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African Families in a Global Context
RR13X.book Page 1 Monday, November 14, 2005 2:20 PM RESEARCH REPORT NO. 131 AFRICAN FAMILIES IN A GLOBAL CONTEXT Edited by Göran Therborn Nordiska Afrikainstitutet, Uppsala 2006 RR13X.book Page 2 Monday, November 14, 2005 2:20 PM Indexing terms Demographic change Family Family structure Gender roles Social problems Africa Ghana Nigeria South Africa African Families in a Global Context Second edition © the authors and Nordiska Afrikainstitutet, 2004 Language checking: Elaine Almén ISSN 1104-8425 ISBN 91-7106-561-X (print) 91-7106-562-8 (electronic) Printed in Sweden by Elanders Infologistics Väst AB, Göteborg 2006 RR13X.book Page 3 Monday, November 14, 2005 2:20 PM Contents Preface . 5 Author presentations . 7 Introduction Globalization, Africa, and African Family Pattern . 9 Göran Therborn 1. African Families in a Global Context. 17 Göran Therborn 2. Demographic Innovation and Nutritional Catastrophe: Change, Lack of Change and Difference in Ghanaian Family Systems . 49 Christine Oppong 3. Female (In)dependence and Male Dominance in Contemporary Nigerian Families . 79 Bola Udegbe 4. Globalization and Family Patterns: A View from South Africa . 98 Susan C. Ziehl RR13X.book Page 4 Monday, November 14, 2005 2:20 PM RR13X.book Page 5 Monday, November 14, 2005 2:20 PM Preface In the mid-1990s the Swedish Council for Planning and Coordination of Research (Forskningsrådsnämnden – FRN) – subsequently merged into the Council of Sci- ence (Vetenskaprådet) – established a national, interdisciplinary research committee on Global Processes. The Committee has been strongly committed to a multidi- mensional and multidisciplinary approach to globalization and global processes and to using regional perspectives. -
Living Through Nigeria's Six-Year
“When We Can’t See the Enemy, Civilians Become the Enemy” Living Through Nigeria’s Six-Year Insurgency About the Report This report explores the experiences of civilians and armed actors living through the conflict in northeastern Nigeria. The ultimate goal is to better understand the gaps in protection from all sides, how civilians perceive security actors, and what communities expect from those who are supposed to protect them from harm. With this understanding, we analyze the structural impediments to protecting civilians, and propose practical—and locally informed—solutions to improve civilian protection and response to the harm caused by all armed actors in this conflict. About Center for Civilians in Conflict Center for Civilians in Conflict (CIVIC) works to improve protection for civil- ians caught in conflicts around the world. We call on and advise international organizations, governments, militaries, and armed non-state actors to adopt and implement policies to prevent civilian harm. When civilians are harmed we advocate the provision of amends and post-harm assistance. We bring the voices of civilians themselves to those making decisions affecting their lives. The organization was founded as Campaign for Innocent Victims in Conflict in 2003 by Marla Ruzicka, a courageous humanitarian killed by a suicide bomber in 2005 while advocating for Iraqi families. T +1 202 558 6958 E [email protected] www.civiliansinconflict.org © 2015 Center for Civilians in Conflict “When We Can’t See the Enemy, Civilians Become the Enemy” Living Through Nigeria’s Six-Year Insurgency This report was authored by Kyle Dietrich, Senior Program Manager for Africa and Peacekeeping at CIVIC. -
Amref Health Africa in the USA 2017 WE ARE an AFRICAN-LED ORGANIZATION TRANSFORMING AFRICAN HEALTH from WITHIN AFRICA
ANNUALANNUAL REPORTREPORT Amref Health Africa in the USA 2017 WE ARE AN AFRICAN-LED ORGANIZATION TRANSFORMING AFRICAN HEALTH FROM WITHIN AFRICA We strengthen health systems and train African health workers to respond to the continent’s health challenges: maternal and child health, non-com- municable and infectious diseases, access to clean water and sanitation, and surgical and clinical out- reach. Our approach is community-based and makes the people we reach partners, rather than just beneficiaries. Amref Health Africa ANNUAL REPORT 2017 2 WELCOME TO OUR ANNUAL REPORT 2017 was a landmark year for Amref Health Africa as we celebrated our 60th anniversary. Six decades of equipping African communities with the knowledge and tools to build sustainable and effective health systems. Thanks en- tirely to our donors. We hope you are proud to call yourselves a part of the Amref Health Africa family. In 2017 alone, we reached 9.6 million people with health services and trained 125,000 health workers thanks to your support. This achieve- ment should not be downplayed, especially within the context of the US Government drastically reducing their budget to foreign humanitarian aid, with the greatest cut to family planning programs. The people hardest hit by these cuts are women and children, the population that we primarily serve. We met this challenge head on and boosted our work in raising awareness of what we do in Africa and reaching more supporters. Our second annual ArtBall was bigger on all fronts and allowed us to engage with a vibrant com- munity of artists, art lovers, and musicians. -
A Consideration of Genevieve Nnaji's Lionheart
EJOTMAS: EKPOMA JOURNAL OF THEATRE AND MEDIA ARTS 83 http://dx.doi.org/10.4314/ejotmas.v7i1-2.6 BALANCING GENDER STEREOTYPES IN NOLLYWOOD: A CONSIDERATION OF GENEVIEVE NNAJI’S LIONHEART *Roselyn Vona DOGHUDJE Abstract The current increase in the protest for women’s right all over the world, amidst the resurgence of feminist critical thinking in mainstream culture, is giving film researchers a lot to reflect on. Based on previous researches, it can be deduced that very little progress has been made to correct the stereotypical portrayal of women in Nollywood films by both male and female producers. In order to examine the stereotypes and investigate the extent to these stereotypes reflect the social reality of both genders in real life, Lionheart, a movie produced by a veteran Nollywood actress, Genevieve Nnaji, with an average rating of 5.6/10 on IMDB (Internet Movie Database) and was nominated for an Oscar award was selected. Quantitative content analysis was applied and findings revealed that there was an effort by the producer to ‘demystify’ the power of men. The issues raised in the movie are topical and relevant to the feminist discourse on women’s representation in film and in the media generally. The movie also provides a way forward for gender-based discourse and serves as a point of reference for other female directors willing to interpret the role of women in a manner that is more accurate and truthfully reflective of their strengths and capacities. The study is anchored on stereotype content model (SCM). Keywords: Gender stereotypes, Nollywood films, Lionheart, Feminist critical thinking, SCM Introduction The discourse about gender stereotype is on the rise and there is no sign of slowing. -
Canadian Environmental Assessment Agency Shell.Reviews@Ceaa‐Acee.Gc.Ca
Canadian Environmental Assessment Agency Shell.Reviews@ceaa‐acee.gc.ca October 1, 2012 Dear Joint Review Panel Secretariat, Re: Shell Jackpine Mine Expansion We are submitting this as a request to present evidence to the Joint Review Panel hearings. This letter documents our serious concerns regarding the proposed project. One of us (Anna Zalik) was born in Alberta, lived and worked in Edmonton through her late 20s and received her first degree from the University of Alberta. The other (Isaac ‘Asume’ Osuoka) was born in Nigeria’s Niger Delta where he later devoted most of his adult life to working with communities impacted by the oil industry. This letter is informed by our individual experiences and academic research on oil industry socio‐ecological practices since 1997 (Osuoka) and 2001 (Zalik) respectively, and collaborative research since 2008. From 2000 to the present Zalik conducted extensive field work in oil‐producing regions of Nigeria and Mexico. From 2005 onward she initiated research on the sociology of the oil and gas industry in the US and in Canada from onward, with field research visits conducted in Northern Alberta and British Columbia since 2008. This work has included interviews with community members, government agencies, NGOs and industry representatives. Both of us have presented research in various international fora. With regard to precedents set through previous Shell Jackpine EIA processes, several of which are now in the JRP public materials and analysed by the Pembina Institute and Ecojustice, Shell did not fulfill its earlier commitment to the Oil Sands Environmental Coalition (OSEC)1 to mitigate CO2 emissions. -
Videos in Motion
Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/211 Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/2011 2 TABLE OF CONTENTS P. 5 INTRODUCTION. Videos in motion P. 16 CHAPTER I. Defining the field of enquiry: History, concepts and questions P. 40 SECTION I. Beyond the video boom: Informal circulation, crisis of production and processes of transnationalization in the southern Nigerian video industry P. 45 CHAPTER II. Regulating mobility, reshaping accessibility: The production crisis and the piracy scapegoat. P. 67 CHAPTER III. From Nollywood to Nollyworld: Paths of formalization of the video industry’s economy and the emergence of a new wave in Nigerian cinema P. 87 SECTION II. The “Nollywoodization” of the Nigerian video industry: Discursive constructions, processes of commoditization and the industry’s transformations. P. 93 CHAPTER IV. When the Nigerian video industry became “Nollywood”: Naming and branding in the videos’ discursive mobility. -
Political Philosophy in Postcolonial Africa: a Critical Examination of The
POLITICAL PHILOSOPHY IN POSTCOLONIAL AFRICA: A CRITICAL EXAMINATION OF THE IMPACT OF COLONIALISM AND MILITARY DICTATORSHIPS IN NIGERIA By Lillian Chioma Nwosu Submitted to Central European University School of Public Policy In partial fulfillment of the requirements for the degree of Master of Arts in Public Policy CEU eTD Collection Supervisor: Daniel Large Author’s declaration: Budapest, Hungary 2020 i Author’s Declaration: I, the undersigned Lillian Chioma Nwosu, hereby declare that I am the sole author of this thesis. To the best of my knowledge this thesis contains no material previously published by any other person except where proper acknowledgement has been made. This thesis contains no material which has been accepted as part of the requirements of any other academic degree or non-degree program, in English or in any other language. This is a true copy of the thesis, including final revisions. Date: June 12, 2020 Name: Lillian Chioma Nwosu CEU eTD Collection Signature: ii Abstract This thesis examines the impact of colonialism and military regimes on the development of political philosophy and government in postcolonial African countries, using Nigeria as a case study. Particularly, it interrogates the nature of the social contract in precolonial times, colonial times, and precolonial times. Using the Women’s War of 1929, it draws a contrast between the nature of the social contract in precolonial and colonial times. This thesis finds that while colonialism eroded the political systems and philosophies of the peoples of precolonial Nigeria, both colonialism and military rule heavily contributed to a strong culture of state authoritarianism, and the social contract was severely weakened by both events. -
Fiba Safeguarding Policy
FIBA SAFEGUARDING POLICY TABLE OF CONTENTS INTRODUCTION ........................................................................................................................ 1 Definitions ................................................................................................................................................. 1 ................................................................................................................................................ 2 The Five Pillars of Safeguarding .......................................................................................................... 2 Does this policy apply to me? When does it apply? ......................................................................... 3 What are my obligations? ...................................................................................................................... 3 RECOGNISING HARM ............................................................................................................... 5 Identifying an Adult at Risk .................................................................................................................... 5 Who can be an abuser? ......................................................................................................................... 5 What is Harm? ......................................................................................................................................... 6 What are the signs of Harm? ............................................................................................................... -
Cooperatives Empowering Women and the Family”
EXPERT GROUP MEETING PRESENTATION NEWYORK CITY Topic: “Cooperatives Empowering Women and the Family” DR. CHIYOGE B. SIFA Presentation 16-17th November 2016 1 | P a g e Introduction The International Co-operative Alliance is an independent, non-governmental organization established in 1895 to unite, represent and serve co-operatives worldwide. The Alliance provides a global voice and forum for knowledge, expertise and coordinated action for and about co- operatives. The members of the Alliance are international and national co-operative organizations from all sectors of the economy. The Alliance has members from over 100 countries, representing close to one billion individuals worldwide. The world’s largest 300 co-operatives and mutuals have grown their turnover by 7.20% to USD $2.53tn (2,533.1bn). The top 300 co-operatives come from 25 countries and have a combined turnover of USD $2.53 trillion (2,533bn), an increase of 7.20% from the USD $2.36tn reported in the 2015 monitor. Over 32% of these operate in agriculture, 39% in insurance, 19% in wholesale