Growing Prosperity
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Chief Executive's Review
ANNUAL REPORT 2010-2011 Department of the Premier and Cabinet State Administration Centre 200 Victoria Square Adelaide SA 5000 GPO Box 2343 Adelaide SA 5001 ISSN 0816‐0813 For copies of this report please contact Corporate Affairs Branch Services Division Telephone: 61 8 8226 5944 Facsimile: 61 8 8226 0914 . The Hon Mike Rann MP Premier of South Australia 200 Victoria Square ADELAIDE SA 5000 Dear Premier I am pleased to submit to you the Annual Report of the Department of the Premier and Cabinet for the year ended 30 June 2011. The Report has been prepared in accordance with the requirements of the Public Sector Act 2009, the Act’s accompanying regulations, the financial reporting requirements of the Public Finance and Audit Act 1987 and DPC Circular PC013 ‐ Annual Reporting Requirements. It demonstrates the scope of activities undertaken by the Department in meeting our targets for all departmental programs including the South Australia’s Strategic Plan targets for which we have lead agency responsibility. It also provides evidence of our performance in key areas, financial accountabilities and resource management. Yours sincerely Jim Hallion Chief Executive / /2011 Contents Contents ............................................................................................................................................ 2 Chief Executive’s Review................................................................................................................... 4 Our Department............................................................................................................................... -
New Breed 2019 August 2019
Media Release For immediate release Sydney Dance Company and Carriageworks, in conjunction with The Balnaves New Breed 2019 Foundation, announce four Australian choreographers commissioned to create works for the acclaimed New Breed initiative that supports Australia’s next generation of choreographers. Meet the new breed of ‘★★★★ Full of a wonderful sense of adventure, but also with the choreographic and Australian dance theatrical nous to pull off an eclectic and consistently satisfying night of dance.’ – TimeOut creators Co-presented by Carriageworks and Sydney Dance Company – with the generous support of The Balnaves Foundation, New Breed 2019 will provide Australian choreographers Josh Mu (Melbourne), Lauren Langlois (Melbourne), Ariella Casu (Sydney) and Davide Di 28 Nov – 7 Dec Giovanni (Sydney) with an invaluable opportunity to work with Australia’s leading Carriageworks, Sydney contemporary dance company on a newly commissioned dance piece. Showcasing a rich diversity of choreographic ideas, this talented group of emerging choreographers will create brand new pieces on members of Sydney Dance Company. These four new works will comprise the New Breed 2019 season from 28 November to 7 December. The New Breed initiative made its debut in November 2014, supporting five emerging Australian choreographers through the commissioning and presentation of new dance work. Four sold out seasons in 2014, 2015, 2016, 2017 and 2018 ensued. The sixth instalment in the New Breed initiative will see Carriageworks, Sydney Dance Company and The Balnaves Foundation continue their commitment to the future of Australian contemporary dance, by supporting independent choreographers Josh Mu, Lauren Langlois, Ariella Casu and Davide Di Giovanni. From August, these dance makers will benefit from the extensive support of all the departments of Sydney Dance Company in readiness for their premiere season at Carriageworks, later this year. -
2008, WDA Global Summit
World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns. -
Public Transport Buildings of Metropolitan Adelaide
AÚ¡ University of Adelaide t4 É .8.'ìt T PUBLIC TRANSPORT BUILDII\GS OF METROPOLTTAN ADELAIDE 1839 - 1990 A thesis submitted to the Faculty of Architecture and Planning in candidacy for the degree of Master of Architectural Studies by ANDREW KELT (û, r're ¡-\ ., r ¡ r .\ ¡r , i,,' i \ September 1990 ERRATA p.vl Ljne2}oBSERVATIONshouldreadOBSERVATIONS 8 should read Moxham p. 43 footnote Morham facilities p.75 line 2 should read line 19 should read available Labor p.B0 line 7 I-abour should read p. r28 line 8 Omit it read p.134 Iine 9 PerematorilY should PerernPtorilY should read droP p, 158 line L2 group read woulC p.230 line L wold should PROLOGUE SESQUICENTENARY OF PUBLIC TRANSPORT The one hundred and fiftieth anniversary of the establishment of public transport in South Australia occurred in early 1989, during the research for this thesis. The event passed unnoticed amongst the plethora of more noteworthy public occasions. Chapter 2 of this thesis records that a certain Mr. Sp"y, with his daily vanload of passengers and goods, started the first regular service operating between the City and Port Adelaide. The writer accords full credit to this unsung progenitor of the chain of events portrayed in the following pages, whose humble horse drawn char ò bancs set out on its inaugural joumey, in all probability on 28 January L839. lll ACKNO\ryLEDGMENTS I would like to record my grateful thanks to those who have given me assistance in gathering information for this thesis, and also those who have commented on specific items in the text. -
