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Important Product Information
CIMPLICITY 11 Important Product Information GE Digital Proficy Historian and Operations Hub: Data Analysis in Context 1 Proprietary Notice The information contained in this publication is believed to be accurate and reliable. However, General Electric Company assumes no responsibilities for any errors, omissions or inaccuracies. Information contained in the publication is subject to change without notice. No part of this publication may be reproduced in any form, or stored in a database or retrieval system, or transmitted or distributed in any form by any means, electronic, mechanical photocopying, recording or otherwise, without the prior written permission of General Electric Company. Information contained herein is subject to change without notice. © 2020, General Electric Company. All rights reserved. Trademark Notices GE, the GE Monogram, and Predix are either registered trademarks or trademarks of General Electric Company. Microsoft® is a registered trademark of Microsoft Corporation, in the United States and/or other countries. All other trademarks are the property of their respective owners. We want to hear from you. If you have any comments, questions, or suggestions about our documentation, send them to the following email address: [email protected] Important Product Information Chapter 1. Important Product Information......................................................................................3 What's New in CIMPLICITY 11...................................................................................................3 System -
HTTP Cookie - Wikipedia, the Free Encyclopedia 14/05/2014
HTTP cookie - Wikipedia, the free encyclopedia 14/05/2014 Create account Log in Article Talk Read Edit View history Search HTTP cookie From Wikipedia, the free encyclopedia Navigation A cookie, also known as an HTTP cookie, web cookie, or browser HTTP Main page cookie, is a small piece of data sent from a website and stored in a Persistence · Compression · HTTPS · Contents user's web browser while the user is browsing that website. Every time Request methods Featured content the user loads the website, the browser sends the cookie back to the OPTIONS · GET · HEAD · POST · PUT · Current events server to notify the website of the user's previous activity.[1] Cookies DELETE · TRACE · CONNECT · PATCH · Random article Donate to Wikipedia were designed to be a reliable mechanism for websites to remember Header fields Wikimedia Shop stateful information (such as items in a shopping cart) or to record the Cookie · ETag · Location · HTTP referer · DNT user's browsing activity (including clicking particular buttons, logging in, · X-Forwarded-For · Interaction or recording which pages were visited by the user as far back as months Status codes or years ago). 301 Moved Permanently · 302 Found · Help 303 See Other · 403 Forbidden · About Wikipedia Although cookies cannot carry viruses, and cannot install malware on 404 Not Found · [2] Community portal the host computer, tracking cookies and especially third-party v · t · e · Recent changes tracking cookies are commonly used as ways to compile long-term Contact page records of individuals' browsing histories—a potential privacy concern that prompted European[3] and U.S. -
Jillian Reed, Flute
presents A Degree Recital: Jillian Reed, flute Saturday, April 17, 2021, at 5:00 PM View the concert on: Bard Conservatory YouTube. Valentine Trills (1996) Joan Tower (b. 1938) Sonata IV (1756) Anna Bon di Venezia (1739-67) Allegro Moderato Andante Allegro Assai Christina Jones, cello To the Ends of the Earth (2018) Nikea Randolph (b. 1993) Tyler Emerson, piano Sonata for Flute and Piano (2016) Alonso Malik Pirio (b. 1997) Movement 1 Movement 2 Movement 3 Ryan McCullough, piano Looking Back (2009) Joseph Schwantner (b. 1943) Scurry about… Remembering… Just follow… Ryan McCullough, piano Program Notes Valentine Trills (1996) Joan Tower (b. 1938) As one of the most important American composers living today with a career spanning more than 50 years, Joan Tower has learned to create a striking and fun impact, even for a piece that is under two minutes! She reflected, “short pieces are not easy to write, and this is the shortest piece I’ve ever written. The reason that short pieces are hard is because you have to pack a lot of information in a short period of time. And because flutes can play fast, I thought that trills and scales at top speed would be the best profiles.” Valentine Trills was commissioned by Carol Wincenc in 1996, who said, “Valentine Trills is one of the most effective solo pieces I play. Audiences are awed by the continuous trilling, turning, spinning and seemingly breathless quality in the piece - all which builds to a thrilling climax.” Please consider this piece’s feelings of brief suspension and exciting momentum as a warm welcome to my recital. -
Important Product Information
