Group Visits & Private Tours 2013
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Department of English Language and Literature British Royal Wedding
Masaryk University Faculty of Education Department of English Language and Literature Denisa Čechová British Royal Wedding Protocol and Etiquette Bachelor Thesis Supervisor: Mgr. Jaroslav Izavčuk 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Denisa Čechová I would like to express my sincerest gratitude to my supervisor, Mgr. Jaroslav Izavčuk, who has supported me with his insightful thoughts, his professional as well as friendly approach and for his patience. Table of Contents INTRODUCTION ............................................................................................................ 5 1.1 Origin of court etiquette ..................................................................................... 9 1.2 History of British etiquette ............................................................................... 10 1.3 Importance of etiquette for current society in the United Kingdom ................ 13 2 MEANING AND HISTORY OF PROTOCOL IN EUROPE ................................ 14 3 CURRENT ROYAL PROTOCOL IN THE UNITED KINGDOM ....................... 16 3.1 Formal occasions and the Queen ...................................................................... 18 3.2 State visits and breaches of protocol ................................................................ 19 4 BRITISH ROYAL HOUSEHOLD ......................................................................... 23 4.1 Great Officers of State .................................................................................... -
Annual Report 2004/5 Corrected
THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010. -
Commercial in Confidence
TERMS OF APPLICATION FOR LEARNING GROUP ADMISSIONS You may apply to The Royal Collection Trust ("us") for Learning Group Admissions to those parts of the Official Residences (defined below) open to the public subject to these Terms of Application and the Conditions of Admission to the Official Residences each as may be amended from time to time by us by posting the amended version on www.royalcollection.org.uk ("Conditions"). The Conditions were last updated on 04 December 2015. 1. Definitions In the Conditions the following words shall have the following meanings: "Admission" means a ticket or other entitlement issued by us allowing you to visit the specified Residence on the date (if any) and at the time (if any) stated on the ticket or other entitlement and which may be converted in certain circumstances (depending upon the type of entitlement) into a 1-Year Pass; "Agent" means a travel agent, tour operator or similar commercial person to whom the Conditions apply; "Conditions of means The Royal Collection Trust Conditions Admission to the of Admission to the Official Residences, as Official Residences" may be amended from time to time, the current version of which is available at www.royalcollection.org.uk; "Learning Group" means a group of people visiting the Residence for educational purposes and consisting of the number of people specified in the Admission or as varied pursuant to the Conditions; "Organiser" means the person (who is not an Agent) organising the Group's visit to the Residence and who makes the application for the Group’s Admissions; "the Official Residences" means the State Rooms and Garden at Buckingham Palace; the Royal Mews; The Queen's Gallery, Buckingham Palace; Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. -
The Sovereign and Parliament
Library Note The Sovereign and Parliament The Sovereign fulfils a number of ceremonial and formal roles with respect to Parliament, established by conventions, throughout the parliamentary calendar. The State Opening of Parliament marks the beginning of each new session of Parliament. It is the only routine occasion when the three constituent parts of Parliament—that is the Sovereign, the House of Lords and the House of Commons—meet. The Queen’s Speech during State Opening is the central element around which the ceremony pivots, without which no business of either the House of Lords or the House of Commons can proceed. Each ‘Parliament’ lasts a maximum of five years, within which there are a number of sessions. Each session is ‘prorogued’ to mark its end. An announcement is made in the House of Lords, to Members of both Houses following the Queen’s command that Parliament should be prorogued by a commissioner of a Royal Commission. At the end of the final session of each Parliament—which is immediately prior to the next general election—Parliament is also dissolved. Following the Prime Minister’s advice, the Sovereign issues a proclamation summoning the new Parliament, appointing the day for the first meeting of Parliament. All bills must be agreed by both Houses of Parliament and the Sovereign before they can become Acts of Parliament. Once a bill has passed both Houses, it is formally agreed by the Sovereign by a process known as royal assent. Additionally, Queen’s consent is sometimes required before a bill completes its passage through Parliament, if the bill affects the Sovereign. -
FACT SHEET Frogmore House Frogmore House
