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Campaign and Transition Collection: 1928
HERBERT HOOVER PAPERS CAMPAIGN LITERATURE SERIES, 1925-1928 16 linear feet (31 manuscript boxes and 7 card boxes) Herbert Hoover Presidential Library 151 Campaign Literature – General 152-156 Campaign Literature by Title 157-162 Press Releases Arranged Chronologically 163-164 Campaign Literature by Publisher 165-180 Press Releases Arranged by Subject 181-188 National Who’s Who Poll Box Contents 151 Campaign Literature – General California Elephant Campaign Feature Service Campaign Series 1928 (numerical index) Cartoons (2 folders, includes Satterfield) Clipsheets Editorial Digest Editorials Form Letters Highlights on Hoover Booklets Massachusetts Elephant Political Advertisements Political Features – NY State Republican Editorial Committee Posters Editorial Committee Progressive Magazine 1928 Republic Bulletin Republican Feature Service Republican National Committee Press Division pamphlets by Arch Kirchoffer Series. Previously Marked Women's Page Service Unpublished 152 Campaign Literature – Alphabetical by Title Abstract of Address by Robert L. Owen (oversize, brittle) Achievements and Public Services of Herbert Hoover Address of Acceptance by Charles Curtis Address of Acceptance by Herbert Hoover Address of John H. Bartlett (Herbert Hoover and the American Home), Oct 2, 1928 Address of Charles D., Dawes, Oct 22, 1928 Address by Simeon D. Fess, Dec 6, 1927 Address of Mr. Herbert Hoover – Boston, Massachusetts, Oct 15, 1928 Address of Mr. Herbert Hoover – Elizabethton, Tennessee. Oct 6, 1928 Address of Mr. Herbert Hoover – New York, New York, Oct 22, 1928 Address of Mr. Herbert Hoover – Newark, New Jersey, Sep 17, 1928 Address of Mr. Herbert Hoover – St. Louis, Missouri, Nov 2, 1928 Address of W. M. Jardine, Oct. 4, 1928 Address of John L. McNabb, June 14, 1928 Address of U. -
BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans
U.S. COMMISSION ON CIVIL RIGHTS BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business DECEMBER 2018 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an independent, Catherine E. Lhamon, Chairperson bipartisan agency established by Congress in 1957. It is Patricia Timmons-Goodson, Vice Chairperson directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. • Appraise federal laws and policies with respect to U.S. Commission on Civil Rights discrimination or denial of equal protection of the laws 1331 Pennsylvania Avenue, NW because of race, color, religion, sex, age, disability, or Washington, DC 20425 national origin, or in the administration of justice. (202) 376-8128 voice • Serve as a national clearinghouse for information TTY Relay: 711 in respect to discrimination or denial of equal protection of the laws because of race, color, www.usccr.gov religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress. -
Good Neighbor Cultural Diplomacy in World War II
Good Neighbor Cultural Diplomacy in World War II: The Art of Making Friends Darlene J. Sadlier, Indiana University, USA In August 1940, President Franklin D. Roosevelt named Nelson A. Rockefeller to head the Office of the Coordinator of Inter-American Affairs (CIAA), a new federal agency whose main objective was to strengthen cultural and commercial relations between the U.S and Latin America, in particular Brazil, in order to route Axis influence and secure hemispheric solidarity. On November 7, 1940, just months after the CIAA‘s inception, Robert G. Caldwell and Wallace K. Harrison, Chairman and Director, respectively, of the agency‘s Cultural Relations Division, received written approval for twenty-six special projects at a cost of nearly one-half million dollars.i The most expensive, at $150,000, was an Inter-American exhibit of art and culture under the direction of the MoMA, to be held simultaneously with parallel exhibits in capital cities throughout the Americas.ii Two hundred fifty-five U.S. paintings were curated by the MoMA in conjunction with other major museums, and in April 1941, these were previewed at the Metropolitan Museum of Art in New York. Portions of the large exhibit then toured eight South American republics, Mexico and Cuba for close to a year, beginning with an exposition at Mexico City‘s Palacio de Bellas Artes in June.iii The emphasis was on modern art and included paintings by Georgia O‘Keefe, Thomas Hart Benton, Edward Hopper, Stuart Davis, Loren MacIver, Eugene Speicher, Peter Hurd and Robert Henri, among others. A file in the MoMA archive has valuations of all the paintings at the time, the highest valued being George Bellows‘s Dempsey and Firpo and Georgia O‘Keefe‘s The White Flower at $25,000 each. -
