(En)Coded Poetry: Read, Write, Execute (En)Coded Poetry: Read, Write, Execute
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University of Florida Thesis Or Dissertation
A DIGITAL MEDIA POETICS By MAURO CARASSAI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 1 © 2014 Mauro Carassai 2 To Paola Pizzichini for making me who I am 3 ACKNOWLEDGMENTS I thank my dissertation supervisor Dr. Gregory L. Ulmer, my committee members Dr. Robert B. Ray, Dr. Terry A. Harpold, and Dr. Jack Stenner and all the people who have read sections of this work while in progress and provided invaluable comments, in particular Dr. Adalaide Morris and Dr. N. Katherine Hayles. I also thank my friends and colleagues on both sides of the Atlantic. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 LIST OF ABBREVIATIONS ............................................................................................. 8 ABSTRACT ..................................................................................................................... 9 CHAPTER 1 THE POETICS OF ATTENTION: TOWARDS AN ORDINARY DIGITAL PHILOSOPHY ........................................................................................................ 11 The Praxis-Theory Hypothesis of Digitality ............................................................. 11 Mallarmé: Instructions for Use ............................................................................... -
WORDS MADE FLESH Code, Culture, Imagination Florian Cramer
WORDS MADE FLESH Code, Culture, Imagination Florian Cramer Me dia De s ign Re s e arch Pie t Z w art Ins titute ins titute for pos tgraduate s tudie s and re s e arch W ille m de Kooning Acade m y H oge s ch ool Rotte rdam 3 ABSTRACT: Executable code existed centuries before the invention of the computer in magic, Kabbalah, musical composition and exper- imental poetry. These practices are often neglected as a historical pretext of contemporary software culture and electronic arts. Above all, they link computations to a vast speculative imagination that en- compasses art, language, technology, philosophy and religion. These speculations in turn inscribe themselves into the technology. Since even the most simple formalism requires symbols with which it can be expressed, and symbols have cultural connotations, any code is loaded with meaning. This booklet writes a small cultural history of imaginative computation, reconstructing both the obsessive persis- tence and contradictory mutations of the phantasm that symbols turn physical, and words are made flesh. Media Design Research Piet Zwart Institute institute for postgraduate studies and research Willem de Kooning Academy Hogeschool Rotterdam http://www.pzwart.wdka.hro.nl The author wishes to thank Piet Zwart Institute Media Design Research for the fellowship on which this book was written. Editor: Matthew Fuller, additional corrections: T. Peal Typeset by Florian Cramer with LaTeX using the amsbook document class and the Bitstream Charter typeface. Front illustration: Permutation table for the pronounciation of God’s name, from Abraham Abulafia’s Or HaSeichel (The Light of the Intellect), 13th century c 2005 Florian Cramer, Piet Zwart Institute Permission is granted to copy, distribute and/or modify this document under the terms of any of the following licenses: (1) the GNU General Public License as published by the Free Software Foun- dation; either version 2 of the License, or any later version. -
Proquest Dissertations
REPROGRAMMING THE LYRIC: A GENRE APPROACH FOR CONTEMPORARY DIGITAL POETRY HOLLY DUPEJ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATIONS AND CULTURE YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-38769-6 Our file Notre reference ISBN: 978-0-494-38769-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Rui Torres & Sandy Baldwin
CONFERENCE, FESTIVAL, EXHIBITS BOOK OF ABSTRACTS AND CATALOGS EDITORS: RUI TORRES & SANDY BALDWIN Conference Book of Abstracts edited by Rui Torres and Sandy Baldwin Festival Catalog edited by Rui Torres and Sandy Baldwin Exhibits Catalog edited by Rui Torres with texts by the Curators: • Affiliations - Remix and Intervene: Computing Sound and Visual Poetry: Álvaro Seiça and Daniela Côrtes Maduro • Communities - Signs, Actions, Codes: Bruno Ministro and Sandra Guerreiro Dias • Translations - Translating, Transducing, Transcoding: Ana Marques da Silva and Diogo Marques • E-lit for Kids: Mark Marino, Astrid Ensslin, María Goicoechea, and Lucas Ramada Prieto. EDIÇÕES UNIVERSIDADE FERNANDO PESSOA PORTO . 2017 CONTENts INTRODUCTION ................................................. 7 CONFERENCE .................................................... 15 FESTIVAL ............................................................ 475 EXHIBITS ............................................................. 591 INTRODUCTION The ELO (Electronic Literature Organization) organized its 2017 Conference, Festi- val and Exhibits, from July 18-22, at University Fernando Pessoa, Porto, as well as several other venues located in the center of the historic city of Porto, Portugal. Titled Electronic Literature: Affiliations, Communities, Translations, ELO’17 pro- poses a reflection about dialogues and untold histories of electronic literature, providing a space for discussion about what exchanges, negotiations, and move- ments we can track in the field of electronic literature. -
Human Readable Messages [Mezangelle 2003 - 2011]
TRAUMA first edition 2011 ISBN: 978-3-9502910-9-4 All rights reserved. This book is only available at the online shop of Trauma Wien. http://traumawien.at – [email protected] This book was set in Computer Modern cover: Luc Gross & Julian Palacz production: Julian Palacz edit: Luc Gross ⠞⠗⠁⠥⠍⠁ ISBN: 123-456789-12-12 Mez Breeze human readable messages [mezangelle 2003 - 2011] TR AU M AWIEN Contents 1 2003 27 1.1June............................... 27 1.1.1 ][frag.ment][ (2003-06-10 09:55) ........... 27 1.1.2 papazine n terview ][1][ (2003-06-10 10:08) ..... 28 1.1.3 papa.mag N terview ][2][ (2003-06-10 10:09) .... 28 1.1.4 zineish bits ][3][ (2003-06-10 10:12) ......... 29 1.1.5 blurb ][4][ (2003-06-10 10:13) ............. 29 1.1.6 horse like driven snow[mobiles] (2003-06-10 22:46) . 30 1.1.7 yos.semi.T yearn ings (2003-06-11 08:39) ...... 30 1.1.8 m[v]elt[vet N doctor]ing lines nuanced code (2003-06-12 08:31) ................... 31 1.1.9 soc[d]ial engine (2003-06-12 09:02) ......... 31 { 1.1.10 – scopi.ca[u]l. (2003-06-13 08:45) .......... 32 1.1.11 Re: [-empyre-] Active Narrative Gathering (2003-06-13 11:05) ................... 32 1.1.12 shift (2003-06-13 16:30) .............. 33 1.1.13 [f]lip fi[l]t[ers] (2003-06-14 14:18) ........... 34 1.1.14 Chrysalis Ontologies Snapped (2003-06-15 12:05) 34 1.1.15 cru.s[ocial]t codas (2003-06-16 08:03) ...... -
Genre and Language: Defining Temporal, Physical and Non-Physical Spaces in Speculative Techno-Dystopian Fiction
University of Huddersfield Repository Packer, Mary GENRE AND LANGUAGE: DEFINING TEMPORAL, PHYSICAL AND NON-PHYSICAL SPACES IN SPECULATIVE TECHNO-DYSTOPIAN FICTION Original Citation Packer, Mary (2019) GENRE AND LANGUAGE: DEFINING TEMPORAL, PHYSICAL AND NON-PHYSICAL SPACES IN SPECULATIVE TECHNO-DYSTOPIAN FICTION. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34910/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ GENRE AND LANGUAGE: DEFINING TEMPORAL, PHYSICAL AND NON- PHYSICAL SPACES IN SPECULATIVE TECHNO-DYSTOPIAN FICTION MARY PACKER Exegesis submitted to the University of Huddersfield in partial fulfilment of the requirements of a PhD. by Publication and accompanied by a hard copy of The Game is Altered (2012) The University of Huddersfield July 2018 Copyright Statement i. The author of this thesis (including any appendices and/ or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. -
Digital Poetry and Critical Discourse
Digital poetry and critical discourse: a network of self-references? Autor(es): Seiça, Álvaro Publicado por: Centro de Literatura Portuguesa; Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/38729 DOI: DOI:http://dx.doi.org/10.14195/2182-8830_4-1_6 Accessed : 10-Oct-2021 15:20:12 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Digital Poetry and Critical Discourse: A Network of Self-References? ÁLVARO SEIÇA University of Bergen Ph.D. Fellow in Digital Culture Abstract This article emerges from macroanalysis of several works of critical writing in the field of digital poetry, which have been documented in the ELMCIP Knowledge Base. -
Poetry's Afterlife: Verse in the Digital Age / Kevin Stein
POETRY'S AFTERLIFE DIgITALCULTUREBDDKS is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Poetry's Afterlife VERSE IN THE DIGITAL AGE Kevin Stein The University of Michigan Press and The University of Michigan Library ANN ARBOR Copyright © by the University of Michigan 20IO Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America r§ Printed on acid-free paper 2013 2012 2011 2010 4 3 2 I A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Stein, Kevin, 1954- Poetry's afterlife: verse in the digital age / Kevin Stein. p. cm. - (Digitalculturebooks) ISBN 978-0-472-07099-2 (cloth: alk. paper) - ISBN 978-0-472-05099-4 (pbk.: alk. paper) I. American poetrY-21st century-History and criticism. 2. Poetry-Appreciation United States-HistorY-2Ist century. 3. Poetry-Appreciation-United States HistorY-20th century. 4. American poetrY-20th century-History and criticism. I. Title. ps326s74 2010 811.509-dc22 ISBN 978-0-472-02670-8 (e-book) For Deb, with daisies, And for Kirsten and Joseph, who question everything. -
All the Delicate Duplicates: Game Building With[In] Mezangelle
Breeze All the delicate duplicates Independent scholar Mez Breeze All the Delicate Duplicates: Game building with[In] Mezangelle Abstract: Inspired by the possibilities of fiction, digital poetry and experimental digital art, All the Delicate Duplicates tells a complex psychological story through a combination of digital literature and experimental game formats. Developed by digital artists/writers rather than traditional game developers, All the Delicate Duplicates attempts to expand storytelling within games by including 3D elements spanning multiple time periods and incorporating animated and transitional texts, thus leaving the story wide open to multiple revisits and interpretations. The poetic, digitally born language called ‘Mezangelle’ forms a central part of All the Delicate Duplicates. Mezangelle involves constructing poetic phrases to extend and enhance meaning beyond the expected. As Mezangelle remixes the basic structure of English and code to create language where meanings are nested, players need to read, re-read, then re-read again in order to piece together a narrative. This article traces how All the Delicate Duplicates was initially conceived, the commission parameters of the project, the use of Mezangelle as a project story component, and overall reception. Biographical note: For over two decades, Mez Breeze’s award winning digital fictions have been influential in shaping interactive genres, Extended Reality (Augmented Reality, Virtual Reality, and Mixed Reality), electronic literature, and digital fiction. #PRISOM, her anti–surveillance Augmented Reality game co–created with Andy Campbell is ‘…the digital equivalent of Orwell's 1984’ according to academic James O’Sullivan. Mez’s Mixed Reality projects, games, and code poetry reside in Collections as diverse as The World Bank, Cornell’s Rose Goldsen Archive at Cornell University, and the National Library of Australia. -
HOLOPOETRY Essays, Manifestoes, Critical and Theoretical Writings
HOLOPOETRY Essays, manifestoes, critical and theoretical writings Eduardo Kac New Media Editions Lexington 1995 © 1995 Eduardo Kac All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. First edition, 1995 For information, contact: University of Kentucky Department of Art New Media Area ATTN. Eduardo Kac 207 Fine Arts Building Lexington, KY 40506-0022 Prefácio Este livro reúne textos que apresentam este novo tipo de poesia visual que introduzí em 1983. Os textos selecionados aqui recolhidos foram reproduzidos, em sua maioria, na língua em que foram originalmente publicados. Estes textos tem por objetivo esclarecer as questões básicas da holopoesia e documentar obras que de outra forma seriam de difícil acesso. Espero que este livro sirva como encorajamento ao leitor para que este se interesse por ler os holopoemas eles mesmos. A teoria não substitui os poemas. Tampouco ela os antecipa; antes, ela se desenvolve e muda com eles. A teoria é o resultado direto das experiências textuais, e também uma arena na qual o poeta exercita a reflexão sobre seu trabalho. Então, se este livro cumprir seu objetivo, onde pode o leitor ver os holopoemas? A esta altura, apenas em exposições individuais ou de grupo em museus e galerias. Espero que no futuro – devo dizer, no futuro próximo – seja possível a publicação de um livro de holopoemas. Até lá, que o presente livro seja uma introdução e um convite ao leitor para que explore a escritura holográfica. -
