1. Introduction 2. the Wool Textile Industry
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 2, Issue 7, January 2013 Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew the company. It is mainly manufactured by the shuttle looms. Abstract— In India the textile industry is growing very fast. Conventional shuttle looms are mainly used during the Most of the earlier established textile industries are using weaving process in the industry. All these shuttle looms are conventional shuttle looms for the production of the cloth. But the too old. In these present conventional shuttle looms, it is advancement in the technology made the textile industry more competitive. The effective usage of the new methods of the necessary to pass a shuttle weighing around half a kilogram weaving technology, which is more energy efficient, makes the through the warp shed to insert a length of weft yarn which production more economical. It is found out that the usage of the weighs only few grams. The shuttle has to be accelerated conventional looms badly affects the cloth production. This study rapidly at the starting of picking cycle and also to be focuses on identifying the problems associated with the low decelerated, stopped abruptly at the opposite end. This production by the shuttle loom and suggesting suitable methods process creates heavy noise and shock and consumes by which these problems can be reduced. considerable energy. Beat-up is done by slay motion which again weighs a few hundred kilograms. The wear life of the Index Terms—Greige Fabric Picks, Rapier Loom, Shuttle Loom. -
HIGHLAND PARK MANUFACTURING COMPANY MILL NO. 3 This Report
HIGHLAND PARK MANUFACTURING COMPANY MILL NO. 3 This report was written on December 3, 1986 1. Name and location of the property: The property known as the Old Highland Park Manufacturing Company Mill No. 3 is located at 2901 N. Davidson Street, Charlotte, North Carolina. 2. Name, address, and telephone number of the present owner of the property: The owner of the property is: Highland Park Group, Inc. 200 Queens Rd. Suite 200 Charlotte, NC 28204 Telephone: (704) 377-4700 3. Representative photographs of the property: This report contains representative photographs of the property. 4. A map depicting the location of the property: This report contains a map which depicts the location of the property. 2901 N Davidson St Map data ©2018 Google 200 ft 2901 N Davidson St Charlotte, NC 28205 At this location Breathe Refuge 4.0 (4) 5. Current Deed Book Reference to the property: The most recent deed to this property is recorded in Mecklenburg County Deed Book 5223, page 325. The Tax Parcel Number of the property is: 083-078-01. 6. A brief historical sketch of the property: This report contains a brief historical sketch of the property prepared by Dr. William H. Huffman. 7. A brief architectural description of the property: This report contains a brief architectural description of the property prepared by Thomas W. Hanchett. 8. Documentation of why and in what ways the property meets the criteria for designation set forth in N.C.G.S. 160A-399.4: a. Special significance in terms of its history, architecture, and/or cultural importance: The Commission judges that the property known as the Old Highland Park Manufacturing Company Mill No. -
BXAO Cat 1971.Pdf
SOUTHWESTERN AT OXFORD Britain in the Renaissance A Course of Studies in the Arts, Literature, History, and Philosophy of Great Britain. July 4 through August 15, 1971, University College, Oxford University. OFFICERS AND TUTORS President John Henry Davis, A.B., University of Kentucky; B.A. and M.A., Oxford University; Ph.D., University of Chicago. Dean Yerger Hunt Clifton, B.A., Duke University; M.A., University of Virginia; Ph.D., Trinity College, Dublin. Tutors George Marshall Apperson, Jr., B.S., Davidson College; B.D., Th.M., Th.D., Union Theological Seminary, Virginia. Mary Ross Burkhart, B.A., University of Virginia; M.A., University of Ten nessee. James William Jobes, B.A., St. John's College, Annapolis; Ph.D., University of Virginia. James Edgar Roper, B.A., Southwestern At Memphis; B.A. and M.A., Oxford