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST 395 - Fall Semester (Galgano) World War II shaped the twentieth century, as its events and aftermath affected the entire globe. The attitudes and actions of the nations' populations determined how the war played out, and the thing that most shaped these peoples' actions was war art. War art in World War II had two important goals: mobilization of citizens and creation of accurate depictions of the battlefield. War art's intended audience was foremost the citizens, as their support for the war was crucial to success. Dependence on civilian support - both through labor and service - was much greater in World War II than in any other previous war. Many participating nations in WWII developed war art programs, with the goal of showing the warfront to garner civilian support back home. Artists ranged from active-duty soldiers, like in the United States, to civilians following troops on tours, like Great Britain. These hired artists were given specific subjects to depict, depending on where they were stationed; the first hand account ensured the most accurate depictions possible. However, the disparity between the actual war fronts and the artists' depictions was present in all major art programs. This paper looks at the war art from the major powers in World War II: Great Britain, the United States, and Germany. It examines the styles adopted by artists in these nations, the subjects artists depicted, and the war art's purpose in society. Germany, to anchor their claim of "supreme race", used traditional art forms similar to the Roman Empire. -
The Left Front : Radical Art in the "Red Decade," 1929-1940
LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show. -
Congress' Encroachment on the President's Power in Indian Law
Seattle Journal for Social Justice Volume 11 Issue 3 Article 13 11-2013 Congress' Encroachment on the President's Power in Indian Law and its Effect on Executive-Order Reservations Follow this and additional works at: https://digitalcommons.law.seattleu.edu/sjsj Mark Par R.t of Car theter Administr JD, PhDativ e Law Commons, Agriculture Law Commons, Arts and Humanities Commons, Banking and Finance Law Commons, Civil Rights and Discrimination Commons, Commercial Law Commons, Comparative and Foreign Law Commons, Constitutional Law Commons, Consumer Protection Law Commons, Criminal Law Commons, Criminal Procedure Commons, Disability and Equity in Education Commons, Disability Law Commons, Educational Leadership Commons, Educational Methods Commons, Energy and Utilities Law Commons, Family Law Commons, Fourteenth Amendment Commons, Health Law and Policy Commons, Housing Law Commons, Human Rights Law Commons, Immigration Law Commons, Indian and Aboriginal Law Commons, Insurance Law Commons, Intellectual Property Law Commons, International Trade Law Commons, Juvenile Law Commons, Labor and Employment Law Commons, Land Use Law Commons, Law and Gender Commons, Law and Psychology Commons, Legal Ethics and Professional Responsibility Commons, Legal History Commons, Legal Remedies Commons, Legislation Commons, Marketing Law Commons, National Security Law Commons, Natural Resources Law Commons, Other Education Commons, Other Law Commons, Privacy Law Commons, Property Law and Real Estate Commons, Secured Transactions Commons, Securities Law Commons, Sexuality and the Law Commons, Social and Behavioral Sciences Commons, Social and Philosophical Foundations of Education Commons, Social Welfare Law Commons, Transnational Law Commons, and the Water Law Commons Recommended Citation Carter, Mark R. JD, PhD (2013) "Congress' Encroachment on the President's Power in Indian Law and its Effect on Executive-Order Reservations," Seattle Journal for Social Justice: Vol. -
The Fusion of Hamiltonian and Jeffersonian Thought in the Republican Party of the 1920S
