NYC Research Institutions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
District Lines Spring 2008
DISTRICT LINES news and views of the historic districts council spring 2008 vol. XXI no. 3 HDC Annual Conference Eyes Preservation’s Role In The Future of New York City In Ma r c h 2008, the Historic Districts neighborhoods throughout the five bor- and infrastructure concerns. Council’s 14th Annual Preservation oughs were able to admire the recently A group of respondents to the key- Conference, Preservation 2030, took a restored rotunda, built on the land where note zeroed in on PlaNYC’s lack of atten- tion to community preservation. Partici- pants included Peg Breen, president of The New York Landmarks Conservancy; Jonathan Peters, a transportation expert from the College of Staten Island; and Anthony C. Wood, author of “Preserving New York: Winning the Right to Protect a City’s Landmarks.” “New Yorkers need more than just water to drink and beds to sleep in,” said Mr. Wood. “New York is a city of neigh- HDC Director Leo Blackman, left, moderates “Surviving the borhoods, and long-term planning for the Building Boom: Urban Neighborhoods of the Future,” featuring city has to take that into account.” Michael Rebic, Andrew Berman and Brad Lander. “Surviving the Building Boom: Urban Neighborhoods of the Future,” brought HISTORIC DISTRICTS COUNCIL together experts to discuss tools for pre- critical look at preservation’s role in shap- George Washington took his oath of serving the city’s historic urban neigh- ing New York’s urban environment for office as the first president of the United borhoods while providing new housing future generations. Rather than lament- States. -
Brooklyn Transit Primary Source Packet
BROOKLYN TRANSIT PRIMARY SOURCE PACKET Student Name 1 2 INTRODUCTORY READING "New York City Transit - History and Chronology." Mta.info. Metropolitan Transit Authority. Web. 28 Dec. 2015. Adaptation In the early stages of the development of public transportation systems in New York City, all operations were run by private companies. Abraham Brower established New York City's first public transportation route in 1827, a 12-seat stagecoach that ran along Broadway in Manhattan from the Battery to Bleecker Street. By 1831, Brower had added the omnibus to his fleet. The next year, John Mason organized the New York and Harlem Railroad, a street railway that used horse-drawn cars with metal wheels and ran on a metal track. By 1855, 593 omnibuses traveled on 27 Manhattan routes and horse-drawn cars ran on street railways on Third, Fourth, Sixth, and Eighth Avenues. Toward the end of the 19th century, electricity allowed for the development of electric trolley cars, which soon replaced horses. Trolley bus lines, also called trackless trolley coaches, used overhead lines for power. Staten Island was the first borough outside Manhattan to receive these electric trolley cars in the 1920s, and then finally Brooklyn joined the fun in 1930. By 1960, however, motor buses completely replaced New York City public transit trolley cars and trolley buses. The city's first regular elevated railway (el) service began on February 14, 1870. The El ran along Greenwich Street and Ninth Avenue in Manhattan. Elevated train service dominated rapid transit for the next few decades. On September 24, 1883, a Brooklyn Bridge cable-powered railway opened between Park Row in Manhattan and Sands Street in Brooklyn, carrying passengers over the bridge and back. -
An Economic Snapshot of Flushing, Queens
An Economic Snapshot of Flushing, Queens Thomas P. DiNapoli Kenneth B. Bleiwas New York State Comptroller Deputy Comptroller Report 10-2012 September 2011 The neighborhood of Flushing, located in north- Highlights central Queens, has a rich history steeped in • The number of businesses in Flushing grew by religious tolerance and cultural diversity. Founded 37.6 percent between 2000 and 2009, compared in 1645, Flushing was the first permanent to 5.7 percent in the rest of the City. settlement in Queens. It is also considered the • Nearly 90 percent of the area’s businesses had birthplace of religious freedom in North America, fewer than ten employees, which was a much where settlers issued the “Flushing Remonstrance” higher rate than in the State and the nation. in 1657, defying Governor Peter Stuyvesant’s • The number of jobs in Flushing has grown every demand that the town expel Quakers and other year since 2005. religious groups. Today, there are more than 200 • houses of worship in Flushing, including the Old In 2010, Flushing added jobs at a rate of Quaker Meeting House (the oldest house of 3.1 percent, far outpacing the rest of Queens and the rest of the City. worship in New York State). • The largest employment sector is health care Beginning in the 1980s, a wave of immigration and social assistance. In 2010, this sector transformed Flushing into one of the most accounted for one-third of the neighborhood’s ethnically diverse communities in Queens, which jobs and more than 40 percent of its wages. is New York City’s most diverse borough. -
Strategic Policy Statement 2014 Melinda Katz
THE OFFICE OF THE QUEENS BOROUGH PRESIDENT Strategic Policy Statement 2014 Melinda Katz Queens Borough President The Borough of Queens is home to more than 2.3 million residents, representing more than 120 countries and speaking more than 135 languages1. The seamless knit that ties these distinct cultures and transforms them into shared communities is what defines the character of Queens. The Borough’s diverse population continues to steadily grow. Foreign-born residents now represent 48% of the Borough’s population2. Traditional immigrant gateways like Sunnyside, Woodside, Jackson Heights, Elmhurst, Corona, and Flushing are now communities with the highest foreign-born population in the entire city3. Immigrant and Intercultural Services The immigrant population remains largely underserved. This is primarily due to linguistic and cultural barriers. Residents with limited English proficiency now represent 28% of the Borough4, indicating a need for a wide range of social service support and language access to City services. All services should be available in multiple languages, and outreach should be improved so that culturally sensitive programming can be made available. The Borough President is actively working with the Queens General Assembly, a working group organized by the Office of the Queens Borough President, to address many of these issues. Cultural Queens is amidst a cultural transformation. The Borough is home to some of the most iconic buildings and structures in the world, including the globally recognized Unisphere and New York State Pavilion. Areas like Astoria and Long Island City are establishing themselves as major cultural hubs. In early 2014, the New York City Council designated the area surrounding Kaufman Astoria Studios as the city’s first arts district through a City Council Proclamation The areas unique mix of adaptively reused residential, commercial, and manufacturing buildings serve as a catalyst for growth in culture and the arts. -
A Guide to Flushing in Queens
A GUIDE TO FLUSHING IN QUEENS Ethnic diversity is the hallmark of New York City, and nowhere is this diversity more evident than in Flushing, Queens. Founded in 1645, Flushing, then called Vlissingen, was granted a charter by the Dutch West India Company and became a part of New Netherlands. Subsequent periods of immigration resulted in colonization by English settlers, and more recently by settlers from Taiwan, mainland China, Japan and Korea. The result is an ethnic medley to be savored in its streets, shops, restaurants and cultural institutions. Where is Flushing? Located on western Long Island, Queens is one of the five boroughs of New York City. Established in 1683, it was named for the queen consort, Catherine of Braganza, wife of Charles II. The borough of Queens is divided into four “towns,” Jamaica, Long Island City, Flushing, and Far Rockaway. Unlike the other boroughs, mail in Queens is addressed to the applicable town rather than “Queens, N. Y.” About Flushing The first It’s Easy to Get to Flushing settlers in Flushing were, From either Times Square, or Grand Central Station, oddly enough, take the Number 7 train to the last stop and you will a group of be in the heart of Flushing. Englishmen who arrived in 1645 from Vlissingen in Holland under a patent from the Dutch West Indies Company. Subsequently an influx of Quakers from the English colonial settlements in Massachusetts took place in 1657. With the arrival of the Quakers, Governor Peter Stuyvesant, known as Peg Leg Pete, issued an edict banning all forms of worship other than Dutch Reformed, despite the guaranty of freedom of worship contained in the official Dutch charter. -
A History of Connecticut's Long Island Sound Boundary
The Catholic University of America, Columbus School of Law CUA Law Scholarship Repository Scholarly Articles and Other Contributions Faculty Scholarship 1972 A History of Connecticut's Long Island Sound Boundary Raymond B. Marcin The Catholic University of America, Columbus School of Law Follow this and additional works at: https://scholarship.law.edu/scholar Part of the Legal History Commons Recommended Citation Raymond B. Marcin, A History of Connecticut's Long Island Sound Boundary, 46 CONN. B.J. 506 (1972). This Article is brought to you for free and open access by the Faculty Scholarship at CUA Law Scholarship Repository. It has been accepted for inclusion in Scholarly Articles and Other Contributions by an authorized administrator of CUA Law Scholarship Repository. For more information, please contact [email protected]. 