Goyder Institute for Water Research Technical Report Series No. 12/7
Environmental and cultural values of South Australia’s outback water resources Macdonald JI and McNeil DG Goyder Institute for Water Research Technical Report Series No. 12/7 www.goyderinstitute.org Goyder Institute for Water Research Technical Report Series ISSN: 1839-2725 The Goyder Institute for Water Research is a partnership between the South Australian Government through the Department of Environment, Water and Natural Resources (DEWNR), CSIRO, the South Australian Research and Development Institute (SARDI), Flinders University, the University of Adelaide and the University of South Australia. The Institute will enhance the South Australian Government’s capacity to develop and deliver science-based policy solutions in water management. It brings together the best scientists and researchers across Australia to provide expert and independent scientific advice to inform good government water policy and identify future threats and opportunities to water security. The following Associate organisation contributed to this report: Enquires should be addressed to: Goyder Institute for Water Research Level 1, Torrens Building 220 Victoria Square, Adelaide, SA, 5000 tel: 08-8303 8952 e-mail: [email protected] Citation Macdonald JI and McNeil DG (2012) Environmental and cultural values of South Australia’s outback water resources. Goyder Institute for Water Research Technical Report Series No. 12/7. Copyright © 2012 SARDI, CSIRO and DEWNR. To the extent permitted by law, all rights are reserved and no part of this publication covered by copyright may be reproduced or copied in any form or by any means except with the written permission of SARDI, CSIRO and DEWNR. Disclaimer The Participants advise that the information contained in this publication comprises general statements based on scientific research and does not warrant or represent the completeness of any information or material in this publication. -
Newsletter - July 2009
Tanja Liedtke Foundation Newsletter - July 2009. www.tanja-liedtke-foundation.org Australian Dance Awards 2009 Tanja Liedtke’s work construct won two major awards at the Australia In this edition: Dance Awards, held in Melbourne on June 7th 2009 – Outstanding Achievement in Choreography and Outstanding Australian Dance Awards Achievement in Independent Dance. The audience at the 2009 Victorian Arts Centre’s State Theatre celebrated the ongoing success construct on tour of Tanja’s work, and as her partner and creative associate Sol Twelfth Floor on tour Ulbrich, who accepted the awards on Tanja’s behalf, noted, “It’s a ...and more moment to stand and share with everyone in the dance community. A big moment to acknowledge Tanja”. The work received an additional award with Kristina Chan receiving the award for Outstanding Achievement by a female dancer. Kristina and Tanja were friends from 1999 when they both joined the Australian Dance Theatre as young dancers. Since that time, with Tanja as choreographer, they created several works together in collaboration with other artists such as Paul White, who was also nominated for Outstanding Performance by a male dancer in construct. Sol Ulbrich - remount Director, construct, Paul White & Kristina Chan performers, construct. construct on tour On the 17th of June Tanja’s construct began its Australian national tour taking in Canberra, Frankston, Lismore, Caloundra, Toowoomba, Brisbane, Hobart and finishing in Adelaide. This tour is part of the Australia Council’s Mobile States initiative and is produced and managed by Performing Lines. The touring cast consists of original members Kristina Chan and Paul White, who will be joined by Lisa Griffiths in the role that Tanja created for herself when the work premiered in 2007. -
Index to Papers Tabled - 1994