© Copyright by Dan Ballentyne 2014 ALL RIGHTS RESERVED This work is dedicated to my grandfather, Raymond E. Hough, who support and nurturing from an early age made this work possible. Also to my wife, Patricia, whose love and support got me to the finish line. ii REPUBLICANISM RECAST: THE FUSION OF HAMILTONIAN AND JEFFERSONIAN THOUGHT IN THE REPUBLICAN PARTY OF THE 1920S BY Dan Ballentyne The current paradigm of dividing American political history into early and modern periods and organized based on "liberal" and "conservative" parties does not adequately explain the complexity of American politics and American political ideology. This structure has resulted of creating an artificial separation between the two periods and the reading backward of modern definitions of liberal and conservative back on the past. Doing so often results in obscuring means and ends as well as the true nature of political ideology in American history. Instead of two primary ideologies in American history, there are three: Hamiltonianism, Jeffersonianism, and Progressivism. The first two originated in the debates of the Early Republic and were the primary political division of the nineteenth century. Progressivism arose to deal with the new social problems resulting from industrialization and challenged the political and social order established resulting from the Hamiltonian and Jeffersonian debate. By 1920, Progressivism had become a major force in American politics, most recently in the Democratic administration of Woodrow Wilson. In the light of this new political movement, that sought to use state power not to promote business, but to regulate it and provide social relief, conservative Hamiltonian Republicans increasingly began using Jeffersonian ideas and rhetoric in opposition to Progressive policy initiatives. -
A Native Charlestonian, Alice Smith Used Her Art to Bring Attention to the Beauty and Heritage of Charleston and the Surrounding Lowcountry Region
Fig. 1: Alice Ravenel Huger Smith (1876–1958), Cattle in the Broom Grass, An Autumn Evening, from the series A Carolina Rice Plantation of the Fifties, ca. 1935. Watercolor on paper, 18 x 13 inches. Image courtesy of the Gibbes Museum of Art/ Carolina Art Association. 1937.009.0008. A native Charlestonian, Alice Smith used her art to bring attention to the beauty and heritage of Charleston and the surrounding Lowcountry region. In addition to studio practice, Smith was active at the Gibbes Museum of Art, where she organized exhibi- tions of her own work as well as the work of others. Cattle in the Broom Grass is part of a series of thirty original watercolors Smith created for A Carolina Rice Plantation of the Fifties, published in 1936. 302 www.antiquesandfineart.com 11th Anniversary OUTSIDE PERSPECTIVES visiting artists in charleston by pamela wall and sara arnold harleston, South Carolina, has long been a destination for those seeking warm C weather, picturesque landscapes, and the charm of a historic city. Artists are no exception to the rule, and a number of well-known names have visited the city and translated their experiences into works of art. Included among this group are such twentieth- century masters as Edward Hopper, Childe Hassam, George Biddle, and photographer Walker Evans. Between the years 1910 to 1945, in particular, Charleston flourished as a Mecca for art- ists, a period described today as the Charleston Renaissance. The Charleston Renaissance was largely the result of a small community of resident artists who discovered in Charleston’s timeworn alleyways and weathered facades a visual beauty that spoke of its extraordinary architectural and cultural past. -
This Page Was Intentionally Removed Due to a Research Restriction on All Corcoran Gallery of Art Development and Membership Records
This page was intentionally removed due to a research restriction on all Corcoran Gallery of Art Development and Membership records. Please contact the Public Services and Instruction Librarian with any questions. AGENDA - ANNUAL MEETING - JANUARY 27, 1958 (continued) 25. Consideration of changes in Membership fees and privileges (2), a. Authorization of a subscription concert by Johanna Martzy. 26. Election of Mary Lay Thom as a FELLOW. 27. Election of George Biddle as a FELLOW. 28. Election of James Russell Wiggins as a FELLOW. 29. Report of the Committee on Works of Art and The Art School. 30. Resolutions pertaining thereto: a. Authorization of future special exhibitions, b« Authorization of a long term cooperative arrangement with The Toledo Museum of Art on the Biennial Exhibitions. c. Authorization to charge 25$ admission to Living Today exhibition. d. Resolution of thanks to the Honorable and Mrs, Russell E, Train for the gift of Still Life by William Merritt Chase, e. Resolution of thanks to the Honorable Francis Biddle for the gift of Circus Rider by Charles Demuth. f. Resolution of thanks to Caroline Ogden Jones Peter III for the offer of the unrestricted gift of a group of bronzes, and a paint¬ ing by Walter Griffin. g. Resolution authorizing an exhibition for the benefit of the Works of Art Purchase Fund by Nildenstein Gallery, New York. 31. Report on tentative proposal concerning The Textile Museum of the District of Columbia. 32. Report on the status of the proposal to the Junior League of Washington re- specting a Junior Museum. 33. Report changes in Fine Arts Insurance Policy coverage. -