and retail trade and 6% in banking and financial services. Some of the top 300 co-ops are also active in the health and social care sector (1%), the industry sector (2%) and other services and activities. The Monitor gathers data on co-operatives across all continents, demonstrating the important role of co-operatives in the world economy. It has become the major global report for analysing the world’s co-operative movement, providing information for research into co-operative business enterprises.1 The International Co-operative Alliance Africa (the Alliance Africa) is one of the regional offices of the Alliance which serves, unites and represents its members in Africa through policy and political dialogue, capacity building and research with the ultimate aim of promoting and strengthening the co-operative movement in Africa. -
Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 by Añulika Agina
Toolkit: Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 By Añulika Agina Copyright: Genevieve Nnaji/TEN - The Entertainment Network Toolkit: Southern Nigerian Cinema 3 By Añulika Agina Toolkit: Southern Nigerian Cinema A significant amount of literature exists on the southern Nigerian cinema, which was inaugurated with the 1992 Igbo-language film, Living in Bondage. Little is known and documented about the colonial cinema of Nigeria and the period immediately after colonial rule. Although films were made in the 1970s and 1980s by filmmakers such as Eddie Ugboma, Ola Balogun and Ladi Ladebo, such films and critical analyses about them are not readily accessible. Hyginus Ekwuazi, Jonathan Haynes and Onookome Okome (see texts below) have written excellent accounts of the history of Nigerian cinema, especially of the Nollywood boom and the socio- cultural contexts that gave rise to them. The film industry in southern Nigeria is today the largest in Africa, producing over a thousand film titles per annum with locally sourced funds and distributed internationally. Foreign investment in Nigerian film is on the rise given the visibility that local productions have created at home and abroad. The government has also taken notice of the commercial viability of the industry and pledged billions of naira through the Bank of Industry to support the film business. The films receive critical acclaim and are commercial hits within Africa and among Africans in the diaspora. The sections below provide some critical texts and film titles to guide new comers to the nature and scholarship on the Nigerian film industry. The lists are by no means exhaustive; they only serve as a tip of the iceberg in the hope that interested parties can request additional information by emailing aa207@ soas.ac.uk or [email protected] Some Key Texts Ekwuazi, H. -
The State and Migration of Nigerians Into the European Union to Live in Spain
The State and Migration of Nigerians Into the European Union to Live In Spain Matthew OKIRI OKEYIM The State and Migration of Nigerians Into the European Union to Live In Spain BY Matthew OKIRI OKEYIM BSc (Political Science) Ibadan Nigeria MSc (International Relations) Ibadan Nigeria DEA (social Welfare and Inequality) Alicante, Spain University of Alicante – Sociology II Department Doctorate Thesis Submitted to the University of Alicante, Spain Sociology October 2012. Professor La Parra, Daniel University of Alicante Department of Sociology II Spain. This thesis is dedicated to the Almighty God, Patrick OKEYIM, Janet OKEYIM and ZULINA ANGELA OKEYIM for their endless support and encouragement. ACKNOWLEDGMENTS: Professor Roberto ESCARRE and Andrew OJO encouraged me to enroll in the PhD Program in the University of Alicante. I remain ever grateful to them for facilitating my admission into the Program in 2006. Prof. Oscar SANTACREU, and Prof. Eva ESPINAR, Prof. Marie OSE, Anna MERCEDES, Fernando DIAZ ORUETA, Professor Marie OSE chemical Sciences, Alicia WYNNARD of the library services, Anna in the department office and other Professors in the Department especially during my first year of the Program I am very grateful to them. Professor Daniel LA PARRA who kindly agreed to supervise me from 2009 during my period of investigation has been excellent and wonderful. Prof. Daniel introduced me to the International Doctorate which resulted to my going to the Queen Mary University of London where I spent 3 months from September 2010 - December 2010 for a jointly International Doctorate Supervision. Prof. Nair, Director of Hispanic and Migration studies, Queen Mary University of London, who kindly accepted in spite of her tight schedule for a jointly supervision of this International Doctorate was also very wonderful during my 3 stays in the United Kingdom. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society.