21 Brewer Street Lamberhurst, Kent

Total Page:16

File Type:pdf, Size:1020Kb

21 Brewer Street Lamberhurst, Kent gg hh 21 Brewer Street Lamberhurst, Kent A beautifully presented 4 bedroom end of terrace family house, which benefits from providing spacious and flexible accommodation and from being situated in a convenient position within easy walking distance of village amenities. Guide price £385,000 Freehold Situation: The property is situated in a quiet position in the heart of the pretty village of Lamberhurst, which offers a good range of amenities for everyday needs including a general store, church, primary school, golf course and a number of popular inns. For the commuter, the A21 offers access to both London and the South coast. Rail services can be found in the villages of Frant and Wadhurst and the towns of Paddock Wood and Tunbridge Wells and provide a regular commuter service to London Charing Cross and Cannon Street in approximately an hour. The regional centre of Tunbridge Wells is just 6 miles distant and provides a wide range of amenities including the historic Pantiles, Royal Victoria shopping centre, cinema complex and theatres. The beautiful surrounding countryside includes some excellent walks and local places of interest, including Scotney Castle and Finchcocks Museum and for those seeking outdoor pursuits, there is Bewl Water Reservoir, reputedly the largest area of inland water in the South East, where a wide range of water sports can be enjoyed, as well as Bedgebury National Pinetum with its internationally renowned conifer collection and mountain biking and children's activities. Description: 21 Brewer Street is a modern end of terrace house with external elevations of brick and UPVC weatherboard beneath a tiled roof and double glazed windows and doors throughout. The property has been well maintained and much improved by the current owner and provides spacious, well presented accommodation and benefits from a good-sized south facing garden, plenty of parking and a garage. The accommodation is arranged over two floors and includes an entrance hall with doors leading to a cloakroom, a well appointed kitchen/dining room, which has an extensive range of shaker style wall and base units with ceramic double sink, Bosch double oven and halogen hob, plenty of space for appliances, large under stairs cupboard and glazed doors leading to the sitting room. The sitting room has an attractive exposed brick fireplace fitted with a wood burner and solid oak flooring. The sitting room is a lovely light room and is open plan to a conservatory, which has French doors leading out to the garden. On the first floor there are four bedrooms (three doubles and a single) and a well appointed family bathroom. Outside, to the front of the property there is a front garden laid to lawn with a path leading to the front door and to the side where there is a recently installed boiler and a gate giving access to the rear garden. The landscaped rear garden has a terrace, ideal for outdoor entertaining, with steps down to a good-sized lawn. The garden is fully enclosed with fencing, mature hedging and flower borders. At the end of the garden there is a large shed and a garage with a gate leading out to a further area of garden and parking for several vehicles. The parking area is reached via a shared side access lane. Services: Mains water and electricity. Oil-fired central heating Local Authority: Tunbridge Wells Borough Council (01892) 526121 Current EPC Rating: F Property address: 21 Brewer Street, Lamberhurst, Kent TN3 8DW 01892 786720 www.greenlizardhomes.co.uk Office open: Monday to Friday 9am to 5.30pm, Saturday 10am to 4pm Viewings: 7 days a week Approximate internal floor area: 1,076sq.ft (100sq.m) 1 This plan is not drawn to scale and is for layout guidance only Ground floor First floor Important notice: These details have been produced as a general guide only. All descriptions, photographs, dimensions, reference to condition and necessary permissions for use and occupation and other details are given in good faith and believed to be correct, but any intending purchasers or tenants should not rely on them as statements or representations of fact. The agents have not tested any apparatus, equipment, fittings or services so cannot verify that they are in working order. The buyer is advised to obtain verification from their solicitor or surveyor. Items shown in photographs are not necessarily included in the sale. Room measurements are given for guidance only and should not be relied upon when ordering such items as furniture, appliances or carpets. Descriptions of any property are obviously subjective and the descriptions contained herein are used in good faith as an opinion. 01892 786720 www.greenlizardhomes.co.uk The Estate Office Durgates Wadhurst East Sussex TN5 6DE Telephone: 01892 786720 email: [email protected] .