FACT SHEET Frogmore House Frogmore House is a private, unoccupied residence set in the grounds of the Home Park of Windsor Castle. It is frequently used by the royal family for entertaining. It was recently used as the reception venue for the wedding of The Queen’s eldest grandson, Peter Phillips, to Autumn Kelly, in May 2008. How history shaped Frogmore The estate in which Frogmore House now lies first came into royal ownership in the 16th century. The original Frogmore House was built between 1680 and 1684 for tenants Anne Aldworth and her husband Thomas May, almost certainly to the designs of his uncle, Hugh May who was Charles II’s architect at Windsor. From 1709 to 1738 Frogmore House was leased by the Duke of NorthumberlandNorthumberland, son of Charles II by the Duchess of Cleveland. The House then had a succession of occupants, including Edward Walpole, second son of the Prime Minister Sir Robert Walpole. In 1792 George III (r. 1760-1820) bought Frogmore House for his wife Queen CharlotteCharlotte, who used it for herself and her unmarried daughters as a country retreat. Although the house had been continuously occupied and was generally in good condition, a number of alterations were required to make it fit for the use of the royal family, and architect James Wyatt was appointed to the task. By May 1795, Wyatt had extended the second floor and added single- storey pavilions to the north and south of the garden front, linked by an open colonnade and in 1804 he enlarged the wings by adding a tall bow room and a low room beyond, to make a dining room and library at the south end and matching rooms at the north. -
THE RIVER THAMES a Complete Guide to Boating Holidays on the UK’S Most Famous River the River Thames a COMPLETE GUIDE
THE RIVER THAMES A complete guide to boating holidays on the UK’s most famous river The River Thames A COMPLETE GUIDE And there’s even more! Over 70 pages of inspiration There’s so much to see and do on the Thames, we simply can’t fit everything in to one guide. 6 - 7 Benson or Chertsey? WINING AND DINING So, to discover even more and Which base to choose 56 - 59 Eating out to find further details about the 60 Gastropubs sights and attractions already SO MUCH TO SEE AND DISCOVER 61 - 63 Fine dining featured here, visit us at 8 - 11 Oxford leboat.co.uk/thames 12 - 15 Windsor & Eton THE PRACTICALITIES OF BOATING 16 - 19 Houses & gardens 64 - 65 Our boats 20 - 21 Cliveden 66 - 67 Mooring and marinas 22 - 23 Hampton Court 68 - 69 Locks 24 - 27 Small towns and villages 70 - 71 Our illustrated map – plan your trip 28 - 29 The Runnymede memorials 72 Fuel, water and waste 30 - 33 London 73 Rules and boating etiquette 74 River conditions SOMETHING FOR EVERY INTEREST 34 - 35 Did you know? 36 - 41 Family fun 42 - 43 Birdlife 44 - 45 Parks 46 - 47 Shopping Where memories are made… 48 - 49 Horse racing & horse riding With over 40 years of experience, Le Boat prides itself on the range and 50 - 51 Fishing quality of our boats and the service we provide – it’s what sets us apart The Thames at your fingertips 52 - 53 Golf from the rest and ensures you enjoy a comfortable and hassle free Download our app to explore the 54 - 55 Something for him break. -
From Allegory to Domesticity and Informality, Elizabeth I and Elizabeth II
The Image of the Queen; From Allegory to Domesticity and Informality, Elizabeth I and Elizabeth II. By Mihail Vlasiu [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme September 2000 © Mihail Vlasiu ProQuest Number: 13818866 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818866 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW 1 u n iv er sity .LIBRARY: \1S3lS Abstract This thesis focuses on issues of continuity and change in the evolution royal portraiture and examines the similarities and differences in portraying Elizabeth I in the 16th and 17th centuries and Elizabeth II in the 20th century. The thesis goes beyond the similarity of the shared name of the two monarchs; it shows the major changes not only in the way of portraying a queen but also in the way in which the public has changed its perception of the monarch and of the monarchy. Elizabeth I aimed to unite a nation by focusing the eye upon herself, while Elizabeth II triumphed through humanity and informality. -
Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue. -
Builders & Developers Address Listed Maybe Offices, Workshop Or Home Of
Builders & Developers http://www.pomeroyofportsmouth.uk/portsmouth-local-history.html Address listed maybe offices, workshop or home of builder. Buildings known to be credited to builders are listed after the other details. Planning applications list builder and owner in same column so it can difficult to decide whether a person is a builder or owner. Some builders are not local. The old applications are like the current ones and all the listed buildings may not have been built or may be a later application for the same site. [Application Number]; {xxx} additional information not in original record Mabbs, E 1946 25 Allcot Road, Ernest Henry Mabbs, no trade listed 1 1948-1962 25 Allcot Road, Ernest Henry Mabbs, Decorator 1 1964-1975 25 Allcot Road, Ernest Henry Mabbs, Builder 1 Mabbs & Parsons Works 1925 [22765] 119 Walmer Road covered way by Mabbs & Parsons for H.C Mabbs 95 C.F.Macey & Sons 1948 Knox Road, between 39 & 41, C.F Macey & Sons, Builders Workshop 1 1948 126 Stamshaw Road, C.F Macey & Sons, Builders 1 1951-1958 126 Stamshaw Road, Frank Macey, no trade listed 1 Macfarlane 1946 160 Haslemere Road, Thomas Wilkins &William MacFarlane , Builders 1 1948-1951 160 Haslemere Road, William MacFarlane, Builder 1 1956 55 Cornwall Road, William Edward McFarlane, no trade listed 1 1958 55 Cornwall Road, W.E McFarlane, Builder 1 1956-1960 94a Wingfield Street, W.E McFarlane, Builder Yard 1 Macklin, William 1891 52 Binsteed Road, William Macklin, 45, Painter, Eliza, 45; sons William G, 23, Stone Mason; John J, 18, Carman; Henry J, 16, Painter’s -
