Biobibliographische Notiz
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Exploration of Human Complexities in Alice Munro's Short
The Exploration of Human Complexities in Alice Munro’s Short Stories P. Jayakar Rao M.A, UGC-NET, AP-SET, (Ph.D.) Asst. Professor of English, Govt. Degree & PG College, Siddipet, Telangana India Abstract Alice Munro is a Canadian short story writer and the recipient of many literary honours, including the 2013 Nobel Prize in Literature for her work as "master of the contemporary short story", and the 2009 Man Booker International Prize for her lifetime body of work. Munro's work has been described as having reformed the architecture of short stories, especially in its propensity to move forward and backward in time. Her stories explore human complexities in straightforward prose style. Alice Munro, writing about ordinary people in ordinary situations, creates a portrait of life in all of its complexities. In her magnificently textured stories, she explores the distinction of relationships, the profundity of emotions, and the influence that one’s past has on the present. With a few details, she is able to invoke someone’s character or an entire geographical region. Munro is a master at creating a short story that is as fully developed as a novel. Key words: recipient, reformed, propensity, explore, complexities, portrait, profundity, invoke Introduction Canadian writer Alice Munro is considered one of the finest short story writers of the present times. Born in 1931, her highly acclaimed stories chronicle small town life, usually around Ontario, where she grew up, and primarily deal with human relationships, deeper truths and www.ijellh.com 212 ambiguities. In her tales, primarily written from an entirely feminine point of view, the incidents of life get redefined in the inner landscape of intellect and emotion of the narrator / protagonist which in turn are a reflection of the author’s own perceptions. -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
Agrégation D'anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources Primaires II. Sources Secondaires
Bibliographie sélective établie par Héliane Ventura (Université de Toulouse-Jean Jaurès) Agrégation d’anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources primaires Édition recommandée pour le concours : Alice Munro . Dance of the Happy Shades [1968]. London: Vintage, 2000. Il est vivement conseillé de lire plusieurs autres recueils de nouvelles de Munro, de préférence le second et ceux qui figurent parmi ses derniers. Recueils de nouvelles de Alice Munro Dance of the Happy Shades . Toronto: Ryerson Press, 1968. Lives of Girls and Women. Toronto: McGraw-Hill Ryerson, 1971. Something I’ve Been Meaning to Tell You. Toronto: McGraw-Hill Ryerson, 1974. Who Do You Think You Are? Toronto: Macmillan, 1978. The Moons of Jupiter. Toronto: Macmillan, 1982. The Progress of Love. Toronto: McClelland & Stewart, 1986. Friend of My Youth. Toronto: McClelland & Stewart, 1990. Open Secrets. Toronto: McClelland & Stewart, 1994. The Love of a Good Woman . Toronto: McClelland & Stewart, 1998. Hateship, Friendship, Courtship, Loveship, Marriage. Toronto: McClelland & Stewart, 2001. Runaway. Toronto: McClelland & Stewart, 2004. The View from Castle Rock. Toronto: McClelland & Stewart, 2006. Too Much Happiness. Toronto: McClelland & Stewart, 2009. Dear Life . Toronto: McClelland & Stewart, 2012. II. Sources secondaires a) Biographies *** Ross, Catherine Sheldrick. Alice Munro: A Double Life . Downsview, ON: ECW Press, 1992, 97 p. ———.“Alice Munro.” Dictionary of Literary Biography . Vol. 53. Canadian Writers since 1960 . First Series. Ed. W.H. New. Detroit: Bruccoli Clark Layman Book, Gale Research Inc, 1986. Thacker, Robert . Alice Munro Writing Her Lives . Toronto: McClelland & Stewart, 2005, 603 p. Thèse française : Bigot, Corinne. Le silence dans les nouvelles d’Alice Munro. -
Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-25-2017 10:00 AM Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar Bahareh Nadimi Farrokh The Univesity of Western Ontario Supervisor Professor Christine Roulston The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Bahareh Nadimi Farrokh 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Nadimi Farrokh, Bahareh, "Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar" (2017). Electronic Thesis and Dissertation Repository. 5000. https://ir.lib.uwo.ca/etd/5000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In this thesis, I compare the short stories, “Boys and Girls” and “The Albanian Virgin”, by Alice Munro, with two films, La Mala Educación and La Piel Que Habito, by Pedro Almodóvar. This comparison analyzes how these authors conceive gender as a doing and a performance, and as culturally constructed rather than biologically determined. My main theoretical framework is Judith Butler’s theory of gender performativity as developed in Gender Trouble: Feminism and the Subversion of Identity. In my first chapter, I compare “Boys and Girls” with La Mala Educación, and in the second chapter, I compare “The Albanian Virgin” with La Piel Que Habito, to illustrate the multiple ways in which gender is constructed according to Munro and Almodóvar. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
Alien Love- Passing, Race, and the Ethics of the Neighbor in Postwar
UNIVERSITY OF CALIFORNIA Los Angeles Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In English By Hannah Wonkyung Nahm 2021 © Copyright by Hannah Wonkyung Nahm 2021 ABSTRACT OF THE DISSERTATION Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 by Hannah Wonkyung Nahm Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor King-Kok Cheung, Co-Chair Professor Richard Yarborough, Co-Chair This dissertation examines Black-authored novels featuring White (or White-passing) protagonists in the post-World War II decade (1945-1956). Published during the fraught postwar political climate of agitation for integration and the continual systematic racism, many novels by Black authors addressed the urgent topic of interracial relationality, probing the tabooed question of whether Black and White can abide in love and kinship. One of the prominent—and controversial—literary strategies sundry Black novelists used in this decade was casting seemingly raceless or ambiguously-raced characters. Collectively, these novels generated a mixture of critical approval and dismissal in their time and up until recently, marginalized from the African American literary tradition. Even more critically overlooked than the ostensibly raceless project was the strategic mobilization of the trope of passing by some midcentury Black ii writers to imagine the racial divide and possible reconciliation. This dissertation intersects passing with postwar Black fiction that features either racially-anomalous or biracial central characters. Examining three novels from this historical period as my case studies, I argue that one of the ways in which Black writers of this decade have imagined the possibility of interracial love—with all its political pitfalls and ethical imperatives —is through the trope of passing. -
Mavis Gallant F Ancine P Ose Damon Galgut Aleksanda
Brick celebrates Mavis Gallant, with contributions from Michael Helm, Francine Prose, Alison Harris, Michael Ondaatje, and Nadia Szilvassy & Tara Quinn. A LITERARY JOURNAL Aleksandar Hemon talks to Eleanor Wachtel Obi Nwakanma in conversation with Madeleine Thien Grant Buday on Thomas De Quincey Damon Galgut on E. M. Forster Andrew H. Miller watches The Clock The watch continues to tick where the story stops. — stops. story the where tick continues to The watch permanence. grief without are the look, The lie, the David L. Ulin traces our expressions Myrna Kostash searches for Eliza McLean William Everson meets Theodore Dreiser ichard Sanger says goodbye to Seamus Heaney Tara Quinn follows Leonard Woolf to Sri Lanka Jim Harrison misses Paris A dispatch from Siberia by Sean Michaels A ri on Tolstoy by Jessica Michalofsky Amitava Kumar’s train stories Mark Marczyk’s notes from Ukraine Mavis Gallant Mavis Poems by Jan Zwicky and Sharon Olds Photograph of Mavis Gallant by Alison Harris. eviews by Laurie D Graham, John McIntyre, $. and ebecca Silver Slayter MAVIS GALLANT FANCINE POSE DAMON GALGUT And Zachary Lazar on Angola Prison’s Passion Play, ALEKSANDA HEMON SHAON OLDS ZACHAY LAZA with photographs by Deborah Luster £. DEBOAH LUSTE MICHAEL HELM OBI NWAKANMA JIM HAISON MADELEINE THIEN JAN ZWICKY The New Brick Reader Summer Special A Brick subscription plus The New Brick Reader — only $55* Subscribe, Renew, or Give! Visit BrickMag.com and click on “The New Brick Reader Summer Deal.” *plus shipping for the Reader Offer expires August -