506 CONNECTICUT BAR JOURNAL [Vol. 46 A HISTORY OF CONNECTICUT'S LONG ISLAND SOUND BOUNDARY By RAYMOND B. MARciN* THE SCENEt Long before remembered time, ice fields blanketed central India, discharging floes into a sea covering the Plains of Punjab. The Argentine Pampas lay frozen and still beneath a crush of ice. Ice sheets were carving their presence into the highest mountains of Hawaii and New Guinea. On the western land mass, ice gutted what was, in pre-glacial time, a stream valley near the northeastern shore. In this alien epoch, when woolly mammoth and caribou roamed the North American tundra, the ice began to melt. Receding glaciers left an inland lake where the primeval stream valley had been. For a time the waters of the lake reposed in bo- real calm, until, with the melting of the polar cap, the level of the great salt ocean rose to the level of the lake. -
154 WEST 14Th STREET BUILDING, 154-162 West 14Th Street (Aka 51-59 Seventh Avenue), Manhattan
Landmarks Preservation Commission June 28, 2011, Designation List 444 LP-2419 154 WEST 14th STREET BUILDING, 154-162 West 14th Street (aka 51-59 Seventh Avenue), Manhattan. Built 1912-13; Herman Lee Meader, architect; New York Architectural Terra Cotta Co., terra cotta. Landmark Site: Borough of Manhattan Tax Map Block 609, Lot 7. On June 22, 2010, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the 154 West 14th Street Building and the proposed designation of the related Landmark Site (Item No. 5). The hearing had been duly advertised in accordance with the provisions of law. Three people spoke in favor of designation, including representatives of New York Assemblymember Deborah J. Glick, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council. Summary The 154 West 14th Street Building (1912-13), a 12-story speculative loft structure constructed for lawyer-banker and real estate developer Leslie R. Palmer, was the first completed New York City design by architect Herman Lee Meader, with whom Palmer collaborated on five projects. The building’s location at the prominent intersection of 14th Street and Seventh Avenue anticipated the southward extension of Seventh Avenue and its new subway line, and benefitted from its proximity and direct access to the Holland Tunnel and west side freight terminals. Arranged in a tripartite base-shaft-capital composition with large window areas, it is a striking and unusual example of a large loft building partly clad in terra cotta – on the three-story base, on the spandrels between the white-brick piers of the midsection, and on the upper portion. -
Lower Manhattan
WASHINGTON STREET IS 131/ CANAL STREETCanal Street M1 bus Chinatown M103 bus M YMCA M NQRW (weekday extension) HESTER STREET M20 bus Canal St Canal to W 147 St via to E 125 St via 103 20 Post Office 3 & Lexington Avs VESTRY STREET to W 63 St/Bway via Street 5 & Madison Avs 7 & 8 Avs VARICK STREET B= YORK ST AVENUE OF THE AMERICAS 6 only6 Canal Street Firehouse ACE LISPENARD STREET Canal Street D= LAIGHT STREET HOLLAND AT&T Building Chinatown JMZ CANAL STREET TUNNEL Most Precious EXIT Health Clinic Blood Church COLLISTER STREET CANAL STREET WEST STREET Beach NY Chinese B BEACH STStreet Baptist Church 51 Park WALKER STREET St Barbara Eldridge St Manhattan Express Bus Service Chinese Greek Orthodox Synagogue HUDSON STREET ®0= Merchants’ Fifth Police Church Precinct FORSYTH STREET 94 Association MOTT STREET First N œ0= to Lower Manhattan ERICSSON PolicePL Chinese BOWERY Confucius M Precinct ∑0= 140 Community Plaza Center 22 WHITE ST M HUBERT STREET M9 bus to M PIKE STREET X Grand Central Terminal to Chinatown84 Eastern States CHURCH STREET Buddhist Temple Union Square 9 15 BEACH STREET Franklin Civic of America 25 Furnace Center NY Chinatown M15 bus NORTH MOORE STREET WEST BROADWAY World Financial Center Synagogue BAXTER STREET Transfiguration Franklin Archive BROADWAY NY City Senior Center Kindergarten to E 126 St FINN Civil & BAYARD STREET Asian Arts School FRANKLIN PL Municipal via 1 & 2 Avs SQUARE STREET CENTRE Center X Street Courthouse Upper East Side to FRANKLIN STREET CORTLANDT ALLEY 1 Buddhist Temple PS 124 90 Criminal Kuan Yin World -
American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris. -
Nyc-Cation” in All Five Boroughs August 28–30