Recommended publications
  • Paddock Wood to Hawkhurst Branch Line, Tunbridge Wells, Kent
    Paddock Wood to Hawkhurst Branch Line, Tunbridge Wells, Kent: Historic Environment Desk-Based Assessment (with particular reference to the links with local hop growing and picking) Volume 1 Report Project No: 33013 January 2016 Paddock Wood to Hawkhurst Branch Line, Tunbridge Wells, Kent: Historic Environment Desk-based Assessment (with particular reference to the links with local hop growing and picking) On Behalf of: Hop Pickers Line Heritage Group C/o Town Hall Royal Tunbridge Wells Kent TN1 1RS National Grid Reference: TQ 67870 45222 to TQ 7582 3229 AOC Project No: 33013 Prepared by: Matt Parker Wooding Illustration by: Lesley Davidson Approved by: Melissa Melikian Date of Assessment: January 2016 This document has been prepared in accordance with AOC standard operating procedures Report Author: Matt Parker Wooding Date: January 2016 Report Approved by: Melissa Melikian Date: January 2016 Enquiries to: AOC Archaeology Group Unit 7 St Margarets Business Centre Moor Mead Road Twickenham TW1 1JS Tel. 020 8843 7380 Fax. 020 8892 0549 PADDOCK WOOD TO HAWKHURST BRANCH LINE, TUNBRIDGE WELLS, KENT: HISTORIC ENVIRONMENT DESK-BASED ASSESSMENT CONTENTS Volume 1 Page LIST OF ILLUSTRATIONS ................................................................................................................................................ IV LIST OF PLATES ............................................................................................................................................................... II LIST OF TABLES .............................................................................................................................................................
    [Show full text]
  • 'The Expressive Organ Within Us:' Ether, Ethereality, And
    CARMEL RAZ Music and the Nerves “The Expressive Organ within Us”: Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves CARMEL RAZ In Honoré de Balzac’s novel Le Lys dans la sounds without melody, and cries that are lost in Vallée (1835), Felix de Vandenesse courts solitude.1 Henriette de Mortsauf by implying that their souls have a sympathetic connection. Katherine Prescott Wormeley’s translation ren- ders “un orgue expressif doué de mouvement” We belong to the small number of human beings as “the organ within us endowed with expres- born to the highest joys and the deepest sorrows; sion and motion.” This word choice omits the whose feeling qualities vibrate in unison and echo author’s pun on the expressive organ, here serv- each other inwardly; whose sensitive natures are in ing as both a metaphor for the brain and a harmony with the principle of things. Put such be- reference to the recently invented harmonium ings among surroundings where all is discord and instrument of the same name, the orgue they suffer horribly. The organ within us en- expressif.2 Balzac’s wordplay on the expressive dowed with expression and motion is exercised in a organ represents an unexpected convergence of void, expends its passion without an object, utters music, organology, natural science, and spiri- tualism. A variety of other harmoniums popu- I would like to thank Patrick McCreless, Brian Kane, Paola Bertucci, Anna Zayaruznaya, Courtney Thompson, Jenni- 1Honoré de Balzac, The Lily of the Valley, trans. Katharine fer Chu, Allie Kieffer, Valerie Saugera, Nori Jacoby, and P.