Innovation Within the Modern Short Story Through the Interaction of Gender, Nationality, and Genre: Margaret Atwood's Wilderness Tips and Alice Munro's Open Secrets
INNOVATION WITHIN THE MODERN SHORT STORY THROUGH THE INTERACTION OF GENDER, NATIONALITY, AND GENRE: MARGARET ATWOOD'S WILDERNESS TIPS AND ALICE MUNRO'S OPEN SECRETS ROSALIE MARY WEAVER A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of English University of Manitoba Winnipeg, Manitoba (c) June, 1996 National Library Bibliothéque nationale du Canada Acquisaiins and Acquisitions et BibliographicServices servicesbibliographiques 395 Wellington Street 395, nie Weilington O!tawaON K1AW WONK1AûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive mettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seli reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microficheInIm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE fTNIVERSm OF MANITOBA F'ACULTY OF GRADUATE STUDIES **a** COPYRIGHï PERMISSION PAGE A Thesidfracticum submittcd to the Facolty of Graduate Studies of The University of Manitoba in partial fiilfiUment ifthe rrguiremenb of the degree of Rosalie Mary Weaver 1997 (c) Permission bas been granted to the Library of The University of Manitoba to lend or sel1 copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sel1 copies of the film, and to Dissertations Abstracts International to publish an abstract of this tbesidpracticum. -
Finding Aid : GA 85 Alice Munro/Walter Martin Reference Materials
Special Collections, University of Waterloo Library Finding Aid : GA 85 Alice Munro/Walter Martin reference materials. © Special Collections, University of Waterloo Library GA 85 : Munro/Martin Reference Materials. Special Collections, University of Waterloo Library. Page 1 GA 85 : Munro/Martin Reference Materials Alice Munro/Walter Martin reference materials. - 1968-1994 (originally created 1950- 1994). - 1 m of textual records. - 3 audio cassettes. The collection consists primarily of photocopied material used and annotated by Dr. Walter Martin for his book Alice Munro: Paradox and Parallel published in 1987 by the University of Alberta Press. This includes articles written by Alice Munro, short stories, interviews, biographical and critical articles, as well as paperback copies of her books. Also present is a photocopied proof copy of of Moons of Jupiter, a collection of short stories by A. Munro published by Macmillan of Canada in 1982, sent to Dr. Martin by Douglas Gibson of Macmillan. Additional material includes audio recordings of Alice Munro reading her own works and of an interview done with her by Peter Gzowski for “This Country in the Morning.” The collection is arranged in 5 series: 1. Works by Alice Munro: Published; 2. Works by Alice Munro: Manuscripts (Proofs); 3. Works About Alice Munro; 4. Sound Recordings; 5. Miscellaneous. Title from original finding aid. The Alice Munro collection was donated to Special Collections in 1987 by Dr. Walter Martin of the University of Waterloo Department of English. Finding aid prepared in 1993; revised 1994, 1998 and again in 2010. Several accruals have been made since the initial donation. Series 1 : Works by Alice Munro: Published Works by Alice Munro : published. -
Alice Munro, at Home and Abroad: How the Nobel Prize in Literature Affects Book Sales
BNC RESEARCH Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales + 12.2013 PREPARED BY BOOKNET CANADA STAFF Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales December 2013 ALICE MUNRO, AT HOME AND ABROAD: HOW THE NOBEL PRIZE IN LITERATURE AFFECTS BOOK SALES With publications dating back to 1968, Alice Munro has long been a Canadian literary sweetheart. Throughout her career she has been no stranger to literary awards; she’s taken home the Governor General’s Literary Award (1968, 1978, 1986), the Booker (1980), the Man Booker (2009), and the Giller Prize (1998, 2004), among many others. On October 10, 2013, Canadians were elated to hear that Alice Munro had won the Nobel Prize in Literature. Since the annual award was founded in 1901, it has been awarded to 110 Nobel Laureates, but Munro is the first Canadian—and the 13th woman—ever to win. In order to help publishers ensure they have enough books to meet demand if one of their titles wins an award, BookNet Canada compiles annual literary award studies examining the sales trends in Canada for shortlisted and winning titles. So as soon as the Munro win was announced, the wheels at BookNet started turning. What happens when a Canadian author receives the Nobel Prize in Literature? How much will the sales of their books increase in Canada? And will their sales also increase internationally? To answer these questions, BookNet Canada has joined forces with Nielsen Book to analyze Canadian and international sales data for Alice Munro’s titles. -