Proficy CIMPLICITY 11.1 Important Product Information GE Digital Proficy Historian and Operations Hub: Data Analysis in Context 1 Proprietary Notice The information contained in this publication is believed to be accurate and reliable. However, General Electric Company assumes no responsibilities for any errors, omissions or inaccuracies. Information contained in the publication is subject to change without notice. No part of this publication may be reproduced in any form, or stored in a database or retrieval system, or transmitted or distributed in any form by any means, electronic, mechanical photocopying, recording or otherwise, without the prior written permission of General Electric Company. Information contained herein is subject to change without notice. © 2021, General Electric Company. All rights reserved. Trademark Notices GE, the GE Monogram, and Predix are either registered trademarks or trademarks of General Electric Company. Microsoft® is a registered trademark of Microsoft Corporation, in the United States and/or other countries. All other trademarks are the property of their respective owners. We want to hear from you. If you have any comments, questions, or suggestions about our documentation, send them to the following email address: [email protected] Chapter 1. Important Product Information......................................................................................3 What's New in CIMPLICITY 11.1................................................................................................3 System Requirements and -
Discontinued Browsers List
Discontinued Browsers List Look back into history at the fallen windows of yesteryear. Welcome to the dead pool. We include both officially discontinued, as well as those that have not updated. If you are interested in browsers that still work, try our big browser list. All links open in new windows. 1. Abaco (discontinued) http://lab-fgb.com/abaco 2. Acoo (last updated 2009) http://www.acoobrowser.com 3. Amaya (discontinued 2013) https://www.w3.org/Amaya 4. AOL Explorer (discontinued 2006) https://www.aol.com 5. AMosaic (discontinued in 2006) No website 6. Arachne (last updated 2013) http://www.glennmcc.org 7. Arena (discontinued in 1998) https://www.w3.org/Arena 8. Ariadna (discontinued in 1998) http://www.ariadna.ru 9. Arora (discontinued in 2011) https://github.com/Arora/arora 10. AWeb (last updated 2001) http://www.amitrix.com/aweb.html 11. Baidu (discontinued 2019) https://liulanqi.baidu.com 12. Beamrise (last updated 2014) http://www.sien.com 13. Beonex Communicator (discontinued in 2004) https://www.beonex.com 14. BlackHawk (last updated 2015) http://www.netgate.sk/blackhawk 15. Bolt (discontinued 2011) No website 16. Browse3d (last updated 2005) http://www.browse3d.com 17. Browzar (last updated 2013) http://www.browzar.com 18. Camino (discontinued in 2013) http://caminobrowser.org 19. Classilla (last updated 2014) https://www.floodgap.com/software/classilla 20. CometBird (discontinued 2015) http://www.cometbird.com 21. Conkeror (last updated 2016) http://conkeror.org 22. Crazy Browser (last updated 2013) No website 23. Deepnet Explorer (discontinued in 2006) http://www.deepnetexplorer.com 24. Enigma (last updated 2012) No website 25. -
Festival De Musique À Maguelone
festival de musique à maguelone Cathédrale de Maguelone 33 e édition musiqueancienneamaguelone.com Le XXXIII e Festival de musique à Maguelone est organisé par l’association “Les Muses en Dialogue” avec le concours du Ministère de la culture et de la communication de la Région Languedoc-Roussillon - Midi-Pyrénées du Département de l’Hérault de Montpellier Méditerranée Métropole de la Ville de Villeneuve-lès-Maguelone en collaboration avec l’association des Compagnons de Maguelone en partenariat avec e-mecenes.com partenaires média Un regard sur les saisons passées English Concert Pascal Montheilhet Blandine Rannou Chistophe Coin Chichester Cathedral Choir Jérome Hantaï Ensemble Marin Mersenne Ensemble vocal Capilla Flamenca La Grande Ecurie et la Chambre du Roy Olivier Baumont Neapolis Ensemble Ensemble instrumental Oltremontano Concerto Rococo La Simphonie du Marais Ensemble Jachet de Mantoue Ensemble Accordone Chœurs Orthodoxes Ensemble Huelgas Fretwork Barthold Kuijken du Monastère de Zagorsk La Colombina Yasumori Imamura Wieland Kuijken Chœur du Patriarcat Russe Pierre Hantaï Eric Bellocq Ensemble Odhecaton The Tallis Scholars Les Talens Lyriques Ensemble William Byrd Claire Lefilliâtre Vincent Dumestre Musica Antiqua de Cologne Patrizia Bovi, Gigi Casabianca Stéphanie-Marie Degand Enrico Baiano Chœurs Liturgiques A Deux Violes Esgales Violaine Cochard Ensemble Clematis Arméniens d’Erevan Il Seminario Musicale Ensemble Amarillis Medusa Ensemble Organum Brigitte Tramier Amandine Beyer Ensemble Micrologus La Fenice Hopkinson Smith Marianne -
Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy. -
Radio 3 Listings for 10 – 16 October 2020 Page