Royal Mews Teachers' Pack
The Royal Mews, Buckingham Palace Teachers’ Information - 2012 Your booking 2 Arriving at the Royal Mews 4 Your visit 5 About the Royal Mews 7 A day in the life of the Royal Mews 9 This information will help you and your group make the most of your visit. If you have any further questions, please contact the Education Bookings Team on 020 7766 7323 Also included: Royal Mews Guidebook Postcards Coach Pass Learning Bookings Team Ticket Sales and Information Office The Official Residences of The Queen London SW1A 1AA Telephone 020 7766 7323 Fax 020 7930 9625 e-mail [email protected] 1 We hope you enjoy your visit to the Royal Mews About your booking Is my booking confirmed? Your visit has been reserved. On your reservation letter you will find a date by which full payment must be received. A confirmation letter will be sent on receipt of your payment. Please read your reservation letter carefully; if any details are incorrect please telephone us on 020 7766 7323. A copy of the full terms and conditions is available on request, including details of cancellations, refunds or additions to your group prior to the visit. How do I arrange a complimentary planning visit? If you and a colleague would like to make a planning visit to the Royal Mews before your booked session, please contact the Education Bookings Team on 020 7766 7323 to arrange 2 complimentary tickets. Your tickets will be available for collection at the Royal Mews on the day. If you would like to meet a member of the Education team as part of your planning visit, please advise us when you make your booking. -
Queen Elizabeth's Platinum Jubilee & Royal Palaces
NEW Queen Elizabeth’s Platinum Jubilee & Royal Palaces August 8 to 17, 2022 From $5,340 per person You are cordially invited on a grand tour of England’s Royal Palaces to celebrate one of the most historic milestones in British history, Queen Elizabeth II’s Platinum Jubilee. During this regal affair we discover a fascinating range of sovereign landmarks; starting in London before venturing further afield to Cambridge, King’s Lynn and of course Windsor. Follow in the footsteps of Britain’s longest-reigning monarch as we Buckingham Palace weave our way around a splendid collection of magnificent palaces, Royal residences, famous country retreats and some of the Special extras included most glorious gardens in England. in your itinerary Ten Day Itinerary Guided tour of Royal London August 8: Arrival (depart U.S. on 8/7) Guided tour of Eltham Palace On arrival at Heathrow airport, a private transfer Audio guided tour of Buckingham Palace will take you to The Royal Horseguards Hotel, Guided tour of Clarence House where we stay for the first four nights of our tour. In the evening, join the group for a welcome drink, Guided out-of-hours private tour of followed by dinner. Kensington Palace Meals: Dinner Private guided tour of Hampton Court Palace August 9: Royal London, Guided walking tour of Cambridge Eltham Palace and Guided tour of Burghley House Queen’s House Greenwich Guided tour of Hatfield House We start today with a guided tour of Royal London, Audio guided tour of Windsor Castle by coach and on foot, which includes the Tower of Guided tour of Frogmore House London, the oldest building in London. -
Tudors to Windsors: British Royal Portraits 16 March – 14 July
Tudors to Windsors: British Royal Portraits 16 March – 14 July Chris Levine, Queen Elizabeth II (Lightness of being), 2007 National Portrait Gallery, London • Founded in 1856, the National Portrait Gallery was the first gallery established exclusively for displaying portraiture. The Gallery’s collection includes a wide variety of works such as painting, sculpture, photography, prints and caricatures. Tudors to Windsors is the first time the NPG has toured their outstanding collection of royal portraiture. Bendigo Art Gallery has collaborated with the National Portrait Gallery on several occasions but this is by far the most extensive exhibition the NPG has ever sent to Australia and Bendigo Art Gallery is one of only two venues in the world, the other being Houston, Texas. The exhibition traces many of the major events in British history, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. The exhibition explores five royal dynasties, from the Tudors to the Windsors, and includes works by many of the most important artists to have worked in Britain. • Alongside the works of art from the National Portrait Gallery, Bendigo Art Gallery has secured some additional loans to further explain the lives of these fascinating characters. Special loans from the Royal Armouries and Historic Royal Palaces add a further dimension to this exhibition. 1483-1603 Above after Titian, Philip II, king of Spain 1555, oil on panel Right after Hans Holbein the younger King Henry VIII, c.1540s, oil on wood panel Art Gallery of South Australia, Adelaide • The Tudors are one of the most famous royal dynasties in the world.