University; M.A., Yale University. UNIVERSITY COLLEGE, OXFORD UNIVERSITY Master Redcliffe-Maud of Bristol, The Right Honorourable John Primatt Redcliffe, Baron, M.A. Dean John Leslie Mackie, M.A. Librarian Peter Charles Bayley, M.A. Chaplain David John Burgess, M.A. Domestic Bursar Vice Admiral Sir Peter William Gretton, M.A. University College is officially a Royal Foundation, and the Sovereign is its Visitor. Its right to this dignity, based on medieval claims that it was founded by King Alfred the Great, has twice been asserted, by King Richard II in 1380 and by the Court of King's Bench in 1726. In fact, the college owes its origin to William of Durham who died in 1249 and bequeathed 310 marks, the income from which was to be employed to maintain 10 or more needy Masters of Arts studying divinity. -
Start Spinning: Everything You Need to Know to Make Great Yarn Ebook
START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres. -
All Hands Are Enjoined to Spin : Textile Production in Seventeenth-Century Massachusetts." (1996)
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1996 All hands are enjoined to spin : textile production in seventeenth- century Massachusetts. Susan M. Ouellette University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Ouellette, Susan M., "All hands are enjoined to spin : textile production in seventeenth-century Massachusetts." (1996). Doctoral Dissertations 1896 - February 2014. 1224. https://scholarworks.umass.edu/dissertations_1/1224 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST c c: 315DLDb0133T[] i !3 ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 1996 History ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Approved as to style and content by: So Barry/ J . Levy^/ Chair c konJL WI_ Xa LaaAj Gerald McFarland, Member Neal Salisbury, Member Patricia Warner, Member Bruce Laurie, Department Head History (^Copyright by Susan Poland Ouellette 1996 All Rights Reserved ABSTRACT ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS FEBRUARY 1996 SUSAN M. OUELLETTE, B.A., STATE UNIVERSITY OF NEW YORK PLATTSBURGH M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Barry J. -
Transatlantic Trade in Woollen Cloth 1850-1914: the Role of Shoddy
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1990 Transatlantic Trade In Woollen Cloth 1850-1914: The Role Of Shoddy David T. Jenkins University of York Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Jenkins, David T., "Transatlantic Trade In Woollen Cloth 1850-1914: The Role Of Shoddy" (1990). Textile Society of America Symposium Proceedings. 607. https://digitalcommons.unl.edu/tsaconf/607 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -25- TRANSATLANTIC TRADE IN WOOLLEN CLOTH 1850-1914: THE ROLE OF SHODDY conditions. The nature and scale of the problem did not permit easy and DAVID T. JENKINS rapid solutions. The raw materials, technology and labour skills required for all-wool worsted production were quite different and a Department of Economics and Related Studies, University of York, York, rapid conversion to French methods of wool preparation and spinning was Y01 5DD, England. not quickly feasible. The British industry instead pursued a policy, initially rather slowly, of adapting its existing machinery and THE WORSTED CLOTH TRADE innovating new products, notably worsted coatings. In the two decades The factors affecting European trade and competition in worsted before the First World War it did recoup some of its previous trade cloth in foreign markets, notably the United States, in the second half losses but its level of trade did not recover to that of earlier years.2 of the nineteenth century are well recorded. -
Read Threads of Life. Khadi in Oaxaca Here
