based on the Final Width of Spine
THE KAHALA Lotus to adjust position and center spine type based on the final width of spine. 2014-2015 VOL. 9, NO. 2 December 2014-june 2015, VOL. 9, NO.2 CONTENTS Volume 9, Number 2 Features 29 Layers of Meaning The abstract paintings of Honolulu-based artist Mary Mitsuda are a multilayered exploration of ideas, tracing lines of meaning and inviting the viewer to pause and look closer. Story by Christine Thomas Photography by Dana Edmunds 38 Journey Into Tranquility With its exquisite Japanese gardens, beautiful temple and impressive Amida Buddha, the Byodo-In shrine is a place for contemplation and introspection, in the lovely and serene Valley of the Temples on O‘ahu’s windward side. Story by Thelma Chang Lotus to adjust position and center spine type based on the final width of spine. 2014-2015 VOL. 9, NO. 2 46 The Eddie: The Ultimate Big-Wave Surfing Contest The Quiksilver in Memory of Eddie Aikau, one of the most prestigious competitions in surfi ng, is named for the ON THE COVER extraordinary man who inspired the phrase “Eddie Would Photographer Brian Go,” known to surfers around the world. Bielmann captures the wild and powerful Story by Stuart H. Coleman Photography by Brian Bielmann beauty of a wave on O‘ahu’s North Shore. 6 CONTENTS Volume 9, Number 2 10 Editor’s Note Depar tments PROFILES: 15 Miss Congeniality Senior Reservations Agent Lorna Barbosa Bennett Medeiros has greeted guests of The Kahala with her warm smile for nearly 40 years. Story by Simplicio Paragas Photography by Olivier Koning 21 INDULGENCES: Art of Zen Yoga can be experienced in many ways at The Kahala, from atop a standup AD paddleboard, in the pool or in the hotel’s fitness center. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Nsn 4-16-14.Indd
IS BUGG “E Ala Na Moku Kai Liloloa” • D AH F S R W E E E! N Easter Services E • R S North Shore Christian Fellowship...Page 3 O I N H New Hope Central Oahu...Page 4 C S E H Haleiwa Evangelical Mission International...Page 6 1 T 9 R Sunset Beach Christian Church...Page 10 7 O 0 N NORTH SHORE NEWS April 16, 2014 VOLUME 31, NUMBER 8 (LtoR) Jill Komperda, Alika Napier, Avis Nanbu, Frank Hinshaw and Jacob Ng. Photo by Matt Johnson. Skydive Hawaii & Pioneer Corn Led Major Fund- raisers For Waialua High & Int. School Foundation Shown above are Frank Hin- Skydive Hawaii President Hin- High School, class of 2013. He shaw of Skydive Hawaii and Alika shaw contributed $5,000. His fa- also expressed a genuine caring Napier of DuPont Pioneer, two of cility is the largest in Hawaii, with for Waialua High & Intermediate the largest of the many donations the world’s most beautiful drop School and the Waialua commu- received by the Waialua High & zone. Skydive Hawaii was again nity. He especially thanked the Int. School Foundation. Receiv- selected as Hawaii’s No. 1 Skydiv- WHIS Foundation for providing ing the replica of their donations ing Company in 2013 by people a way for him and other people is Avis Nanbu, Principal. The suc- making their first jump. When in the community to support the cessful annual fundraiser was led asked about Waialua High School, hard work and educational efforts by the Foundation Treasurer Jill he said that one of his employee’s of public school administration, Komperda and Jake Ng, President. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Out of Sight, out of Mind Propose Resolution
Eastern Illinois University The Keep March 2014 3-21-2014 Daily Eastern News: March 21, 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2014_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 21, 2014 " (2014). March. 10. http://thekeep.eiu.edu/den_2014_mar/10 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. LOCAL CONCERT PREVIEW 'SOUTH PARK' VIDEO GAME REVIEW PAGE 2 PAGE 3 ON THE VERGE SOUTH BOUND Check out On the Verge of the After having its Ohio Valley March 21, 2014 The Daily Eastern News' weekly arts and entertainment section BEHIND THE SCENES: 'Gone with theWind' Weekend to nd out about the latest Conference opener canceled, the Eastern softball production from the Charleston team will play Jacksonville State starting Community eatre. Page 1B Saturday. Page 8 WWW.DAILYEASTERNNEWS.COM DION MCNEAL | THE DAILY EASTERN NEWS Matt Mattingly as Ben Hecht and Richard Jones Jr. as David Selznick act out a scene Tuesday for the "Moonlight and Magnolias" play in the Tarble Arts Center. The play will begin at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday in the Tarble. Community theater to share movie production story “Gone With e Wind” centers on a love story screenwriter Ben Hecht. BY KALYN HAYSLETT in the South and was initially thought of as “anoth- Two weeks into the production of the lm “Gone VERGE REPORTER er chick-ick” by several producers, which is how the With e Wind,” Selznick red the former screen- play was given the name “Moonlight and Magnolias,” writer and director and hired Flemming and Hecht in Bananas, peanuts and three talented men trapped director Gail Mason said. -
Comment Je Suis Devenue Célèbre (En Larguant Mon Mec)
COMMENT JE SUIS DEVENUE CÉLÈBRE (EN LARGUANT MON MEC) Robin Benway Traduit de l’américain par Anne Delcourt L’édition originale de ce livre est parue aux États-Unis chez Razorbill (Penguin Group, New York, U.S.A.) sous le titre Audrey, wait ! Copyright © 2008 Robin Benway Tous droits réservés. Couverture : crédits photographiques © Shutterstock Images LLC/Jason Stitt Traduction © Éditions Nathan (Paris, France), 2009 pour la première édition, sous le titre Comment je suis devenue célèbre (malgré moi) © Éditions Nathan (Paris, France), 2012 pour la présente édition Loi n° 49-956 du 16 juillet 1949 sur les publications destinées à la jeunesse. « Cette œuvre est protégée par le droit d’auteur et strictement réservée à l’usage privé du client. Toute reproduction ou diffusion au profit de tiers, à titre gratuit ou onéreux, de tout ou partie de cette œuvre, est strictement interdite et constitue une contrefaçon prévue par les articles L 335-2 et suivants du Code de la Propriété Intellectuelle. L’éditeur se réserve le droit de poursuivre toute atteinte à ses droits de propriété intellectuelle devant les juridictions civiles ou pénales. » ISBN 978-2-09-253942-2 Pour ma mère, qui a toujours dit : « Il faut avoir la foi. » Et pour mon frère, qui l’a toujours eue. Sommaire Couverture Copyright Sommaire chapitre 1 chapitre 2 chapitre 3 chapitre 4 chapitre 5 chapitre 6 chapitre 7 chapitre 8 chapitre 9 chapitre 10 chapitre 11 chapitre 12 chapitre 13 chapitre 14 chapitre 15 chapitre 16 chapitre 17 chapitre 18 chapitre 19 chapitre 20 chapitre 21 chapitre 22 chapitre 23 chapitre 24 chapitre 25 chapitre 26 chapitre 27 chapitre 28 chapitre 29 chapitre 30 chapitre 31 chapitre 32 chapitre 33 chapitre 34 chapitre 35 chapitre 36 chapitre 37 chapitre 38 chapitre 39 chapitre 40 chapitre 41 ROBIN BENWAY « Les muses travaillent tout le jour, bien séparées. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay.