DOCSLIB.ORG

The Gardens of Kent & Sussex

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Gardens of Kent & Sussex The Isle of Wight 10 – 14 August 2019 from £865.00 2019 is the 200th anniversary of the birth of Queen Victoria, so it is appropriate that there are several connections with that great monarch in the course of this tour, from the ancient royal residence of Windsor Castle to the rarely-opened Frogmore House and splendid Osbourne House on the Isle of Wight. Elsewhere on the island we explore some fine castles, houses and gardens, including Carisbrooke Castle a romantic fortress with panoramic views, Mottistone Manor with its Mediterranean-style garden, and the New and Old Batteries on the Needles, evidence of the Isle of Wight’s strategic position as a defence against the enemy. We also take a cruise around the Solent and over to Portsmouth, where there are usually a few warships to be seen, and enjoy a taste-bud tingling tour and lunch at a garlic farm. Itinerary Saturday 10 August 2019 We depart by coach from York and head south, stopping en route for refreshments (not included). In the afternoon we visit Windsor Castle, the scene of countless royal occasions over the centuries, most recently the wedding of the Duke and Duchess of Sussex. Windsor was originally built by William the Conqueror in the decade after the Norman Conquest of 1066, as part of a defensive ring of motte and bailey castles around London. The castle survived a tumultuous period during the English Civil War, in which it was used as a military headquarters for Parliamentary forces and a prison for Charles I. After a period of neglect during the 18th century, George III and George IV renovated and rebuilt Charles II's Baroque palace at colossal expense. Our free-flow tour includes the State Apartments, furnished with some of the finest works from the Royal Collection, including paintings by Van Dyck and Holbein, Sèvres porcelain and exquisite English and French furniture. Another highlight is Queen Mary’s Dolls House, a perfect miniature replica of a 20th century aristocratic home. We will also see St George’s Chapel, scene of that royal wedding. Following our visit we continue to Portsmouth where we will board a ferry to Fishbourne. We then travel to our accommodation at the Royal Esplanade Hotel in Ryde, where a welcome drink dinner will be served in the evening. Sunday 11 August 2019 This morning after breakfast, we travel to East Cowes for a visit to Osborne House & Gardens. With views onto the Solent, this was Queen Victoria’s favourite home, which boasts the most impressive formal gardens on the island. These include a recently restored walled garden and an attractive tree-lined walk to the Swiss Cottage, built as a spectacular Wendy House for the Royal children. Here we will enjoy a guided tour of the Gardens, conducted by one of the gardening staff. After lunch in the Terrace Restaurant (included) we continue with a guided tour of the House. Here we will see the sumptuous state rooms, whose furnishings reflect the passions, taste and style of Victoria and Albert, and the family rooms, including the bedroom where Queen Victoria passed away on 22 January 1901. Later we will visit the Swiss Cottage, the large Wendy house which Victoria and Albert’s nine children loved to play in, and take the shuttle down to the beach, another favourite haunt of the royal children. We return to our hotel, where dinner will be served in the evening. Monday 12 August 2019 Following breakfast our exploration of the island continues as we drive to the westernmost point at Alum Bay, where we visit the Needles Old Battery and New Battery (NT). Perched high above the the famous chalk cliffs of the Needles, with unrivalled views of the Solent and unspoilt countryside, the Needles Old Battery is a Victorian fort built in 1862 and used throughout both World Wars. The Battery’s fascinating story is told in a series of newly recreated, atmospheric rooms, whilst vivid cartoons by comic book artist Geoff Campion illustrate the part it played in the history of modern Britain. There are two original guns on the Parade Ground and an underground tunnel leads to a searchlight emplacement with dramatic views over the Needles rocks. A small exhibition in the underground rooms of The New Battery, further up the headland, reveals the astonishing and little-known story of Britain's Cold War 'race for space', when British-made rockets were tested here under conditions of great secrecy. We continue to the gardens of Mottistone Manor (NT), near the quaint village of Brook. The gardens were laid out in the 1960s and 70s by Sir John and Lady Nicholson, who brought a Mediterranean influence to the styling. Its key attractions include colourful herbaceous borders, shrubs, flowering fruit trees, a rose garden and sea views. Lunch is available here (not included). In the afternoon we take to the water as we enjoy a cruise from Cowes, the famous yachting venue, out into The Solent, where once the great trans-Atlantic liners turned west and headed for New York, and across to Portsmouth, home of the Royal Navy, where there are usually a few warships to be seen. On our return to Cowes we will drive back to the hotel, where dinner is served in the evening. Tuesday 13 August 2019 This morning after breakfast we travel to Carisbrooke Castle, a quintessential romantic castle, which has been an Elizabethan artillery fortress, a king's prison and a royal summer residence. Here we can enjoy far reaching panoramic views from high castle walls, meet the loveable donkeys and see them work, visit a fascinating museum and see the Castle’s Edwardian style garden. We move on to Godshill, a quintessential English Village which boasts some of the oldest architecture on the Isle of Wight. With its delightful medieval church, charming thatched roof cottages and a winding main-street lined with traditional tearooms, Godshill is as picturesque as it is popular. It is also known for being the site of the first ever Isle of Wight Festival, which took place at Ford Farm in 1968. We continue with a visit to The Garlic Farm at Newchurch, where we will be taken through the fields by tractor and trailer, with a member of staff telling us all about garlic growing on the way. We will then enjoy a light lunch (included), which will of course feature some of the farm’s own garlic in one form or another. In the afternoon we drive to Shanklin to visit the world famous gorge entered from Shanklin Old Village. Dropping 105ft from the top of the cliff to sea level, Shanklin Chine is a natural fissure in the cliff, formed by water cutting through sandstone to the sea. The chine walk leads through a deeply shaded path winding down beside waterfalls to the shore and along the way there are more than 150 varieties of wild plants and many species of moss to discover. Following this we will have some free time to wander through the Old Village with its picturesque thatched cottages, traditional craft shops, tea rooms and public gardens. We return to our hotel where dinner will be served once again this evening. Wednesday 14 August 2019 Following breakfast this morning, we begin our homeward journey, transferring to Fishbourne to catch a morning ferry to Portsmouth. We then travel north to the Savill Gardens in Windsor, one of Britain’s greatest ornamental gardens. Neither a botanical garden, nor a kitchen garden attached to a great house, it is a garden for the garden’s sake, enjoyed by horticulturalists and enthusiasts alike. It never fails to charm visitors who come to explore its 35 acres of contemporary and classically designed gardens and exotic woodland. Developed under the patronage of Kings and Queens, The Savill Garden was created in the 1930s by Sir Eric Savill. It began as a woodland garden, with native oak, beech and sweet chestnut trees, but has since evolved by incorporating many new plants over the years. Lunch is included here. Our final visit takes us to Frogmore House, which is only open to the public on certain days in August. The interests and talents of several generations of the royal family influenced Frogmore's interior as we see it today. Queen Charlotte's passion for botany is reflected in the decoration of the house. She commissioned the renowned 18th-century flower painter Mary Moser to decorate one of the principal rooms so it resembled an arbour open to the skies. The Cross Gallery was painted with garlands by Princess Elizabeth, the daughter of George III and Queen Charlotte. For almost 20 years, Frogmore was the home of Queen Victoria's mother, The Duchess of Kent. Works by her and her daughter are on display in the house. Queen Victoria often visited Frogmore during her long widowhood and worked on her papers there. You can also see watercolours by her daughters, the Princess Victoria and Louise in the house. Our visit ends in the Britannia Room which is furnished with a selection of items from the Royal Yacht Britannia. When the much-loved vessel was decommissioned in 1997, The Duke of Edinburgh arranged for the items to be moved to Frogmore. We will then return to our original pick-up point in York with arrival due in the evening. Included in the price Four nights’ dinner, bed and full breakfast at the Royal Esplanade Hotel, Ryde. All rooms have private facilities Three lunches Return ferry crossings between Portsmouth and Fishbourne Comfortable coaching throughout Visits to Windsor Castle, Osborne House & Gardens, the Needles Old and New Batteries, Shanklin Village & Gorge, The Garlic Farm, Mottistone Manor, Carisbrooke Castle, Godshill, the Savill Gardens and Frogmore House Cruise from Cowes to Portsmouth Services of a Brightwater Holidays tour manager Not Included (per person) Single room supplement £200.00 Insurance TBA .
Load more

Recommended publications
  • 'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
    ‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’.
    [Show full text]
  • Victoria: the Irg L Who Would Become Queen Lindsay R
    Volume 18 Article 7 May 2019 Victoria: The irG l Who Would Become Queen Lindsay R. Richwine Gettysburg College Class of 2021 Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the History Commons Share feedback about the accessibility of this item. Richwine, Lindsay R. (2019) "Victoria: The irlG Who Would Become Queen," The Gettysburg Historical Journal: Vol. 18 , Article 7. Available at: https://cupola.gettysburg.edu/ghj/vol18/iss1/7 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Victoria: The irG l Who Would Become Queen Abstract This research reviews the early life of Queen Victoria and through analysis of her sequestered childhood and lack of parental figures explains her reliance later in life on mentors and advisors. Additionally, the research reviews previous biographical portrayals of the Queen and refutes the claim that she was merely a receptacle for the ideas of the men around her while still acknowledging and explaining her dependence on these advisors. Keywords Queen Victoria, England, British History, Monarchy, Early Life, Women's History This article is available in The Gettysburg Historical Journal: https://cupola.gettysburg.edu/ghj/vol18/iss1/7 Victoria: The Girl Who Would Become Queen By Lindsay Richwine “I am very young and perhaps in many, though not in all things, inexperienced, but I am sure that very few have more real good-will and more real desire to do what is fit and right than I have.”1 –Queen Victoria, 1837 Queen Victoria was arguably the most influential person of the 19th century.
    [Show full text]
  • Annual Report 2004/5 Corrected
    THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010.
    [Show full text]
  • Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
    Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1).
    [Show full text]
  • A Study of the Floral Biology of Viciaria Amazonica (Poepp.) Sowerby (Nymphaeaceae)
    A study of the Floral Biology of Viciaria amazonica (Poepp.) Sowerby (Nymphaeaceae) Ghillean T. Prance (1) Jorge R. Arias (2) Abstract Victoria and the beetles which visit the flowers in large numbers, and to collect data A field study of the floral biology of Victoria on V. amazonica to compare with the data of amazonica (Poepp.) Sowerby (Nymphaeaceae) was Valia & Girino (1972) on V. cruziana. made for comparison with the many studies made in cultivated plants, of Victoria in the past. In thE: study areas in the vicinity of Manaus, four species HISTORY OF WORK ON THE FLORAL of Dynastid beetles were found in flowers of V. BIOLOGY OF VICTORIA. amazonica, three of the genus Cyclocephala and one o! Ligyrus . The commonest species of beetle The nomenclatura( and taxonomic history proved to be a new species of Cyclocephala and was found in over 90 percent of the flowers studied. of the genus has already been summarized in The flowers of V. amazonica attract beetles by Prance (1974). where it has been shown that their odour and their white colour on the first the correct name for the Amazonian species day that they open. The beetles are trapped in the of Victoria is V. amazonica, and not the more flower for twenty-four hours and feed on the starchy carpellary appendages. Observations were frequently used name, V. regia. The taxonomic made of flower temperature, which is elevated up history is not treated further here. to 11 aC above ambient temperature, when the flower Victoria amazonica has been a subject of emits the odour to attract the beetles.
    [Show full text]
  • Commercial in Confidence
    TERMS OF APPLICATION FOR LEARNING GROUP ADMISSIONS You may apply to The Royal Collection Trust ("us") for Learning Group Admissions to those parts of the Official Residences (defined below) open to the public subject to these Terms of Application and the Conditions of Admission to the Official Residences each as may be amended from time to time by us by posting the amended version on www.royalcollection.org.uk ("Conditions"). The Conditions were last updated on 04 December 2015. 1. Definitions In the Conditions the following words shall have the following meanings: "Admission" means a ticket or other entitlement issued by us allowing you to visit the specified Residence on the date (if any) and at the time (if any) stated on the ticket or other entitlement and which may be converted in certain circumstances (depending upon the type of entitlement) into a 1-Year Pass; "Agent" means a travel agent, tour operator or similar commercial person to whom the Conditions apply; "Conditions of means The Royal Collection Trust Conditions Admission to the of Admission to the Official Residences, as Official Residences" may be amended from time to time, the current version of which is available at www.royalcollection.org.uk; "Learning Group" means a group of people visiting the Residence for educational purposes and consisting of the number of people specified in the Admission or as varied pursuant to the Conditions; "Organiser" means the person (who is not an Agent) organising the Group's visit to the Residence and who makes the application for the Group’s Admissions; "the Official Residences" means the State Rooms and Garden at Buckingham Palace; the Royal Mews; The Queen's Gallery, Buckingham Palace; Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T.
    [Show full text]
  • Job Description
    The Royal Household JOB DESCRIPTION JOB TITLE: Administrator, Picture Conservation Studio DEPARTMENT: Royal Collection Trust SECTION/BRANCH: Paintings Conservation LOCATION: Windsor Castle REPORTING TO: Registrar (Pictures) and Conservation Studio Co-ordinator Job Context Royal Collection Trust is a department of the Royal Household and the only one that undertakes its activities without recourse to public funds. It incorporates a charity regulated by the Charity Commission and the Office of the Scottish Charity Regulator, The Royal Collection Trust, and its subsidiary trading company, Royal Collection Enterprises Limited. Royal Collection Trust is charged with the care and preservation of the Royal Collection and its presentation to the public. The Royal Collection is one of the largest and most important art collections in the world. It comprises almost all aspects of the fine and decorative arts, runs to more than a million objects and is spread among some thirteen royal residences and former residences across the UK. At The Queen’s Galleries in London and Edinburgh, aspects of the Collection are displayed in a programme of temporary exhibitions. Many works from the Collection are on long-term loan to institutions throughout the UK and short-term loans are regularly made to exhibitions around the world as part of a commitment to broaden public access and to show parts of the Collection in new contexts. The works of art in the Royal Collection are held by The Queen in trust for her successors and the nation. Royal Collection Trust is responsible for the management and financial administration of the public opening of Buckingham Palace (including The Queen’s Gallery, the Royal Mews and Clarence House), Windsor Castle (including Frogmore House) and the Palace of Holyroodhouse (including The Queen’s Gallery).
    [Show full text]
  • JEWELS of the EDWARDIANS by Elise B
    JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century.
    [Show full text]
  • Victoria & Abdul
    Victoria & Abdul For those Anglophiles who want another immersion in the warm, luxurious stew of the British monarchy, look no further for your latest fix than “Victoria and Abdul,” an engaging if utterly predictable dip into late Victorianism by a whole passel of old British pros, plus an attractive newcomer. All you need to know is that Dame Judi Dench rules this film as Queen Victoria, way late in her reign, alienated from her son (the future Edward VII), sour as vinegar from her unending rule, and looking for some—any—breath of the novel and the fresh. As she herself admits when challenged in the film: ”I am cantankerous, greedy, fat; I am perhaps, disagreeably, attached to power.” Her relief comes in the form of one Abdul Karim, a young, literate Indian Muslim (Ali Fazal) who is selected to come to London from Agra in 1887 to deliver a special commemorative coin to Her Majesty on the occasion of her Golden Jubilee. Abdul is supposed to be invisible to the Queen, but instead he catches her eye, then her mood, and finally, her spirit to the point where he becomes her teacher, or “munshi,” in all things Muslim and Indian as well as serving as her clerk. Theirs is a relationship which appalls her family—including the Prince of Wales (a bombastic Eddie Izzard)— and the court—especially in the person of Sir Henry Ponsonby (the uptight Tim Pigott- Smith) but which lasted until the Queen’s death in 1901. Sound familiar? Of course, we are in the same realm as the earlier “Mrs.
    [Show full text]
  • FACT SHEET Frogmore House Frogmore House
    FACT SHEET Frogmore House Frogmore House is a private, unoccupied residence set in the grounds of the Home Park of Windsor Castle. It is frequently used by the royal family for entertaining. It was recently used as the reception venue for the wedding of The Queen’s eldest grandson, Peter Phillips, to Autumn Kelly, in May 2008. How history shaped Frogmore The estate in which Frogmore House now lies first came into royal ownership in the 16th century. The original Frogmore House was built between 1680 and 1684 for tenants Anne Aldworth and her husband Thomas May, almost certainly to the designs of his uncle, Hugh May who was Charles II’s architect at Windsor. From 1709 to 1738 Frogmore House was leased by the Duke of NorthumberlandNorthumberland, son of Charles II by the Duchess of Cleveland. The House then had a succession of occupants, including Edward Walpole, second son of the Prime Minister Sir Robert Walpole. In 1792 George III (r. 1760-1820) bought Frogmore House for his wife Queen CharlotteCharlotte, who used it for herself and her unmarried daughters as a country retreat. Although the house had been continuously occupied and was generally in good condition, a number of alterations were required to make it fit for the use of the royal family, and architect James Wyatt was appointed to the task. By May 1795, Wyatt had extended the second floor and added single- storey pavilions to the north and south of the garden front, linked by an open colonnade and in 1804 he enlarged the wings by adding a tall bow room and a low room beyond, to make a dining room and library at the south end and matching rooms at the north.
    [Show full text]
  • The Young Victoria Production Notes
    THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her.
    [Show full text]
  • Osborne Teachers' Resource Pack (KS2-KS3)
    KS2–KS3 TEACHERS’ RESOURCE PACK Osborne This resource pack will help teachers plan a visit to Osborne, which offers unrivalled insight into the private lives of Queen Victoria and Prince Albert and the empire over which they ruled. Use this pack in the classroom to help students get the most out of their learning about Osborne. INCLUDED • Historical Information • Glossary • Sources • Site Plan Get in touch with our Education Booking Team 0370 333 0606 [email protected] https://bookings.english-heritage.org.uk/education Don’t forget to download our Hazard Information Sheets and Discovery Visit Risk Assessments to help with planning: • The Adventures of a Victorian Explorer (KS2) • Waiting on Hand and Foot (KS2) • Story Mat (KS1) Share your visit with us on Twitter @EHEducation The English Heritage Trust is a charity, no. 1140351, and a company, no. 07447221, registered in England. All images are copyright of English Heritage or Historic England unless otherwise stated. Published January 2018 HISTORICAL INFORMATION DISCOVER THE STORY OF Below is a short history of Osborne. Use this OSBORNE information to learn how the site has changed over time. You will find definitions of the key words in the Glossary. AN EXCELLENT HOME In October 1843, Queen Victoria and Prince Albert were looking for a new country home for their ever-growing family. The royal couple visited the Osborne estate in 1844 and Victoria was delighted with how private it was: ‘…we can walk anywhere without being mobbed or followed.’ Best of all, it had Osborne House was built of brick its own beach where they could come and with a smooth cement layer on top to make the house look as if go by boat without being seen.
    [Show full text]