www.selvedge.org ISSUE 95 UK £12.50 USA $28.95 RTW £20.50 EUROPE €23 THE FABRIC OF YOUR LIFE THE FABRIC OF YOUR LIFE: HERITAGE 95 MAKE OUR STORIES PART OF YOUR STORY THREADS OF LIFE Khadi in Oaxaca The khadi movement is thriving in the Sierra that made a lasting impression on him. ‘When I first textile industry remains a slow educational process Sur Mountains of Oaxaca, Mexico. In the remote came here everybody had sheep and spun wool on and the long-term goal they plan to achieve. Zapotec village of San Sebastian Rio Hondo, their drop spindles; they wove blankets and women spin organic cotton on the Charkha, the ponchos on backstrap looms. This was part of their Marcos, who’s a spinner and weaver, brought the wooden spinning wheel that was the embodiment tradition’. He remained in San Sebastian and shared first spinning wheel from India. Today, they are made of Gandhi’s vision for a new India. Khadi, the fabric the life of the Ramirez family until this village life by the local master carpenters and the 200 spinners of freedom is woven on backstrap and pedal looms experience took him to India, to Gandhi’s Ashram working for Khadi own their charkha. ‘The spinning with white or pre-Hispanic brown cotton grown on the Sabarmati River. Travelling with Gandhian wheel is five times faster than the native drop on the Pacific Coast. Ponchos and huipiles, the old men in Gujarat, he saw empowered villages spindles and it’s very relaxing. With a spinning wheel indigenous sleeveless tunics worn by women in growing their food, weaving and making their own you are using the left and right brain hemispheres, so Mexico and Central America, are hand-stitched clothes. -
Spininnovation
No. 24 07.2008 € INNOVATION 5,– SPIN THE MAGAZINE FOR SPINNING MILLS COREflex® – Core Yarn Attachment for Ring Spinning Machines ACP Quality Package Premium Parts – News HP-GX 5010 New Top Weighting Arms Mill Reports: – Nahar, India – Danmao, China Berkol – Part of Bräcker Wilhelm Stahlecker GmbH CONTENTS Editorial 3 COREflex® – Spinning Soft Core Yarn on Ring and Compact Spinning Machines 5 Yarn Quality Improved by ACP Quality Package 9 Premium Parts – News – Metal Washer for Magnetic Navals – CR-Coating for B 174 and B 20 SOLIDRINGS – ProFiL®Navels 15 The Theory of Compacting 19 BERKOL® – Becomes Part of Bräcker AG, Switzerland 21 NAHAR – A Saga from Farm to Fashion 23 Experience with EliTe® and EliTwist®CompactSet – A Practical Assessment , Nahar Industries, India 25 Manufacture of the SUESSEN Technology Components 27 Produce More and Better High Grade Worsted Fashion Fabric – Danmao Spinning Mills, China 31 HP-GX 5010 – The Top Weighting Arm for Worsted Spinning 36 Wilhelm Stahlecker GmbH (WST) – Centre for Research and Development 40 SUESSEN Customer Survey 2007 44 News 46 Advertisement: – Graf, Switzerland 47 – SUESSEN Product Range 48 Impressum No. 24 – July 2008 Published by Reprint of articles with reference Price : € 5.– Spindelfabrik Suessen GmbH permitted – Voucher copies desired Publication : once per year Dammstrasse 1, D-73079 Süssen, All rights reserved Information & Advertising Contact: Germany Spindelfabrik Suessen GmbH SPINNOVATION, Germany Editor in Chief : Peter Stahlecker fax + 49 (0) 71 62 15-367 Title registered® at German Patent Front Cover : e-mail: [email protected] Office EliCoreTwist® – EliTwist®CompactSet internet: www.suessen.com Copyright © 2008 with COREflex ® 2 SPINNOVATION No. -
Spinning and Weaving of Flax and Wool
The Museum | The Village Hall | The Research Library | The Museum Shop Spinning and Weaving of Flax and Wool 1 – Flax Plant Linen is made from a plant called flax. The plants were usually harvested in August. The plants were laid out to dry in the sun and then the seed pods were pulled off. The stalks were bound into bundles and soaked in a stream or pond for several days. Then the fibers were taken from the plant, combed and spun into thread on a spinning wheel. Then the thread was woven into cloth. 2 – Wool Wool comes from sheep that were usually sheared in the spring. Men and older boys usually did this job. The wool was combed, washed and rubbed with grease then spun into thread on a spinning wheel and then woven into cloth. 3 – Carding Colonial women and children used cards to straighten out the curly wool of the sheep. A card consisted of a piece of wood with a handle and it had nails or needle like objects driven through the back to the front of the card. They would put in a handful of wool on a card and then use another card to comb the wool back and forth until it was as straight and soft as possible. The wool was then ready for the spinning wheel. 4 – Spinning Wheels Spinning wheels were used to turn the flax and wool fibers into thread. The larger of the spinning wheels is for wool and the small one is for flax. 5 – Loom came from the Pike Haven Foster house. -