Bigotry in Alice Munro's Short Story “Too Much Happiness”
The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 Bigotry in Alice Munro’s short story “Too Much Happiness” J.H. HEMA RUBA PhD Research Scholar (English) Sri Sarada College for Women (Autonomous), Salem-16. [email protected] ABSTRACT The historical backdrop of the short story is loaded with logical inconsistency, a trademark which can be believed to have a two-fold impact on the genre, without a moment's delay imbuing the short story form with a sort of abstract vitality, while in the meantime destabilizing its status in the literary group. This article is an analysis on the story “Too Much Happiness”, which mainly focuses on its thematic features. In general Munro typically magnifies social issues taken from real life by submerging this reality into dimensions of dream, fantasy and even horror. The focus on Munro’s stories on a strong, female protagonist who are condemned by the brutalities of love and life yet deliberately choose to lead a life with superior individuality. Key Words: Gender, feebleness, personality, death, struggle, etc., Alice Munro, an unpretentious housewife, had just been working independently as an ingenious non-casualty by exposing the ordinary day to day life encounters of Canadian women in the early 1970s, while the Canadian writers were still learning from Atwood’s works based on the survival about the requirement for defeating the conventional part of victim-hood. Unlike Atwood, Munro was not dynamic in the Women’s Movement of the late sixties and mid-seventies, however she was predominantly compared with Atwood, her first short story collection, Dance of the Happy Shades (1968), won the Governor General’s Award, and Lives of Girls and Women (1971) was acclaimed by Canadian critics for its genuine depiction of the Volume XI, Issue VII, July/2019 Page No:409 The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 craftsman as a young women and furthermore made business progress in the United States. -
Dynamics of Intimacies in Alice Munro's 'Runaway'
Dynamics of Intimacies in Alice Munro’s ‘Runaway’ A Dissertation Submitted to Department of English For the complete fulfilment of the degree of Master of Arts in English Submitted by: Supervised By: Rimsy Ms. Priyanka Sharma Registration No:11605805 Assistant Professor Department of English Lovely Professional University Punjab 2017 DECLARATION I hereby declare that this dissertation entitle ―Dynamics of Intimacies in Alice Munro‘s Runaway‖ is a record of first hand research work done by me during the period of my study in the year 2017 and that this dissertation has not formed the basis for the award of any other Degree, Diploma, Associate ship, Fellowship, or other similar title. Place: Jalandhar Signature of the Candidate Date: ii CERTIFICATE I hereby certify that this dissertation entitle ―Dynamics of Intimacies in Alice Munro‘s Runaway‖ by Alice Munro for the award of M.A. degree is a record of research work done by the candidate under my supervision during the period of her subject (2017) and that the dissertation has not formed the basis for the award of any other Degree, Diploma, Associate ship, Fellowship, or other similar title and that this dissertation represents independent work on the part of the candidate. Place: Jalandhar Miss Priyanka Sharma Date: Supervisor iii ABSTRACT Alice Munro is regarded as Canadian pure short story writer. Her writing can help enlightening man centric structures which entangle women in traditional gender roles. This dissertation deals with well know work of Alice Munro that is Runaway Stories. This dissertation represents the Dynamics of Intimacies in the relationships in the Runaway Stories.