1 HOUSE OF ASSEMBLY INDEX TO PAPERS TABLED - 1994 FIRST SESSION, FORTY EIGHTH PARLIAMENT PAPERS PAPER HOUSE NUMBER NUMBER Aboriginal Deaths in Custody, Royal Commission into - Implementation Report, April 1994(218) Abortions Notified in South Australia, Committee Appointed to Examine and Report on - Report, 1993 (218) 90 Audit Commission, South Australian - Report, April 1994 (159) Audit, Commission of - Terms of Reference (97) Auditor-General, Supplementary Report for the year ended 30 June 1993(159) 4B Auditor-General's Department - Report on Operations, 1992-93 (6) 4 Carrick Hill Trust - Report, 1992-93 (6) Charitable Funds, Commissioners for - Report, 1992-93 (218) 86 Classification of Publications Board - Report, 1992-93(14) 116 Coast Protection Board - Report, 1992-93 (160) 51 Committees - Economic and Finance - Response to Seventh Report by the Premier (27) Response to Eighth Report by the Premier (27) Environment, Resources and Development - Tenth Report - Southend Foreshore Erosion (8) 184 2 Eleventh Report - Development Act - Regulations (205) 172 Regulations under the Development Act - First Report (57) Legislative Review - Minutes of Evidence - City of Tea Tree Gully - By-laws - Various (168) Education Act - Alberton Primary School Council (39) Reports, Regulations - First to Sixteenth (17 (2), 27, 39, 57, 58, 83, 84(2), 97, 131 (2), 167, 168, 205 (2)) Social Development - Response to Second Report by the Minister of Health (50) Fourth Report - Rural Poverty in South Australia - Interim Report (167) 171 Consolidated Account, Statement of, for the Month of December 1993 (17) Consumer Affairs, Commissioner for - Report, 1992-93 (14) 75A Corporation By-laws - Adelaide - No.12 - Public Restaurants and Fish Shops (6) Mitcham - No.2 - Streets and Public Places (160) Noarlunga - No. -
Towards a Cultural Policy for Great Events P
B. García, Towards a Cultural Policy for Great Events p. 148 e) Government joint initiatives The previous points indicate how, up to year 2000, the approach of most Australian government bodies to support the cultural programme was rather vague and limited. To explain this, scholars such as Louw and Turner have pointed out at the conflict that took place in terms of ‘ownership’ of the Games (2000, pers. comm., 25 Aug). The Games had been awarded to the city of Sydney, so they were designed to be the responsibility of the state of NSW, and the federal government was to have only a secondary role in terms of decision-making and resource allowances. According to Louw and Turner, this led not only to a lack of coordination between state and federal bodies, but also to a certain sense of competition among different states which also wanted to benefit from the Games and had priorities and interests differing from the ones in Sydney and NSW. On some occasions, this led to a defensive posture on the part of SOCOG or NSW. This is best exemplified in their relationship with Queensland, a state very proactive and interested in taking part of the Olympic project which was not allowed a degree of participation as high as it would have expected. The low contributions of federal arts funding during the first three years of the Olympiad could also be understood as a measure to avoid conflicts among states. However, in preparation for the Olympic period, local, state and federal bodies joined their efforts in a common initiative that was to be one of the greatest catalysts for the promotion of the OAF. -
2001 Annual Report (PDF 918
Arts SA Department of State Aboriginal Affairs Office for the Status of Women Office of Local Government Planning SA Transport SA 2000–01 annual report Level 9 Roma Mitchell House 136 North Terrace ADELAIDE SA 5000 DX407 PO Box 8197, Station Arcade ADELAIDE SA 5000 Telephone: (08) 8204 8200 Facsimile: (08) 8204 8216 www.dtupa.sa.gov.au Department for Transport, Urban Planning and the Arts Annual Report (Print) ISSN 1445-6672 Department for Transport, Urban Planning and the Arts Annual Report (On-line) ISSN 1445-6680 Page 2 Department for Transport, Urban Planning and the Arts Annual Report 2000–01 The Honourable Diana Laidlaw MLC The Honourable Dorothy Kotz MP Minister for Transport and Urban Planning Minister for Local Government Minister for the Arts Minister for Aboriginal Affairs Minister for the Status of Women Level 15 Level 12 30 Wakefield Street Roma Mitchell House ADELAIDE SA 5000 136 North Terrace ADELAIDE SA 5000 Dear Ministers, I am pleased to submit the Department for Transport, Urban Planning and the Arts’ annual report and financial statements for the year ended 30 June 2001. The past year has been an exciting and challenging time for the department as it has continued to embrace the portfolio style of management and Budget and Procurement Reform processes, while continuing with operational business. This would not have been possible without the level of cooperation and collaboration that has occurred within the Department. I wish to acknowledge the many years of valuable service of Mr Rod Payze, the first Chief Executive of the Department, who retired early in the year. -
Concrete Expressions Brutalism and the Government Buildings Precinct, Adelaide