Radio 3 Listings for 10 – 16 October 2020 Page 1 of 11 SATURDAY 10 OCTOBER 2020 Duo concertante in G major Benjamin Grosvenor (piano) Alexandar Avramov (violin), Ivan Peev (violin) Royal Scottish National Orchestra SAT 01:00 Through the Night (m000n6mk) Elim Chan (conductor) Nordic landscapes 05:47 AM Decca 4850365 Johann Sebastian Bach (1685-1750) https://www.deccaclassics.com/en/catalogue/products/chopin- Grieg and Sibelius from Auckland, New Zealand. Jonathan 4 Lieder from the Schemelli songbook (BWV.443, 468, 470 & piano-concertos-grosvenor-11989 Swain presents. 439) Bernarda Fink (mezzo soprano), Domen Marincic (gamba), Arion: Voyage of A Slavic Soul 01:01 AM Dalibor Miklavcic (organ) Songs by Rimsky-Korsakov, Dvořák, Tchaikovsky, John Anthony Ritchie (1921-2014) Rachmaninov, Janáček & Novák Suite No. 1 for Strings 05:57 AM Natalya Romaniw (soprano) Auckland Philharmonia Orchestra, Daniel Blendulf (conductor) Wolfgang Amadeus Mozart (1756-1791) Lada Valešová (piano) Piano Trio in B flat major, K 502 Orchid Classics ORC100131 01:16 AM Amatis Piano Trio https://www.orchidclassics.com/releases/orc100131-natalya- Edvard Grieg (1843-1907) romaniw-lada-valesova/ Piano Concerto in A minor, op. 16 06:20 AM Alessio Bax (piano), Auckland Philharmonia Orchestra, Daniel Johannes Brahms (1833-1897) Veress: String Trio & Bartók: Piano Quintet Blendulf (conductor) Hungarian dances for piano duet (Nos.1; 11; 13; 17; 8) Vilde Frang (violin) Noel Lee (piano), Christian Ivaldi (piano) Barnabás Kelemen (violin) 01:45 AM Lawrence Power (viola) Alexander Scriabin (1871-1915) 06:33 AM Nicolas Altstaedt (cello) Prelude for the Left Hand, op. 9/1 Valborg Aulin (1860-1928) Alexander Lonquich (piano) Alessio Bax (piano) Quartet for strings in F major (1884) Alpha ALPHA458 Tale String Quartet https://outhere-music.com/en/albums/veress-string-trio-bartok- 01:48 AM piano-quintet-alpha458 Jean Sibelius (1865-1957) Symphony No. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
ADORATIO.-Over-Heiligen-Martelaren-En-Geliefden.Pdf
Inhoudstafel Voorwoord | Philip Heylen 9 Laus Polyphoniae 2017 | dag aan dag 13 Introductie | Bart Demuyt 23 Essays Verering van de maagd Maria en het Kind in muziek uit de middeleeuwen en de renaissance | David J. Rothenberg 29 Romance met de roos: de minnekunst in het middeleeuwse en renaissancelied | Jane Alden 125 Een andere Petrarca: Italiaanse renaissancemuziek en Petrarca’s poëzie | Marc Vanscheeuwijck 195 Trahe me post te: muziek, gemeenschap en devotie in het vroegmoderne katholicisme | Daniele V. Filippi 305 Concerten VR 18/08/17 20.00 Stile Antico 41 ZA 19/08/17 10.00 IYAP-concertwandeling 53 11.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 16.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 20.00 Patrizia Bovi, Fadia Tomb El-Hage & Friends 85 22.15 Huelgas Ensemble 101 ZO 20/08/17 10.00 IYAP-concertwandeling 53 11.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 16.00 Alexandra Aerts, Lieselot De Wilde & Sofie Vanden Eynde 83 20.00 Cappella Pratensis, Flanders Boys Choir & Wim Diepenhorst 115 4 5 MA 21/08/17 13.00 Ensemble Leones 141 Radio-uitzending, cursussen, lezingen 20.00 Mala Punica 151 KlaraLive@LausPolyphoniae 27 22.15 Stile Antico 149 Ad tempo taci | filmdocumentaire met Marco Beasley 175 Petrarca & music | lezing door Marc Van Scheeuwijck 217 DI 22/08/17 13.00 VivaBiancaLuna Biffi & Pierre Hamon 165 Mariadevotie en heiligenverering in de late middeleeuwen | cursus 253 20.00 Vox Luminis 179 Isola Idola | muziekvakantie voor kinderen & jongeren 303 22.15 Zefiro Torna & Frank -
Introduction
Avant. The Journal of the Philosophical-Interdisciplinary Vanguard Volume II, Number T/2011 avant.edu.pl/en ISSN: 2082-6710 Introduction Jan Iwańczyk, Witold Wachowski What musical past is represented by Ensemble Micrologus? What are its Middle Ages, its Renaissance? Imagined, accurate, probable, reconstructed, stylized…? Someone familiar with interpretations of early modern music and artistic activity of this music group may claim that such answers are formulated from a distorted perspective, as if looking at a museum cabinet. Let’s imagine a musician as a researcher. A researcher who administers music matter to their listeners and who looks for exploratory inspirations among living people and in contemporary forms of musical expression. According to our interviewee, Patrizia Bovi, a co-founder of Micrologus: in this type of practice, music is brought up to date automat- ically. Music notations from medieval codices are only one source, limited in itself. With- out exaggeration, it can be said that genuine interpreters of early modern music do not aim to reconstruct but to bring it to life. They are honest and do not intend to renounce their individuality; they would even say that doubts and not certainties are [their] best allies. Ensemble Micrologus is an famous Italian group who specialising in medieval music. Micrologus has been founded in 1984 by Patrizia Bovi (vocals, harp), Adolfo Broegg (lute, psaltery, citola), Goffredo Degli Esposti (flute, bombarde, bagpipes) and Gabriele Russo (viela, rebec, lyre). The grouphas researched its playing techniques through study of original sources and through vestiges in traditional music today. The musicians use reconstructions of early instruments60.