Toward Eliminating Pre-Consumer Emissions of Microplastics from the Textile Industry
Toward eliminating pre-consumer emissions of microplastics from the textile industry Photo credit: Mark Godfrey Photo credit: Devan King Abstract There is growing global awareness that microfibers are, we know enough to take microplastics are a potentially harmful action now to reduce the flows of these pollutant in oceans, freshwater, soil and air. materials into natural systems like rivers While there are many important sources of and oceans. The elimination of pre- microplastic pollution, we now know the consumer microfiber pollution will require textile lifecycle of manufacturing, use and changes along all stages of the textile disposal is a major emission pathway of supply chain. These changes include: microplastics. Microplastics emitted during a textile’s lifecycle are referred to as 1. Better understanding the relative microfibers or ‘fiber fragments.’ To date, emissions of microfibers at each much of the attention has focused on the manufacturing step (from fiber to yarn shedding, washing and disposal of to fabric to garment). synthetic textiles by consumers. 2. Developing microfiber control technologies and codifying best However, this is only part of the picture practices. and ignores microfiber leakage during the manufacturing and processing of these 3. Scaling these solutions to Tier 1, 2 and 3 materials. We estimate that pre-consumer suppliers via a combination of textile manufacturing releases 0.12 million regulatory and brand or retailer-led metric tons (MT) per year of synthetic action. microfibers into the environment – a similar 4. Continuing to raise industry, order of magnitude to that of the consumer government and consumer awareness use phase (laundering). That would mean of the topic. -
Re:Mix –Separation and Recycling of Textile Waste Fiber Blends
Re:Mix –Separation and recycling of textile waste fiber blends by Åsa Östlund, Per-Olof Syrén, Christina Jönsson, Doris Ribitsch and Marie Syrén report funded by: Titel: Re:Mix - Separation and recycling of textile A Mistra Future Fashion Report waste fiber blends Mistra Future Fashion is a cross-disciplinary Authors: Åsa Östlund1,Per-Olof Syrén2, Christina research program, initiated and primarily fun- Jönsson3, Doris Ribitsch4 and Marie Syrén1 ded by Mistra. It holds a total budget of SEK 110 Affiliations: 1) RISE Research Institutes of Sweden, millions and stretches over 8 years, from 2011 2) KTH/SciLifeLab, 3) BOKU, 4) Swerea IVF to 2019. It is hosted by RISE in collaboration with 13 research partners, and involves more Edition: Only available as PDF for individual printing than 40 industry partners. ISBN: 978-91-88695-06-2 Mistra Future Fashion report number: 2017:6 www.mistrafuturefashion.com Task deliverable MFF phase 2: D.SRF.4.1.1 RE:Source Project No.: 42520-1 © Åsa Östlund, Per-Olof Syrén, Christina Jönsson, Doris Ribitsch, Marie Syrén RISE Research Institutes of Sweden Box 857, 501 15 Borås www.ri.se Images: Swerea IVF, Pixabay Layout: Charlotte Neckmar 1 Table of contents Introductory remark.................................................. 2 Table of contents...................................................... 3 Sammanfattning...................................................... 4 Summary................................................................ 5 1 Introduction and Background................................... 7 Introductory remark 1.1 Scope......................................................... 8 2 Execution of work.................................................. 8 This project ‘Re:Mix - Separation and recycling of textile waste fibre blends’, refer- 2.1 Project constellation and actors..................... 9 red to as Re:Mix I, was a pre-study and thereby included a start-up and consorti- 2.1.1 Management..................................