***MEDIA ADVISORY*** THIS WEEKEND IN NYC: TAKE A “NYC-CATION” IN ALL FIVE BOROUGHS AUGUST 28–30 NYC & Company, the official destination marketing organization and convention and visitors bureau for the five boroughs of New York City, is encouraging locals and regional visitors to take a “NYC-cation” this weekend, August 28–30, by heading to a museum in Manhattan, the New York Aquarium in Brooklyn or grabbing lunch and swimming in Queens. CONTACTS Chris Heywood/ This week, museums and cultural institutions begin to reopen in NYC, offering Alyssa Schmid locals and regional visitors even more places to explore and reinvigorating the NYC & Company destination as an arts and culture capital. 212-484-1270 [email protected] Visitors to the five boroughs are encouraged to wear masks, practice social Mike Stouber Rubenstein distancing and frequently wash/sanitize hands, as indicated in NYC & 732-259-9006 Company’s Stay Well NYC Pledge. [email protected] DATE Below is a brief selection of what’s open this weekend, including museums August 27, 2020 and places to visit on the water: The Bronx: FOR IMMEDIATE RELEASE August 2020 marks the 100th anniversary of women’s suffrage. This weekend, take a trip to Woodlawn Cemetery to honor a few of the women who helped shape this country today, including Elizabeth Cady Stanton, who was also buried there. Other notable figures interred in the 400-acre cemetery include artists and writers, business moguls, civic leaders, entertainers, jazz musicians, and more, with names including Miles Davis, Robert Moses, Nellie Bly, Duke Ellington, Herman Melville and more. -
Fabrics and Typologies: New York / Global Supplemental
Columbia University Graduate School of Architecture Planning and Preservation A6837 Urban Design Seminar IIA Richard Plunz, Instructor Fall 2016 FABRICS AND TYPOLOGIES: NEW YORK / GLOBAL SUPPLEMENTAL READINGS Part I: Lectures on New York City Richard Plunz, Instructor Columbia University Graduate School of Architecture, Planning and Preservation Fall 2016 A6837 FABRICS AND TYPOLOGIES: NEW YORK/GLOBAL Instructor: Richard Plunz _______________________________________________________________________________________ READINGS FOR PART I LECTURES:* *In addition to assigned readings in A History of Housing in New York City. Lecture 1: ORIGINS: LOCAL FABRICS / GLOBAL TYPOLOGIES Enrico Guidoni, “Street and Block from the Late Middle Ages to the Eighteenth Century,” Lotus 19 (1978). Pp. 5-19. Giulio Carlo Argan, “On the Typology of Architecture,” Architectural Design 33 (December 1963). pp. 564-565. Rafael Moneo, “On Typology,” Oppositions 13 (Summer 1978). Pp. 23-45. Jean Castex and Philippe Panerai, “Prospects for Typomorphology,” Lotus 36 (1982), pp. 94-99. Christel Hollevoet, “Wandering in the City. Flânerie to Dérive and After: The Cognitive Mapping of Urban Space ,” in Hollevoet and Karen Jones , The Power of the City. The City of Power New York: Whitney Museum of American Art, 1992. pp. 25-56. Stephen Barber, Fragments of the European City London: Reaktion Books Ltd, 1995. pp. 67- 76; 91-107. Lieven DeCauter, “The City in the Age of Transcendental Capitalism,” in Decauter, The Capsular Civilization Rotterdam: NAi Publishers, 2004. Pp. 40-53. Lecture 2: TERRACE URBANISM AND ITS DERIVITIVES, 1628-1863 "Geology," in John Kieran, A Natural History of New York City. Boston: Houghton Mifflin Company, 1959. Ch. 2. "The Lenape," in Eric W. Sanderson, Mannahatta. -
The Henry Darger Study Center at the American Folk Art Museum a Collections Policy Recommendation Report
The Henry Darger Study Center at the American Folk Art Museum A Collections Policy Recommendation Report by Shannon Robinson Spring 2010 I. Overview page 3 II. Mission and Goals page 5 III. Service Community and Programs page 7 IV. The Collection and Future Acquisition page 8 V. Library Selection page 11 VI. Responsibilities page 12 VII. Complaints and Censorship page 13 VIII. Evaluation page 13 IX. Bibliography page 15 X. Additional Materials References page 16 I. Overview The American Folk Art Museum in New York City is largely focused on the collection and preservation of the artwork of self-taught artists in the United States and abroad. The Museum began in 1961 as the Museum of Early American Folk Arts; at that time, the idea of appreciating folk art alongside contemporary art was a consequence of modernism (The American Folk Art Museum, 2010c). The collection’s pieces date to as early as the eighteenth century and in it’s earlier days was largely comprised of sculpture. The Museum approached collecting and exhibiting much like a contemporary art gallery. This was in support of its mission promoting the “aesthetic appreciation” and “creative expressions” of folk artists as parallel in content and quality to more mainstream, trained artists. (The American Folk Art Museum, 2010b). Within ten years of opening, however, and though the collection continued to grow, a financial strain hindered a bright future for the Museum. In 1977, the Museum’s Board of Trustees appointed Robert Bishop director (The American Folk Art Museum, 2010c). While Bishop was largely focused on financial and facility issues, he encouraged gift acquisitions, and increasing the collection in general, by promising many artworks from his personal collection.