Down from the Ivory Tower: American Artists During the Depression
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 Down from the ivory tower: American artists during the Depression Susan M. Eltscher College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Eltscher, Susan M., "Down from the ivory tower: American artists during the Depression" (1982). Dissertations, Theses, and Masters Projects. Paper 1539625189. https://dx.doi.org/doi:10.21220/s2-a5rw-c429 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. DOWN FROM THE IVORY TOWER: , 4 ‘ AMERICAN ARTISTS DURING THE DEPRESSION A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Susan M. Eltscher APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts ^jiuu>0ur> H i- fc- bbcJ^U i Author Approved, December 1982 Richard B. Sherman t/QOJUK^r Cam Walker ~~V> Q ' " 9"' Philip J/ Fuiyigiello J DEDICATION / ( \ This work is dedicated, with love and appreciation, to Louis R. Eltscher III, Carolyn S. Eltscher, and Judith R. Eltscher. ( TABLE OF CONTENTS Page ACRONYMS................... .......................... v ACKNOWLEDGEMENTS.......................................... -
H. Doc. 108-222
OFFICERS OF THE EXECUTIVE BRANCH OF THE GOVERNMENT [ 1 ] EXPLANATORY NOTE A Cabinet officer is not appointed for a fixed term and does not necessarily go out of office with the President who made the appointment. While it is customary to tender one’s resignation at the time a change of administration takes place, officers remain formally at the head of their department until a successor is appointed. Subordinates acting temporarily as heads of departments are not con- sidered Cabinet officers, and in the earlier period of the Nation’s history not all Cabinet officers were heads of executive departments. The names of all those exercising the duties and bearing the respon- sibilities of the executive departments, together with the period of service, are incorporated in the lists that follow. The dates immediately following the names of executive officers are those upon which commis- sions were issued, unless otherwise specifically noted. Where periods of time are indicated by dates as, for instance, March 4, 1793, to March 3, 1797, both such dates are included as portions of the time period. On occasions when there was a vacancy in the Vice Presidency, the President pro tem- pore is listed as the presiding officer of the Senate. The Twentieth Amendment to the Constitution (effective Oct. 15, 1933) changed the terms of the President and Vice President to end at noon on the 20th day of January and the terms of Senators and Representatives to end at noon on the 3d day of January when the terms of their successors shall begin. [ 2 ] EXECUTIVE OFFICERS, 1789–2005 First Administration of GEORGE WASHINGTON APRIL 30, 1789, TO MARCH 3, 1793 PRESIDENT OF THE UNITED STATES—GEORGE WASHINGTON, of Virginia. -
1933-03-05 [P
Roman literature will be presented at luncheon by Mrs. A. H. Coater, 2920 through discussion of the following Ontario road, February 28. Mrs. H. topics: Mrs. Clyde De Bender will H. Myers assisted Mrs. Coster. The NEWS OF talk on "Poets of the Simple Life"; 'delegate to the board, Mrs. L. O. The New Cabinet THE CLUBS Virgil as court poet In praise of coun- Langworthy, reported the recent meet- try life," Arcadian Shepherds," Eclogue ing at the home. Mrs. Frank W. Car- V, by Mrs. A. B. Manly; "The Seasons den presented a baby patch-work quilt (Continued First STAMPS Chapter G, P. E. O.—Mrs. Redwood gomery, Mrs. William Weber, Mrs. Har- on the Farm." by Mrs. J. B. Tiffey; to be given to the home by the circle. Prom Page.) cestors had Inherited from the Indians, Vandergrlft was the honor guest at a vey Mrs. R. C. "Bee Keeping," by Mrs. J. B. Trew; but how or why they had it was more Zimmerman, Roark, Columbian Women of Wash- luncheon given by Mrs. Clyde Altchlson Mrs. R. Page Irving, Mrs. Kdwln L. "Deeds of Augustus' Ancestor" will be George of which will come under his Jurisdic- or less of a mystery. Mrs. Alex- ington University.—Miss Clara W. Mc- tion at her home, 1929 S street In celebra- Davis and Mrs. George H. Milne. the subject presented by and hu a broad ethnological Meanwhile, In the experimental evolu- tion of her birthday. ander Bell. The summary will be Quown, traveler and lecturer, will be viewpoint. tion station of the Carnegie Institution the Mrs.