Motley Crue Decade of Decadence '81-'91 Mp3, Flac, Wma

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Motley Crue Decade Of Decadence '81-'91 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Decade Of Decadence '81-'91 Country: Poland Released: 1991 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1582 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1212 mb Rating: 4.3 Votes: 567 Other Formats: APE VOC WAV ASF RA MP2 WMA Tracklist Hide Credits Live Wire (Kick Ass '91 Remix) 1 3:15 Remix – Michael Wagener Piece Of Your Action (Screamin' '91 Remix) 2 4:38 Remix – Michael Wagener 3 Shout At The Devil 3:13 4 Looks That Kill 4:07 Home Sweet Home ('91 Remix) 5 4:00 Remix – Bob Rock, Randy Staub 6 Smokin' In The Boys Room 3:26 7 Girls, Girls, Girls 4:28 8 Wild Side 4:39 9 Dr. Feelgood 4:46 Kickstart My Heart (Live In Dallas, Texas) 10 4:57 Mixed By – Michael WagenerRecorded By – Biff Dawes, Randy Staub 11 Teaser 5:15 12 Rock N' Roll Junkie 4:01 Primal Scream (New Track) 13 Mastered By – George MarinoProducer – Bob RockRecorded By – Paul LaniRecorded By, 4:44 Mixed By – Mike Fraser Angela (New Track) 14 Mastered By – George MarinoProducer, Mixed By – Bob RockRecorded By, Mixed By – 3:52 Randy Staub Anarchy In The U.K. (New Track) 15 Mastered By – George MarinoProducer, Mixed By – Bob RockRecorded By, Mixed By – 3:20 Randy Staub Credits Remastered By – George Marino Barcode and Other Identifiers Barcode (Text): 0 7559-61204-6 5 Barcode (String): 075596120425 Matrix / Runout: 755961204-2 WME Mould SID Code: IFPI 0573 Rights Society: GEMA/BIEM Label Code: LC 0192 Price Code (France): WE 833 SPARS Code: A/DDD Other versions Category Artist Title (Format) Label Category Country Year Mötley Decade Of Decadence '81- 7559-61204-2 Elektra 7559-61204-2 US 1991 Crüe '91 (CD, Comp) Elektra, Mötley Decade Of Decadence '81- Warner Music 8536 40129-3 8536 40129-3 Europe 1992 Crüe '91 (VHS, Comp, PAL) Vision, Mötley Records Mötley Decade Of Decadence 0758 Elbo 0758 Poland 1991 Crüe (Cass, Comp, Unofficial) Elektra, Mötley Decade Of Decadance '81- AMCY-2086 Mötley AMCY-2086 Japan 1997 Crüe '91 (CD, Comp, RE) Records Mötley Decade Of Decadence '81- 30024-4 Elektra 30024-4 Uruguay 1991 Crüe '91 (Cass, Comp) Related Music albums to Decade Of Decadence '81-'91 by Motley Crue Mötley Crüe - Smokin' In The Boy's Room Mötley Crüe - Hooligan's Holiday Mötley Crüe - Quaternary Mötley Crüe - Smokin' In The Boys Room / Home Sweet Home Mötley Crüe - girls girls girls special limited edition poster bag Mötley Crüe - Greatest Video Hits Mötley Crüe - Girls, Girls, Girls '87 Mötley Crüe - Red, White & Crüe D-Me - Girls & Boys Mötley Crüe - Greatest Hits.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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