    [Show full text]
  • Character Area 10 Kilndown
    L C A LCA 1 1 F 0 LCA 7 LCA 3 - K i l n NCA Boundary NCA Boundary d AONB Boundary AONB Boundary o LCA 8 w n LCA 18 W LCA 4 o o d e d F a r m l a n d Wealden NCA 122 District High Weald LCA 6 LCA 15 Rother District NCA Boundary NCA BoundLarCyA 11 AONB Boundary AONB Boundary F © Crown copyright and database rights 2017 Ordnance Survey 0100031673 Character Area 10: Kilndown Wooded Farmland SUMMARY A rolling upland landscape, incised by valleys, with a dispersed settlement pattern of small hamlets and isolated farmsteads hidden within a framework of extensive blocks of ancient semi-natural deciduous, ghyll, and shaw woodlands that surround medium-large fields of arable and small fields of pasture farmland. Tunbridge Wells Borough Landscape Character Assessment 104 Character Area 10: Kilndown Wooded Farmland Key Characteristics 1) An intricate topography with a rolling sandstone plateau that forms a series of high ridges which are regularly incised by the thin narrow tributary valleys of the River Teise. The basic underlying geological structure of the Local Character Area is of Tunbridge Wells Sandstone forming high ridges, with Wadhurst Clay and localised thin belts of alluvium deposits in the valleys. A higher proportion of Wadhurst Clay and Ashdown Beds occur to the north and north-east of the area within the network of tributary valleys of the Teise. The three tributaries of the River Teise, the largest of which is the River Bewl, flow in a general south to north direction through the area and have a great influence on its character.
    [Show full text]
  • The Galpin Society for the Study of Musical Instruments
    The Galpin Society For the Study of Musical Instruments Newsletter 41 February 2015 Welsh Rock Cannon (see p.11) CONTENTS: ::2:: Contacts; New Members ::3:: Editorial ::4:: Christopher Hogwood Collection ::11:: Rock Cannon ::13:: Pamplin Award ::15:: Rubin/Nicholson Collection ::16:: Cambridge Conference THE GALPIN SOCIETY Registered Charity no. 306012 Website: www.galpinsociety.org President: Jeremy Montagu [email protected] Vice-Presidents: Friedrich von Huene, Charles Mould, Arnold Myers, The Master of the Worshipful Company of Musicians THE COMMITTEE Chairman: Graham Wells, 24 Gloucester Road, Teddington, Middlesex, TW11 0NU [email protected] Administrator: Maggie Kilbey, 37 Townsend Drive, St Albans, Herts, AL3 5RF [email protected] Editor: Lance Whitehead, 3 Hazelbank Terrace, Edinburgh, EH11 1SL [email protected] Journal Editor: Michael Fleming, 13 Upland Park Road, Oxford, OX2 7RU [email protected] Reviews Editor (UK): Mimi Waitzman, Horniman Museum, London Road, Forest Hill, London, SE23 3PQ [email protected] Reviews Editor (USA): Bradley Strauchen-Scherer, Dept of Musical Instruments, Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028-0198, USA [email protected] Advertisement Andy Lamb, The Bate Collection, Faculty of Music, St Aldate’s, Oxford, Manager: OX1 1DB [email protected] Archivist: Diana Wells, 24 Gloucester Road, Teddington, Middlesex, TW11 0NU [email protected] Other committee members: Bruno Kampmann, Ben Marks, Arnold Myers, Gabriele Rossi Rognoni, Owen Woods The Galpin Society Newsletter is edited by Graham Wells and sub-edited by Maggie Kilbey. Opinions expressed by authors in the Newsletter are not specifically endorsed by The Galpin Society.