CONCRETE EXPRESSIONS BRUTALISM AND THE GOVERNMENT BUILDINGS PRECINCT, ADELAIDE Kevin O’Sullivan Architecture Museum School of Architecture and Design University of South Australia Architecture Museum Monograph Series 07 O’Sullivan, Kevin. Concrete Expressions: Brutalism and the Government Buildings Precinct, Adelaide Contents First published in 2013 in Australia by the School of Art, Architecture and Design, 2 Foreword University of South Australia, 6 Introduction Adelaide, South Australia 4 Acknowledgements Series Editors: Christine Garnaut and Julie Collins 8 Background to Brutalism © Kevin O’Sullivan 18 Brutalism in Australia ISBN 978-0-9871200-4-5 24 The Government Buildings Precinct Monograph design: Jason Good and Leah Zahorujko 38 Buildings and Precinct Analysis Design direction: Fred Littlejohn School of Art, Architecture and Design, University of South Australia 42 Architectural Influences Print: Graphic Print Group Adelaide, South Australia 44 Conclusion 46 Endnotes Copies available from: Dr Christine Garnaut 50 Further reading Director, Architecture Museum School of Art, Architecture and Design 54 About the Author University of South Australia 56 About the Architecture Museum GPO Box 2471 Adelaide, South Australia 5001 Cover illustration: ‘P.B.D. in Tower of Strength’, Perspective: Public Buildings Department Journal, vol.3, no. 2, 1978, p. 19. Unless otherwise credited all illustrations are from the Architecture Museum’s own collections. All reasonable efforts have been made to trace the copyright holders of all images reproduced -
Media Release
MEDIA RELEASE AUSTRALIAN DANCE THEATRE TURNS 50 TODAY 10 June 2015: Australian Dance Theatre turns 50 today, making it the oldest contemporary dance company in Australia. Artistic Director Garry Stewart said that the anniversary makes you think about the past, present and future. “Elizabeth Cameron Dalman started the company with an ambitious vision and it’s her legacy that has made such a formidable impact on Australia and the world – it is fitting that she is our 50th anniversary patron. She is remembered jointly with other past Artistic Directors, who with their ensembles have all played a pivotal part in reaching 50,” he said. Australian Dance Theatre was founded by Dr Elizabeth Cameron Dalman OAM in 1965 after she was inspired by her experience in New York and by the Australian environment. It was the first time modern and contemporary dance was taught in Australia. Since then, the Australian Dance Theatre has grown to be one of the most influential dance companies in the country and has been producing consistently great repertoire since it was formed. Under the artistic direction of Garry Stewart since the end of 1999, the Australian Dance Theatre embarked on a remarkably successful artistic trajectory that has distinguished it as a daring, exciting and highly skilled ensemble. The world renowned dance company has a rich history full of wonderful stories and achievements that have lead it to its current world-class status, a dancing phenomenon that continues to push new boundaries across the globe. As a result, they enjoy an enviable national and international reputation, making it Australia’s number one dance ambassador across the globe. -
Heritage Snaps 2020 Government Owned State Heritage Places
Heritage SnAps 2020 Government owned State Heritage Places NOTE: Please do not enter privately owned property to photograph any State Heritage Places without the owner’s permission. Contents Page 2 - Adelaide City Page 28 – Kangaroo Island Page 8 – North Adelaide Page 30 – Fleurieu Page 9 – Adelaide Hills Page 32– Yorke Peninsula Page 11 – Adelaide Suburbs Page 31 – Limestone Coast Page 20– Port Adelaide Page 35 – Flinders Ranges and Far North Page 21 – Mid North Page 39 – Murraylands Page 25 – Eyre Peninsula 1 STATE HERITAGE STATE HERITAGE PLACE NAME ADDRESS # ADELAIDE CITY 10642 Museum of Economic Botany, Adelaide Botanic Garden Park Lands, Adelaide 10762 Adelaide Remand Centre (former Currie Street Model School) 208 Currie Street, Adelaide 10763 South Australian Museum East Wing North Terrace, Adelaide Corner of Gilles Arcade and Playhouse Lane, 10770 Former Queen's (sometime Royal Victoria) Theatre and Horse Bazaar Adelaide 241-299 Victoria Square, corner of Gouger 10799 Supreme Court (former Local and Insolvency Court) Street, Adelaide 10815 Magistrate's Court (former Police Courthouse, former Supreme Court) Victoria Square, 1 Angas Street, Adelaide 10843 Main Entrance Gates to Adelaide Botanic Garden North Terrace, Adelaide 10844 Adelaide Railway Station / Adelaide Casino North Terrace, Adelaide 10845 Parliament House North Terrace, Adelaide 10846 Former South Australian Institute Building, State Library of SA North Terrace, Adelaide 10849 Ayers House and former Coach House/Stables and Wall 287-300 North Terrace, Adelaide 2 STATE