Download Brief CV in Pdf
MARÍA MENCÍA http://www.mariamencia.com CONTACT ME for FULL CV ACADEMIC QUALIFICATIONS 2000-2003 Digital Art and Digital Poetics practice-based PhD From Visual Poetry to Digital Art: Image-Sound-Text, Convergent Media and the Development of New Media Languages Chelsea College of Art and Design, University of the Arts, London 1996-1998 MA History and Theory of Art Chelsea College of Art and Design, London 1990-1993 BA Joint Honours in Fine Art and Design Camberwell College of Arts, London 1978-1983 Five years BA- specialist in English Philology Complutense University, Madrid, Spain TEACHING 2003-Present Senior Lecturer in Digital Media Theory and Practice at the School of Performance and Screen Studies, Kingston University, London, UK 2011-2013 MA Interactive Multimedia- Web Design module MA Science Communication Group, Imperial College, London, UK January-Feb 2015 Erasmus mobility grant, MA Literatura y Nuevas Tecnologías, UCA, University of Cadiz, Spain. 2012-14 Erasmus European Collaborative Program with four Fine Art Colleges and Universities including, Krakow, Budapest, Stuttgart and Kingston University. RESEARCH INTERESTS My practice-based research is at the intersection of language, art and digital technology. It explores the area of the in-between the visual, the aural and the semantic in multimodal textualities. Always interested in experimenting with the digital medium with the aim of engaging the reader/viewer/user in an experience of shifting ‘in’ and ‘out’ of language by looking ‘at’ and looking ‘through’ transparent and abstract landscapes of text and linguistic soundscapes. It draws from avant-garde poetics remediating concepts of reading and writing, exploring digital media grammars (voice activation, use of webcam, use of mouse, acts of revealing, triggering, cut and paste, dragging) for interactivity, aesthetics, engagement and meaning production. -
Lewis Jason.Pdf (1.737Mb)
Rockefeller Foundation New Media Fellowships 2003 Project Cover Form Jason Lewis Title 25 PIECES OF PAPER Genre Interactive and Dynamic Poems Applicant's Role in concept, development and implementation Production Production Format twenty-five interactive and dynamic poems Anticipated Length NA Color/B&W varies Sound/Silent yes Brief Project Description (do not exceed space given below) 25 PIECES OF PAPER is a series of twenty-five interactive and dynamic poems investigating one Edward Guthrie. The project title is taken from a rule of thumb in cultural anthropology that holds that every adult person bom and grown to adulthood in the Western world since 1900 has at least twenty-five pieces of paper documenting their existence. These pieces of paper include birth, baptism, marriage and death certificates, tax identification numbers, school diplomas - in short, all manner of official records use to archive our passage from cradle to grave. Edward Guthrie name once appeared on a birth certificate. When he/I was adopted, that name was replaced with mine. 25 PIECES OF PAPER will be a record of what I find as I pursue the life that Edward Guthrie never had. Beginning with the unsealing of my adoption proceedings I will look for other records that will tell me about the life-that-might-have-been. Each interactive and dynamic poem will take as its inspiration one of the twenty-five pieces of paper that would have belonged to that life. In addition to text, the pieces will use audio, video and still imagery to touch on such big "I" Issues as identity, class and race as well as little "\m issues such as learning to like fry-bread and figuring out how to dance in a powwow arena without embarrassing oneself.