    [Show full text]
  • October 2016
    Christ Church Kilndown 175th Anniversary The Chalice October 2016 80p (£9 per year) 1 UNITED BENEFICE OF ST. MARY, GOUDHURST WITH CHRIST CHURCH, KILNDOWN Vicar: Revd Hugh Nelson The Vicarage, Back Lane Goudhurst, Kent, TN17 1AN Tel: 01580 211739 Email: [email protected] Please note the Revd Hugh’s day off is Monday Assistant Curate: Revd Craig Huxley Email:[email protected] Benefice Administrator: Becky Addis, (Monday to Friday 9am-12 noon) Benefice Office, The Vicarage, Back Lane, Goudhurst, Kent, TN17 1AN Tel: 01580 211739 Email : [email protected] GOUDHURST Church Wardens: Ali Williams Tel: 07944 776008 Simon Taurins Tel: 07768 598239 Sunday Club: Huthrie Copplestone Tel: 01580 211902 [email protected] Church Room Bookings: Rosemary Southon Tel: 01580 211791 Ready Call: Norma Neal (Chairman) Tel: 01580 211870 Mrs Anne Torry (transport) Tel: 01580 211306 Parish Hall Bookings: Judith Farnfield Tel: 07760181645 [email protected] KILNDOWN Church Wardens: David Denton Tel: 01892 890244 Tina Gallagher Tel: 01892 890426 Flower Arranging: Veronica Stacey Tel: 01580 211239 Village Hall Bookings: Tracy Roberts Tel: 01892 891122 PARISH MAGAZINE Editor: David Denton Tel: 01892 890244 [email protected] Magazine Advertising: James Cooke [email protected] Subscriptions & Distribution: Pam Stubbs (Goudhurst) Tel: 01580 211013 Hilary Bird (Kilndown) Tel: 01892 890554 www.gkchurch.org.uk 2 WHAT’S ON IN OCTOBER 2016 Sunday 9 October, 12:00 (ish), St Mary’s Mini APCM Six months after the Annual meeting, when we laid out our plans for this year, we’ll update everyone on where we’ve got to. After the 10:45 service, grab a coffee and hear a short presentation followed by time for questions and discussions.
    [Show full text]
  • Geology of Goudhurst
    Goudhurst Neighbourhood Plan , Environmental Character Assessment of Goudhurst Geology, Water, Flora and Fauna commentary 1. This short note sets out the geological, hydrogeological, flora and fauna background to the village which make the Goudhurst parish setting unique in the Weald region 2. As noted in previous documents, the quality of the landscape around Goudhurst is very high with national importance. The unique and varied landscape is a result of the underlying geology giving rise to a variety of soils, topography, natural vegetation and therefore historic land use. It supports a wide range of natural habitats resulting from this richly varied and diverse collection of flora and fauna. As further indication of this, it is worthwhile highlighting that these unique features allowed the village to develop, and maintain, its own groundwater abstraction pumping station which now serves other villages. It is one of the only villages in the Weald with such a site and forms a vital part of the water supply for the region providing up to 10 Million litres per day. Geology 3. The topography of Goudhurst has been sculptured by the unusual underlying geology and geological processes of the district. The geology of the village and surrounds is reproduced below. The geology underlying the village appears as layers in a cake: The hard Tunbridge Wells Sandstone (TWS) outcrop forms the top layer (coloured yellow). Below this is the impervious Wadhurst Clay (brown colour) and the lowest layer are the Ashdown sandstone formation (blue colour). Naturally, the hard TWS forms the ridge on which the church and village heights are sited.
    [Show full text]
  • Hand Hammer Re-Covering Europiano Congress the Octave Crusher August 2009
    Hand Hammer Re-covering Europiano Congress The Octave Crusher August 2009 Christopher Clarke, expert tutor of the Hand Hammer Re-covering course at Finchcocks, with the 1866 Erard Grand which the class worked on. Read Tania Staite’s full report inside. Smart, Simple, CyberTuner!® Accurate. Consistent aural quality tunings for all experience levels. Easy historical temperaments. Fast, precise pitch raises. Contact us for a free demo DVD. Find out why RCT is preferred by so many piano tunertechnicians. Distributors Heckscher & Co. Ltd. 75 Bayham Street London NW1 0AA phone: 02073871735 fax: 02073873043 email: [email protected] Reyburn Piano Service, Inc. phone: 16166961002 or 18887638440 (USA) email: [email protected] Odd Aanstad (Sweden) phone: (+46) 570 511 84 email: [email protected] Above, Pocket RCT’s tuning module “CyberEar” on a Pocket PC. CyberEar’s spinner gives you the ultimate in pitch control. Reyburn CyberTuner Pocket PC Windows Macintosh www.reyburn.com What could this be? See page 17 Bechstein Factory Visit Page 20 Editorial — 4 President Writes — 5 Membership News — 6 Retail Tails — 10 Ralph and Jean Long — 11 Sales Encouragement Scheme — 11 Students’ Pages — 12 Hand Hammer Re-covering — 14 The Octave Crusher — 17 Europiano Congress — 20 Book Review — 24 Letters — 25 PTA Diary — 27 For your advertising in PTA News, at very reasonable rates, please contact: Tania Staite, Flat 8, Deepdene, 15 Streatham Common Northside, London, SW16 3HQ. Copy may then be emailed to the Editor at:[email protected] The next deadline for PTA News is by an SAE. Please obtain the necessary permission Friday 18th September 2009.
    [Show full text]
  • Domenico Scarlatti
    Nimbus DOMENICO Nimbus 6 CDs SCARLATTI DOMENICO SCARLATTI • THE COMPLETE SONATAS • DOMENICO SCARLATTI VOLUME IV THE COMPLETE SONATAS • DOMENICO SCARLATTI Venice IX – XI (1754-6) (K388 – 451, K454 – 483) RICHARD LESTER Harpsichord & FORTEPIANO NI 1728 NI 1728 DOMENICO SCARLATTI 6 CD set The Complete Sonatas DOMENICO other titles in this series SCARLATTI Volumes I • II • III • V • VI • VII VOLUME IV DOMENICO DOMENICO DOMENICO SCARLATTI SCARLATTI SCARLATTI Venice IX – XI (1754-6) VOLUME I VOLUME II VOLUME III (K388 – 451, K454 – 483) Essercizi per Gravicembalo Venice III – V (1753) Venice VI – VIII (1753-4) (K1-30) (K206 – 295) (K296 – 355, K358 – 387) Venice I & II (1752) (K49, K98, K99, K129, K148-201) RICHARD LESTER RICHARD LESTER Harpsichord RICHARD LESTER Harpsichord & Organ Harpsichord & organ RICHARD LESTER Harpsichord & FORTEPIANO DOMENICO DOMENICO DOMENICO SCARLATTI SCARLATTI SCARLATTI VOLUME V VOLUME VI VOLUME VII Venice XII – XIII (1756-7) Appendices & Diversities Venice XIV (1742) (K484 – 543) 57 Sonatas (K3, 10-12, 17, 31, 36-38, Continuo Sonatas 43-77, 79, 80, 82-87, 92, 93) (K78, K81, K88 – 91) Venice XV (1749) RICHARD LESTER (K96, K98-138) Richard Lester Harpsichord Harpsichord & Fortepiano RICHARD LESTER Academia Musicali Harpsichord For availability and complete track details please visit www.wyastone.co.uk/nrl/scarlatti.html NI 1728 DOMENICO SCARLATTI near the jack rail. The length of the instrument (8ft included Bernard Roberts - and on the harpsichord, 3ins) allows for a rich and resonant bass and the George Malcolm - who sponsored his London debut The Complete Sonatas tapering of the soundboard in certain areas produces recital. His many solo engagements have included a sonorous treble.The case is of pine with tulipwood broadcasts for BBC radio and television, recitals at the Volume Iv NI 1728 veneer, spruce soundboard with walnut bridges and Royal Festival Hall Purcell Room, Wigmore Hall, the keys, like Queen Maria Barbara’s instruments are Bath International Festival, Bruges Festival, many Venice IX – XI (1754-6) of ebony and mother of pearl.
    [Show full text]
  • Goudhurst Neighbourhood Plan
    2013-2033 Setting the Pattern for Future Development in Goudhurst Parish NDP Version 2.0 – Regulation 15 Draft Page 1 of 89 Table of Contents Reading this Document ............................................................................................................................ 4 Part One - Background Section 1 Purpose ................................................................................................................................. 5 Section 2 How we developed our Plan ................................................................................................. 9 Section 3 Goudhurst - A History ......................................................................................................... 12 Part Two - Our Objectives Section 4 Our Vision, Goals and Objectives ....................................................................................... 13 Section 5 Summary of our Policies ..................................................................................................... 15 Part Three - Our Policies Section 6 Landscape and Environment Policies ................................................................................. 19 Section 7 Community & Wellbeing Policies ....................................................................................... 44 Section 8 Housing Policies .................................................................................................................. 55 Section 9 Business and Employment Policies ....................................................................................
    [Show full text]
  • The Clavichord in the Bluegrass: Dolmetsch, Fudge, and Hammer
    The Kentucky Review Volume 15 | Number 2 Article 8 2003 The lC avichord in the Bluegrass: Dolmetsch, Fudge, and Hammer Joseph R. Jones Hispanic Society of America Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Music Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Jones, Joseph R. (2003) "The lC avichord in the Bluegrass: Dolmetsch, Fudge, and Hammer," The Kentucky Review: Vol. 15 : No. 2 , Article 8. Available at: https://uknowledge.uky.edu/kentucky-review/vol15/iss2/8 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Clavichord in the Bluegrass: Dolmetsch, Fudge, and Hammer Joseph R. Jones For the gentlemen members of the Cricket Club, for whom this was originally written. The blacksmith's dog can sleep under the anvil, according to a Spanish proverb that means, roughly, "You can get used to anything." And we twenty-first century Americans, like the blacksmith's dog, are so used to a relentless bombardment of noise that we accept roaring jet airplanes, construction dynamiting, and passing cars that literally throb with the vibration of tl1eir stereos as natural manifestations, like the twittering of birds. In pre-Industrial times, such mechanical noises were rare, however, and silence was normal. Human eardrums were sensitive and not yet damaged by blasting stereos, headphones, and rock concerts that require earplugs to protect the aural nerves of performers.
    [Show full text]
  • Bach 704-5 - J
    BACH 704-5 - J. S. BACH: The Six Harpsichord Partitas Vols. 1-2 While Bach became active during the 1730s and 1740s as an agent both for publishers and instrument-makers, his own published works were few, financed mainly by himself, and were produced largely for academic reasons; as guides to scholars, summarizing his own Baroque art. Thus the title page of these Six Partitas, published by Bach himself in 1731, reads: Keyboa rd Practice, consisting of preludes, allemandes, courantes, sarabandes, gigues, minuets, and other galanteries, composed for music- lovers, to refresh their spirits, by Johann Sebastian Bach, Actual Capellmeister to the Court of Saxe-Weissenfels and Directore Chori Musici Lipsiensis. Opus 1. Published by the Author. 1731. The Suite of Dances for instrumental ensembles or a solo instrument such as lute or harpsichord, was an important and popular musical form of the Baroque era; the separate movements were of contrasting speeds, metrical patterns and textures, but bound together into a coherent group by generally sharing the same key and thematic material. The form grew out of the customary “paring” of dances (e.g. Pavane and Galliard) – a duple time dance of moderate or slow tempo being followed by a faster one in triple time, the second often being a rhythmically-varied version of the first. The most significant of these couples was the Allemande and Courante, which became the main pair of movements of the Suite. A central figure in the history of the Suite was the Austrian composer Froberger (1616-1667), a pupil of Frescobaldi and tireless traveler; in his music he drew together many of the separate national styles of his time and his great talent fused these disparate elements into a coherent and powerful style that was to have a formative influence on German music.
    [Show full text]
  • Collections Development Policy
    Collections Development Policy Name of museum: Horniman Museum & Gardens Name of governing body: Horniman Public Museum and Public Park Trust Date on which this policy was 6 December 2019 approved by governing body: Policy review procedure: The Collections Development Policy will be published and reviewed from time to time, at least once every five years. Date at which this policy is December 2022 due for review: Arts Council England will be notified of any changes to the collections development policy, and the implications of any such changes for the future of collections. 1. Relationship to other relevant policies/plans of the organisation: ......................... 2 2. History of the collections ....................................................................................... 3 3. An overview of current collections......................................................................... 3 4. Themes and priorities for future collecting ............................................................ 3 5. Themes and priorities for rationalisation and disposal .......................................... 6 6. Legal and ethical framework for acquisition and disposal of items ....................... 7 7. Collecting policies of other museums .................................................................... 7 8. Archival holdings ................................................................................................... 8 9. Acquisition ...........................................................................................................
    [Show full text]